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The Star Wars Toy Podcast
I mainly talk about vintage but keep you up to date on modern too.
Reviews, discussions and interviews on Star Wars collecting.
Email me:mailto:blueharvesttoys@gmail.com?subject=%20Listener%20Email&body=Dear%20Darth%20Marc,%20%20 and follow me on YouTube: https://www.youtube.com/channel/UCRhzuzySKE08oe4FHg34hGAhttps://www.patreon.com/Blueharvest

The Star Wars Toy Podcast I mainly talk about vintage but keep you up to date on modern too. Reviews, discussions and interviews on Star Wars collecting. Email me:mailto:blueharvesttoys@gmail.com?subject=%20Listener%20Email&body=Dear%20Darth%20Marc,%20%20 and follow me on YouTube: https://www.youtube.com/channel/UCRhzuzySKE08oe4FHg34hGAhttps://www.patreon.com/Blueharvest

The Star Wars Toy Podcast
I mainly talk about vintage but keep you up to date on modern too.
Reviews, discussions and interviews on Star Wars collecting.
Email me:mailto:blueharvesttoys@gmail.com?subject=%20Listener%20Email&amp;body=Dear%20Darth%20Marc,%20%20 and follow me on YouTube: https://www.youtube.com/channel/UCRhzuzySKE08oe4FHg34hGAhttps://www.patreon.com/Blueharvest

The Star Wars Toy Podcast

Valentina, Kinoppi e Lorenzo ritornano con I Predatori del tempo, un viaggio attraverso la storia dello spettacolo, della TV, del cinema, della musica, del costume, dei giocattoli… ed ovviamente delle sigle TV.  Ogni puntata è interamente dedicata ad un anno ripartendo dal 1988. Siete pronti a viaggiare con loro?

Valentina, Kinoppi e Lorenzo ritornano con I Predatori del tempo, un viaggio attraverso la storia dello spettacolo, della TV, del cinema, della musica, del costume, dei giocattoli… ed ovviamente delle sigle TV. Ogni puntata è interamente dedicata ad un anno ripartendo dal 1988. Siete pronti a viaggiare con loro?

I Predatori del tempo

Cada semana un episodio nuevo en el que se habla y reflexiona sobre una corriente o tema del cine contemporáneo.

KMARA

Chili D Audio brings you 'Lock down with WD' Love Disney? Me too! During the lock-down I have started to watch all of the films Disney has ever released in Chronological order! Yes, I'm going for it... all 400+ of them. Not only will I be giving my own thought on each episode I will be digging out facts and theory's about each film too. So Join in and revel in the Disney fun.

Lock down with WD

Подкаст о кино, во всех пониманиях этого слова.
Кинолюбителям от кинолюбителей.

Подкаст о кино, во всех пониманиях этого слова. Кинолюбителям от кинолюбителей.

КИНЭТИКА ПОДКАСТ

A podcast in which the cinema of the 1930s to the 1970s is discussed by your host, Gabriela. Silliness and a love of classic film abounds. From the We Made This podcast network.

By Projection Light

The weekly movie podcast hosted by David McCann and James McSeveney. Each week we review, recommend and discuss the world of movies both old and new.

The weekly movie podcast hosted by David McCann and James McSeveney. Each week we review, recommend and discuss the world of movies both old and new.

Escape To The Cinema

Welcome to the new home of MyGuy Reviews. We have moved providers but we will still carry on delivering the best podcast for you the Fan! We talk Video Games &amp; Video Games adaptations into Movies to TV shows. Contact us on: Email: <a href="mailto:myguyreviews@gmail.com" rel="nofollow">myguyreviews@gmail.com</a>Instagram: <a href="https://www.instagram.com/myguyreviews/" rel="nofollow">@myguyreviews</a>Twitter: <a href="https://twitter.com/myguy_reviews" rel="nofollow">@myguy_reviews</a>youtube: <a href="https://www.youtube.com/channel/UCZgMxOzydE69-48hq1jliOA" rel="nofollow">myguy reviews</a>

Welcome to the new home of MyGuy Reviews. We have moved providers but we will still carry on delivering the best podcast for you the Fan! We talk Video Games & Video Games adaptations into Movies to TV shows. Contact us on: Email: myguyreviews@gmail.com Instagram: @myguyreviews Twitter: @myguy_reviews youtube: myguy reviews

Welcome to the new home of MyGuy Reviews. We have moved providers but we will still carry on delivering the best podcast for you the Fan! We talk Video Games &amp; Video Games adaptations into Movies to TV shows. Contact us on: Email: <a href="mailto:myguyreviews@gmail.com" rel="noopener noreferrer">myguyreviews@gmail.com</a>Instagram: <a href="https://www.instagram.com/myguyreviews/" rel="noopener noreferrer">@myguyreviews</a>Twitter: <a href="https://twitter.com/myguy_reviews" rel="noopener noreferrer">@myguy_reviews</a>youtube: <a href="https://www.youtube.com/channel/UCZgMxOzydE69-48hq1jliOA" rel="noopener noreferrer">myguy reviews</a>

MyGuy Reviews

Resumindo Filmes

Welcome to Reel it, a dope podcast in which Tara picks different situations from your favourite shows, connects them with the anecdotes from her life experiences and gives an easy-breezy life-positive message without sounding too preachy. So, are you ready to dive in? Lights! Camera! Reeling!

This is an HT Smartcast Original.

Welcome to Reel it, a dope podcast in which Tara picks different situations from your favourite shows, connects them with the anecdotes from her life experiences and gives an easy-breezy life-positive message without sounding too preachy. So, are you ready to dive in? Lights! Camera! Reeling! This is an HT Smartcast Original.

Reel It

Podcast sobre filmes e séries de TERROR. Um programa sério feito por gente que não se leva a sério.

Terrorias da Conspiração

Podcasten för oss som älskar film! Filmer vi älskar, filmer vi hatar, filmer vi älskar att hata och filmer vi hatar att älska. En huvudfilm per avsnitt, och en topp 5-lista! SPOILER ALERT för allt! <hr> See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for privacy and opt-out information.

Podcasten för oss som älskar film! Filmer vi älskar, filmer vi hatar, filmer vi älskar att hata och filmer vi hatar att älska. En huvudfilm per avsnitt, och en topp 5-lista! SPOILER ALERT för allt! See acast.com/privacy for privacy and opt-out information.

Podcasten för oss som älskar film! Filmer vi älskar, filmer vi hatar, filmer vi älskar att hata och filmer vi hatar att älska. En huvudfilm per avsnitt, och en topp 5-lista! SPOILER ALERT för allt! See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for privacy and opt-out information.

Cineastpodden

Gündemdeki filmleri ve sinemacıları, en güncel sinema haberlerini, ödülleri, festivalleri ve sinema etkinliklerini konuşuyoruz. Ayrıca sinemanın tarihinden, sinemasal akımlardan ve üsluplardan, hâkim eğilimlerden, ülke sinemalarından, dönemlerden ve sinemacılardan da incelemeler sunuyor, sinemanın hem bugününe hem de tarihine ışık tutmaya çalışıyoruz. Sinema adına her şey, haftalık sinema sohbeti programımız Sinematriste…

Gündemdeki filmleri ve sinemacıları, en güncel sinema haberlerini, ödülleri, festivalleri ve sinema etkinliklerini konuşuyoruz. Ayrıca sinemanın tarihinden, sinemasal akımlardan ve üsluplardan, hâkim eğilimlerden, ülke sinemalarından, dönemlerden ve sinemacılardan da incelemeler sunuyor, sinemanın hem bugününe hem de tarihine ışık tutmaya çalışıyoruz. Sinema adına her şey, haftalık sinema sohbeti programımız Sinematriste…

Gündemdeki filmleri ve sinemacıları, en güncel sinema haberlerini, ödülleri, festivalleri ve sinema etkinliklerini konuşuyoruz. Ayrıca sinemanın tarihinden, sinemasal akımlardan ve üsluplardan, hâkim eğilimlerden, ülke sinemalarından, dönemlerden ve sinemacılardan da incelemeler sunuyor, sinemanın hem bugününe hem de tarihine ışık tutmaya çalışıyoruz. Sinema adına her şey, haftalık sinema sohbeti programımız&nbsp;Sinematriste…

Sinematris

"Credit to the Edit Podcast" präsentiert "Der gute Schnitt":

Der Podcast "Der gute Schnitt" erblickte 2012 zum ersten Mal das Licht der Welt und wurde bis 2018 von den Editoren Dirk Grau und Theo Strittmatter moderiert und herausgegeben. Wir veröffentlichen die 54 Folgen ab jetzt alle zwei Wochen und hoffen, dass sich eine neue Generation Schnittinteressierter an sehr launigen, wahrhaftigen und schnittphilosophischen Podcastepisoden erfreut.

"Credit to the Edit Podcast" präsentiert "Der gute Schnitt": Der Podcast "Der gute Schnitt" erblickte 2012 zum ersten Mal das Licht der Welt und wurde bis 2018 von den Editoren Dirk Grau und Theo Strittmatter moderiert und herausgegeben. Wir veröffentlichen die 54 Folgen ab jetzt alle zwei Wochen und hoffen, dass sich eine neue Generation Schnittinteressierter an sehr launigen, wahrhaftigen und schnittphilosophischen Podcastepisoden erfreut.

Der gute Schnitt

Join two industry veterans every week as they discuss movies (without spoilers) that flew under the radar, films worth revisiting, and their experiences behind the scenes.

Movies You Missed

The Directors Series Podcast dives deep into the craft and careers of influential filmmakers, while aiming to further the mission of increasing media literacy and inspiring the next generation of storytellers

The Directors Series Podcast

A show celebrating films.

 <a href="https://thecinephiles.substack.com?utm_medium=podcast">thecinephiles.substack.com</a>

A show celebrating films. thecinephiles.substack.com

A show celebrating films.

 <a href="https://thecinephiles.substack.com?utm_medium=podcast" rel="noopener noreferrer">thecinephiles.substack.com</a>

The Cinephiles

Join us each week, as we watch films from Sam's childhood through the lens of hindsight. We score each film out of 10 BEFORE we watch it, based on our memories of the film. Then we score out of 10 AFTER, to see if our views have changed. We will be discussing the acting, effects, soundtrack, dialogue, themes, direction and all things relevant to cinema and film. New films will be announced at the end of each episode, every week! Stay tuned!

Join us each week, as we watch films from Sam's childhood through the lens of hindsight. We score each film out of 10 BEFORE we watch it, based on our memories of the film. Then we score out of 10 AFTER, to see if our views have changed. We will be discussing the acting, effects, soundtrack, dialogue, themes, direction and all things relevant to cinema and film. New films will be announced at the end of each episode, every week! Stay tuned!

The Benefit of Hindsight Podcast - A Film Podcast with Dean and Sam

Pay Attention, 007 focuses on acting, plot, Bond tropes, locations, and fashion within the James Bond universe.

Pay Attention, 007 focuses on acting, plot, Bond tropes, locations, and fashion within the James Bond universe.

Pay Attention, 007

Delve into the wide world of Eastern European film with the Klassiki Podcast. Featuring interviews, roundtable discussions, recorded essays, and more, we take you beyond the headlines to explore the past, present, and future of this fascinating region. Sign up to Klassiki today to gain access to our ever-evolving library of classic and contemporary titles, as well as filmmaker interviews, video essays and introductions, programme notes, and much more.

The Klassiki Podcast

Twins, Jaimie &amp; Jessica take two similar but different genre movies and battle them against each other to see which one comes out on top! &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Two movies enter, one movie leaves.

Twins, Jaimie & Jessica take two similar but different genre movies and battle them against each other to see which one comes out on top!                                        Two movies enter, one movie leaves.

Versus: The Competitive Movie Review Podcast

Un podcast cinéma dans lequel on décortique chaque mois une problématique autour d'un thème précis.

Le 7ème œil

El mejor cine cl&aacute;sico, de 1930 a 1965. Directores, estrellas, rodajes, an&eacute;cdotas, star system y muchas obras maestras. Con Bel&eacute;n Ester, la Desvealada de Seattle.

El mejor cine clásico, de 1930 a 1965. Directores, estrellas, rodajes, anécdotas, star system y muchas obras maestras. Con Belén Ester, la Desvealada de Seattle.

FilmoteCast

A giant of 20th century genre fiction, Bradbury’s imaginative stories lend themselves particularly well to the audio medium. Here’s a collection of dramatizations and readings from BBC Radio. In FLAC whenever possible. 1959-03-05 The Veldt (dramatized by Jack Pulman)A futuristic cautionary tale about the perils of smart technology, where danger prowls in the nursery... Ray Bradbury's gripping sci-fi story first published in 1950. Lydia/Witch… Diana OlssonGeorge… John CazabonPeter… Jon HewittWendy/Grethel… Nina LudlowDavid… Bruce Wightman Adapted by Jack Pulman. Produced by Frederick Bradnum and first broadcast on the BBC Light Programme in March 1959 1962-09-12 There Will Come Soft Rains (dramatized by Nesta Pain)2026: With surroundings destroyed and devoid of human life, an automated house carries on... Dramatization of Ray Bradbury’s short story, adapted and produced by Nesta Pain. Cast: The Woman ...... Joan Miller Commentator ...... David King-WoodMusic composed and conducted by Antony HopkinsSingers: Ann Dowdall and John Carol Case. 1968-05-03 Leviathan 99 (adapted by H. B. Fortuin)A fantastical adaptation of Moby Dick, Ray Bradbury takes audiences past the moon and the stars in search of the greatest and brightest comet in the universe. Join a deranged captain, an eight-foot-tall telepathic spider, and our reluctant hero. You can call him Ishmael. Adapted and produced by H. B. Fortuin and starring Denys Hawthorne as Ishmael

A giant of 20th century genre fiction, Bradbury’s imaginative stories lend themselves particularly well to the audio medium. Here’s a collection of dramatizations and readings from BBC Radio. In FLAC whenever possible.1959-03-05 The Veldt (dramatized by Jack Pulman)A futuristic cautionary tale about the perils of smart technology, where danger prowls in the nursery... Ray Bradbury's gripping sci-fi story first published in 1950.Lydia/Witch… Diana OlssonGeorge… John CazabonPeter… Jon HewittWendy/Grethel… Nina LudlowDavid… Bruce WightmanAdapted by Jack Pulman. Produced by Frederick Bradnum and first broadcast on the BBC Light Programme in March 19591962-09-12 There Will Come Soft Rains (dramatized by Nesta Pain)2026: With surroundings destroyed and devoid of human life, an automated house carries on... Dramatization of Ray Bradbury’s short story, adapted and produced by Nesta Pain. Cast:The Woman ...... Joan MillerCommentator ...... David King-WoodMusic composed and conducted by Antony HopkinsSingers: Ann Dowdall and John Carol Case.1968-05-03 Leviathan 99 (adapted by H. B. Fortuin)A fantastical adaptation of Moby Dick, Ray Bradbury takes audiences past the moon and the stars in search of the greatest and brightest comet in the universe. Join a deranged captain, an eight-foot-tall telepathic spider, and our reluctant hero. You can call him Ishmael.Adapted and produced by H. B. Fortuin and starring Denys Hawthorne as Ishmael

A giant of 20th century genre fiction, Bradbury’s imaginative stories lend themselves particularly well to the audio medium. Here’s a collection of dramatizations and readings from BBC Radio. In FLAC whenever possible. 1959-03-05 The Veldt (dramatized by Jack Pulman)A futuristic cautionary tale about the perils of smart technology, where danger prowls in the nursery... Ray Bradbury's gripping sci-fi story first published in 1950. Lydia/Witch… Diana OlssonGeorge… John CazabonPeter… Jon HewittWendy/Grethel… Nina LudlowDavid… Bruce Wightman Adapted by Jack Pulman. Produced by Frederick Bradnum and first broadcast on the BBC Light Programme in March 1959 1962-09-12 There Will Come Soft Rains (dramatized by Nesta Pain)2026: With surroundings destroyed and devoid of human life, an automated house carries on... Dramatization of Ray Bradbury’s short story, adapted and produced by Nesta Pain. Cast: The Woman ...... Joan Miller Commentator ...... David King-WoodMusic composed and conducted by Antony HopkinsSingers: Ann Dowdall and John Carol Case. 1968-05-03 Leviathan 99 (adapted by H. B. Fortuin)A fantastical adaptation of Moby Dick, Ray Bradbury takes audiences past the moon and the stars in search of the greatest and brightest comet in the universe. Join a deranged captain, an eight-foot-tall telepathic spider, and our reluctant hero. You can call him Ishmael. Adapted and produced by H. B. Fortuin and starring Denys Hawthorne as Ishmael

Ray Bradbury Radio Stories

Presented on this page are episodes of British radio comedy shows which the BBC has banned or censored during the 21st Century culture wars, for allegedly being politically incorrect. The recordings included here are the complete original broadcasts of the episodes concerned, presented as they were first broadcast, before any cuts were made for political reasons. Many of the episodes are rare, since they are no longer broadcast, having been banned by the BBC. Additional shows are being banned and cut all the time. So I will be adding new recordings to this page from time to time, where they relate to the items originally posted here. Check back here regularly for additional items: those added are listed below, under Latest additions. These broadcasts pre-date political correctness, so may be unsuitable for listeners of a nervous disposition!

Presented on this page are episodes of British radio comedy shows which the BBC has banned or censored during the 21st Century culture wars, for allegedly being politically incorrect.The recordings included here are the complete original broadcasts of the episodes concerned, presented as they were first broadcast, before any cuts were made for political reasons. Many of the episodes are rare, since they are no longer broadcast, having been banned by the BBC.Additional shows are being banned and cut all the time. So I will be adding new recordings to this page from time to time, where they relate to the items originally posted here. Check back here regularly for additional items: those added are listed below, under Latest additions.These broadcasts pre-date political correctness, so may be unsuitable for listeners of a nervous disposition!

Presented on this page are episodes of British radio comedy shows which the BBC has&nbsp;banned&nbsp;or&nbsp;censored&nbsp;during the 21st&nbsp;Century culture wars, for allegedly being&nbsp;politically incorrect. The recordings included here are the complete original broadcasts of the episodes concerned, presented as they were first broadcast, before any cuts were made for political reasons. Many of the episodes are rare, since they are no longer broadcast, having been banned by the BBC. Additional shows are being banned and cut all the time. So I&nbsp;will&nbsp;be adding new recordings to this page from time to time, where they relate to the items originally posted here. Check back here regularly for additional items: those added are listed below, under&nbsp;Latest additions. These broadcasts pre-date&nbsp;political correctness, so may be unsuitable for listeners of a nervous disposition!

Banned and Sensored Radio Comedy

Kait and Anastasia love weird films. The weirder the better. Now they are sharing weird cinema discussions from around the globe with you monthly.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Kait and Anastasia love weird films. The weirder the better. Now they are sharing weird cinema discussions from around the globe with you monthly. Hosted on Acast. See acast.com/privacy for more information.

Kait and Anastasia love weird films. The weirder the better. Now they are sharing weird cinema discussions from around the globe with you monthly. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

What in the Wide World of Cinema?!

Frankenstein is a <a href="https://en.wikipedia.org/wiki/Frame_story" target="_blank" rel="noreferrer noopener">frame story</a> written in <a href="https://en.wikipedia.org/wiki/Epistolary_novel" target="_blank" rel="noreferrer noopener">epistolary form</a>. Set in the 18th century, it documents a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Captain Walton introductory narrative Captain Walton is a failed writer who sets out to explore the North Pole in hopes of expanding scientific knowledge. After departing from <a href="https://en.wikipedia.org/wiki/Archangelsk" target="_blank" rel="noreferrer noopener">Archangel</a>, the ship is trapped by <a href="https://en.wikipedia.org/wiki/Drift_ice" target="_blank" rel="noreferrer noopener">pack ice</a> on the journey across the <a href="https://en.wikipedia.org/wiki/Arctic_Ocean" target="_blank" rel="noreferrer noopener">Arctic Ocean</a>. During this time, the crew spots a <a href="https://en.wikipedia.org/wiki/Dog_sled" target="_blank" rel="noreferrer noopener">dog sled</a> driven by a gigantic figure. A few hours later, the ice splits apart, freeing the ship, and the crew rescues a nearly frozen and emaciated man named <a href="https://en.wikipedia.org/wiki/Victor_Frankenstein" target="_blank" rel="noreferrer noopener">Victor Frankenstein</a> from a drifting <a href="https://en.wikipedia.org/wiki/Ice_floe" target="_blank" rel="noreferrer noopener">ice floe</a>. Victor has been in pursuit of the gigantic man observed by Walton's crew. Victor starts to recover from his exertion; he sees in Walton the same obsession that has destroyed him and recounts a story of his life's miseries to Walton as a warning. Victor Frankenstein's narrative Born in <a href="https://en.wikipedia.org/wiki/Naples" target="_blank" rel="noreferrer noopener">Naples</a>, <a href="https://en.wikipedia.org/wiki/Kingdom_of_Naples" target="_blank" rel="noreferrer noopener">Italy</a>, into a wealthy <a href="https://en.wikipedia.org/wiki/Geneva" target="_blank" rel="noreferrer noopener">Genevan</a> family, Victor and his younger brothers, Ernest and William, are sons of Alphonse Frankenstein and the former Caroline Beaufort. From a young age, Victor has a strong desire to understand the world. He is obsessed with studying theories of <a href="https://en.wikipedia.org/wiki/Alchemy" target="_blank" rel="noreferrer noopener">alchemists</a>, though when he is older he realizes that such theories are considerably outdated. When Victor is five years old, his parents adopt <a href="https://en.wikipedia.org/wiki/Elizabeth_Lavenza" target="_blank" rel="noreferrer noopener">Elizabeth Lavenza</a> (the orphaned daughter of an expropriated Italian nobleman) whom Victor calls 'cousin'. Victor's parents later take in another child, Justine Moritz, who becomes William's nanny.Weeks before he leaves for the <a href="https://en.wikipedia.org/wiki/University_of_Ingolstadt" target="_blank" rel="noreferrer noopener">University of Ingolstadt</a> in Germany, his mother dies of <a href="https://en.wikipedia.org/wiki/Scarlet_fever" target="_blank" rel="noreferrer noopener">scarlet fever</a>; Victor buries himself in his experiments to deal with the grief. At the university, he excels at <a href="https://en.wikipedia.org/wiki/Chemistry" target="_blank" rel="noreferrer noopener">chemistry</a> and other sciences, soon developing a secret technique to impart life to non-living matter. He undertakes the creation of a humanoid, but due to the difficulty in replicating the minute parts of the human body, Victor makes <a href="https://en.wikipedia.org/wiki/Frankenstein%27s_monster" target="_blank" rel="noreferrer noopener">the Creature</a> tall, about 8 feet (2.4 m) in height, and proportionally large. Victor works at gathering the vital organs by pilfering <a href="https://en.wikipedia.org/wiki/Charnel_house" target="_blank" rel="noreferrer noopener">charnel houses</a>, <a href="https://en.wikipedia.org/wiki/Morgue" target="_blank" rel="noreferrer noopener">mortuaries</a> and by entrapping and <a href="https://en.wikipedia.org/wiki/Vivisection" target="_blank" rel="noreferrer noopener">vivisecting</a> feral animals. Despite Victor selecting its features to be beautiful, upon animation the Creature is instead hideous, with dull and watery yellow eyes and yellow skin that barely conceals the muscles and blood vessels underneath. Repulsed by his work, Victor flees. While wandering the streets the next day, he meets his childhood friend, Henry Clerval, and takes Henry back to his apartment, fearful of Henry's reaction if he sees the monster. However, when Victor returns to his laboratory, the Creature is gone.Victor falls ill from the experience and is nursed back to health by Henry. After recovering he forgets about the Creature and goes into Henry's study of Oriental languages, which he considers the happiest time of his academic career. This is cut short when Victor receives a letter from his father notifying him of the murder of his brother William. Near Geneva, Victor sees a large figure and becomes convinced that his creation is responsible. Justine Moritz, William's nanny, is convicted of the crime after William's locket, which contained a miniature portrait of Caroline, is found in her pocket. Victor knows that no one will believe him if he testifies that it was the doing of the Creature; Justine is executed. Ravaged by grief and guilt, Victor takes up <a href="https://en.wikipedia.org/wiki/Mountaineering" target="_blank" rel="noreferrer noopener">mountain climbing</a> in the <a href="https://en.wikipedia.org/wiki/Alps" target="_blank" rel="noreferrer noopener">Alps</a>. While hiking through <a href="https://en.wikipedia.org/wiki/Mont_Blanc" target="_blank" rel="noreferrer noopener">Mont Blanc</a>'s <a href="https://en.wikipedia.org/wiki/Mer_de_Glace" target="_blank" rel="noreferrer noopener">Mer de Glace</a>, he is suddenly approached by the Creature, who insists that Victor hear his tale.

Frankenstein is a frame story written in epistolary form. Set in the 18th century, it documents a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville.Captain Walton introductory narrativeCaptain Walton is a failed writer who sets out to explore the North Pole in hopes of expanding scientific knowledge. After departing from Archangel, the ship is trapped by pack ice on the journey across the Arctic Ocean. During this time, the crew spots a dog sled driven by a gigantic figure. A few hours later, the ice splits apart, freeing the ship, and the crew rescues a nearly frozen and emaciated man named Victor Frankenstein from a drifting ice floe. Victor has been in pursuit of the gigantic man observed by Walton's crew. Victor starts to recover from his exertion; he sees in Walton the same obsession that has destroyed him and recounts a story of his life's miseries to Walton as a warning.Victor Frankenstein's narrativeBorn in Naples, Italy, into a wealthy Genevan family, Victor and his younger brothers, Ernest and William, are sons of Alphonse Frankenstein and the former Caroline Beaufort. From a young age, Victor has a strong desire to understand the world. He is obsessed with studying theories of alchemists, though when he is older he realizes that such theories are considerably outdated. When Victor is five years old, his parents adopt Elizabeth Lavenza (the orphaned daughter of an expropriated Italian nobleman) whom Victor calls 'cousin'. Victor's parents later take in another child, Justine Moritz, who becomes William's nanny.Weeks before he leaves for the University of Ingolstadt in Germany, his mother dies of scarlet fever; Victor buries himself in his experiments to deal with the grief. At the university, he excels at chemistry and other sciences, soon developing a secret technique to impart life to non-living matter. He undertakes the creation of a humanoid, but due to the difficulty in replicating the minute parts of the human body, Victor makes the Creature tall, about 8 feet (2.4 m) in height, and proportionally large.Victor works at gathering the vital organs by pilfering charnel houses, mortuaries and by entrapping and vivisecting feral animals. Despite Victor selecting its features to be beautiful, upon animation the Creature is instead hideous, with dull and watery yellow eyes and yellow skin that barely conceals the muscles and blood vessels underneath. Repulsed by his work, Victor flees. While wandering the streets the next day, he meets his childhood friend, Henry Clerval, and takes Henry back to his apartment, fearful of Henry's reaction if he sees the monster. However, when Victor returns to his laboratory, the Creature is gone.Victor falls ill from the experience and is nursed back to health by Henry. After recovering he forgets about the Creature and goes into Henry's study of Oriental languages, which he considers the happiest time of his academic career.This is cut short when Victor receives a letter from his father notifying him of the murder of his brother William. Near Geneva, Victor sees a large figure and becomes convinced that his creation is responsible. Justine Moritz, William's nanny, is convicted of the crime after William's locket, which contained a miniature portrait of Caroline, is found in her pocket. Victor knows that no one will believe him if he testifies that it was the doing of the Creature; Justine is executed. Ravaged by grief and guilt, Victor takes up mountain climbing in the Alps. While hiking through Mont Blanc's Mer de Glace, he is suddenly approached by the Creature, who insists that Victor hear his tale.

Frankenstein&nbsp;is a&nbsp;<a href="https://en.wikipedia.org/wiki/Frame_story" rel="noopener noreferrer">frame story</a>&nbsp;written in&nbsp;<a href="https://en.wikipedia.org/wiki/Epistolary_novel" rel="noopener noreferrer">epistolary form</a>. Set in the 18th century, it documents a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Captain Walton introductory narrative Captain Walton is a failed writer who sets out to explore the North Pole in hopes of expanding scientific knowledge. After departing from&nbsp;<a href="https://en.wikipedia.org/wiki/Archangelsk" rel="noopener noreferrer">Archangel</a>, the ship is trapped by&nbsp;<a href="https://en.wikipedia.org/wiki/Drift_ice" rel="noopener noreferrer">pack ice</a>&nbsp;on the journey across the&nbsp;<a href="https://en.wikipedia.org/wiki/Arctic_Ocean" rel="noopener noreferrer">Arctic Ocean</a>. During this time, the crew spots a&nbsp;<a href="https://en.wikipedia.org/wiki/Dog_sled" rel="noopener noreferrer">dog sled</a>&nbsp;driven by a gigantic figure. A few hours later, the ice splits apart, freeing the ship, and the crew rescues a nearly frozen and emaciated man named&nbsp;<a href="https://en.wikipedia.org/wiki/Victor_Frankenstein" rel="noopener noreferrer">Victor Frankenstein</a>&nbsp;from a drifting&nbsp;<a href="https://en.wikipedia.org/wiki/Ice_floe" rel="noopener noreferrer">ice floe</a>. Victor has been in pursuit of the gigantic man observed by Walton's crew. Victor starts to recover from his exertion; he sees in Walton the same obsession that has destroyed him and recounts a story of his life's miseries to Walton as a warning. Victor Frankenstein's narrative Born in&nbsp;<a href="https://en.wikipedia.org/wiki/Naples" rel="noopener noreferrer">Naples</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Kingdom_of_Naples" rel="noopener noreferrer">Italy</a>, into a wealthy&nbsp;<a href="https://en.wikipedia.org/wiki/Geneva" rel="noopener noreferrer">Genevan</a>&nbsp;family, Victor and his younger brothers, Ernest and William, are sons of Alphonse Frankenstein and the former Caroline Beaufort. From a young age, Victor has a strong desire to understand the world. He is obsessed with studying theories of&nbsp;<a href="https://en.wikipedia.org/wiki/Alchemy" rel="noopener noreferrer">alchemists</a>, though when he is older he realizes that such theories are considerably outdated. When Victor is five years old, his parents adopt&nbsp;<a href="https://en.wikipedia.org/wiki/Elizabeth_Lavenza" rel="noopener noreferrer">Elizabeth Lavenza</a>&nbsp;(the orphaned daughter of an expropriated Italian nobleman) whom Victor calls 'cousin'. Victor's parents later take in another child, Justine Moritz, who becomes William's nanny.Weeks before he leaves for the&nbsp;<a href="https://en.wikipedia.org/wiki/University_of_Ingolstadt" rel="noopener noreferrer">University of Ingolstadt</a>&nbsp;in Germany, his mother dies of&nbsp;<a href="https://en.wikipedia.org/wiki/Scarlet_fever" rel="noopener noreferrer">scarlet fever</a>; Victor buries himself in his experiments to deal with the grief. At the university, he excels at&nbsp;<a href="https://en.wikipedia.org/wiki/Chemistry" rel="noopener noreferrer">chemistry</a>&nbsp;and other sciences, soon developing a secret technique to impart life to non-living matter. He undertakes the creation of a humanoid, but due to the difficulty in replicating the minute parts of the human body, Victor makes&nbsp;<a href="https://en.wikipedia.org/wiki/Frankenstein%27s_monster" rel="noopener noreferrer">the Creature</a>&nbsp;tall, about 8 feet (2.4&nbsp;m) in height, and proportionally large. Victor works at gathering the vital organs by pilfering&nbsp;<a href="https://en.wikipedia.org/wiki/Charnel_house" rel="noopener noreferrer">charnel houses</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Morgue" rel="noopener noreferrer">mortuaries</a>&nbsp;and by entrapping and&nbsp;<a href="https://en.wikipedia.org/wiki/Vivisection" rel="noopener noreferrer">vivisecting</a>&nbsp;feral animals. Despite Victor selecting its features to be beautiful, upon animation the Creature is instead hideous, with dull and watery yellow eyes and yellow skin that barely conceals the muscles and blood vessels underneath. Repulsed by his work, Victor flees. While wandering the streets the next day, he meets his childhood friend, Henry Clerval, and takes Henry back to his apartment, fearful of Henry's reaction if he sees the monster. However, when Victor returns to his laboratory, the Creature is gone.Victor falls ill from the experience and is nursed back to health by Henry. After recovering he forgets about the Creature and goes into Henry's study of Oriental languages, which he considers the happiest time of his academic career. This is cut short when Victor receives a letter from his father notifying him of the murder of his brother William. Near Geneva, Victor sees a large figure and becomes convinced that his creation is responsible. Justine Moritz, William's nanny, is convicted of the crime after William's locket, which contained a miniature portrait of Caroline, is found in her pocket. Victor knows that no one will believe him if he testifies that it was the doing of the Creature; Justine is executed. Ravaged by grief and guilt, Victor takes up&nbsp;<a href="https://en.wikipedia.org/wiki/Mountaineering" rel="noopener noreferrer">mountain climbing</a>&nbsp;in the&nbsp;<a href="https://en.wikipedia.org/wiki/Alps" rel="noopener noreferrer">Alps</a>. While hiking through&nbsp;<a href="https://en.wikipedia.org/wiki/Mont_Blanc" rel="noopener noreferrer">Mont Blanc</a>'s&nbsp;<a href="https://en.wikipedia.org/wiki/Mer_de_Glace" rel="noopener noreferrer">Mer de Glace</a>, he is suddenly approached by the Creature, who insists that Victor hear his tale.

frankenstein

I Love a Mystery is an American radio drama series that aired 1939–44, about three friends who ran a detective agency and traveled the world in search of adventure. Written by <a href="https://en.wikipedia.org/wiki/Carlton_E._Morse" target="_blank" rel="noreferrer noopener">Carlton E. Morse</a>, the program was the polar opposite of Morse's other success, the long-running <a href="https://en.wikipedia.org/wiki/One_Man%27s_Family" target="_blank" rel="noreferrer noopener">One Man's Family</a>. The central characters, Jack Packard, Doc Long, and Reggie York, met as mercenary soldiers fighting the Japanese in China. Later, they met again in San Francisco, where they decided to form the A-1 Detective Agency. Their motto was "No job too tough, no adventure too baffling". The agency served as a plot device to involve the trio in a wide variety of stories. These straddled the genres of <a href="https://en.wikipedia.org/wiki/Mystery_fiction" target="_blank" rel="noreferrer noopener">mystery</a>, <a href="https://en.wikipedia.org/wiki/Adventure" target="_blank" rel="noreferrer noopener">adventure</a>, and <a href="https://en.wikipedia.org/wiki/Supernatural" target="_blank" rel="noreferrer noopener">supernatural</a> <a href="https://en.wikipedia.org/wiki/Horror_fiction" target="_blank" rel="noreferrer noopener">horror</a>, and the plot lines often took them to exotic locales. Over the years, Jack was played by <a href="https://en.wikipedia.org/wiki/Michael_Raffetto" target="_blank" rel="noreferrer noopener">Michael Raffetto</a>, <a href="https://en.wikipedia.org/wiki/Russell_Thorson" target="_blank" rel="noreferrer noopener">Russell Thorson</a>, <a href="https://en.wikipedia.org/wiki/Jay_Novello" target="_blank" rel="noreferrer noopener">Jay Novello</a>, <a href="https://en.wikipedia.org/wiki/Jim_Bannon" target="_blank" rel="noreferrer noopener">Jim Bannon</a>, and <a href="https://en.wikipedia.org/wiki/John_McIntire" target="_blank" rel="noreferrer noopener">John McIntire</a>. Doc was played by <a href="https://en.wikipedia.org/wiki/Barton_Yarborough" target="_blank" rel="noreferrer noopener">Barton Yarborough</a> and <a href="https://en.wikipedia.org/wiki/Jim_Boles" target="_blank" rel="noreferrer noopener">Jim Boles</a>. Reggie was portrayed by Walter Paterson and <a href="https://en.wikipedia.org/wiki/Tony_Randall" target="_blank" rel="noreferrer noopener">Tony Randall</a>. The agency's secretary, Jerry Booker, was played by <a href="https://en.wikipedia.org/wiki/Gloria_Blondell" target="_blank" rel="noreferrer noopener">Gloria Blondell</a>. After Paterson committed suicide in 1942, his friend Morse could not bear to recast the role and Reggie was written out of the series. In later shows, Jerry's role was increased, and she replaced Reggie.

I Love a Mystery is an American radio drama series that aired 1939–44, about three friends who ran a detective agency and traveled the world in search of adventure. Written by Carlton E. Morse, the program was the polar opposite of Morse's other success, the long-running One Man's Family.The central characters, Jack Packard, Doc Long, and Reggie York, met as mercenary soldiers fighting the Japanese in China. Later, they met again in San Francisco, where they decided to form the A-1 Detective Agency. Their motto was "No job too tough, no adventure too baffling". The agency served as a plot device to involve the trio in a wide variety of stories.These straddled the genres of mystery, adventure, and supernatural horror, and the plot lines often took them to exotic locales. Over the years, Jack was played by Michael Raffetto, Russell Thorson, Jay Novello, Jim Bannon, and John McIntire. Doc was played by Barton Yarborough and Jim Boles. Reggie was portrayed by Walter Paterson and Tony Randall. The agency's secretary, Jerry Booker, was played by Gloria Blondell. After Paterson committed suicide in 1942, his friend Morse could not bear to recast the role and Reggie was written out of the series. In later shows, Jerry's role was increased, and she replaced Reggie.

I Love a Mystery&nbsp;is an American radio drama series that aired 1939–44, about three friends who ran a detective agency and traveled the world in search of adventure. Written by&nbsp;<a href="https://en.wikipedia.org/wiki/Carlton_E._Morse" rel="noopener noreferrer">Carlton E. Morse</a>, the program was the polar opposite of Morse's other success, the long-running&nbsp;<a href="https://en.wikipedia.org/wiki/One_Man%27s_Family" rel="noopener noreferrer">One Man's Family</a>. The central characters, Jack Packard, Doc Long, and Reggie York, met as mercenary soldiers fighting the Japanese in China. Later, they met again in San Francisco, where they decided to form the A-1 Detective Agency. Their motto was "No job too tough, no adventure too baffling". The agency served as a plot device to involve the trio in a wide variety of stories. These straddled the genres of <a href="https://en.wikipedia.org/wiki/Mystery_fiction" rel="noopener noreferrer">mystery</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Adventure" rel="noopener noreferrer">adventure</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/Supernatural" rel="noopener noreferrer">supernatural</a>&nbsp;<a href="https://en.wikipedia.org/wiki/Horror_fiction" rel="noopener noreferrer">horror</a>, and the plot lines often took them to exotic locales. Over the years, Jack was played by&nbsp;<a href="https://en.wikipedia.org/wiki/Michael_Raffetto" rel="noopener noreferrer">Michael Raffetto</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Russell_Thorson" rel="noopener noreferrer">Russell Thorson</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Jay_Novello" rel="noopener noreferrer">Jay Novello</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Jim_Bannon" rel="noopener noreferrer">Jim Bannon</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/John_McIntire" rel="noopener noreferrer">John McIntire</a>. Doc was played by&nbsp;<a href="https://en.wikipedia.org/wiki/Barton_Yarborough" rel="noopener noreferrer">Barton Yarborough</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Jim_Boles" rel="noopener noreferrer">Jim Boles</a>. Reggie was portrayed by Walter Paterson and&nbsp;<a href="https://en.wikipedia.org/wiki/Tony_Randall" rel="noopener noreferrer">Tony Randall</a>. The agency's secretary, Jerry Booker, was played by&nbsp;<a href="https://en.wikipedia.org/wiki/Gloria_Blondell" rel="noopener noreferrer">Gloria Blondell</a>. After Paterson committed suicide in 1942, his friend Morse could not bear to recast the role and Reggie was written out of the series. In later shows, Jerry's role was increased, and she replaced Reggie.

I love Mystery Radio Show

Join Matt and Charlie as they gather around to discuss all your favorite films. Each episode is a deep dive into the cast, production, and awards, and even give out awards of their own to your favorite films.

The Reel Buffs

We will be discussing movies and cinema related topics at the Falkon Theatre.

Falkon Theatre Podcast

Movie history, stories and culture. My exploration into the magic of the silver screen from then to now. <a href="https://popped.substack.com?utm_medium=podcast">popped.substack.com</a>

Movie history, stories and culture. My exploration into the magic of the silver screen from then to now. popped.substack.com

Movie history, stories and culture. My exploration into the magic of the silver screen from then to now. <a href="https://popped.substack.com?utm_medium=podcast" rel="noopener noreferrer">popped.substack.com</a>

Film History Podcasts / Page 53

The Star Wars Toy Podcast

I Predatori del tempo

KMARA

Lock down with WD

КИНЭТИКА ПОДКАСТ

By Projection Light

Escape To The Cinema

MyGuy Reviews

Resumindo Filmes

Reel It

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Cineastpodden

Sinematris

Der gute Schnitt

Movies You Missed

The Directors Series Podcast

The Cinephiles

The Benefit of Hindsight Podcast - A Film Podcast with Dean and Sam

Pay Attention, 007

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Versus: The Competitive Movie Review Podcast

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FilmoteCast

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Banned and Sensored Radio Comedy

What in the Wide World of Cinema?!

frankenstein

I love Mystery Radio Show

The Reel Buffs

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The Poppedcast

movi(E)n' on / il cinema alla radio

What A Feeling! Un Fantastico Viaggio Nelle Colonne Sonore E Nei Film Degli Anni...

Cinematic Horizons: A Steven Spielberg Fancast

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Reel 33: All About Rad

Pop Corn Sugar

Aló Europa!

Bollywood: what you didn't know about Bollywood

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Hello From Obscurity

Next Stop Xanadu

The Movies That Made Me...

Horizons West Radio Show!

История российского фэнтези

WTD

Movie Marathon Podcast

Sorry About the Tangent

The Room Went Dark