Jason Carroll is serving life in prison for a murder he says he didn’t commit. The only evidence against him? His own taped confession. More than 30 years later, is it possible to get to the truth – and who gets to tell it?

From the creators of the hit podcast Bear Brook comes A True Crime Story. In the show’s second season, host Jason Moon returns with a new, even more complex story: In 1989, New Hampshire police charged three men in the murder of a pregnant woman named Sharon Johnson. But only 19-year-old Jason Carroll was convicted. Police built the case against him around his own taped confession.

For more than 30 years, that story has profoundly shaped the lives of many people. A True Crime Story is about what happens when the official narrative is challenged. When alternate versions are told by lawyers – and podcasters – as part of a mounting effort to free Jason Carroll from prison and clear his name. 

Host Jason Moon documents how those involved grapple with the idea that the prevailing story about who killed Sharon Johnson could be a lie. And he brings a fresh examination of the evidence to a state that has never exonerated anyone for murder.

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Photos, transcripts and more at bearbrookpodcast.com.

Bear Brook has been named an Apple Podcasts Series Essential. Time Magazine named it one of the 100 best podcasts of all time. 

Do you have information about the Bear Brook murders or the Sharon Johnson murder case? Email us.

Bear Brook, hosted by Jason Moon, is the critically-acclaimed true crime podcast from New Hampshire Public Radio. 

Season 1 - Two barrels. Four Bodies. And a cold case that’s changing how murders will be investigated forever.

Season 2: A True Crime Story - Jason Carroll is serving life in prison for a murder he says he didn’t commit. The only evidence against him? His own taped confession. More than 30 years later, is it possible to get to the truth – and who gets to tell it?

Stephen King called both seasons “the best true crime podcasts I've ever heard. Brilliant, involving, hypnotic.” The New Yorker said season one “stands out for its ambition, complexity, and thoughtful tone.” 

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