It’s an incredibly exciting time for writers of miniseries. The genre was all but dead in the water a couple of years ago, but recently we’ve seen a resurgence in miniseries sparked by the success of True Detective.
In a way, the miniseries is the ideal form of storytelling for a screenwriter. In feature films, we are limited in many ways by page count, trying to squeeze a life-changing journey into an hour and a half.
But in the world of miniseries, we actually have the one thing that most screenplays don’t have, the thing that novelists are blessed with and screenwriters long for: time.
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