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On Generation and Corruption (Ancient Greek: Περὶ γενέσεως καὶ φθορᾶς, Latin: De Generatione et Corruptione, also known as On Coming to Be and Passing Away) is a treatise by Aristotle. Like many of his texts, it is both scientific and philosophic (although not necessarily scientific in the modern sense). The philosophy, though, is essentially empirical; as in all Aristotle's works, the deductions made about the unexperienced and unobservable are based on observations and real experiences. The question raised at the beginning of the text builds on an idea from Aristotle's earlier work The Physics. Namely, whether things come into being through causes, through some prime material, or whether everything is generated purely through "alteration." From this important work Aristotle gives us two of his most remembered contributions. First, the Four Causes and also the Four Elements (earth, wind, fire and water). (Summary Adapted from Wikipedia)

On Generation and Corruption by Aristotle (384 BCE - 322 BCE)

Inheritors, (1921) by American dramatist Susan Glaspell concerns the legacy of an idealistic farmer who wills his highly coveted midwest farmland to the establishment of a college (Act I.) Forty years later, when his granddaughter stands up for the rights of Hindu nationals to protest at the college her grandfather founded, she jeopardizes funding for the college itself and sets herself against her own uncle, president of the institution's trustees (Acts II & III.) Ultimately, she defies her family's wishes, and as a consequence is bound for prison herself (Act IV.) The play was a stirring defense of free speech and an individual's ability to stand for his or her own ideal during a time of aggressive anti-Communist politics in the US. Inheritors was first performed at Provincetown Playhouse in 1922, the last of Glaspell's plays presented there. It has been revived in New York City by Mirror Repertory in 1983 and Metropolitan Playhouse in 2005. (Summary by Wikipedia) Cast: Smith: <a href="http://librivox.org/reader/7040">Chris Marcellus</a> Grandmother: <a href="http://librivox.org/reader/4064">Margaret Espaillat</a> Silas Morton, Emil Johnson: <a href="http://librivox.org/reader/5637">Anthony</a> Felix Fejevary the First: <a href="http://librivox.org/reader/7061">AllenJohns</a> Felix Fejevary the Second: <a href="http://librivox.org/reader/7314">Rick Cahill</a>, <a href="http://librivox.org/reader/7247">Robert Hoffman</a> Senator Lewis, Ira Morton: <a href="http://librivox.org/reader/7122">Nathanial W.C. Higgins</a> Horace Fejevary: <a href="http://librivox.org/reader/7079">Chuck Williamson</a> Doris: <a href="http://librivox.org/reader/1259">Elizabeth Klett</a> Fussie: <a href="http://librivox.org/reader/6489">Liz Bennington</a> Madeline Fejevary Morton: <a href="http://librivox.org/reader/3536">Arielle Lipshaw</a> Isabel Fejevary: <a href="http://librivox.org/reader/5796">Linette Geisel</a> Harry: <a href="http://librivox.org/reader/7111">MichaelH-S</a> Holden: <a href="http://librivox.org/reader/6482">Delmar H. Dolbier</a> Narrator: <a href="http://librivox.org/reader/6544">Amanda Friday</a> Audio edited by Chuck Williamson

Inheritors, (1921) by American dramatist Susan Glaspell concerns the legacy of an idealistic farmer who wills his highly coveted midwest farmland to the establishment of a college (Act I.) Forty years later, when his granddaughter stands up for the rights of Hindu nationals to protest at the college her grandfather founded, she jeopardizes funding for the college itself and sets herself against her own uncle, president of the institution's trustees (Acts II & III.) Ultimately, she defies her family's wishes, and as a consequence is bound for prison herself (Act IV.) The play was a stirring defense of free speech and an individual's ability to stand for his or her own ideal during a time of aggressive anti-Communist politics in the US. Inheritors was first performed at Provincetown Playhouse in 1922, the last of Glaspell's plays presented there. It has been revived in New York City by Mirror Repertory in 1983 and Metropolitan Playhouse in 2005. (Summary by Wikipedia)Cast:Smith: Chris MarcellusGrandmother: Margaret EspaillatSilas Morton, Emil Johnson: AnthonyFelix Fejevary the First: AllenJohnsFelix Fejevary the Second: Rick Cahill, Robert HoffmanSenator Lewis, Ira Morton: Nathanial W.C. HigginsHorace Fejevary: Chuck WilliamsonDoris: Elizabeth KlettFussie: Liz BenningtonMadeline Fejevary Morton: Arielle LipshawIsabel Fejevary: Linette GeiselHarry: MichaelH-SHolden: Delmar H. DolbierNarrator: Amanda FridayAudio edited by Chuck Williamson

Inheritors, (1921) by American dramatist Susan Glaspell concerns the legacy of an idealistic farmer who wills his highly coveted midwest farmland to the establishment of a college (Act I.) Forty years later, when his granddaughter stands up for the rights of Hindu nationals to protest at the college her grandfather founded, she jeopardizes funding for the college itself and sets herself against her own uncle, president of the institution's trustees (Acts II &amp; III.) Ultimately, she defies her family's wishes, and as a consequence is bound for prison herself (Act IV.) The play was a stirring defense of free speech and an individual's ability to stand for his or her own ideal during a time of aggressive anti-Communist politics in the US. Inheritors was first performed at Provincetown Playhouse in 1922, the last of Glaspell's plays presented there. It has been revived in New York City by Mirror Repertory in 1983 and Metropolitan Playhouse in 2005. (Summary by Wikipedia) Cast: Smith: <a href="http://librivox.org/reader/7040" rel="noopener noreferrer">Chris Marcellus</a> Grandmother: <a href="http://librivox.org/reader/4064" rel="noopener noreferrer">Margaret Espaillat</a> Silas Morton, Emil Johnson: <a href="http://librivox.org/reader/5637" rel="noopener noreferrer">Anthony</a> Felix Fejevary the First: <a href="http://librivox.org/reader/7061" rel="noopener noreferrer">AllenJohns</a> Felix Fejevary the Second: <a href="http://librivox.org/reader/7314" rel="noopener noreferrer">Rick Cahill</a>, <a href="http://librivox.org/reader/7247" rel="noopener noreferrer">Robert Hoffman</a> Senator Lewis, Ira Morton: <a href="http://librivox.org/reader/7122" rel="noopener noreferrer">Nathanial W.C. Higgins</a> Horace Fejevary: <a href="http://librivox.org/reader/7079" rel="noopener noreferrer">Chuck Williamson</a> Doris: <a href="http://librivox.org/reader/1259" rel="noopener noreferrer">Elizabeth Klett</a> Fussie: <a href="http://librivox.org/reader/6489" rel="noopener noreferrer">Liz Bennington</a> Madeline Fejevary Morton: <a href="http://librivox.org/reader/3536" rel="noopener noreferrer">Arielle Lipshaw</a> Isabel Fejevary: <a href="http://librivox.org/reader/5796" rel="noopener noreferrer">Linette Geisel</a> Harry: <a href="http://librivox.org/reader/7111" rel="noopener noreferrer">MichaelH-S</a> Holden: <a href="http://librivox.org/reader/6482" rel="noopener noreferrer">Delmar H. Dolbier</a> Narrator: <a href="http://librivox.org/reader/6544" rel="noopener noreferrer">Amanda Friday</a> Audio edited by Chuck Williamson

Inheritors by Susan Glaspell (1876 - 1948)

The Earl of Saxham was vastly annoyed when his son, Guy, fell in love with a “penniless nobody,” and announced that he would marry her against all opposition. He determined to separate the lovers; to which end he persuaded an influential friend in the Foreign Office to secure an appointment for Guy in the Embassy at Madrid. He little knew that he was sending his son into the centre of a hotbed of anarchism, that Guy’s footsteps were to be dogged by a vindictive and revengeful woman, that his life was to hold many a thrilling moment and not a few narrow escapes. (Summary from the Prologue of the book)

Whither Thou Goest by William Le Queux (1864 - 1927)

Midnight Special is a late night chat show with a different talented host each week. Special guests – the best guests ever – will sit down for a casual, loose conversation on the mic, either live in studio or pre-recorded at earlier hours. From musicians, writers, artists, actors, comedians and whoever has an interesting story to tell, the Midnight Special is an opportunity to go beyond the stock questions and understand the creative people in and around (and even outside of) Perth in deeper ways. Tune in to hang out. Broadcasts Thursdays at 11pm on RTRFM 92.1

Midnight Special On RTRFM

LibriVox’s Short Story Collection 013: a collection of 11 short fictional works in the public domain read by a variety of LibriVox members.

LibriVox’s Short Story Collection 013: a collection of 11 short fictional works in the public domain read by a variety of LibriVox members.

LibriVox’s Short Story Collection 013: a collection of 11 short fictional works in the public domain read by a variety of LibriVox members.

Short Story Collection Vol. 013 by Various

The Spanish Tragedy, or Hieronimo is Mad Again is an Elizabethan tragedy written by Thomas Kyd between 1582 and 1592. Highly popular and influential in its time, The Spanish Tragedy established a new genre in English theatre, the revenge play or revenge tragedy. Its plot contains several violent murders and includes as one of its characters a personification of Revenge. The Spanish Tragedy was often referred to (or parodied) in works written by other Elizabethan playwrights, including William Shakespeare, Ben Jonson, and Christopher Marlowe. Many elements of The Spanish Tragedy, such as the play-within-a-play used to trap a murderer and a ghost intent on vengeance, appear in Shakespeare's Hamlet. (Thomas Kyd is frequently proposed as the author of the hypothetical Ur-Hamlet that may have been one of Shakespeare's primary sources for Hamlet.) (Summary by Wikipedia) Cast: Ghost of Andrea, a Spanish nobleman; Hangman: <a href="http://librivox.org/reader/3595">MARTIN GEESON</a> Revenge: <a href="http://librivox.org/reader/4174">Availle</a> KING OF SPAIN: <a href="http://librivox.org/reader/2234">Lars Rolander </a> CYPRIAN DUKE OF CASTILE, his brother; ALEXANDRO, Portuguese Nobleman; BAZARDO, a Painter; Watchman 1; Citizen 1: <a href="http://librivox.org/reader/4705">Algy Pug</a> LORENZO, the Duke's son: <a href="http://librivox.org/reader/6553">DublinGothic</a> BELLIMPERIA, Lorenzo's sister; Isabella's Maid: <a href="http://librivox.org/reader/6672">JustineWalmsley</a> VICEROY OF PORTUGAL: <a href="http://librivox.org/reader/3470">Jason Mills</a> <a href="http://librivox.org/reader/6459">Nigel Boydell</a> BALTHAZAR, his son: <a href="http://librivox.org/reader/4166">Jeff Schwab</a> HIERONIMO, Marshal of Spain: <a href="http://librivox.org/reader/4744">Amy Gramour</a> ISABELLA, his wife; Boy: <a href="http://librivox.org/reader/3816">Bev J. Stevens</a> HORATIO, their son: <a href="http://librivox.org/reader/6333">Max Körlinge</a> Spanish General; Deputy; Don Bazulto; Watchman 2; Citizen 2: <a href="http://librivox.org/reader/6035">Marty Kris</a> Portuguese Ambassador: <a href="http://librivox.org/reader/3615">Lucy Perry</a> VlLLUPPO, Portuguese Nobleman; Don Pedro; JACQUES, Hieronimo's servant; Watchman 3; Citizen 3: <a href="http://librivox.org/reader/6754">ToddHW</a> PEDRINGANO, Bellimperia's servant: <a href="http://librivox.org/reader/6147">Liberty Stump</a> CHRISTOPHIL, Bellimperia's custodian; Messenger: <a href="http://librivox.org/reader/6173">Carol Box</a> Lorenzo's Page: <a href="http://librivox.org/reader/6130">ChyAnne Donnell</a> SERBERINE, Balthazar's servant; Servant: <a href="http://librivox.org/reader/6548">Kristin Gjerløw</a> PEDRO, Hieronimo's servant: <a href="http://librivox.org/reader/6817">Peter Makus</a> Nobleman 1; Portingal 1: <a href="http://librivox.org/reader/2825">Ernst Pattynama</a> Nobleman 2; Portingal 2: <a href="http://librivox.org/reader/5719">JohnFricker</a> Narrator: <a href="http://librivox.org/reader/1259">Elizabeth Klett</a>

The Spanish Tragedy, or Hieronimo is Mad Again is an Elizabethan tragedy written by Thomas Kyd between 1582 and 1592. Highly popular and influential in its time, The Spanish Tragedy established a new genre in English theatre, the revenge play or revenge tragedy. Its plot contains several violent murders and includes as one of its characters a personification of Revenge. The Spanish Tragedy was often referred to (or parodied) in works written by other Elizabethan playwrights, including William Shakespeare, Ben Jonson, and Christopher Marlowe.Many elements of The Spanish Tragedy, such as the play-within-a-play used to trap a murderer and a ghost intent on vengeance, appear in Shakespeare's Hamlet. (Thomas Kyd is frequently proposed as the author of the hypothetical Ur-Hamlet that may have been one of Shakespeare's primary sources for Hamlet.) (Summary by Wikipedia)Cast:Ghost of Andrea, a Spanish nobleman; Hangman: MARTIN GEESONRevenge: AvailleKING OF SPAIN: Lars Rolander CYPRIAN DUKE OF CASTILE, his brother; ALEXANDRO, Portuguese Nobleman; BAZARDO, a Painter; Watchman 1; Citizen 1: Algy PugLORENZO, the Duke's son: DublinGothicBELLIMPERIA, Lorenzo's sister; Isabella's Maid: JustineWalmsleyVICEROY OF PORTUGAL: Jason Mills Nigel BoydellBALTHAZAR, his son: Jeff SchwabHIERONIMO, Marshal of Spain: Amy GramourISABELLA, his wife; Boy: Bev J. StevensHORATIO, their son: Max KörlingeSpanish General; Deputy; Don Bazulto; Watchman 2; Citizen 2: Marty Kris Portuguese Ambassador: Lucy PerryVlLLUPPO, Portuguese Nobleman; Don Pedro; JACQUES, Hieronimo's servant; Watchman 3; Citizen 3: ToddHWPEDRINGANO, Bellimperia's servant: Liberty StumpCHRISTOPHIL, Bellimperia's custodian; Messenger: Carol BoxLorenzo's Page: ChyAnne DonnellSERBERINE, Balthazar's servant; Servant: Kristin GjerløwPEDRO, Hieronimo's servant: Peter MakusNobleman 1; Portingal 1: Ernst PattynamaNobleman 2; Portingal 2: JohnFrickerNarrator: Elizabeth Klett

The Spanish Tragedy, or Hieronimo is Mad Again is an Elizabethan tragedy written by Thomas Kyd between 1582 and 1592. Highly popular and influential in its time, The Spanish Tragedy established a new genre in English theatre, the revenge play or revenge tragedy. Its plot contains several violent murders and includes as one of its characters a personification of Revenge. The Spanish Tragedy was often referred to (or parodied) in works written by other Elizabethan playwrights, including William Shakespeare, Ben Jonson, and Christopher Marlowe. Many elements of The Spanish Tragedy, such as the play-within-a-play used to trap a murderer and a ghost intent on vengeance, appear in Shakespeare's Hamlet. (Thomas Kyd is frequently proposed as the author of the hypothetical Ur-Hamlet that may have been one of Shakespeare's primary sources for Hamlet.) (Summary by Wikipedia) Cast: Ghost of Andrea, a Spanish nobleman; Hangman: <a href="http://librivox.org/reader/3595" rel="noopener noreferrer">MARTIN GEESON</a> Revenge: <a href="http://librivox.org/reader/4174" rel="noopener noreferrer">Availle</a> KING OF SPAIN: <a href="http://librivox.org/reader/2234" rel="noopener noreferrer">Lars Rolander </a> CYPRIAN DUKE OF CASTILE, his brother; ALEXANDRO, Portuguese Nobleman; BAZARDO, a Painter; Watchman 1; Citizen 1: <a href="http://librivox.org/reader/4705" rel="noopener noreferrer">Algy Pug</a> LORENZO, the Duke's son: <a href="http://librivox.org/reader/6553" rel="noopener noreferrer">DublinGothic</a> BELLIMPERIA, Lorenzo's sister; Isabella's Maid: <a href="http://librivox.org/reader/6672" rel="noopener noreferrer">JustineWalmsley</a> VICEROY OF PORTUGAL: <a href="http://librivox.org/reader/3470" rel="noopener noreferrer">Jason Mills</a> <a href="http://librivox.org/reader/6459" rel="noopener noreferrer">Nigel Boydell</a> BALTHAZAR, his son: <a href="http://librivox.org/reader/4166" rel="noopener noreferrer">Jeff Schwab</a> HIERONIMO, Marshal of Spain: <a href="http://librivox.org/reader/4744" rel="noopener noreferrer">Amy Gramour</a> ISABELLA, his wife; Boy: <a href="http://librivox.org/reader/3816" rel="noopener noreferrer">Bev J. Stevens</a> HORATIO, their son: <a href="http://librivox.org/reader/6333" rel="noopener noreferrer">Max Körlinge</a> Spanish General; Deputy; Don Bazulto; Watchman 2; Citizen 2: <a href="http://librivox.org/reader/6035" rel="noopener noreferrer">Marty Kris</a> Portuguese Ambassador: <a href="http://librivox.org/reader/3615" rel="noopener noreferrer">Lucy Perry</a> VlLLUPPO, Portuguese Nobleman; Don Pedro; JACQUES, Hieronimo's servant; Watchman 3; Citizen 3: <a href="http://librivox.org/reader/6754" rel="noopener noreferrer">ToddHW</a> PEDRINGANO, Bellimperia's servant: <a href="http://librivox.org/reader/6147" rel="noopener noreferrer">Liberty Stump</a> CHRISTOPHIL, Bellimperia's custodian; Messenger: <a href="http://librivox.org/reader/6173" rel="noopener noreferrer">Carol Box</a> Lorenzo's Page: <a href="http://librivox.org/reader/6130" rel="noopener noreferrer">ChyAnne Donnell</a> SERBERINE, Balthazar's servant; Servant: <a href="http://librivox.org/reader/6548" rel="noopener noreferrer">Kristin Gjerløw</a> PEDRO, Hieronimo's servant: <a href="http://librivox.org/reader/6817" rel="noopener noreferrer">Peter Makus</a> Nobleman 1; Portingal 1: <a href="http://librivox.org/reader/2825" rel="noopener noreferrer">Ernst Pattynama</a> Nobleman 2; Portingal 2: <a href="http://librivox.org/reader/5719" rel="noopener noreferrer">JohnFricker</a> Narrator: <a href="http://librivox.org/reader/1259" rel="noopener noreferrer">Elizabeth Klett</a>

Spanish Tragedy, The by Thomas Kyd (1558 - 1594)

Innovation Church exists to help other fulfill their unique purpose.

Innovation Church

为你疗伤，给你安慰 - 【微博：NJ大虾 微信公众号：njdx86】

陪你到最后

The first book in Galsworthy’s trilogy, The Forsyte Saga, The Man of Property revolves around the lives of the Forsytes, a self-conceited and cold family, who place a high value on propagating money and rising from their yeoman roots. The novel chronicles the events that lead to their inevitable demise, which is instigated by the stuffy man of property, Soames Forsyte, as he pursues the ideals of the preceding generation, whilst maintaining his own obsession with ownership.  At the same time, Galsworthy candidly criticizes the values of the upper-middle classes, by means of satire, irony, a mixed array of realistic characters, an evocative setting, and an intricate plot.

Set in late 19th century London, the story begins when the extended Forsyte family come together to celebrate the engagement between June Forsyte and a bohemian architect, Philip Bosinney. Among the guests are Soames Forsyte and his beautiful wife Irene. Furthermore, Soames is represented by his adamant desire to possess property, extending even to the objectification of his wife, who he considers to be his most prized possession. Irene, on the other hand, finds herself trapped in an unhappy and loveless marriage. In a jealous attempt to distance Irene from her acquaintances and the bad influence of London, Soames appoints Bosinney to build a country house, ultimately with the aim of securing her attention for him alone. However, his covetous intentions slowly crumble in front of his very eyes, as Irene begins a furtive love affair, which threatens not only her marriage and Soames’ pride, but also directly affects those close to her.

Nevertheless, The Man of Property offers an incisive illustration of a certain time in history, as it thoroughly details the social and political mindset present in the late 19th century, including class distinction, financial attitude, and patriarchal hierarchy. In addition the novel serves to expose the destructiveness of possessive instinct, and highlight the fact that not everything in life can be bought with money.

The first book in Galsworthy’s trilogy, The Forsyte Saga, The Man of Property revolves around the lives of the Forsytes, a self-conceited and cold family, who place a high value on propagating money and rising from their yeoman roots. The novel chronicles the events that lead to their inevitable demise, which is instigated by the stuffy man of property, Soames Forsyte, as he pursues the ideals of the preceding generation, whilst maintaining his own obsession with ownership. At the same time, Galsworthy candidly criticizes the values of the upper-middle classes, by means of satire, irony, a mixed array of realistic characters, an evocative setting, and an intricate plot. Set in late 19th century London, the story begins when the extended Forsyte family come together to celebrate the engagement between June Forsyte and a bohemian architect, Philip Bosinney. Among the guests are Soames Forsyte and his beautiful wife Irene. Furthermore, Soames is represented by his adamant desire to possess property, extending even to the objectification of his wife, who he considers to be his most prized possession. Irene, on the other hand, finds herself trapped in an unhappy and loveless marriage. In a jealous attempt to distance Irene from her acquaintances and the bad influence of London, Soames appoints Bosinney to build a country house, ultimately with the aim of securing her attention for him alone. However, his covetous intentions slowly crumble in front of his very eyes, as Irene begins a furtive love affair, which threatens not only her marriage and Soames’ pride, but also directly affects those close to her. Nevertheless, The Man of Property offers an incisive illustration of a certain time in history, as it thoroughly details the social and political mindset present in the late 19th century, including class distinction, financial attitude, and patriarchal hierarchy. In addition the novel serves to expose the destructiveness of possessive instinct, and highlight the fact that not everything in life can be bought with money.

The Man of Property by John Galsworthy

Mimarın Mutfağı bir mimarlık öğrencisinin hayali olarak başlayıp. Herkesin dinleyebileceği Sanat, Tasarım, Mimari, Girişimcilik, Yarışmalar ve Uluslararası konuları içeren bir podcast kanalı.

Mimarın Mutfağı

Happy Tears is pop culture commentary by two sensitive boys that love movies, music, TV, and literature so much that it often brings them to tears. We examine and discuss new releases, classic favorites, or thematically relevant media exploring a wide range of genres, formats, subjects, and themes. Our analysis always culminates with the most important question: “Did you have happy tears?” This podcast is an exercise in empathy that celebrates what makes us most human. Support this podcast: <a href="https://podcasters.spotify.com/pod/show/happytears/support" rel="payment">https://podcasters.spotify.com/pod/show/happytears/support</a>

Happy Tears is pop culture commentary by two sensitive boys that love movies, music, TV, and literature so much that it often brings them to tears. We examine and discuss new releases, classic favorites, or thematically relevant media exploring a wide range of genres, formats, subjects, and themes. Our analysis always culminates with the most important question: “Did you have happy tears?” This podcast is an exercise in empathy that celebrates what makes us most human. Support this podcast: https://podcasters.spotify.com/pod/show/happytears/support

Happy Tears is pop culture commentary by two sensitive boys that love movies, music, TV, and literature so much that it often brings them to tears. We examine and discuss new releases, classic favorites, or thematically relevant media exploring a wide range of genres, formats, subjects, and themes. Our analysis always culminates with the most important question: “Did you have happy tears?” This podcast is an exercise in empathy that celebrates what makes us most human. Support this podcast: <a href="https://podcasters.spotify.com/pod/show/happytears/support" rel="noopener noreferrer">https://podcasters.spotify.com/pod/show/happytears/support</a>

Happy Tears

‘n artro stile pe’ di’ de la vita. Ridere della vita che ci accade e che viviamo, null’altro.

Trilusquino

Everyone struggles and through struggles comes the strength to transcend limitations.

Everyone Struggles

Rishav is a student and youtuber.

He make content and podcasts based on self improvement , English learning and motivation.

Rishav is a student and youtuber. He make content and podcasts based on self improvement , English learning and motivation.

Mr. Rishav Talks.

Aqualith AM is a podcast of speculative theorycrafting on play, business, and self-sovereignty within the emerging, yet still peculiar hobby of tabletop roleplaying. This show (currently on temporary hiatus - updated June 2026) is hosted by Ryan Heck of Aqualith Media. Plunge further in at <a href="http://aqualith.media" rel="nofollow">aqualith.media</a> and consider joining the Aqualith Consortium on mewe.

Aqualith AM is a podcast of speculative theorycrafting on play, business, and self-sovereignty within the emerging, yet still peculiar hobby of tabletop roleplaying. This show (currently on temporary hiatus - updated June 2026) is hosted by Ryan Heck of Aqualith Media. Plunge further in at aqualith.media and consider joining the Aqualith Consortium on mewe.

Aqualith AM is a podcast of speculative theorycrafting on play, business, and self-sovereignty within the emerging, yet still peculiar hobby of tabletop roleplaying. This show (currently on temporary hiatus - updated June 2026) is hosted by Ryan Heck of Aqualith Media. Plunge further in at <a href="http://aqualith.media" rel="noopener noreferrer">aqualith.media</a> and consider joining the Aqualith Consortium on mewe.

Aqualith AM

Sobre todas as poesias não lidas.

Fresco Opera is pleased to present “Aria Hunt” – an interactive opera experience that will allow you to enjoy beautiful music, while you join in the experience. Explore and seek out seven “hidden” locations in the Madison area, in which we have paired up with an operatic aria. Once you find a location, you will listen to an aria. Fresco will provide clues to seek out each of the locations. In addition, a story will accompany you on your quest! You are the opera!

Aria Hunt

โจ้และเนส ชวนคุยถึงโลกของการเขียน การเล่าเรื่อง เพื่อเข้าใจเรื่องเล่าและชีวิตให้มากขึ้น

Rewrite

Name : Neerej s suresan (17)
Dob : 05/08/2004
Father : Suresan K C
Mother : Sylaja P C
Sister : Neema s suresan
Adress : prayaga (ho)
           Vattoli bazar (po)
             Balussery.  673612
Contact : +919656190191

Name : Neerej s suresan (17) Dob : 05/08/2004 Father : Suresan K C Mother : Sylaja P C Sister : Neema s suresan Adress : prayaga (ho) Vattoli bazar (po) Balussery. 673612 Contact : +919656190191

NEEREJ S SURESAN

Podcast containing all the audio Modern Evil Press has to offer, including serialized novels, poetry, and short fiction.

Modern Evil Podcast

A podcast for artists, creatives &amp; art lovers alike. Canadian Visual Artist, Lisa Jayne Irvine explores the many facets of the art world through conversations with artists, art professionals and industry specialists. Whether you’re looking for new ideas for the studio, want to improve your art business, or learn about exhibitions.

A podcast for artists, creatives & art lovers alike. Canadian Visual Artist, Lisa Jayne Irvine explores the many facets of the art world through conversations with artists, art professionals and industry specialists. Whether you’re looking for new ideas for the studio, want to improve your art business, or learn about exhibitions.

A podcast for artists, creatives &amp; art lovers alike.&nbsp;Canadian Visual Artist, Lisa Jayne Irvine explores the many facets of the art world through conversations with artists, art professionals and industry specialists. Whether you’re looking for new ideas for the studio, want to improve your art business, or learn about exhibitions.

Art Conversations with Lisa Jayne Irvine

Peergroup maakt al ruim twintig jaar gewaardeerd locatietheater vanuit herkenbare onderwerpen die diepgeworteld liggen in het Nederlandse landschap. De makers en spelers van het gezelschap verbinden zich intens met de inhoud en de mensen die daar direct bij betrokken zijn. Dit levert voorstellingen op met een grote impact op deelnemers en publiek. Dichtbij en diepgravend.

Peergroup podcast

I am a novelist and a spoken word artist. Words are powerful instrument when they are spoken at moments when the soul is famished for them.

Aharanwa Blessing

Il podcast di fumettiavventura.it. Semplicemente il racconto di chi legge fumetti da sempre: avventura, paura, mistero tra le nuvole parlanti in giro per il mondo. E non ci faremo mancare autori come ospiti!

Il Fumetto

Tous les vendredis 22:00 FG CHIC MIX avec Jean Wine https://www.instagram.com/djjeanwine/


Listen to FG CHIC  www.fgchic.com (http://www.fgchic.com) ,  DAB+ in Paris - Berlin - Hamburg  - Monaco - Ibiza - Nice &amp; Côte d'Azur
&amp; on the Application FG (IOS https://urlz.fr/hhZx - Google Play https://urlz.fr/hhZC )
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Tous les vendredis 22:00 FG CHIC MIX avec Jean Wine https://www.instagram.com/djjeanwine/ Listen to FG CHIC www.fgchic.com (http://www.fgchic.com) , DAB+ in Paris - Berlin - Hamburg - Monaco - Ibiza - Nice & Côte d'Azur & on the Application FG (IOS https://urlz.fr/hhZx - Google Play https://urlz.fr/hhZC ) Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Tous les vendredis 22:00 FG CHIC MIX avec Jean Wine&nbsp;https://www.instagram.com/djjeanwine/


Listen to FG CHIC &nbsp;www.fgchic.com (http://www.fgchic.com) , &nbsp;DAB+ in Paris - Berlin - Hamburg &nbsp;- Monaco - Ibiza - Nice &amp; Côte d'Azur
&amp; on the Application FG (IOS https://urlz.fr/hhZx - Google Play https://urlz.fr/hhZC )
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

RADIO FG CHIC MIX BY JEAN WINE

Creepypasta è un fenomeno di Internet derivato dalla pratica del copypasta connotato da tematiche horror e in seguito diffusi su Internet, attraverso forum, social network, siti dedicati o tramite altre forme di diffusione digitale, in particolare alla image board di 4chan. Il termine deriva dall'unione di "creepy", che tradotto in italiano significa "raccapricciante" oppure "inquietante", per evidenziare la particolare natura di queste storie, con lo scopo di intimorire o/e affascinare il lettore, e paste che in inglese significa "incolla", ricalcando il modello di "copypasta". Diventa Supporter del PodCast, avrai accesso a contenuti esclusivi, potrai ascoltare i nuovi racconti senza interruzioni pubblicitarie e prima che diventino fruibili per tutti: <a href="https://www.spreaker.com/podcast/creepypasta-italia--5740524/support" target="_blank" rel="noreferrer noopener">Clicca qui per diventare supporter</a> 🎧 Voce : Leandro Materni 🎧 Musica : z3r0 - Copyright Free Music ( https://www.youtube.com/channel/UCD2iUVkyqfuAFvqpdWweTkw ) 🎙TI SERVE LA MIA VOCE? Se ti piace la mia voce per realizzare audiolibro, una lettura, uno spot o ,semplicemente, hai bisogno di una voce in prestito...Contattami ☕ Se ti piace il mio lavoro e vuoi supportarlo, puoi offrirmi un caffè al link: https://ko-fi.com/alchimista​ Sei sempre alla ricerca di creepypasta, doppiaggi e storie originali da ascoltare? Allora seguici sul canale Telegram “Narrazioni, Dub e Cov

Creepypasta è un fenomeno di Internet derivato dalla pratica del copypasta connotato da tematiche horror e in seguito diffusi su Internet, attraverso forum, social network, siti dedicati o tramite altre forme di diffusione digitale, in particolare alla image board di 4chan.Il termine deriva dall'unione di "creepy", che tradotto in italiano significa "raccapricciante" oppure "inquietante", per evidenziare la particolare natura di queste storie, con lo scopo di intimorire o/e affascinare il lettore, e paste che in inglese significa "incolla", ricalcando il modello di "copypasta".Diventa Supporter del PodCast, avrai accesso a contenuti esclusivi, potrai ascoltare i nuovi racconti senza interruzioni pubblicitarie e prima che diventino fruibili per tutti:Clicca qui per diventare supporter🎧 Voce : Leandro Materni🎧 Musica : z3r0 - Copyright Free Music ( https://www.youtube.com/channel/UCD2iUVkyqfuAFvqpdWweTkw )🎙TI SERVE LA MIA VOCE? Se ti piace la mia voce per realizzare audiolibro, una lettura, uno spot o ,semplicemente, hai bisogno di una voce in prestito...Contattami☕ Se ti piace il mio lavoro e vuoi supportarlo, puoi offrirmi un caffè al link:https://ko-fi.com/alchimista​Sei sempre alla ricerca di creepypasta, doppiaggi e storie originali da ascoltare? Allora seguici sul canale Telegram “Narrazioni, Dub e Cov

Creepypasta è un fenomeno di Internet derivato dalla pratica del copypasta connotato da tematiche horror e in seguito diffusi su Internet, attraverso forum, social network, siti dedicati o tramite altre forme di diffusione digitale, in particolare alla image board di 4chan. Il termine deriva dall'unione di "creepy", che tradotto in italiano significa "raccapricciante" oppure "inquietante", per evidenziare la particolare natura di queste storie, con lo scopo di intimorire o/e affascinare il lettore, e paste che in inglese significa "incolla", ricalcando il modello di "copypasta". Diventa Supporter del PodCast, avrai accesso a contenuti esclusivi, potrai ascoltare i nuovi racconti senza interruzioni pubblicitarie e prima che diventino fruibili per tutti: <a href="https://www.spreaker.com/podcast/creepypasta-italia--5740524/support" rel="noopener noreferrer">Clicca qui per diventare supporter</a> 🎧 Voce : Leandro Materni 🎧 Musica : z3r0 - Copyright Free Music ( https://www.youtube.com/channel/UCD2iUVkyqfuAFvqpdWweTkw ) 🎙TI SERVE LA MIA VOCE? Se ti piace la mia voce per realizzare audiolibro, una lettura, uno spot o ,semplicemente, hai bisogno di una voce in prestito...Contattami ☕ Se ti piace il mio lavoro e vuoi supportarlo, puoi offrirmi un caffè al link: https://ko-fi.com/alchimista​ Sei sempre alla ricerca di creepypasta, doppiaggi e storie originali da ascoltare? Allora seguici sul canale Telegram “Narrazioni, Dub e Cov

CreepyPasta Italia

CFIM 92.7, Le son de la mer : Les voyages auditifs du Spiz

Hi 👋 In this podcast, we Love Literature, especially African Literature. Lets Review Books together

ADEFUNKE BOOKS

Biography of T. S. Eliot

有没有一个歌会让你想起特定时刻？说出你的故事：v：FMQSSGFM

有没有一个歌会让你想起特定时刻？说出你的故事：v：FMQSSGFM

有没有一个歌会让你想起特定时刻？说出你的故事：v：FMQSSGFM

一首歌的时间‖音乐电台

The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: <a href="https://archive.org/details/marktwain_nyt7_2005_librivox" target="_blank" rel="noreferrer noopener">Review</a> ( John Greenman &amp; Wikipedia)

The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)

The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: <a href="https://archive.org/details/marktwain_nyt7_2005_librivox" rel="noopener noreferrer">Review</a> ( John Greenman &amp; Wikipedia)

The Ordeal of Mark Twain (Version 2) by  Van Wyck Brooks (1886 - 1963)

Talking about music sports food video games comedy travel and other things this is a all around podcast so enjoy the podcast and comment what you like or what you want me to talk about and by the way go say ooowee ladies and gentlemen I present you khris ooowee podcast

Talking about music sports food video games comedy travel and other things this is a all around podcast so enjoy the podcast and comment what you like or what you want me to talk about and by the way go say ooowee ladies and gentlemen I present you khris ooowee podcast

Khris Ooowee Podcast

ShirlyM acknowledge your power within

“Anything that’s human is mentionable, and anything that is mentionable can be more manageable.” Join us each episode as we and our guests share our insights on overcoming self defeating thoughts when pursuing our passions.

“Anything that’s human is mentionable, and anything that is mentionable can be more manageable.” Join us each episode as we and our guests share our insights on overcoming self defeating thoughts when pursuing our passions.

Mentioning the Manageables

¿Qué leer?, ¿Cómo comenzar?, ¿Cómo escoger libros?. Reseñas, anécdotas y experiencias concentradas en un intento de un poblano y una guayabita por despertar en ti el gusto por la lectura, sin juicios ni prejuicios.

Arts Podcasts / Page 4084

On Generation and Corruption by Aristotle (384 BCE - 322 BCE)

Inheritors by Susan Glaspell (1876 - 1948)

Whither Thou Goest by William Le Queux (1864 - 1927)

Midnight Special On RTRFM

Short Story Collection Vol. 013 by Various

Spanish Tragedy, The by Thomas Kyd (1558 - 1594)

Innovation Church

陪你到最后

The Man of Property by John Galsworthy

Mimarın Mutfağı

Happy Tears

Trilusquino

Everyone Struggles

Mr. Rishav Talks.

Aqualith AM

Sobre todas as poesias não lidas.

Aria Hunt

Rewrite

NEEREJ S SURESAN

Modern Evil Podcast

Art Conversations with Lisa Jayne Irvine

Peergroup podcast

Aharanwa Blessing

Il Fumetto

RADIO FG CHIC MIX BY JEAN WINE

CreepyPasta Italia

CFIM 92.7, Le son de la mer : Les voyages auditifs du Spiz

ADEFUNKE BOOKS

Biography of T. S. Eliot

一首歌的时间‖音乐电台

The Ordeal of Mark Twain (Version 2) by Van Wyck Brooks (1886 - 1963)

Khris Ooowee Podcast

ShirlyM acknowledge your power within

Mentioning the Manageables

Hoja de Cortesía

Ruby Shoes Podcast episode 27 – Wood, Plants and Dancing

Kat Blaque

Mom Cooks Fast and Slow

L'Eco Dopo il Sipario

Israel Yahweh 's Podcast

A Tale Oft Told

Fake The Track

Ladys Museum, Volume 1

Exercises in Knitting

Treehouse

Unvarnished

Chronicles of Avonlea - A Dramatic Reading

小红书账号稳定涨粉不翻车，三大核心服务助力运营实现流量全面提升

Synesis: History of Ideas Podcast

The Atlas of Flavor（味の地図）