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Journey with me as I fill up the gaps in my Pop Culture knowledge, and increase my Pop Culture IQ.

Mind the Gaps

A Vakfolt podcast nyári melléklete, amelyben ikerfilmeket mérünk össze egymással

Vakfolt versus

In the Mic of Madness

Avec Virginie Apiou : La filmographie du maitre, décrypté par la journaliste Virginie Apiou Emission propulsée par aVoir aLire <hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Avec Virginie Apiou : La filmographie du maitre, décrypté par la journaliste Virginie Apiou Emission propulsée par aVoir aLire Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Avec Virginie Apiou : La filmographie du maitre, décrypté par la journaliste Virginie Apiou&nbsp;Emission propulsée par aVoir aLire Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

EN ATTENDANT COPPOLA

Film Major, Philosophy minor, certified yapper, Mo (sometimes joined by a guest!) attempts to put her degree to good use.

Mo's Movie Show

Podcast creado por Luis Espinel-Rendón & Luisin Ponce, donde indagan curiosidades sobre los Hnos. Lumière

Podcast creado por Luis Espinel-Rendón &amp; Luisin Ponce, donde indagan curiosidades sobre los Hnos. Lumière

La lumière de l'invention

Join us as we discuss films over a drink or two. Or three.

Boozed Reviews

A partir du 3 mars, retrouvez We Love Preview le podcast des événements We Love Cinéma.Pour cette première Pauline Mallet interview Anastasia Mikova la co-réalisatrice, avec Yann Arthus-Bertrand, du film Woman, en salles le 4 mars 2020. <hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

A partir du 3 mars, retrouvez We Love Preview le podcast des événements We Love Cinéma. Pour cette première Pauline Mallet interview Anastasia Mikova la co-réalisatrice, avec Yann Arthus-Bertrand, du film Woman, en salles le 4 mars 2020. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

A partir du 3 mars, retrouvez We Love Preview le podcast des événements We Love Cinéma.Pour cette première Pauline Mallet interview Anastasia Mikova la co-réalisatrice, avec Yann Arthus-Bertrand, du film Woman, en salles le 4 mars 2020. Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

We Love Preview

När 3 medlemmar ur gruppen @vartarvaratparty/Guldgnomens Gnomer (check us out på instagram) gick samman för att göra ett skolprojekt, slutade det i något så seriöst som en hel serie poddar, på Spotify! Här har ni den, humorgruppen IJustWantToBeCools första Fanpage-podcast!

Guldgnomen Radio

Camp, Scary and Squee is a weekly podcast that tests the theory that every horror movie exists on a scale of divine camp to pure terror. <a href="https://twitter.com/damoo_la" rel="noopener noreferrer" target="_blank">Damien</a> is joined each week by a guest who brings a horror movie for discussion, dissection and classification on the Camp-Scary scale. Along the way we talk about what we love, what we hate and why horror is the way it is. The Camp-Scary Scale 1) Divine camp 2) Predominantly camp and just incidentally scary 3) Predominantly camp though more than incidentally scary 4) Equally camp and scary 5) Predominantly scary though more than incidentally camp 6) Predominately scary and just incidentally camp 7) Pure terror Turn off the lights and pour a wine, it's time to get scared... And remember, don't scream! They'll hear you...<h2>Tell us what you want</h2>Help us explore where the most iconic horror films land on the Camp-Scary Scale - *squee*. Email your questions and suggestions to campscarysquee@gmail.com. <hr> See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for privacy and opt-out information.

Camp, Scary and Squee is a weekly podcast that tests the theory that every horror movie exists on a scale of divine camp to pure terror. Damien is joined each week by a guest who brings a horror movie for discussion, dissection and classification on the Camp-Scary scale. Along the way we talk about what we love, what we hate and why horror is the way it is. The Camp-Scary Scale 1) Divine camp 2) Predominantly camp and just incidentally scary 3) Predominantly camp though more than incidentally scary 4) Equally camp and scary 5) Predominantly scary though more than incidentally camp 6) Predominately scary and just incidentally camp 7) Pure terror Turn off the lights and pour a wine, it's time to get scared... And remember, don't scream! They'll hear you...Tell us what you wantHelp us explore where the most iconic horror films land on the Camp-Scary Scale - *squee*. Email your questions and suggestions to campscarysquee@gmail.com. See acast.com/privacy for privacy and opt-out information.

Camp, Scary and Squee is a weekly podcast that tests the theory that every horror movie exists on a scale of divine camp to pure terror. <a href="https://twitter.com/damoo_la" rel="noopener noreferrer">Damien</a> is joined each week by a guest who brings a horror movie for discussion, dissection and classification on the Camp-Scary scale. Along the way we talk about what we love, what we hate and why horror is the way it is. The Camp-Scary Scale 1) Divine camp 2) Predominantly camp and just incidentally scary 3) Predominantly camp though more than incidentally scary 4) Equally camp and scary 5) Predominantly scary though more than incidentally camp 6) Predominately scary and just incidentally camp 7) Pure terror Turn off the lights and pour a wine, it's time to get scared... And remember, don't scream! They'll hear you...Tell us what you wantHelp us explore where the most iconic horror films land on the Camp-Scary Scale - *squee*. Email your questions and suggestions to campscarysquee@gmail.com. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for privacy and opt-out information.

Camp, Scary and Squee

Qui sont les femmes marquantes qui ont traversé l’histoire du cinéma ? 
On connaît Agnès Varda, Mary Pickford, Chantal Akerman, ou encore Alice Guy, révélée au grand public depuis peu. 
Seraient-elles la partie émergée de l’iceberg ? 
Car elles ne sont sûrement pas les seules femmes cinéastes à faire partie de notre patrimoine cinématographique. 
Et oui, avant Jane Campion et Céline Sciamma, elles ont été nombreuses les réalisatrices, scénaristes, directrices photo, productrices, scriptes, monteuses, costumières qui ont lutté pour se faire une place dans le 7ème art. 
Présenté par Esther Brejon, Silence ! Elles tournent est un podcast Revus & Corrigés, coproduit par le Mouvement Up, pour redécouvrir ces femmes oubliées de l’histoire du cinéma.

Qui sont les femmes marquantes qui ont traversé l’histoire du cinéma ? On connaît Agnès Varda, Mary Pickford, Chantal Akerman, ou encore Alice Guy, révélée au grand public depuis peu. Seraient-elles la partie émergée de l’iceberg ? Car elles ne sont sûrement pas les seules femmes cinéastes à faire partie de notre patrimoine cinématographique. Et oui, avant Jane Campion et Céline Sciamma, elles ont été nombreuses les réalisatrices, scénaristes, directrices photo, productrices, scriptes, monteuses, costumières qui ont lutté pour se faire une place dans le 7ème art. Présenté par Esther Brejon, Silence ! Elles tournent est un podcast Revus & Corrigés, coproduit par le Mouvement Up, pour redécouvrir ces femmes oubliées de l’histoire du cinéma.

Qui sont les femmes marquantes qui ont traversé l’histoire du cinéma ? 
On connaît Agnès Varda, Mary Pickford, Chantal Akerman, ou encore Alice Guy, révélée au grand public depuis peu. 
Seraient-elles la partie émergée de l’iceberg ? 
Car elles ne sont sûrement pas les seules femmes cinéastes à faire partie de notre patrimoine cinématographique. 
Et oui, avant Jane Campion et Céline Sciamma, elles ont été nombreuses les réalisatrices, scénaristes, directrices photo, productrices, scriptes, monteuses, costumières qui ont lutté pour se faire une place dans le 7ème art. 
Présenté par Esther Brejon, Silence ! Elles tournent est un podcast Revus &amp; Corrigés, coproduit par le Mouvement Up, pour redécouvrir ces femmes oubliées de l’histoire du cinéma.

Silence ! Elles tournent

Il cinema dagli... affetti speciali, le opere che hanno fatto la storia e quelle che ci hanno provato.
Le epoche e gli autori, le grandi star, i periodi storici, ma anche B-movie e qualche nuova uscita.
Un percorso in ordine sparso condotto da Davide Zagnoli e con (a rotazione) Massimiliano Bolcioni, Michela Gorini, Edoardo Saccone, Fabio Gorini, Luca Antoniazzi, Filippo Reina, Gabriella Maldini, Francesco Ceccoli, Emanuele Marazzini, Luca Mancini, Francesco Menici, Antonio Buoso, Emiliano Tozzi e tanti altri.

Per info: tramestranepodcast@gmail.com

Il cinema dagli... affetti speciali, le opere che hanno fatto la storia e quelle che ci hanno provato. Le epoche e gli autori, le grandi star, i periodi storici, ma anche B-movie e qualche nuova uscita. Un percorso in ordine sparso condotto da Davide Zagnoli e con (a rotazione) Massimiliano Bolcioni, Michela Gorini, Edoardo Saccone, Fabio Gorini, Luca Antoniazzi, Filippo Reina, Gabriella Maldini, Francesco Ceccoli, Emanuele Marazzini, Luca Mancini, Francesco Menici, Antonio Buoso, Emiliano Tozzi e tanti altri. Per info: tramestranepodcast@gmail.com

TRAME STRANE

Truly Inconsequential... Not all characters are created equal! This is the show where GHR's Mr. Greer and Brimstone argue over the most ridiculous and nonsensical fictional cast members ever to grace pop culture. The dynamic duo debate over the most useless characters this side of Jar Jar Binks.

Truly Inconsequential

Do you like tangents on film, the Irish potato famine, and anything else that could be construed as semi-related to film? The Cinechronicity Podcast is here for you! New episodes twice a month on Tuesdays.

Do you like tangents on film, the Irish potato famine, and anything else that could be construed as semi-related to film? The Cinechronicity Podcast is here for you! New episodes twice a month on Tuesdays.

Cinechronicity

We think we used to like it, or found it funny, or entertaining, but really, Was It Any Good? Scott Johnson watches with you, and helps answer the question. TV, movies, animation, etc. Scott watches the subject in real time, and finds out once and for all, was it any good?

Was It Any Good?

Geschichte und Geschichten, Meinungen und Anmerkungen rund um den phantastischen Film der letzten 100 Jahre vom Stummflm bis heute für neugierige Filmliebhaber und solche, die es werden wollen

Der phantastische Film

Each week, Harrison Scullin reviews a film that was released between 1890-1965. New episodes premiere Fridays at 8pm
 PST

Follow My Social Media Accounts Below
https://linktr.ee/reelyoldmovies
 Support this podcast: <a href="https://anchor.fm/reelyoldmovies/support" rel="payment">https://anchor.fm/reelyoldmovies/support</a>

Each week, Harrison Scullin reviews a film that was released between 1890-1965. New episodes premiere Fridays at 8pm PST Follow My Social Media Accounts Below https://linktr.ee/reelyoldmovies Support this podcast: https://anchor.fm/reelyoldmovies/support

Each week, Harrison Scullin reviews a film that was released between 1890-1965. New episodes premiere Fridays at 8pm
 PST

Follow My Social Media Accounts Below
https://linktr.ee/reelyoldmovies
 Support this podcast: <a href="https://anchor.fm/reelyoldmovies/support" rel="noopener noreferrer">https://anchor.fm/reelyoldmovies/support</a>

Reely Old Movies

Black own

¿Recuerdas la última vez que hablaste con un amigo sobre tus humoristas preferidos, las películas que todavía te emocionan o esos discos que escuchas cuando buscas que una canción te rescate? Eso es 'Los Rodríguez': una charla cómplice y veloz entre dos viejos amigos, Ramon Rodriguez (The New Raemon, Madee) y Dimas Rodríguez (Invisible Harvey), donde se cuelan Steve Martin, John Hughes, los Replacements, 'Donnie Darko', Sylvester Stallone, Jon Brion, Jim Henson y esos largos etcéteras que se producen en todas las conversaciones que empiezan con una carcajada y acaban en un brindis. Por el camino, anécdotas, recuerdos, homenajes, recomendaciones y mucha pasión por compartir con cualquiera que se siente al lado a escuchar. Aquí se trata de "rodriguear" un rato. ¡Bienvenidas y bienvenidos a 'Los Rodríguez'!

¿Recuerdas la última vez que hablaste con un amigo sobre tus humoristas preferidos, las películas que todavía te emocionan o esos discos que escuchas cuando buscas que una canción te rescate?Eso es 'Los Rodríguez': una charla cómplice y veloz entre dos viejos amigos, Ramon Rodriguez (The New Raemon, Madee) y Dimas Rodríguez (Invisible Harvey), donde se cuelan Steve Martin, John Hughes, los Replacements, 'Donnie Darko', Sylvester Stallone, Jon Brion, Jim Henson y esos largos etcéteras que se producen en todas las conversaciones que empiezan con una carcajada y acaban en un brindis. Por el camino, anécdotas, recuerdos, homenajes, recomendaciones y mucha pasión por compartir con cualquiera que se siente al lado a escuchar. Aquí se trata de "rodriguear" un rato. ¡Bienvenidas y bienvenidos a 'Los Rodríguez'!

¿Recuerdas la última vez que hablaste con un amigo sobre tus humoristas preferidos, las películas que todavía te emocionan o esos discos que escuchas cuando buscas que una canción te rescate? Eso es 'Los Rodríguez': una charla cómplice y veloz entre dos viejos amigos, Ramon Rodriguez (The New Raemon, Madee) y Dimas Rodríguez (Invisible Harvey), donde se cuelan Steve Martin, John Hughes, los Replacements, 'Donnie Darko', Sylvester Stallone, Jon Brion, Jim Henson y esos largos etcéteras que se producen en todas las conversaciones que empiezan con una carcajada y acaban en un brindis. Por el camino, anécdotas, recuerdos, homenajes, recomendaciones y mucha pasión por compartir con cualquiera que se siente al lado a escuchar. Aquí se trata de "rodriguear" un rato. ¡Bienvenidas y bienvenidos a 'Los Rodríguez'!

Los Rodríguez

《尖叫影院》是一档恐怖电影专题映像视频节目，力求能盘点恐怖电影史上公认的经典，以及一些口碑与商业双收亦或赢得口碑却未能取得商业上同等价值更甚至那些赢得商业价值却本质极烂的恐怖影片，同时那些鲜为人知的质量上乘之作我们也绝不放过。以各种不同的视角和主题元素入手，凭着对恐怖类型片的认知与痴迷尽量呈现出一档寓教于乐的恐怖电影专题节目。 瞧！时间不早了，门口已经开始检票，排好队，赶快来我们尖叫影院尽情尖叫吧！！幕后:策划制作：柳飞·华策划撰稿：数到七就死配音旁白：兆告天下

《尖叫影院》是一档恐怖电影专题映像视频节目，力求能盘点恐怖电影史上公认的经典，以及一些口碑与商业双收亦或赢得口碑却未能取得商业上同等价值更甚至那些赢得商业价值却本质极烂的恐怖影片，同时那些鲜为人知的质量上乘之作我们也绝不放过。以各种不同的视角和主题元素入手，凭着对恐怖类型片的认知与痴迷尽量呈现出一档寓教于乐的恐怖电影专题节目。瞧！时间不早了，门口已经开始检票，排好队，赶快来我们尖叫影院尽情尖叫吧！！幕后:策划制作：柳飞·华策划撰稿：数到七就死配音旁白：兆告天下

《尖叫影院》是一档恐怖电影专题映像视频节目，力求能盘点恐怖电影史上公认的经典，以及一些口碑与商业双收亦或赢得口碑却未能取得商业上同等价值更甚至那些赢得商业价值却本质极烂的恐怖影片，同时那些鲜为人知的质量上乘之作我们也绝不放过。以各种不同的视角和主题元素入手，凭着对恐怖类型片的认知与痴迷尽量呈现出一档寓教于乐的恐怖电影专题节目。 瞧！时间不早了，门口已经开始检票，排好队，赶快来我们尖叫影院尽情尖叫吧！！幕后:策划制作：柳飞·华策划撰稿：数到七就死配音旁白：兆告天下

尖叫影院|精品恐怖电影专题盘点解说

Andy Dillon and John Finnegan put the Star Wars universe under a microscope to better understand the creative directions of one of the most beloved and divisive movie franchises in history. From The Script Department, this is The Creative Force. Subscribe so you don’t miss anything from our network of podcasts: <a href="https://podcasts.apple.com/gb/channel/the-script-department/id6442503874" target="_blank">https://podcasts.apple.com/gb/channel/the-script-department/id6442503874</a> Study screenwriting online at Falmouth University: <a href="https://hubs.ly/Q026yr0H0" target="_blank">https://hubs.ly/Q026yr0H0</a> Visit our website: <a href="https://www.thescriptdepartment.net/" target="_blank">https://www.thescriptdepartment.net</a> Follow us on LinkedIn: <a href="https://www.linkedin.com/company/thescriptdepartment" target="_blank">https://www.linkedin.com/company/thescriptdepartment</a> Follow us on Instagram: <a href="http://instagram.com/thescriptdepartment" target="_blank">http://instagram.com/thescriptdepartment</a> Follow us on Facebook: <a href="https://www.facebook.com/thescriptdepartment" target="_blank">https://www.facebook.com/thescriptdepartment</a> Support our Work: Buy us a Coffee: <a href="https://www.buymeacoffee.com/TheScriptDept" target="_blank">https://www.buymeacoffee.com/TheScriptDept</a>

Andy Dillon and John Finnegan put the Star Wars universe under a microscope to better understand the creative directions of one of the most beloved and divisive movie franchises in history. From The Script Department, this is The Creative Force.Subscribe so you don’t miss anything from our network of podcasts: https://podcasts.apple.com/gb/channel/the-script-department/id6442503874Study screenwriting online at Falmouth University: https://hubs.ly/Q026yr0H0Visit our website: https://www.thescriptdepartment.net Follow us on LinkedIn: https://www.linkedin.com/company/thescriptdepartment Follow us on Instagram: http://instagram.com/thescriptdepartment Follow us on Facebook: https://www.facebook.com/thescriptdepartment Support our Work: Buy us a Coffee: https://www.buymeacoffee.com/TheScriptDept

Andy Dillon and John Finnegan put the Star Wars universe under a microscope to better understand the creative directions of one of the most beloved and divisive movie franchises in history. From The Script Department, this is The Creative Force. Subscribe so you don’t miss anything from our network of podcasts: <a href="https://podcasts.apple.com/gb/channel/the-script-department/id6442503874" rel="noopener noreferrer">https://podcasts.apple.com/gb/channel/the-script-department/id6442503874</a> Study screenwriting online at Falmouth University: <a href="https://hubs.ly/Q026yr0H0" rel="noopener noreferrer">https://hubs.ly/Q026yr0H0</a> Visit our website: <a href="https://www.thescriptdepartment.net/" rel="noopener noreferrer">https://www.thescriptdepartment.net</a> Follow us on LinkedIn: <a href="https://www.linkedin.com/company/thescriptdepartment" rel="noopener noreferrer">https://www.linkedin.com/company/thescriptdepartment</a> Follow us on Instagram: <a href="http://instagram.com/thescriptdepartment" rel="noopener noreferrer">http://instagram.com/thescriptdepartment</a> Follow us on Facebook: <a href="https://www.facebook.com/thescriptdepartment" rel="noopener noreferrer">https://www.facebook.com/thescriptdepartment</a> Support our Work: Buy us a Coffee: <a href="https://www.buymeacoffee.com/TheScriptDept" rel="noopener noreferrer">https://www.buymeacoffee.com/TheScriptDept</a>

The Creative Force

Explore the history of horror movies with genre specialists Kat Ellinger and Martyn Conterio. Episodes put out fortnightly.

Don't Look Now: A History of Horror Podcast

Back For Our Future is a 90's movie podcast that's part documentary and part coming-of-age story as hosts Drew Hall and Tony Niknejadi recap their film-going experiences throughout the 1990s. The series looks back to help better inform our filmmaking future. We'll discuss important films and music of the 90s plus how they helped shape our careers as filmmakers.

Back For Our Future - A 90's Movie and Music Podcast

Oops, All Franchises is the film podcast that's on the quest to find the best movie sequel around. We go film franchise to film franchise, ranking sequels, and discussing what makes a good follow-up to the original all until we crown the greatest franchise of them all!

Presented by Partyfish Media 🎉🐟

Oops, All Franchises is the film podcast that's on the quest to find the best movie sequel around. We go film franchise to film franchise, ranking sequels, and discussing what makes a good follow-up to the original all until we crown the greatest franchise of them all! Presented by Partyfish Media 🎉🐟

Oops, All Franchises

ScreenStories - Storie oltre lo schermo. Un podcast di Cinema che racconta storie vere. Viaggi tra vite ed esperienze che hanno ispirato grandi film (e non solo) in compagnia di Gabriele Cerrito, il caporedattore di ScreenWorld. Tra curiosità e retroscena, dolci sorprese e aneddoti oscuri, ScreenStories è il posto in cui solo le storie lasciano il segno. Seguici qui: <a href="https://screenworld.it" target="_blank" rel="noreferrer noopener">https://screenworld.it</a> <a href="https://www.twitch.tv/screenworld_it/" target="_blank" rel="noreferrer noopener">https://www.twitch.tv/screenworld_it/</a> <a href="https://www.facebook.com/screenworld.it" target="_blank" rel="noreferrer noopener">https://www.facebook.com/screenworld.it</a> <a href="https://www.instagram.com/screenworld" target="_blank" rel="noreferrer noopener">https://www.instagram.com/screenworld</a> <a href="https://www.tiktok.com/@screenworld_it" target="_blank" rel="noreferrer noopener">https://www.tiktok.com/@screenworld_it</a> <a href="https://t.me/screenworld_it" target="_blank" rel="noreferrer noopener">https://t.me/screenworld_it</a>

ScreenStories - Storie oltre lo schermo. Un podcast di Cinema che racconta storie vere. Viaggi tra vite ed esperienze che hanno ispirato grandi film (e non solo) in compagnia di Gabriele Cerrito, il caporedattore di ScreenWorld. Tra curiosità e retroscena, dolci sorprese e aneddoti oscuri, ScreenStories è il posto in cui solo le storie lasciano il segno.Seguici qui:https://screenworld.ithttps://www.twitch.tv/screenworld_it/https://www.facebook.com/screenworld.ithttps://www.instagram.com/screenworldhttps://www.tiktok.com/@screenworld_ithttps://t.me/screenworld_it

ScreenStories - Storie oltre lo schermo. Un podcast di Cinema che racconta storie vere. Viaggi tra vite ed esperienze che hanno ispirato grandi film (e non solo) in compagnia di Gabriele Cerrito, il caporedattore di ScreenWorld. Tra curiosità e retroscena, dolci sorprese e aneddoti oscuri, ScreenStories è il posto in cui solo le storie lasciano il segno. Seguici qui: <a href="https://screenworld.it" rel="noopener noreferrer">https://screenworld.it</a> <a href="https://www.twitch.tv/screenworld_it/" rel="noopener noreferrer">https://www.twitch.tv/screenworld_it/</a> <a href="https://www.facebook.com/screenworld.it" rel="noopener noreferrer">https://www.facebook.com/screenworld.it</a> <a href="https://www.instagram.com/screenworld" rel="noopener noreferrer">https://www.instagram.com/screenworld</a> <a href="https://www.tiktok.com/@screenworld_it" rel="noopener noreferrer">https://www.tiktok.com/@screenworld_it</a> <a href="https://t.me/screenworld_it" rel="noopener noreferrer">https://t.me/screenworld_it</a>

ScreenStories - Storie oltre lo schermo

A monthly film podcast that suggests a double (or 'Twin') feature of films that unexpectedly connect through an area of filmmmaking and film theory.Hosted by Alex Brindle, a film studies teacher, and his twin brother Lewis Brindle, an assistant director in Film and TV, TWIN FEATURES seeks to create cinematic connections in unlikely places, embrace film scholarship, and celebrate movies from all times and regions.ajbrindle14 &amp; LewisBrindle on Letterboxd

A monthly film podcast that suggests a double (or 'Twin') feature of films that unexpectedly connect through an area of filmmmaking and film theory. Hosted by Alex Brindle, a film studies teacher, and his twin brother Lewis Brindle, an assistant director in Film and TV, TWIN FEATURES seeks to create cinematic connections in unlikely places, embrace film scholarship, and celebrate movies from all times and regions. ajbrindle14 & LewisBrindle on Letterboxd

Twin Features

We deep-dive, face-plant and usually fangirl over the media your algorithm likes to ignore.

We deep-dive, face-plant and usually fangirl over the media your algorithm likes to ignore.

We deep-dive, face-plant and usually fangirl over the media your algorithm likes to ignore.&nbsp;

Piercing Pop Culture

No mês de Centenário do Cinema Cearense, outubro de 2024, o Cineteatro São Luiz lança o Podcast Perfil de Cinema, em parceria com a Rádio Universitária FM. A iniciativa visa destacar grandes personalidades do cinema brasileiro e cearense, e suas contribuições para o audiovisual.

Perfil de Cinema

Welcome to the Coffin Table! Sir Cophagus and Anita Dirtnap sit down with a cup of coffee and discuss the good, the bad and the ugly when it comes to movies! Step on in, take a seat and prepare for some laughs. This is The Coffin Table PodcastFind us on Bluesky and Facebook! We also have a ko-fi! ko-fi.com/thecoffintable

Welcome to the Coffin Table! Sir Cophagus and Anita Dirtnap sit down with a cup of coffee and discuss the good, the bad and the ugly when it comes to movies! Step on in, take a seat and prepare for some laughs. This is The Coffin Table Podcast Find us on Bluesky and Facebook! We also have a ko-fi! ko-fi.com/thecoffintable

The Coffin Table

A monthly sonic check-in with Duke. Something cool on campus, a few words about alumni activities, an interview or two. Sit down and let us tell you a story.

Devils and Details

Welcome to the hottest fantasy film podcast about the hottest fantasy films. Join us this season as we dive deep into camp classics of the Sword and Sorcery genre. Expect to find critical commentary, playful banter, and lots of laughs as we review the history, reception, and plot of a new movie every week.

Sorta Sorcery

Welcome to Night School Horror, the podcasting campus for horror fanatics! After a long hiatus, we’ve reopened our doors to dive deep into the eerie and electrifying world of horror culture. Led by our expert faculty— "Florida's Favorite Creep," Sabrina Ace, "The Music Man," Mista Malave, "The Movie Guy Bay Bay," Tommy James, and "The Grand Wizard of Horror," Big Money Eddie—you'll journey through timeless classics and heart-pounding horror tales.Enrollment is now open, and class is always in session! &nbsp;

Welcome to Night School Horror, the podcasting campus for horror fanatics! After a long hiatus, we’ve reopened our doors to dive deep into the eerie and electrifying world of horror culture. Led by our expert faculty— "Florida's Favorite Creep," Sabrina Ace, "The Music Man," Mista Malave, "The Movie Guy Bay Bay," Tommy James, and "The Grand Wizard of Horror," Big Money Eddie—you'll journey through timeless classics and heart-pounding horror tales. Enrollment is now open, and class is always in session!  

Night School Horror

Frankenstein is a <a href="https://en.wikipedia.org/wiki/Frame_story" target="_blank" rel="noreferrer noopener">frame story</a> written in <a href="https://en.wikipedia.org/wiki/Epistolary_novel" target="_blank" rel="noreferrer noopener">epistolary form</a>. Set in the 18th century, it documents a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Captain Walton introductory narrative Captain Walton is a failed writer who sets out to explore the North Pole in hopes of expanding scientific knowledge. After departing from <a href="https://en.wikipedia.org/wiki/Archangelsk" target="_blank" rel="noreferrer noopener">Archangel</a>, the ship is trapped by <a href="https://en.wikipedia.org/wiki/Drift_ice" target="_blank" rel="noreferrer noopener">pack ice</a> on the journey across the <a href="https://en.wikipedia.org/wiki/Arctic_Ocean" target="_blank" rel="noreferrer noopener">Arctic Ocean</a>. During this time, the crew spots a <a href="https://en.wikipedia.org/wiki/Dog_sled" target="_blank" rel="noreferrer noopener">dog sled</a> driven by a gigantic figure. A few hours later, the ice splits apart, freeing the ship, and the crew rescues a nearly frozen and emaciated man named <a href="https://en.wikipedia.org/wiki/Victor_Frankenstein" target="_blank" rel="noreferrer noopener">Victor Frankenstein</a> from a drifting <a href="https://en.wikipedia.org/wiki/Ice_floe" target="_blank" rel="noreferrer noopener">ice floe</a>. Victor has been in pursuit of the gigantic man observed by Walton's crew. Victor starts to recover from his exertion; he sees in Walton the same obsession that has destroyed him and recounts a story of his life's miseries to Walton as a warning. Victor Frankenstein's narrative Born in <a href="https://en.wikipedia.org/wiki/Naples" target="_blank" rel="noreferrer noopener">Naples</a>, <a href="https://en.wikipedia.org/wiki/Kingdom_of_Naples" target="_blank" rel="noreferrer noopener">Italy</a>, into a wealthy <a href="https://en.wikipedia.org/wiki/Geneva" target="_blank" rel="noreferrer noopener">Genevan</a> family, Victor and his younger brothers, Ernest and William, are sons of Alphonse Frankenstein and the former Caroline Beaufort. From a young age, Victor has a strong desire to understand the world. He is obsessed with studying theories of <a href="https://en.wikipedia.org/wiki/Alchemy" target="_blank" rel="noreferrer noopener">alchemists</a>, though when he is older he realizes that such theories are considerably outdated. When Victor is five years old, his parents adopt <a href="https://en.wikipedia.org/wiki/Elizabeth_Lavenza" target="_blank" rel="noreferrer noopener">Elizabeth Lavenza</a> (the orphaned daughter of an expropriated Italian nobleman) whom Victor calls 'cousin'. Victor's parents later take in another child, Justine Moritz, who becomes William's nanny.Weeks before he leaves for the <a href="https://en.wikipedia.org/wiki/University_of_Ingolstadt" target="_blank" rel="noreferrer noopener">University of Ingolstadt</a> in Germany, his mother dies of <a href="https://en.wikipedia.org/wiki/Scarlet_fever" target="_blank" rel="noreferrer noopener">scarlet fever</a>; Victor buries himself in his experiments to deal with the grief. At the university, he excels at <a href="https://en.wikipedia.org/wiki/Chemistry" target="_blank" rel="noreferrer noopener">chemistry</a> and other sciences, soon developing a secret technique to impart life to non-living matter. He undertakes the creation of a humanoid, but due to the difficulty in replicating the minute parts of the human body, Victor makes <a href="https://en.wikipedia.org/wiki/Frankenstein%27s_monster" target="_blank" rel="noreferrer noopener">the Creature</a> tall, about 8 feet (2.4 m) in height, and proportionally large. Victor works at gathering the vital organs by pilfering <a href="https://en.wikipedia.org/wiki/Charnel_house" target="_blank" rel="noreferrer noopener">charnel houses</a>, <a href="https://en.wikipedia.org/wiki/Morgue" target="_blank" rel="noreferrer noopener">mortuaries</a> and by entrapping and <a href="https://en.wikipedia.org/wiki/Vivisection" target="_blank" rel="noreferrer noopener">vivisecting</a> feral animals. Despite Victor selecting its features to be beautiful, upon animation the Creature is instead hideous, with dull and watery yellow eyes and yellow skin that barely conceals the muscles and blood vessels underneath. Repulsed by his work, Victor flees. While wandering the streets the next day, he meets his childhood friend, Henry Clerval, and takes Henry back to his apartment, fearful of Henry's reaction if he sees the monster. However, when Victor returns to his laboratory, the Creature is gone.Victor falls ill from the experience and is nursed back to health by Henry. After recovering he forgets about the Creature and goes into Henry's study of Oriental languages, which he considers the happiest time of his academic career. This is cut short when Victor receives a letter from his father notifying him of the murder of his brother William. Near Geneva, Victor sees a large figure and becomes convinced that his creation is responsible. Justine Moritz, William's nanny, is convicted of the crime after William's locket, which contained a miniature portrait of Caroline, is found in her pocket. Victor knows that no one will believe him if he testifies that it was the doing of the Creature; Justine is executed. Ravaged by grief and guilt, Victor takes up <a href="https://en.wikipedia.org/wiki/Mountaineering" target="_blank" rel="noreferrer noopener">mountain climbing</a> in the <a href="https://en.wikipedia.org/wiki/Alps" target="_blank" rel="noreferrer noopener">Alps</a>. While hiking through <a href="https://en.wikipedia.org/wiki/Mont_Blanc" target="_blank" rel="noreferrer noopener">Mont Blanc</a>'s <a href="https://en.wikipedia.org/wiki/Mer_de_Glace" target="_blank" rel="noreferrer noopener">Mer de Glace</a>, he is suddenly approached by the Creature, who insists that Victor hear his tale.

Frankenstein is a frame story written in epistolary form. Set in the 18th century, it documents a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville.Captain Walton introductory narrativeCaptain Walton is a failed writer who sets out to explore the North Pole in hopes of expanding scientific knowledge. After departing from Archangel, the ship is trapped by pack ice on the journey across the Arctic Ocean. During this time, the crew spots a dog sled driven by a gigantic figure. A few hours later, the ice splits apart, freeing the ship, and the crew rescues a nearly frozen and emaciated man named Victor Frankenstein from a drifting ice floe. Victor has been in pursuit of the gigantic man observed by Walton's crew. Victor starts to recover from his exertion; he sees in Walton the same obsession that has destroyed him and recounts a story of his life's miseries to Walton as a warning.Victor Frankenstein's narrativeBorn in Naples, Italy, into a wealthy Genevan family, Victor and his younger brothers, Ernest and William, are sons of Alphonse Frankenstein and the former Caroline Beaufort. From a young age, Victor has a strong desire to understand the world. He is obsessed with studying theories of alchemists, though when he is older he realizes that such theories are considerably outdated. When Victor is five years old, his parents adopt Elizabeth Lavenza (the orphaned daughter of an expropriated Italian nobleman) whom Victor calls 'cousin'. Victor's parents later take in another child, Justine Moritz, who becomes William's nanny.Weeks before he leaves for the University of Ingolstadt in Germany, his mother dies of scarlet fever; Victor buries himself in his experiments to deal with the grief. At the university, he excels at chemistry and other sciences, soon developing a secret technique to impart life to non-living matter. He undertakes the creation of a humanoid, but due to the difficulty in replicating the minute parts of the human body, Victor makes the Creature tall, about 8 feet (2.4 m) in height, and proportionally large.Victor works at gathering the vital organs by pilfering charnel houses, mortuaries and by entrapping and vivisecting feral animals. Despite Victor selecting its features to be beautiful, upon animation the Creature is instead hideous, with dull and watery yellow eyes and yellow skin that barely conceals the muscles and blood vessels underneath. Repulsed by his work, Victor flees. While wandering the streets the next day, he meets his childhood friend, Henry Clerval, and takes Henry back to his apartment, fearful of Henry's reaction if he sees the monster. However, when Victor returns to his laboratory, the Creature is gone.Victor falls ill from the experience and is nursed back to health by Henry. After recovering he forgets about the Creature and goes into Henry's study of Oriental languages, which he considers the happiest time of his academic career.This is cut short when Victor receives a letter from his father notifying him of the murder of his brother William. Near Geneva, Victor sees a large figure and becomes convinced that his creation is responsible. Justine Moritz, William's nanny, is convicted of the crime after William's locket, which contained a miniature portrait of Caroline, is found in her pocket. Victor knows that no one will believe him if he testifies that it was the doing of the Creature; Justine is executed. Ravaged by grief and guilt, Victor takes up mountain climbing in the Alps. While hiking through Mont Blanc's Mer de Glace, he is suddenly approached by the Creature, who insists that Victor hear his tale.

Frankenstein&nbsp;is a&nbsp;<a href="https://en.wikipedia.org/wiki/Frame_story" rel="noopener noreferrer">frame story</a>&nbsp;written in&nbsp;<a href="https://en.wikipedia.org/wiki/Epistolary_novel" rel="noopener noreferrer">epistolary form</a>. Set in the 18th century, it documents a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Captain Walton introductory narrative Captain Walton is a failed writer who sets out to explore the North Pole in hopes of expanding scientific knowledge. After departing from&nbsp;<a href="https://en.wikipedia.org/wiki/Archangelsk" rel="noopener noreferrer">Archangel</a>, the ship is trapped by&nbsp;<a href="https://en.wikipedia.org/wiki/Drift_ice" rel="noopener noreferrer">pack ice</a>&nbsp;on the journey across the&nbsp;<a href="https://en.wikipedia.org/wiki/Arctic_Ocean" rel="noopener noreferrer">Arctic Ocean</a>. During this time, the crew spots a&nbsp;<a href="https://en.wikipedia.org/wiki/Dog_sled" rel="noopener noreferrer">dog sled</a>&nbsp;driven by a gigantic figure. A few hours later, the ice splits apart, freeing the ship, and the crew rescues a nearly frozen and emaciated man named&nbsp;<a href="https://en.wikipedia.org/wiki/Victor_Frankenstein" rel="noopener noreferrer">Victor Frankenstein</a>&nbsp;from a drifting&nbsp;<a href="https://en.wikipedia.org/wiki/Ice_floe" rel="noopener noreferrer">ice floe</a>. Victor has been in pursuit of the gigantic man observed by Walton's crew. Victor starts to recover from his exertion; he sees in Walton the same obsession that has destroyed him and recounts a story of his life's miseries to Walton as a warning. Victor Frankenstein's narrative Born in&nbsp;<a href="https://en.wikipedia.org/wiki/Naples" rel="noopener noreferrer">Naples</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Kingdom_of_Naples" rel="noopener noreferrer">Italy</a>, into a wealthy&nbsp;<a href="https://en.wikipedia.org/wiki/Geneva" rel="noopener noreferrer">Genevan</a>&nbsp;family, Victor and his younger brothers, Ernest and William, are sons of Alphonse Frankenstein and the former Caroline Beaufort. From a young age, Victor has a strong desire to understand the world. He is obsessed with studying theories of&nbsp;<a href="https://en.wikipedia.org/wiki/Alchemy" rel="noopener noreferrer">alchemists</a>, though when he is older he realizes that such theories are considerably outdated. When Victor is five years old, his parents adopt&nbsp;<a href="https://en.wikipedia.org/wiki/Elizabeth_Lavenza" rel="noopener noreferrer">Elizabeth Lavenza</a>&nbsp;(the orphaned daughter of an expropriated Italian nobleman) whom Victor calls 'cousin'. Victor's parents later take in another child, Justine Moritz, who becomes William's nanny.Weeks before he leaves for the&nbsp;<a href="https://en.wikipedia.org/wiki/University_of_Ingolstadt" rel="noopener noreferrer">University of Ingolstadt</a>&nbsp;in Germany, his mother dies of&nbsp;<a href="https://en.wikipedia.org/wiki/Scarlet_fever" rel="noopener noreferrer">scarlet fever</a>; Victor buries himself in his experiments to deal with the grief. At the university, he excels at&nbsp;<a href="https://en.wikipedia.org/wiki/Chemistry" rel="noopener noreferrer">chemistry</a>&nbsp;and other sciences, soon developing a secret technique to impart life to non-living matter. He undertakes the creation of a humanoid, but due to the difficulty in replicating the minute parts of the human body, Victor makes&nbsp;<a href="https://en.wikipedia.org/wiki/Frankenstein%27s_monster" rel="noopener noreferrer">the Creature</a>&nbsp;tall, about 8 feet (2.4&nbsp;m) in height, and proportionally large. Victor works at gathering the vital organs by pilfering&nbsp;<a href="https://en.wikipedia.org/wiki/Charnel_house" rel="noopener noreferrer">charnel houses</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Morgue" rel="noopener noreferrer">mortuaries</a>&nbsp;and by entrapping and&nbsp;<a href="https://en.wikipedia.org/wiki/Vivisection" rel="noopener noreferrer">vivisecting</a>&nbsp;feral animals. Despite Victor selecting its features to be beautiful, upon animation the Creature is instead hideous, with dull and watery yellow eyes and yellow skin that barely conceals the muscles and blood vessels underneath. Repulsed by his work, Victor flees. While wandering the streets the next day, he meets his childhood friend, Henry Clerval, and takes Henry back to his apartment, fearful of Henry's reaction if he sees the monster. However, when Victor returns to his laboratory, the Creature is gone.Victor falls ill from the experience and is nursed back to health by Henry. After recovering he forgets about the Creature and goes into Henry's study of Oriental languages, which he considers the happiest time of his academic career. This is cut short when Victor receives a letter from his father notifying him of the murder of his brother William. Near Geneva, Victor sees a large figure and becomes convinced that his creation is responsible. Justine Moritz, William's nanny, is convicted of the crime after William's locket, which contained a miniature portrait of Caroline, is found in her pocket. Victor knows that no one will believe him if he testifies that it was the doing of the Creature; Justine is executed. Ravaged by grief and guilt, Victor takes up&nbsp;<a href="https://en.wikipedia.org/wiki/Mountaineering" rel="noopener noreferrer">mountain climbing</a>&nbsp;in the&nbsp;<a href="https://en.wikipedia.org/wiki/Alps" rel="noopener noreferrer">Alps</a>. While hiking through&nbsp;<a href="https://en.wikipedia.org/wiki/Mont_Blanc" rel="noopener noreferrer">Mont Blanc</a>'s&nbsp;<a href="https://en.wikipedia.org/wiki/Mer_de_Glace" rel="noopener noreferrer">Mer de Glace</a>, he is suddenly approached by the Creature, who insists that Victor hear his tale.

Film History Podcasts / Page 40

Mind the Gaps

Vakfolt versus

In the Mic of Madness

EN ATTENDANT COPPOLA

Mo's Movie Show

La lumière de l'invention

Boozed Reviews

We Love Preview

Guldgnomen Radio

Camp, Scary and Squee

Silence ! Elles tournent

TRAME STRANE

Truly Inconsequential

Cinechronicity

Was It Any Good?

Der phantastische Film

Reely Old Movies

Black own

Los Rodríguez

尖叫影院|精品恐怖电影专题盘点解说

The Creative Force

Don't Look Now: A History of Horror Podcast

Back For Our Future - A 90's Movie and Music Podcast

Oops, All Franchises

ScreenStories - Storie oltre lo schermo

Twin Features

Piercing Pop Culture

Perfil de Cinema

The Coffin Table

Devils and Details

Sorta Sorcery

Night School Horror

frankenstein

Film Versus Film

Cine90

L'Abreuvoir

Mr. District Attorney Radio Show!

Blondie! - The original Radio Show

Here's Looking at Yul, Kid

Scott Mason's Inverted Cranium

KULTUR'D PODCAST

A Century in Cinema

The Reel Dudes

The General Mills Radio Adventure

Someone's In My Fruit Cellar Podcast

Il mio nome è leggenda

Fiddle-Dee-Dee: A Gone with the Wind Podcast

Emily Blunt - Biography Flash

C'era una volta il futuro

The Golden Hour Film Podcast