Another one in the books! To celebrate a truly special year in cinema, the boys count down their favorite films of 2025. Did your personal picks make the cut? Find out!

Silly Caucasian boys like to play with samurai swords. With the unedited edition of KILL BILL finally hitting theaters, the fellas sit down with their buddy James Emanuel Shapiro to talk about Quentin Tarantino's magnum opus. Is it the best movie ever made, or the most movie ever made?

Ho ho ho motherfuckers, It's Christmas Time at Secret Handshake, so we fired up some of our favorite holiday set neo noir shoot 'em ups for old time's sake. Shane Black has always been one of the best, and it's time to tell you why.

It's not a podcast about Guillermo del Toro...it's a podcast with Guillermo del Toro in it. To commemorate the release of FRANKENSTEIN, the boys look back at El Gordo's artsy creature feature filmography, starting with one of Marten's all-time favorites: THE DEVIL'S BACKBONE (2001). You might be surprised where their taste overlaps (and radically differs)!

Let's party! They boys head to their local mortuary (not to mention the Exhumed Films Horror Thon) to throw a Halloween party and end up getting menaced by some dirty, horny monsters with NIGHT OF THE DEMONS (1988). Are there razor blades hidden in those candy apples? Take a bite and find out.

BITCHES LEAVE! The boys break down the filmography of one of Jacob's heroes: the Mad Dutchman himself, Paul Verhoeven. How many Facemelters does one man have in his body of work? We're not sure, but we'd certainly buy them all for a dollar!

I am everyone. No one. Everywhere. Nowhere. Call me...Darkman. The boys talk about their favorite comic movie that's not actually adapted from a real comic: Sam Raimi's Darkman. Is it as good as they remember? And where does it place in their Raimi rankings? Find out.

Never stop recording, for fuck's sake! The boys delve deep into the found footage phenomenon, starting with Jaume Balagueró and Paco Plaza's deeply unsettling Spanish sensation, [REC]. Will anyone put the camera down, or will we see the last things they ever did before their untimely demises? Find out here.

WHY YOU CHASING ME?

WHY YOU RUNNING?

The boys are in hot pursuit of the filmography of Bad Boy Billy Friedkin, using his coked out '80s crime opus TO LIVE AND DIE IN LA as a jumping off point to discuss one of the great bodies of work in American cinema history. Will they catch Rick Masters in the process? Find out now.

If they move...kill 'em! The boys jump on their trusty steeds and make sure their iron's loaded as they head toward Mexico to interrogate the nasty, violent works of "Bloody" Sam Peckinpah, starting with his watershed transitional Western, RIDE THE HIGH COUNTRY ('62). Saddle up for a long ride filled with booze, women, and many, many dead bodies as they bond over this essential filmmaker's output.