*Published Originally at MissioAlliance.org

Makoto Fujimura is an internationally renowned artist, writer and speaker who serves as the director of Fuller Theological Seminary’s Brehm Center for Worship, Theology, and the Arts. He is also the founder of the International Arts Movement and served as a presidential appointee to the National Council on the Arts from 2003 to 2009. His books include Refractions: A Journey of Faith, Art and Culture and Culture Care. Recognized worldwide as a cultural shaper, Fujimura’s work has been exhibited at galleries including Dillon Gallery in New York, Sato Museum in Tokyo, The Contemporary Museum of Tokyo, Tokyo National University of Fine Arts Museum, Bentley Gallery in Arizona, Taikoo Place in Hong Kong and Vienna’s Belvedere Museum. In 2011 the Fujimura Institute was established and launched the Qu4rtets, a collaboration between Fujimura, painter Bruce Herman, Duke theologian/pianist Jeremy Begbie and Yale composer Christopher Theofanidis, based on T. S. Eliot’s Four Quartets. A popular speaker, Fujimura has lectured at numerous conferences, universities and museums, including the Aspen Institute, Yale and Princeton Universities, Sato Museum and the Phoenix Art Museum. Among many awards and recognitions, Bucknell University honored him with the Outstanding Alumni Award in 2012, and the American Academy of Religion named him as its 2014 Religion and the Arts award recipient. He has received honorary doctorates from Belhaven University, Biola University, Cairn University and Roanoke College.

Silence and Beauty: Hidden Faith Born of Suffering

Shusaku Endo’s novel Silence, first published in 1966, endures as one of the greatest works of twentieth-century Japanese literature. Its narrative of the persecution of Christians in seventeenth-century Japan raises uncomfortable questions about God and the ambiguity of faith in the midst of suffering and hostility. Endo’s Silence took internationally renowned visual artist Makoto Fujimura on a pilgrimage of grappling with the nature of art, the significance of pain and his own cultural heritage. His artistic faith journey overlaps with Endo’s as he uncovers deep layers of meaning in Japanese history and literature, expressed in art both past and present. He finds connections to how faith is lived in contemporary contexts of trauma and glimpses of how the gospel is conveyed in Christ-hidden cultures. In this world of pain and suffering, God often seems silent. Fujimura’s reflections show that light is yet present in darkness, and that silence speaks with hidden beauty and truth. -From the Publisher

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