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Podcast de entrevistas com realizadores de cinema sobre a experiência deles com a arte.

Imagem do perfil é do site vintagexretroxindustrial.wordpress.com, adquirida por meio do Creative Commons.

Podcast de entrevistas com realizadores de cinema sobre a experiência deles com a arte. Imagem do perfil é do site vintagexretroxindustrial.wordpress.com, adquirida por meio do Creative Commons.

Na Sala

O DETOUR é um podcast sobre cinema, com recorte no cinema de gênero, de todas as épocas. Em cada episódio, Guilherme Martins e Filipe Furtado recebem um convidado e debatem sobre dois ou três filmes, cruzados e observados em conjunto.
 
 A ideia é recuperar e discutir filmes que trabalham com códigos de gênero. Receberemos muitas vezes o nosso camarada Francis Vogner dos Reis, mas outros convidados devem aparecer. 
 
 Há uma gama de possibilidades: não ficaremos apenas no conceito mais básico do gênero, como o horror ou o faroeste. Teremos séries sobre slashers e giallos, vamos tratar de clássicos do policial brasileiro como SNUFF, PARANOIA e MISSÃO: MATAR. O foco é propor uma pauta onde os filmes conversem, o tipo de conversa pode variar muito, e a nossa única exigência é que nunca nos afastemos dos filmes em si.
 
 Outra proposta muito cara ao DETOUR: queremos sempre que o debate principal, salvo participações mais que especiais, aconteça no nosso esforçado mini-estúdio móvel, no calor residencial, onde o debate pode ser feito com mais cumplicidade. Nada de errado no formato a distância, mas é uma escolha e certamente isto vai refletir na forma do nosso programa. O objetivo é criar um ambiente especial.
 
 Teremos sempre um conteúdo adicional, com material sobre os filmes, textos citados (ou não, eventualmente), imagens e qualquer forma de informação que possa enriquecer a experiência dos nossos ouvintes sobre as nossas pautas.
 
 Começamos na procura do aprendizado, sem medo de errar.

O DETOUR é um podcast sobre cinema, com recorte no cinema de gênero, de todas as épocas. Em cada episódio, Guilherme Martins e Filipe Furtado recebem um convidado e debatem sobre dois ou três filmes, cruzados e observados em conjunto. A ideia é recuperar e discutir filmes que trabalham com códigos de gênero. Receberemos muitas vezes o nosso camarada Francis Vogner dos Reis, mas outros convidados devem aparecer. Há uma gama de possibilidades: não ficaremos apenas no conceito mais básico do gênero, como o horror ou o faroeste. Teremos séries sobre slashers e giallos, vamos tratar de clássicos do policial brasileiro como SNUFF, PARANOIA e MISSÃO: MATAR. O foco é propor uma pauta onde os filmes conversem, o tipo de conversa pode variar muito, e a nossa única exigência é que nunca nos afastemos dos filmes em si. Outra proposta muito cara ao DETOUR: queremos sempre que o debate principal, salvo participações mais que especiais, aconteça no nosso esforçado mini-estúdio móvel, no calor residencial, onde o debate pode ser feito com mais cumplicidade. Nada de errado no formato a distância, mas é uma escolha e certamente isto vai refletir na forma do nosso programa. O objetivo é criar um ambiente especial. Teremos sempre um conteúdo adicional, com material sobre os filmes, textos citados (ou não, eventualmente), imagens e qualquer forma de informação que possa enriquecer a experiência dos nossos ouvintes sobre as nossas pautas. Começamos na procura do aprendizado, sem medo de errar.

O DETOUR é um podcast sobre cinema, com recorte no cinema de gênero, de todas as épocas. Em cada episódio, Guilherme Martins e Filipe Furtado recebem um convidado e debatem sobre dois ou três filmes, cruzados e observados em conjunto.
 
 A ideia é recuperar e discutir filmes que trabalham com códigos de gênero. Receberemos muitas vezes o nosso camarada Francis Vogner dos Reis, mas outros convidados devem aparecer. 
 
 Há uma gama de possibilidades: não ficaremos apenas no conceito mais básico do gênero, como o horror ou o faroeste. Teremos séries sobre slashers e giallos, vamos tratar de clássicos do policial brasileiro como SNUFF, PARANOIA e MISSÃO: MATAR. O foco é propor uma pauta onde os filmes conversem, o tipo de conversa pode variar muito, e a nossa única exigência é que nunca nos afastemos dos filmes em si.
&nbsp;
 Outra proposta muito cara ao DETOUR: queremos sempre que o debate principal, salvo participações mais que especiais, aconteça no nosso esforçado mini-estúdio móvel, no calor residencial, onde o debate pode ser feito com mais cumplicidade. Nada de errado no formato a distância, mas é uma escolha e certamente isto vai refletir na forma do nosso programa. O objetivo é criar um ambiente especial.
&nbsp;
 Teremos sempre um conteúdo adicional, com material sobre os filmes, textos citados (ou não, eventualmente), imagens e qualquer forma de informação que possa enriquecer a experiência dos nossos ouvintes sobre as nossas pautas.
&nbsp;
 Começamos na procura do aprendizado, sem medo de errar.

DETOUR

Fix It In Post is a show that explores the world of film by sharing opinions and critiques, and showcasing the humanity of actors and film-makers. Let’s not wait any longer and start the show.

Fix It In Post

In each episode we watch a different movie and then play trivia and discuss the sex, violence, and other aspects of the film.

Gratuitous Sex and Violence

Cinema , sempre Cinema , solo Cinema. Antico , vecchio , moderno, contemporaneo...... Recensioni , gruppi di film , monografie , interviste. Il tema è sempre quello: IL CINEMA Siete tutti invitati! ----Giorgio-----

Cinema , sempre Cinema , solo Cinema. Antico , vecchio , moderno, contemporaneo......Recensioni , gruppi di film , monografie , interviste.Il tema è sempre quello: IL CINEMA Siete tutti invitati!----Giorgio-----

Cinema , sempre Cinema , solo Cinema. Antico , vecchio , moderno, contemporaneo...... Recensioni , gruppi di film , monografie , interviste. Il tema è sempre quello: IL CINEMA Siete tutti invitati! ----Giorgio-----

10 Alfred Channel

Un REWIND a nuestras memorias para descubrir el origen de las películas que nos marcaron y las circunstancias que las convirtieron en clásicos.

Entrega Tardía

Basado en Hechos Reales: El podcast donde exploramos y comparamos las películas, series, libros, cómics y canciones con sus contrapartes originales.

Envíanos tus sugerencias a modership.tv@gmail.com o en nuestras redes sociales como Modership Network.

Basado en Hechos Reales: El podcast donde exploramos y comparamos las películas, series, libros, cómics y canciones con sus contrapartes originales. Envíanos tus sugerencias a modership.tv@gmail.com o en nuestras redes sociales como Modership Network.

Basado en Hechos Reales

Красноярск — Главный на FM 102.8

y2cl Radio

Si te gusta el cine estás en el lugar indicado, agarra tus palomitas y disfrutalo. LA PRIMERA TEMPORADA YA ESTÁ DISPONIBLE! GÉNEROS DEL CINE CON EL CESAR. 
REFERENCIAS: https://n9.cl/papgu

Si te gusta el cine estás en el lugar indicado, agarra tus palomitas y disfrutalo. LA PRIMERA TEMPORADA YA ESTÁ DISPONIBLE! GÉNEROS DEL CINE CON EL CESAR. REFERENCIAS: https://n9.cl/papgu

CINE CON EL CESAR

Podcast

هنا نسرد قصص الجنود الذين ضحوا بحياتهم من أجل أوطانهم&nbsp; إنتاج : إذاعة الصمود&nbsp;

هنا نسرد قصص الجنود الذين ضحوا بحياتهم من أجل أوطانهم  إنتاج : إذاعة الصمود 

هنا نسرد قصص الجنود الذين ضحوا بحياتهم من أجل أوطانهم&nbsp; إنتاج : إذاعة الصمود&nbsp;

جنود خلدهم التاريخ

For most of her life, host Stella Cheeks was afraid of all things that went bump in the night. Despite having black hair, a bad attitude, and a bevy of tattoos, she was everything a horror fan was not. Mainly, scared! Until she turned thirty. Now with a newfound, totally unearned confidence, she is making up for lost time through friendship, exposure therapy, and, most spookily of all, academia!

Spooky Thirties

Velkommen til Oscar Redux. Podcast serien, hvor Nikolaj Tarp og Nikolai Schulz kronologisk gennemgår alle Oscar-vinderne for bedste film og endegyldigt afgør om sejren var fortjent eller om en anden film burde have fået den gyldne mand med hjem.

Oscar Redux

The podcast that lives, breathes and dies classic movies, not so classic movies and everything in-between. It’s not your average podcast. Ryan Etherington is joined by one of the series regulars Jimmy Murphy, Simon Keet, Gaz Evans, Tom Brennan and his own wife Hannah Etherington as they dissect, discuss and deliberate over a wide variety of the movies they would bury their bones with. Filled with bad impressions and comedy skits that will leave your sides hurting. Join them as they parade around silver screen fandom leaving behind a trail of tangents and controversial opinions. The only question is what movies do you want to bury your bones with?

The podcast that lives, breathes and dies classic movies, not so classic movies and everything in-between. It’s not your average podcast. Ryan Etherington is joined by one of the series regulars Jimmy Murphy, Simon Keet, Gaz Evans, Tom Brennan and his own wife Hannah Etherington as they dissect, discuss and deliberate over a wide variety of the movies they would bury their bones with. Filled with bad impressions and comedy skits that will leave your sides hurting. Join them as they parade around silver screen fandom leaving behind a trail of tangents and controversial opinions. The only question is what movies do you want to bury your bones with?

Bury Our Bones With Cinema

I dive into a host of genres such as sports, movies, television series, retroactive toys, video games and other worldly events. So, if you love hearing NFL, NBA and MLB discussions, this is the podcast for you!! I'm 46 years old and I believe in the term " Never let go of your childhood. " If you are like me and love talking about your favorite childhood toys, video games and movies... This is surely the podcast for you!!!

The World and Sports.. According to Me!!!

Freeze Frame is a weekly show reviewing the latest movies from Hollywood's best to independent and arthouse movies.

Freeze Frame

Rewind or Die is a comedy podcast about movies that are weird, wild, or way more important to us than they probably should be.Hosted by three friends with strong opinions and questionable priorities, each episode dives headfirst into a different cult classic, box office bomb, or nostalgic fever dream from the video store era. Expect deep movie breakdowns, absurd tangents, pointless arguments, unhinged theories, and the occasional debate over things like cursed action figures, haunted Chuck E. Cheeses, or whether Jack Burton could survive American Gladiators.If you love pop culture chaos, long conversations that spiral into madness, and the kind of movie talk that feels like arguing in your friend’s basement at 1 a.m.—you’re home now.New episodes every week. Bring snacks.

Rewind or Die is a comedy podcast about movies that are weird, wild, or way more important to us than they probably should be. Hosted by three friends with strong opinions and questionable priorities, each episode dives headfirst into a different cult classic, box office bomb, or nostalgic fever dream from the video store era. Expect deep movie breakdowns, absurd tangents, pointless arguments, unhinged theories, and the occasional debate over things like cursed action figures, haunted Chuck E. Cheeses, or whether Jack Burton could survive American Gladiators. If you love pop culture chaos, long conversations that spiral into madness, and the kind of movie talk that feels like arguing in your friend’s basement at 1 a.m.—you’re home now. New episodes every week. Bring snacks.

Rewind or Die – Cult Movies, Trash Cinema, and Deep Dives

Novelist/filmmaker Neal McLaughlin is undertaking a massive project: writing a series of wicked rad horror novels, each one taking place in a different year of the 80s. Totally gnarly! To mine for ideas he's re/watching, like, every single notable horror film of the decade, you know? And he's turning the experiment into a, like, so CHOICE podcast! Join him on this bodacious ride as he and a rotating panel of totally tubular guest hosts travel chronologically through this seminal decade in horror. Like, barf OUT, I'm so sure!

Grody to the Max: An '80s Horror Movie Podcast

PIANO! IN SEQUENZA

Take 5 uncovers wild ties between movies, TV, music, and culture—linking 5 never-paired things. Shocking twists, sneaky 90s patterns, “how?!” mic-drop moments. Your favorites? We’re gonna find a way to connect them to Jurassic Park! Spoiler: history’s never been this fun

Music and Art by Ben Coe

Take 5 uncovers wild ties between movies, TV, music, and culture—linking 5 never-paired things. Shocking twists, sneaky 90s patterns, “how?!” mic-drop moments. Your favorites? We’re gonna find a way to connect them to Jurassic Park! Spoiler: history’s never been this fun Music and Art by Ben Coe

Take 5

Join Casey and Eric as they embark on a journey through the WWE and Cinematic Horror. Each week they'll recap WWE Raw and then talk about a different Horror movie. We hope you'll join us each we as we Wrestle with the Horror of it All.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Join Casey and Eric as they embark on a journey through the WWE and Cinematic Horror. Each week they'll recap WWE Raw and then talk about a different Horror movie. We hope you'll join us each we as we Wrestle with the Horror of it All. Hosted on Acast. See acast.com/privacy for more information.

Join Casey and Eric as they embark on a journey through the WWE and Cinematic Horror. Each week they'll recap WWE Raw and then talk about a different Horror movie. We hope you'll join us each we as we Wrestle with the Horror of it All. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Not Funny Guys: Wrestling with the Horror of it All

சிறுகதை

Pop Culture scholars Sejohn Serowik and Devon Decker embark on a journey to chronicle and categorize the cinematic offerings of Adam Sandler and their relationship to the greater Adam Sandler Cinematic Universe

The Adam Sandler Cinematic Universe Podcast

This is "Telehell", Where We cover the worst, the dumbest, the most sin-worthy of TV moments from the past 7 decades. Then, we rate them on a scale based on Dante's 9 circles of Hell. Add dry wit and cheesy jokes to the mix, and you've got something that will last throughout eternity--we hope. We drop a new episode Bi-Weekly on Sunday Night (EST) Until then, thanks for coming and remember our Motto: "If It's Not in Telehell...It's Not worth a Damn!"<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

This is "Telehell", Where We cover the worst, the dumbest, the most sin-worthy of TV moments from the past 7 decades. Then, we rate them on a scale based on Dante's 9 circles of Hell. Add dry wit and cheesy jokes to the mix, and you've got something that will last throughout eternity--we hope. We drop a new episode Bi-Weekly on Sunday Night (EST) Until then, thanks for coming and remember our Motto: "If It's Not in Telehell...It's Not worth a Damn!" Hosted on Acast. See acast.com/privacy for more information.

This is "Telehell", Where We cover the worst, the dumbest, the most sin-worthy of TV moments from the past 7 decades. Then, we rate them on a scale based on Dante's 9 circles of Hell. Add dry wit and cheesy jokes to the mix, and you've got something that will last throughout eternity--we hope. We drop a new episode Bi-Weekly on Sunday Night (EST) Until then, thanks for coming and remember our Motto: "If It's Not in Telehell...It's Not worth a Damn!" Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Telehell

Reel Disasters

Tony Chickadee and Joe Stanwood travel through time, revisit their favorite movies of the 80's and 90's, and perhaps learn a little bit about love.

VHS Time Machine Podcast

Hosted by Ben Miller, a straight, white, cis-gendered, American male (in a good way), a diverse group of guests talk about the films they love that specifically targeted for them and their specific tastes. This is a podcast about empathy, through film.

Target Audience

The <a href="https://en.wikipedia.org/wiki/National_Broadcasting_Company" target="_blank" rel="noreferrer noopener">National Broadcasting Company</a>'s NBC Radio Network (also known as the NBC Red Network from 1927 to 1942)<a href="https://en.wikipedia.org/wiki/NBC_Radio_Network#cite_note-2" target="_blank" rel="noreferrer noopener">[a]</a> was an American commercial radio network which was in continuous operation from 1926 through 1999. Along with the <a href="https://en.wikipedia.org/wiki/NBC_Blue_Network" target="_blank" rel="noreferrer noopener">NBC Blue Network</a>, it was one of the first two nationwide networks established in the United States. Its major competitors were the <a href="https://en.wikipedia.org/wiki/CBS_Radio" target="_blank" rel="noreferrer noopener">Columbia Broadcasting System</a> (CBS), founded in 1927, and the <a href="https://en.wikipedia.org/wiki/Mutual_Broadcasting_System" target="_blank" rel="noreferrer noopener">Mutual Broadcasting System</a>, founded in 1934.  In 1942, NBC was required to divest one of its national networks, so it sold NBC Blue, which was soon renamed the <a href="https://en.wikipedia.org/wiki/American_Broadcasting_Company" target="_blank" rel="noreferrer noopener">American Broadcasting Company</a> (ABC). After this separation, the Red Network continued as the NBC Radio Network.For the first 61 years of its existence, this network was owned by the <a href="https://en.wikipedia.org/wiki/Radio_Corporation_of_America" target="_blank" rel="noreferrer noopener">Radio Corporation of America</a> (RCA) with <a href="https://en.wikipedia.org/wiki/New_York_City" target="_blank" rel="noreferrer noopener">New York City</a> radio station <a href="https://en.wikipedia.org/wiki/WFAN_(AM)" target="_blank" rel="noreferrer noopener">WEAF</a> (renamed WNBC in 1946, WRCA in 1954 and again as WNBC in 1960) as its <a href="https://en.wikipedia.org/wiki/Flagship_station" target="_blank" rel="noreferrer noopener">flagship station</a>. Following the emergence of television as the dominant entertainment medium and much of NBC Radio's talent migrating both to CBS and NBC television, the network made multiple investments in programming in hopes of retaining relevance. These included the weekend program umbrella <a href="https://en.wikipedia.org/wiki/Monitor_(radio_program)" target="_blank" rel="noreferrer noopener">Monitor</a> (1955–1975), the <a href="https://en.wikipedia.org/wiki/All-news" target="_blank" rel="noreferrer noopener">all-news</a> focused NBC News and Information Service (1975–1977) and the <a href="https://en.wikipedia.org/wiki/Talk_radio" target="_blank" rel="noreferrer noopener">talk radio</a> service <a href="https://en.wikipedia.org/wiki/NBC_Talknet" target="_blank" rel="noreferrer noopener">NBC Talknet</a>, all of which encountered varying degrees of success and failure.

The National Broadcasting Company's NBC Radio Network (also known as the NBC Red Network from 1927 to 1942)[a] was an American commercial radio network which was in continuous operation from 1926 through 1999. Along with the NBC Blue Network, it was one of the first two nationwide networks established in the United States. Its major competitors were the Columbia Broadcasting System (CBS), founded in 1927, and the Mutual Broadcasting System, founded in 1934. In 1942, NBC was required to divest one of its national networks, so it sold NBC Blue, which was soon renamed the American Broadcasting Company (ABC). After this separation, the Red Network continued as the NBC Radio Network.For the first 61 years of its existence, this network was owned by the Radio Corporation of America (RCA) with New York City radio station WEAF (renamed WNBC in 1946, WRCA in 1954 and again as WNBC in 1960) as its flagship station.Following the emergence of television as the dominant entertainment medium and much of NBC Radio's talent migrating both to CBS and NBC television, the network made multiple investments in programming in hopes of retaining relevance. These included the weekend program umbrella Monitor (1955–1975), the all-news focused NBC News and Information Service (1975–1977) and the talk radio service NBC Talknet, all of which encountered varying degrees of success and failure.

The&nbsp;<a href="https://en.wikipedia.org/wiki/National_Broadcasting_Company" rel="noopener noreferrer">National Broadcasting Company</a>'s&nbsp;NBC Radio Network&nbsp;(also known as the&nbsp;NBC Red Network&nbsp;from 1927 to 1942)<a href="https://en.wikipedia.org/wiki/NBC_Radio_Network#cite_note-2" rel="noopener noreferrer">[a]</a>&nbsp;was an American commercial radio network which was in continuous operation from 1926 through 1999. Along with the&nbsp;<a href="https://en.wikipedia.org/wiki/NBC_Blue_Network" rel="noopener noreferrer">NBC Blue Network</a>, it was one of the first two nationwide networks established in the United States. Its major competitors were the&nbsp;<a href="https://en.wikipedia.org/wiki/CBS_Radio" rel="noopener noreferrer">Columbia Broadcasting System</a>&nbsp;(CBS), founded in 1927, and the&nbsp;<a href="https://en.wikipedia.org/wiki/Mutual_Broadcasting_System" rel="noopener noreferrer">Mutual Broadcasting System</a>, founded in 1934. &nbsp;In 1942, NBC was required to divest one of its national networks, so it sold NBC Blue, which was soon renamed the <a href="https://en.wikipedia.org/wiki/American_Broadcasting_Company" rel="noopener noreferrer">American Broadcasting Company</a>&nbsp;(ABC). After this separation, the Red Network continued as the NBC Radio Network.For the first 61 years of its existence, this network was owned by the&nbsp;<a href="https://en.wikipedia.org/wiki/Radio_Corporation_of_America" rel="noopener noreferrer">Radio Corporation of America</a>&nbsp;(RCA) with&nbsp;<a href="https://en.wikipedia.org/wiki/New_York_City" rel="noopener noreferrer">New York City</a>&nbsp;radio station&nbsp;<a href="https://en.wikipedia.org/wiki/WFAN_(AM)" rel="noopener noreferrer">WEAF</a>&nbsp;(renamed WNBC in 1946, WRCA in 1954 and again as WNBC in 1960) as its&nbsp;<a href="https://en.wikipedia.org/wiki/Flagship_station" rel="noopener noreferrer">flagship station</a>. Following the emergence of television as the dominant entertainment medium and much of NBC Radio's talent migrating both to CBS and NBC television, the network made multiple investments in programming in hopes of retaining relevance. These included the weekend program umbrella&nbsp;<a href="https://en.wikipedia.org/wiki/Monitor_(radio_program)" rel="noopener noreferrer">Monitor</a>&nbsp;(1955–1975), the&nbsp;<a href="https://en.wikipedia.org/wiki/All-news" rel="noopener noreferrer">all-news</a>&nbsp;focused NBC News and Information Service (1975–1977) and the&nbsp;<a href="https://en.wikipedia.org/wiki/Talk_radio" rel="noopener noreferrer">talk radio</a>&nbsp;service&nbsp;<a href="https://en.wikipedia.org/wiki/NBC_Talknet" rel="noopener noreferrer">NBC Talknet</a>, all of which encountered varying degrees of success and failure.

NBC 50 Years of Radio

he Rotary Golden Theater was produced by the International Rotary Association in 1955 to celebrate it’s 50th anniversary. Consisting of thirteen 15 minute episodes, it was provided to local Rotary Clubs for broadcast on local stations. In conjunction, thirteen discussion scripts were also offered to be used as follow-up broadcasts or for use as program and educational material where local broadcast might not be possible. Broadcast from March 1, 1955 through March 18, 1955, five times a week. Each episode featured a different situation involving persons with a problem, with the solution being provided by the Rotary Club. Typical of the recordings is “Youth, Yesterday and Today”.

he Rotary Golden Theater was produced by the International Rotary Association in 1955 to celebrate it’s 50th anniversary. Consisting of thirteen 15 minute episodes, it was provided to local Rotary Clubs for broadcast on local stations. In conjunction, thirteen discussion scripts were also offered to be used as follow-up broadcasts or for use as program and educational material where local broadcast might not be possible. Broadcast from March 1, 1955 through March 18, 1955, five times a week.Each episode featured a different situation involving persons with a problem, with the solution being provided by the Rotary Club. Typical of the recordings is “Youth, Yesterday and Today”.

he&nbsp;Rotary Golden Theater&nbsp;was produced by the International Rotary Association in 1955 to celebrate it’s 50th anniversary. Consisting of thirteen 15 minute episodes, it was provided to local Rotary Clubs for broadcast on local stations. In conjunction, thirteen discussion scripts were also offered to be used as follow-up broadcasts or for use as program and educational material where local broadcast might not be possible. Broadcast from March 1, 1955 through March 18, 1955, five times a week. Each episode featured a different situation involving persons with a problem, with the solution being provided by the Rotary Club. Typical of the recordings is “Youth, Yesterday and Today”.

Rotary Golden Theater Radio Show!

سکانس و صفحه پادکستی‌ است برای آن‌ دسته از لحظه‌ها که سینما و ادبیات دست به دست هم می‌دهند تا ردی از انسان در تنهایی، عشق، فقدان یا رؤیا ثبت کنند.
در هر اپیزود، قدمی برمی‌داریم میان قاب‌های ماندگار فیلم‌ها و واژه‌های جادویی کتاب‌ها، تا از دل روایت‌ها، خودمان را بهتر بشناسیم.

سکانس و صفحه پادکستی‌ است برای آن‌ دسته از لحظه‌ها که سینما و ادبیات دست به دست هم می‌دهند تا ردی از انسان در تنهایی، عشق، فقدان یا رؤیا ثبت کنند. در هر اپیزود، قدمی برمی‌داریم میان قاب‌های ماندگار فیلم‌ها و واژه‌های جادویی کتاب‌ها، تا از دل روایت‌ها، خودمان را بهتر بشناسیم.

Sekans va Safhe  /   سکانس و صفحه

Extras from Hollywood-Elsewhere.com, including Oscar Poker with Jeff Wells and Sasha Stone. <a href="https://heplus.substack.com?utm_medium=podcast">heplus.substack.com</a>

Extras from Hollywood-Elsewhere.com, including Oscar Poker with Jeff Wells and Sasha Stone. heplus.substack.com

Extras from Hollywood-Elsewhere.com, including Oscar Poker with Jeff Wells and Sasha Stone. <a href="https://heplus.substack.com?utm_medium=podcast" rel="noopener noreferrer">heplus.substack.com</a>

Oscar Poker Podcast

Join your hosts Zack Ellafy and Forest Ollinger as they discuss movies from the past to the present. The show is a movie talk show where the hosts compare, contrast and talk about movies, behind the scenes, movie memories and so much more. It’s the Last of the 80’s Kids!

Last of the 80’s Kids

The series was co-created by Jerome Lawrence and Aleen Leslie, and based on Leslie's “One Girl Chorus” column in the Pittsburgh Press. Lawrence left the show in 1943.The show began as a summer replacement for Bob Hope's show, sponsored by Pepsodent and airing on NBC from June 24 to September 16, 1941, with 14-year-old Ann Gillis in the title role. Mercedes McCambridge played Judy's girl friend.[3] Dellie Ellis (later known as Joan Lorring) portrayed Judy Foster when the series returned the next summer (June 23 – September 15, 1942). Louise Erickson, then 15, took over the role the following summer (June 30 – September 22, 1943) when the series, with Bristol Myers as its new sponsor, replaced The Eddie Cantor Show for the summer. Louise Erickson continued in the role of Judy over the next seven years as the series, sponsored by Tums, aired from January 18, 1944, to January 4, 1949. Ford Motors and Revere Cameras were the sponsors for the final season of the radio series on ABC from October 13, 1949, to May 4, 1950. Richard Crenna costarred on the series.The series was so popular CBS developed a rival program Meet Corliss Archer featuring Janet Waldo, which also enjoyed a long run and proved to be equally successful. Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/a-date-with-julie-radio-show--6169791/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/a-date-with-julie-radio-show--6169791/support</a>.

The series was co-created by Jerome Lawrence and Aleen Leslie, and based on Leslie's “One Girl Chorus” column in the Pittsburgh Press. Lawrence left the show in 1943.The show began as a summer replacement for Bob Hope's show, sponsored by Pepsodent and airing on NBC from June 24 to September 16, 1941, with 14-year-old Ann Gillis in the title role. Mercedes McCambridge played Judy's girl friend.[3] Dellie Ellis (later known as Joan Lorring) portrayed Judy Foster when the series returned the next summer (June 23 – September 15, 1942).Louise Erickson, then 15, took over the role the following summer (June 30 – September 22, 1943) when the series, with Bristol Myers as its new sponsor, replaced The Eddie Cantor Show for the summer. Louise Erickson continued in the role of Judy over the next seven years as the series, sponsored by Tums, aired from January 18, 1944, to January 4, 1949. Ford Motors and Revere Cameras were the sponsors for the final season of the radio series on ABC from October 13, 1949, to May 4, 1950. Richard Crenna costarred on the series.The series was so popular CBS developed a rival program Meet Corliss Archer featuring Janet Waldo, which also enjoyed a long run and proved to be equally successful.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-date-with-julie-radio-show--6169791/support.

The series was co-created by&nbsp;Jerome Lawrence&nbsp;and&nbsp;Aleen Leslie, and based on Leslie's “One Girl Chorus” column in the Pittsburgh Press. Lawrence left the show in 1943.The show began as a summer replacement for&nbsp;Bob Hope's show,&nbsp;sponsored by&nbsp;Pepsodent&nbsp;and airing on NBC from June 24 to September 16, 1941, with 14-year-old&nbsp;Ann Gillis&nbsp;in the title role.&nbsp;Mercedes McCambridge&nbsp;played Judy's girl friend.[3]&nbsp;Dellie Ellis&nbsp;(later known as Joan Lorring) portrayed Judy Foster when the series returned the next summer (June 23 – September 15, 1942). Louise Erickson, then 15, took over the role the following summer (June 30 – September 22, 1943) when the series, with&nbsp;Bristol Myers&nbsp;as its new sponsor, replaced&nbsp;The&nbsp;Eddie Cantor&nbsp;Show&nbsp;for the summer. Louise Erickson continued in the role of Judy over the next seven years as the series, sponsored by&nbsp;Tums, aired from January 18, 1944, to January 4, 1949.&nbsp;Ford Motors&nbsp;and&nbsp;Revere Cameras&nbsp;were the sponsors for the final season of the radio series on ABC from October 13, 1949, to May 4, 1950.&nbsp;Richard Crenna&nbsp;costarred on the series.The series was so popular&nbsp;CBS&nbsp;developed a rival program&nbsp;Meet Corliss Archer&nbsp;featuring&nbsp;Janet Waldo, which also enjoyed a long run and proved to be equally successful. Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/a-date-with-julie-radio-show--6169791/support?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=rss" rel="noopener noreferrer">https://www.spreaker.com/podcast/a-date-with-julie-radio-show--6169791/support</a>.

A date with Julie Radio Show

Do you like explosions?! Do you love watching beautiful women keep the world safe from terrorists?!? Then you've come to the right place! Join us on our excursion through the masterpieces of Andy Sidaris.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Do you like explosions?! Do you love watching beautiful women keep the world safe from terrorists?!? Then you've come to the right place! Join us on our excursion through the masterpieces of Andy Sidaris. Hosted on Acast. See acast.com/privacy for more information.

Do you like explosions?! Do you love watching beautiful women keep the world safe from terrorists?!? Then you've come to the right place! Join us on our excursion through the masterpieces of Andy Sidaris. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Film History Podcasts / Page 38

Na Sala

DETOUR

Fix It In Post

Gratuitous Sex and Violence

10 Alfred Channel

Entrega Tardía

Basado en Hechos Reales

Красноярск — Главный на FM 102.8

y2cl Radio

CINE CON EL CESAR

Podcast

جنود خلدهم التاريخ

Spooky Thirties

Oscar Redux

Bury Our Bones With Cinema

The World and Sports.. According to Me!!!

Freeze Frame

Rewind or Die – Cult Movies, Trash Cinema, and Deep Dives

Grody to the Max: An '80s Horror Movie Podcast

PIANO! IN SEQUENZA

Take 5

Not Funny Guys: Wrestling with the Horror of it All

சிறுகதை

The Adam Sandler Cinematic Universe Podcast

Telehell

Reel Disasters

VHS Time Machine Podcast

Target Audience

NBC 50 Years of Radio

Rotary Golden Theater Radio Show!

Sekans va Safhe / سکانس و صفحه

Oscar Poker Podcast

Last of the 80’s Kids

A date with Julie Radio Show

Hard Ticket to Sidaris

The what if ? Channel

There’s No Thread

Modes of Interpretation: Another Podcast about Film & TV

Reel Sevier

Masterful Visions: A Series Podcast on Celebrated Film Directors and Their Works

Reel It In

Finally, Girl!

Cult Film Companion Podcast

Fine Whine

Voce: Immaginari cineseriali

Die Rückspul-Helden

Ranked!

Lass uns über Filme reden

Have You Seen?! The Movie Podcast

抖音涨赞工具提升视频互动效果