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Le 7ème Antiquaire, c'est un temple érigé à chaque semaine au nom des anciens dieux du Cinéma. Un rituel où se mêle les films, le sexe, l'occultisme et la philosophie... pour les curieux, les néophytes, les exégètes et les déviants.

Le 7ème antiquaire

Cineplayers

Interested in seeing everything there is to “see and hear” on The 2GuysTalking Podcast Network? This is the place to be!

All 2GuysTalking Podcast Network Content

Der Podcast für Gamer, Geeks und Groschenheftleser

Cliffhanger

Started by two film(i) nerds, Parde Ke Peeche (Behind the Curtains) is a monthly podcast that explores Indian cinema through a critical lens. Hosted by Raeesa Farooqi & Ankur Desai.

Started by two film(i) nerds, Parde Ke Peeche (Behind the Curtains) is a monthly podcast that explores Indian cinema through a critical lens. Hosted by Raeesa Farooqi &amp; Ankur Desai.

Parde Ke Peeche (PKP) Podcast

Necronomiconversa

Cody Pasby and Paul Ponte attempt to watch and discuss every movie musical ever made

Cody Pasby and Paul Ponte attempt to watch and discuss every movie musical ever made

That's Podcasting! A Movie Musical Podcast

Talking Terrific Television is a great podcast where the hosts JR Ralls and Jarrod Hornbeck talk about the best TV shows of all time in chronological order, covering the complete run of one great TV show and then moving on to the next.  Their first show is The Sopranos, the show that ushered in the golden age of television.

Talking Terrific Television is a great podcast where the hosts JR Ralls and Jarrod Hornbeck talk about the best TV shows of all time in chronological order, covering the complete run of one great TV show and then moving on to the next. Their first show is The Sopranos, the show that ushered in the golden age of television.

Talking Terrific Television

Two friends talking about everything horror. New episode out each weeks

Anatomy of Horror

espacio en el que abordamos películas y series de índole policíaca y lo tratamos en el ámbito de las ciencias forenses. 
No solo con el fin de informar si no de pasar un buen rato

espacio en el que abordamos películas y series de índole policíaca y lo tratamos en el ámbito de las ciencias forenses. No solo con el fin de informar si no de pasar un buen rato

Hablemos de Ciencias Forenses

All things horror all the time! Meli and Phoenix will dive into specific movies, genres, directors, franchises, themes, and anything else you can imagine. Each episode will introduce a new cocktail that relates to the topic at the beginning to get the ball rolling. Follow us on Instagram: @illdrinktohorror @scream_princess @phoenix_11.09

I’ll Drink to Horror with Phoenix & Meli

O Tom no Cinema

Join Matthew Vivian and Jack McMahon as we watch every Academy Award Best Picture Winning Film. Hopefully along the way, we'll learn a little about Hollywood history and have a laugh or two.

All The Best Pictures

Podcast do Papudinerd, todas as quintas feiras com conteúdos, pra galera pop, envolvendo filmes, quadrinhos e informática

Papu di Nerd

Skipp It is a podcast that reviews and dissects the beloved classic Australian television show, Skippy The Bush Kangaroo. Join Jon, Lee & Ashwin as they discuss each episode in detail, deep diving into one of Australia's most enduring, popular icons. Find out how Skippy became our friend ever true.

Skipp It is a podcast that reviews and dissects the beloved classic Australian television show, Skippy The Bush Kangaroo. Join Jon, Lee &amp; Ashwin as they discuss each episode in detail, deep diving into one of Australia's most enduring, popular icons. Find out how Skippy became our friend ever true.

Skipp It

Enjoy weekly discussions about best of old movies, new movies and streaming originals. &nbsp;Additional episodes will include discussions about the pop culture trends started by a movie or tv show.&nbsp;

Enjoy weekly discussions about best of old movies, new movies and streaming originals.  Additional episodes will include discussions about the pop culture trends started by a movie or tv show. 

The Popcorn Chronicles: Movies, TV & Pop Culture

Introducing Bring Your Own Blockbuster, the podcast that takes you on a trip down memory lane with your hosts, Ben Haines and Jack Hussey. Each week, they bring a beloved classic film from yesteryear to the forefront of your mind and analyse it from top to bottom, bringing their own unique perspectives and insights to the table. As film buffs, Ben and Jack have an encyclopaedic knowledge of cinema, and they're not afraid to ask the tough questions about a movie's relevance in today's world. They're joined occasionally by special guests, who share their own opinions and experiences, and importantly, bring their own blockbuster, adding a fresh perspective to the discussion. BYOB is a celebration of cinema's past, a chance to revisit the movies that shaped our childhoods and continue to influence our lives today. So grab the popcorn, settle in, and join Ben and Jack as they take you on a journey through some of the greatest films of all time on BYOB. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Introducing Bring Your Own Blockbuster, the podcast that takes you on a trip down memory lane with your hosts, Ben Haines and Jack Hussey. Each week, they bring a beloved classic film from yesteryear to the forefront of your mind and analyse it from top to bottom, bringing their own unique perspectives and insights to the table. As film buffs, Ben and Jack have an encyclopaedic knowledge of cinema, and they're not afraid to ask the tough questions about a movie's relevance in today's world. They're joined occasionally by special guests, who share their own opinions and experiences, and importantly, bring their own blockbuster, adding a fresh perspective to the discussion. BYOB is a celebration of cinema's past, a chance to revisit the movies that shaped our childhoods and continue to influence our lives today. So grab the popcorn, settle in, and join Ben and Jack as they take you on a journey through some of the greatest films of all time on BYOB. Hosted on Acast. See acast.com/privacy for more information.

Introducing Bring Your Own Blockbuster, the podcast that takes you on a trip down memory lane with your hosts, Ben Haines and Jack Hussey. Each week, they bring a beloved classic film from yesteryear to the forefront of your mind and analyse it from top to bottom, bringing their own unique perspectives and insights to the table. As film buffs, Ben and Jack have an encyclopaedic knowledge of cinema, and they're not afraid to ask the tough questions about a movie's relevance in today's world. They're joined occasionally by special guests, who share their own opinions and experiences, and importantly, bring their own blockbuster, adding a fresh perspective to the discussion. BYOB is a celebration of cinema's past, a chance to revisit the movies that shaped our childhoods and continue to influence our lives today. So grab the popcorn, settle in, and join Ben and Jack as they take you on a journey through some of the greatest films of all time on BYOB. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Bring Your Own Blockbuster

Kael Your Idols is a film discussion podcast focused on the "New Hollywood" era of American cinema. From the glamorized hippies and paranoid anti-heroes of the 60s and 70s, to the merchandise-driven blockbusters of the early 80s, join hosts Alana Gibson and Sam Ludwig as they dive into this wild period in studio filmmaking! Logo artwork by: the_illuminator

Kael Your Idols is a film discussion podcast focused on the "New Hollywood" era of American cinema. From the glamorized hippies and paranoid anti-heroes of the 60s and 70s, to the merchandise-driven blockbusters of the early 80s, join hosts Alana Gibson and Sam Ludwig as they dive into this wild period in studio filmmaking! Logo artwork by: the_illuminator

Kael Your Idols: A New Hollywood Podcast

We take the fight to evil as we watch and review horror and Sci-Fi films that are considered "B" movies. Join us in our ongoing battle against Evil!

We take the fight to evil as we watch and review horror and Sci-Fi films that are considered "B" movies. Join us in our ongoing battle against Evil!

Nerdz Vs Evil

Dive into the shadowy corners of cinema's past with Celluloid Crypt. Each episode unearths forgotten scandals, revolutionary techniques, and the wildest behind-the-scenes tales that shaped your favorite films. Discover how 1920s censorship battles mirror modern streaming wars and why that CGI innovation started with a 1906 potato sack. Perfect for movie buffs who think they've seen everything... until now.

Celluloid Crypt

This pod talks movie news, new movies, old movies, classic hidden gems, cult films, television, streaming media, and all things motion entertainment. Yep, if it's a moving picture of some sort, on any platform or media, Brandon and Steve will talk about it.

Ghost Town Video

🎙️ Talky Balboa: A podcast where @imtyjordan &amp; @heyheylogan_ go the distance reviewing every Rocky film. 💥 Join us for an in-depth journey through the ultimate boxing movie franchise as we explore every punch, training montage, and underdog triumph. 🥊🎬From Apollo Creed's flashy entrances to Rocky's gritty climbs up the Philadelphia Museum steps, we break down the stories, themes, and unforgettable characters that have made Rocky a cinematic legend. Expect analysis, behind-the-scenes trivia, and plenty of passionate debates about what makes this franchise a timeless classic.Whether you're a longtime fan or stepping into the ring for the first time, Talky Balboa is your definitive guide to the world of Rocky, Creed, and everything in between. Hit subscribe, and let’s go the distance! 🥇🏆 ☕ <a href="https://ko-fi.com/talkybalboa" target="_blank" rel="noreferrer noopener">Buy us a coffee! Granting you access to exclusive bonus episodes! Ko-Fi.com/TalkyBalboa</a>

🎙️ Talky Balboa: A podcast where @imtyjordan & @heyheylogan_ go the distance reviewing every Rocky film. 💥 Join us for an in-depth journey through the ultimate boxing movie franchise as we explore every punch, training montage, and underdog triumph.🥊🎬From Apollo Creed's flashy entrances to Rocky's gritty climbs up the Philadelphia Museum steps, we break down the stories, themes, and unforgettable characters that have made Rocky a cinematic legend.Expect analysis, behind-the-scenes trivia, and plenty of passionate debates about what makes this franchise a timeless classic.Whether you're a longtime fan or stepping into the ring for the first time, Talky Balboa is your definitive guide to the world of Rocky, Creed, and everything in between. Hit subscribe, and let’s go the distance! 🥇🏆☕ Buy us a coffee! Granting you access to exclusive bonus episodes! Ko-Fi.com/TalkyBalboa

🎙️ Talky Balboa: A podcast where @imtyjordan &amp; @heyheylogan_ go the distance reviewing every Rocky film. 💥 Join us for an in-depth journey through the ultimate boxing movie franchise as we explore every punch, training montage, and underdog triumph. 🥊🎬From Apollo Creed's flashy entrances to Rocky's gritty climbs up the Philadelphia Museum steps, we break down the stories, themes, and unforgettable characters that have made Rocky a cinematic legend. Expect analysis, behind-the-scenes trivia, and plenty of passionate debates about what makes this franchise a timeless classic.Whether you're a longtime fan or stepping into the ring for the first time, Talky Balboa is your definitive guide to the world of Rocky, Creed, and everything in between. Hit subscribe, and let’s go the distance! 🥇🏆 ☕ <a href="https://ko-fi.com/talkybalboa" rel="noopener noreferrer">Buy us a coffee! Granting you access to exclusive bonus episodes! Ko-Fi.com/TalkyBalboa</a>

Talky Balboa

Dans ce Podcast cinéma et série dédié aux cinéphiles, cinéphages et sérievores, on vous fait traverser l'écran à travers nos visites de lieux de tournage.

De Los Angeles à Ho Chi Minh, de Singapour à Prague, on suit la bobine pour vivre la fiction.

Après avoir voyagé à travers l’écran, nous brisons le quatrième mur pour marcher dans les pas de nos héros et on partage tout ça avec vous !

Pour voir tout ça en images :
https://www.youtube.com/playlist?list=PLXiPnsU33b5FE1vOL22suxxTGS95TLpm6

Dans ce Podcast cinéma et série dédié aux cinéphiles, cinéphages et sérievores, on vous fait traverser l'écran à travers nos visites de lieux de tournage. De Los Angeles à Ho Chi Minh, de Singapour à Prague, on suit la bobine pour vivre la fiction. Après avoir voyagé à travers l’écran, nous brisons le quatrième mur pour marcher dans les pas de nos héros et on partage tout ça avec vous ! Pour voir tout ça en images : https://www.youtube.com/playlist?list=PLXiPnsU33b5FE1vOL22suxxTGS95TLpm6

À travers l'écran

We love watching movies.  But sometimes it's hard to find the time.  So the three of us decided to start this show so that we could recommend movies to each other and discuss them.  Our goal is to watch, enjoy, and discuss more movies together.

We love watching movies. But sometimes it's hard to find the time. So the three of us decided to start this show so that we could recommend movies to each other and discuss them. Our goal is to watch, enjoy, and discuss more movies together.

Reel 3

A horror writer and a scaredy-cat journey through the cinematic lore of Nosferatu. Will you join us on our journey? Hosted by Michal Schick and Avishai Weinberger.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

A horror writer and a scaredy-cat journey through the cinematic lore of Nosferatu. Will you join us on our journey? Hosted by Michal Schick and Avishai Weinberger. Hosted on Acast. See acast.com/privacy for more information.

A horror writer and a scaredy-cat journey through the cinematic lore of Nosferatu. Will you join us on our journey? Hosted by Michal Schick and Avishai Weinberger. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

NosferaTuesdays

The years of the great radio networks spanned from 1926 to 1962, with their heyday in the 1930s and ’40s. Millions of Americans would gather round the radio to laugh with Fred Allen or Jack Benny, follows the travails of soap opera heroines on Painted Dreams and <a href="https://www.otrcat.com/p/romance-of-helen-trent" target="_blank" rel="noreferrer noopener">The Romance of Helen Trent</a>, or hide under the covers to escape the frightening stories on <a href="https://www.otrcat.com/p/lights-out" target="_blank" rel="noreferrer noopener">Lights Out</a> and The Shadow.Capitalizing on the rising popularity of western swing in the 1940s, the Riders of the Purple Sage became staples on radio, appearing with the Andrews Sisters and on Roy Rogers’ weekly series. Fans of B-westerns also recognized their cowboy crooning from several films with Rogers, Monte Hale and Charles Starrett.During radio’s golden years, the western was the most popular movie genre, by the number of films made, if not always in box office success. The genre was not as dominant on radio, though it was certainly well-represented.

The years of the great radio networks spanned from 1926 to 1962, with their heyday in the 1930s and ’40s. Millions of Americans would gather round the radio to laugh with Fred Allen or Jack Benny, follows the travails of soap opera heroines on Painted Dreams and The Romance of Helen Trent, or hide under the covers to escape the frightening stories on Lights Out and The Shadow.Capitalizing on the rising popularity of western swing in the 1940s, the Riders of the Purple Sage became staples on radio, appearing with the Andrews Sisters and on Roy Rogers’ weekly series.Fans of B-westerns also recognized their cowboy crooning from several films with Rogers, Monte Hale and Charles Starrett.During radio’s golden years, the western was the most popular movie genre, by the number of films made, if not always in box office success. The genre was not as dominant on radio, though it was certainly well-represented.

The years of the great radio networks spanned from 1926 to 1962, with their heyday in the 1930s and ’40s. Millions of Americans would gather round the radio to laugh with Fred Allen or Jack Benny, follows the travails of soap opera heroines on&nbsp;Painted Dreams&nbsp;and&nbsp;<a href="https://www.otrcat.com/p/romance-of-helen-trent" rel="noopener noreferrer">The Romance of Helen Trent</a>, or hide under the covers to escape the frightening stories on&nbsp;<a href="https://www.otrcat.com/p/lights-out" rel="noopener noreferrer">Lights Out</a>&nbsp;and&nbsp;The Shadow.Capitalizing on the rising popularity of western swing in the 1940s, the Riders of the Purple Sage became staples on radio, appearing with the Andrews Sisters and on Roy Rogers’ weekly series. Fans of B-westerns also recognized their cowboy crooning from several films with Rogers, Monte Hale and Charles Starrett.During radio’s golden years, the western was the most popular movie genre, by the number of films made, if not always in box office success. The genre was not as dominant on radio, though it was certainly well-represented.

Bobby Benson and the BRB Riders

Join host Joe Weaven as he talks about horrors, thrillers and the psychological films that screwed up his mind as a child. These are truly Dreadful Film reviews you are about to hear. Unfiltered and unashamed. So enjoy the pod and remember, STAY TERRIFIED! <a href="https://dreadfulfilm.substack.com?utm_medium=podcast">dreadfulfilm.substack.com</a>

Join host Joe Weaven as he talks about horrors, thrillers and the psychological films that screwed up his mind as a child. These are truly Dreadful Film reviews you are about to hear. Unfiltered and unashamed. So enjoy the pod and remember, STAY TERRIFIED! dreadfulfilm.substack.com

Join host Joe Weaven as he talks about horrors, thrillers and the psychological films that screwed up his mind as a child. These are truly Dreadful Film reviews you are about to hear. Unfiltered and unashamed. So enjoy the pod and remember, STAY TERRIFIED! <a href="https://dreadfulfilm.substack.com?utm_medium=podcast" rel="noopener noreferrer">dreadfulfilm.substack.com</a>

Dreadful Film

An extremely unhinged podcast where LaughingLulu, Rangi, and Iron Mandrill review movies and tv shows together while streaming live on youtube.

An extremely unhinged podcast where LaughingLulu, Rangi, and Iron Mandrill review movies and tv shows together while streaming live on youtube.

Undead & Unfiltered

Making Waves: An Unauthorized Biography of The Creature from the Black Lagoon In the star-studded pool of classic movie monsters, the Creature from the Black Lagoon holds a unique position as Hollywood's first aquatic matinee idol. While other monsters were prowling castles or lurking in laboratories, this ambitious amphibian was busy pioneering underwater horror and inventing synchronized swimming with a distinctly predatory twist. He's living proof that sometimes the best career move is to make a splash, quite literally. First surfacing in 1954's "Creature from the Black Lagoon," this scaly sensation (known to his friends as "Gill-man," though probably not to his face) brought something completely different to the monster scene. In a genre dominated by reanimated corpses and lunar-triggered transformations, he proved that sometimes the best horror comes with gills and an excellent backstroke. Physical specifications for the Creature are quite impressive. Standing at 6'3" when fully upright (though he prefers a more hydrodynamic posture), and weighing in at a svelte-but-muscular 200 pounds, he cuts quite the figure in his natural habitat. His most distinctive feature is, of course, his unique complexion – a striking green-scaled look that would later inspire countless cosplayers and make several dermatologists question their career choices. His signature appearance combines the best elements of fish, amphibian, and surprisingly athletic human, creating what marine biologists might classify as "Heartthrob horribilis" if they were feeling particularly unscientific. The design took elements from various aquatic species, though none of them had quite the same flair for dramatic underwater entrances. His look says both "I'm a prehistoric amphibian monster" and "I do my cardio regularly," proving that even ancient creatures can maintain good fitness habits. Unlike his monster contemporaries who needed elaborate laboratories or convenient full moons, the Creature's primary requirement was good old H2O. This made him simultaneously one of the most high-maintenance and low-maintenance movie monsters – he needed a constant water source, but at least he came with his own habitat. This aquatic lifestyle did present unique challenges for his social life, particularly when it came to attending monster conventions or meeting eligible paleontologists. The Creature's discovery in the Amazon marked a significant breakthrough in both archaeology and synchronized swimming. His initial encounter with the scientific expedition demonstrated his signature move set: the surprise underwater grab, the dramatic surface breach, and the surprisingly graceful aquatic stalking technique that would influence horror films for decades to come. His ability to swim while maintaining perfect dramatic timing showed that some talents are truly timeless. His career in Hollywood made quite the splash, starting with his titular debut and continuing through two sequels: "Revenge of the Creature" (1955) and "The Creature Walks Among Us" (1956). The fact that he managed to headline three features while barely speaking a word proves that sometimes actions (and excellent underwater choreography) speak louder than words. The Creature's influence on cinema cannot be overstated. He pioneered underwater horror techniques that would later influence everything from "Jaws" to "Deep Blue Sea," though he probably feels these later films relied too heavily on teeth and not enough on dramatic underwater ballet. His underwater stalking scenes set the standard for aquatic tension, proving that sometimes the most effective horror just needs good swimming skills and impeccable timing. In the realm of special effects, the Creature's costume design was groundbreaking. Created by Millicent Patrick (though originally credited to Bud Westmore), the suit combined functionality with prehistoric glamour. It had to be both terrifying and practical enough to actually swim in, a combination that had costume designers scratching their heads and swimmers questioning their career choices. The suit needed to work both underwater and on land, making it perhaps the first example of amphibious haute couture. His impact on fashion has been surprisingly significant, though mostly in very specific circles. The scaled look has influenced numerous designers, particularly in the world of competitive swimming and diving. Several Olympic swimmers have cited the Creature's hydrodynamic design as inspiration, though most stop short of adding claws and gills to their competition suits. In the world of sports, the Creature's swimming technique has been both admired and studied. His ability to move efficiently through water while maintaining an air of menace has influenced various aquatic disciplines, though most swimming coaches still frown on grabbing unsuspecting scientists during practice. Several synchronized swimming teams have attempted Creature-inspired routines, though usually with less terrorizing and more sequins. The fitness industry has particularly embraced his legacy. "Creature Fit" swimming programs promise to help participants achieve that lean, amphibian physique, though most health clubs struggle to maintain the proper prehistoric Amazon atmosphere. Underwater aerobics classes occasionally pay homage to his signature moves, minus the whole "dragging people to watery doom" aspect. In the realm of science, the Creature has inspired numerous researchers in fields ranging from paleontology to marine biology. Several scientific papers have attempted to explain his unique biology, though most get stuck on how he manages to be both fish and amphibian while maintaining such impressive muscle tone. His ability to breathe both air and water has particularly intrigued researchers, though attempts to recreate his physiology have mostly resulted in very confused laboratory fish. The environmental movement has embraced the Creature as an unlikely mascot. After all, he's a prehistoric species whose habitat was disturbed by human intervention – making him perhaps eco-horror's first poster child. Several conservation groups have used his image to promote Amazon preservation, though most avoid mentioning his tendency to abduct scientists. In the world of romance, the Creature pioneered the "mysterious aquatic admirer" trope, though his approach to courtship left something to be desired. His underwater ballet with Kay Lawrence set the standard for aquatic stalking scenes, proving that even prehistoric amphibian monsters can appreciate synchronized swimming. His romantic techniques, while problematic by modern standards, did demonstrate impressive underwater choreography. The scientific community has had a complicated relationship with the Creature. On one hand, he represents an incredible evolutionary discovery. On the other hand, his habit of disrupting research expeditions has made field work in the Amazon considerably more exciting than most scientists prefer. His existence has sparked numerous debates in paleontological circles, though most researchers agree that his cardiovascular fitness is impressive for a prehistoric species. In the world of literature, the Creature has inspired countless aquatic horror stories, though few capture his unique combination of menace and graceful swimming ability. Modern authors have explored everything from his possible evolutionary origins to his theoretical impact on Amazon River property values. Some works focus on the scientific implications of his existence, though few address the important question of how he maintains such excellent muscle definition on a primarily fish-based diet. The gaming industry has embraced the Creature's potential, featuring him in various titles though many struggle to capture the precise timing of his underwater choreography. Several survival horror games have included Creature-inspired sequences, though players often complain that the games' swimming mechanics lack the original's balletic grace. His influence on theme parks has been particularly notable. Various water rides and attractions have attempted to recreate the Black Lagoon experience, though most tone down the "grabbing unsuspecting tourists" aspect. Universal Studios has featured him in several attractions, proving that some monsters are particularly well-suited to Florida's climate. The Creature's impact on marine tourism has been mixed. While some adventure tourism companies have attempted to capitalize on his legacy with "Black Lagoon Experience" tours, most visitors prefer their Amazon expeditions without the risk of prehistoric amphibian encounters. Several luxury resorts have built "lagoon-style" pools, though most draw the line at including actual aquatic monsters. In the world of education, the Creature serves as an interesting case study in both paleontology and physical education. His existence raises numerous questions about evolution and adaptation, while his swimming technique has influenced aquatic physical education programs (minus the terrorizing aspects). Several universities have used his case to discuss the implications of discovering living prehistoric species, though most academic discussions focus less on his underwater ballet skills. Today, the Creature from the Black Lagoon remains one of horror's most distinctive and influential characters, proving that sometimes the best approach to monster stardom is to just dive right in. His legacy continues to influence fields ranging from marine biology to synchronized swimming, though most practitioners aim for less terrifying results. And remember, if you ever find yourself in a mysterious Amazon lagoon and spot what appears to be a prehistoric amphibian man practicing underwater ballet, it's best to maintain a respectful distance. Not every underwater encounter needs to turn into an impromptu swimming lesson, and some ancient species prefer to practice their choreography in private. Just keep in mind

Creature From The Black Lagoon - Audio Biography

In the annals of Hollywood history, few names carry the weight of legacy quite like Lon Chaney Jr. Born into the shadow of his legendary father, Lon Chaney Sr., the younger Chaney carved out his own niche in the world of cinema, becoming an icon of horror in his own right. His journey from reluctant actor to beloved monster portrayer is a tale of perseverance, talent, and the complex dynamics of family and fame in the golden age of Hollywood. Born Creighton Tull Chaney on February 10, 1906, in Oklahoma City, Oklahoma, the future Lon Chaney Jr. entered a world where his father was already making a name for himself in vaudeville and silent films. Creighton's early years were far from stable. His parents' marriage was tumultuous, marked by his mother Cleva's alcoholism and eventual attempted suicide in 1913. This event led to his parents' divorce and young Creighton being shuffled between various relatives and boarding schools. Despite the instability of his childhood, Creighton maintained a close relationship with his father. Lon Sr., known as "The Man of a Thousand Faces" for his remarkable makeup and character acting skills, was determined that his son would not follow in his footsteps. He wanted Creighton to have a more stable, conventional life than the uncertain world of show business could offer. As a result, Creighton was actively discouraged from pursuing acting and instead was guided towards more practical pursuits. Following his father's wishes, Creighton attended business school and worked a variety of jobs in his young adulthood. He served as a plumber's apprentice, worked at a meat-packing plant, and even had a stint as a farm hand. These experiences, while far from the glamour of Hollywood, would later inform his portrayals of working-class characters and contribute to his reputation as a relatable, down-to-earth figure despite his famous lineage. However, the lure of Hollywood proved too strong to resist. In the late 1920s, Creighton began to take on small, often uncredited roles in films. He was careful to use his birth name rather than his father's famous surname, determined to make his own way without trading on the Chaney name. This period of his career was marked by struggle and anonymity, a sharp contrast to the fame and success his father was enjoying. Lon Chaney Sr.'s untimely death in 1930 marked a turning point in Creighton's life and career. The loss of his father was a personal tragedy, but it also removed the main obstacle to Creighton pursuing acting full-time. In the years following his father's death, Creighton's roles began to grow in size and importance, though true stardom still eluded him. It was in 1935 that Creighton Chaney became Lon Chaney Jr., a change that would alter the course of his career. The name change was suggested by producer Maurice Pivar as a marketing tactic, capitalizing on the enduring fame of the elder Chaney. While the younger Chaney was initially reluctant, concerned about the inevitable comparisons to his father, he eventually agreed. The decision proved to be a double-edged sword, opening doors but also creating expectations that would haunt him throughout his career. Chaney Jr.'s breakthrough role came in 1939 with his portrayal of Lennie Small in the film adaptation of John Steinbeck's "Of Mice and Men." His performance as the gentle giant with a mental disability showcased his acting abilities beyond mere name recognition. The role earned him critical acclaim and demonstrated that he was more than capable of carrying a film on his own merits. This success in a serious dramatic role seemed to point towards a career path distinct from his father's legacy in horror and character roles. However, fate and Hollywood typecasting had other plans. In 1941, Chaney Jr. was cast as Larry Talbot, the tragic protagonist of "The Wolf Man." This role would define the rest of his career and cement his place in horror film history. Chaney Jr.'s portrayal of the tormented Talbot, cursed to become a werewolf, resonated with audiences. He brought a sympathetic quality to the monster, much as his father had done with characters like Quasimodo and the Phantom of the Opera. The success of "The Wolf Man" led to Chaney Jr. becoming Universal Studios' go-to monster actor. Over the next decade, he would portray not only the Wolf Man in various sequels but also Frankenstein's monster, Dracula, and the Mummy. This versatility in monster roles echoed his father's chameleon-like ability to transform into various characters, though achieved through different means. Where Lon Sr. was known for his elaborate makeup techniques, Lon Jr.'s transformations were more often the work of the studio's makeup artists. Chaney Jr.'s most frequent and beloved monster role remained the Wolf Man. He portrayed Larry Talbot in five films, including various monster mash-up movies that pitted Universal's creatures against each other. His consistent portrayal of Talbot as a tragic figure, tormented by his curse and seeking release, added depth to what could have been a one-note monster character. Chaney Jr. often remarked that he felt a personal connection to Talbot, understanding the character's inner turmoil and loneliness. While his horror roles brought him fame and a dedicated fan base, they also led to typecasting that frustrated Chaney Jr. throughout his career. He longed to be taken seriously as a dramatic actor, to build on the promise he had shown in "Of Mice and Men." However, opportunities for such roles were few and far between. When they did come, such as his role in the 1952 western "High Noon," Chaney Jr. proved that he was capable of holding his own alongside major stars like Gary Cooper. Despite his frustrations with typecasting, Chaney Jr. maintained a prolific career throughout the 1940s and 1950s. He worked consistently in films and, as the film industry began to change, transitioned into television work. He appeared in numerous TV shows, including westerns like "Rawhide" and "The Texan," as well as thriller series like "Alfred Hitchcock Presents." One of the most interesting phases of Chaney Jr.'s later career was his work with director Fred Zinnemann. In addition to "High Noon," Chaney Jr. appeared in Zinnemann's "Teresa" (1951) and "Member of the Wedding" (1952). These films provided him with the opportunity to play more nuanced, dramatic roles, showcasing a talent that was often overlooked due to his association with horror films. Chaney Jr.'s personal life was as complex as his professional one. He was married twice, first to Dorothy Hinckley from 1928 to 1937, with whom he had two sons, and then to Patsy Beck from 1937 until his death. His relationship with alcohol was a recurring struggle throughout his life, echoing his mother's battles with alcoholism and affecting both his personal relationships and his professional reputation. As he aged, Chaney Jr. continued to work, though the quality of productions often declined. He appeared in numerous low-budget horror and science fiction films throughout the 1960s and early 1970s. While these films were far from the prestige of Universal's golden age of horror, they allowed Chaney Jr. to continue working and maintained his connection with horror fans. One of the most poignant aspects of Chaney Jr.'s later career was his relationship with the legacy of his father. Throughout his life, he struggled with comparisons to Lon Sr., often feeling that he could never quite live up to the towering reputation of "The Man of a Thousand Faces." However, as he aged, Chaney Jr. seemed to find a measure of peace with his place in Hollywood history. He became more comfortable discussing his father in interviews and even appeared in the 1957 biopic "Man of a Thousand Faces," playing a studio makeup artist opposite James Cagney's portrayal of Lon Chaney Sr. Chaney Jr.'s final film appearance was in the 1971 horror film "Dracula vs. Frankenstein," a low-budget production that was a far cry from the Universal classics of his heyday. His health had declined significantly by this point, affected by years of heavy drinking and the physical toll of his acting career. He died on July 12, 1973, in San Clemente, California, from heart failure at the age of 67. In the years since his death, Lon Chaney Jr.'s legacy has been reevaluated and celebrated by film historians and horror enthusiasts. While he may not have achieved the critical acclaim or versatility of his father, Chaney Jr. made an indelible mark on the horror genre. His portrayal of Larry Talbot/The Wolf Man, in particular, stands as one of the great sympathetic monster performances in cinema history. Chaney Jr.'s impact extends beyond his individual performances. He was part of a transitional period in horror cinema, bridging the gap between the gothic monsters of Universal's golden age and the more modern, psychological horrors that would emerge in the 1960s and 1970s. His Wolf Man, with its themes of inner turmoil and the beast within, presaged later explorations of the monster as a metaphor for human struggles. Moreover, Chaney Jr.'s career serves as a fascinating case study in the complexities of Hollywood fame and legacy. His journey from reluctant actor to horror icon, always in the shadow of his famous father, reflects the unique pressures faced by children of celebrities. His struggles with typecasting and his desire to be seen as more than just a monster actor echo the challenges faced by many actors who find success in genre roles. In recent years, there has been renewed interest in Chaney Jr.'s work beyond his monster roles. Film scholars have revisited his dramatic performances, particularly in "Of Mice and Men" and his collaborations with Fred Zinnemann, leading to a more nuanced appreciation of his abilities as an actor. These reappraisals have helped to round out the public's understanding of Chaney Jr., showcasing him as more than just the son of a famous father or a one-note monster

Lon Chaney Jr. - Audio Biography

The Horatio Hornblower series is based upon the novels by C. S. Forester. They were admired by many fans, including Winston Churchill and Ernest Hemmingway who is quoted as saying, "I recommend Forester to everyone literate I know." The adventures follow the rising career from a young, unpromising, and seasick midshipman who eventually becomes Admiral of The Fleet of the Britain's Royal Navy. The storyline occurs during the Napoleonic era. Although many great naval leaders inspired Hornblower, Forester was careful to place the plots far enough away from actual battles so as not to interfere with history. The 30-minute radio episodes first aired July 7, 1952. Michael Redgrave portrayed Horatio Hornblower. Harry Towers produced the series through his Towers of London syndicate. Although produced in England, BBC was not interested in the series, so it was sent off to the United States. CBS originally broadcast the 52 episodes, until July 17, 1953. It later was rebroadcast by ABC in 1954, and the Mutual Broadcasting System in 1957.

The Horatio Hornblower series is based upon the novels by C. S. Forester. They were admired by many fans, including Winston Churchill and Ernest Hemmingway who is quoted as saying, "I recommend Forester to everyone literate I know."The adventures follow the rising career from a young, unpromising, and seasick midshipman who eventually becomes Admiral of The Fleet of the Britain's Royal Navy. The storyline occurs during the Napoleonic era. Although many great naval leaders inspired Hornblower, Forester was careful to place the plots far enough away from actual battles so as not to interfere with history.The 30-minute radio episodes first aired July 7, 1952. Michael Redgrave portrayed Horatio Hornblower. Harry Towers produced the series through his Towers of London syndicate. Although produced in England, BBC was not interested in the series, so it was sent off to the United States. CBS originally broadcast the 52 episodes, until July 17, 1953. It later was rebroadcast by ABC in 1954, and the Mutual Broadcasting System in 1957.

The&nbsp;Horatio Hornblower&nbsp;series is based upon the novels by C. S. Forester. They were admired by many fans, including Winston Churchill and Ernest Hemmingway who is quoted as saying, "I recommend Forester to everyone literate I know." The adventures follow the rising career from a young, unpromising, and seasick midshipman who eventually becomes Admiral of The Fleet of the Britain's Royal Navy. The storyline occurs during the Napoleonic era. Although many great naval leaders inspired Hornblower, Forester was careful to place the plots far enough away from actual battles so as not to interfere with history. The 30-minute radio episodes first aired July 7, 1952. Michael Redgrave portrayed Horatio Hornblower. Harry Towers produced the series through his Towers of London syndicate. Although produced in England, BBC was not interested in the series, so it was sent off to the United States. CBS originally broadcast the 52 episodes, until July 17, 1953. It later was rebroadcast by ABC in 1954, and the Mutual Broadcasting System in 1957.

Horatio Hornblower Radio Show!

Following a trend begun by the radio series Dragnet, The Lineup strove to portray realism in a police drama. The title indicated the show's focus, as each story began and ended with a lineup of suspects in a police station in San Francisco. Sergeant Matt Grebb, who was heard giving instructions to participants in each lineup, was "quick-tempered and often bored", while his boss, Lieutenant Ben Guthrie, was "soft-spoken and calm." The program portrayed most activities of the police as part of the job with "few heroics". Episodes were "fast, furious, and realistic." Each episode began with the announcer saying:Ladies and gentlemen, we take you behind the scenes at a police headquarters in a great American city where, under glaring lights, will pass before us the innocent, the vagrant, the thief, the murderer. This is The Lineup

Following a trend begun by the radio series Dragnet, The Lineup strove to portray realism in a police drama. The title indicated the show's focus, as each story began and ended with a lineup of suspects in a police station in San Francisco. Sergeant Matt Grebb, who was heard giving instructions to participants in each lineup, was "quick-tempered and often bored", while his boss, Lieutenant Ben Guthrie, was "soft-spoken and calm."The program portrayed most activities of the police as part of the job with "few heroics". Episodes were "fast, furious, and realistic." Each episode began with the announcer saying:Ladies and gentlemen, we take you behind the scenes at a police headquarters in a great American city where, under glaring lights, will pass before us the innocent, the vagrant, the thief, the murderer. This is The Lineup

Following a trend begun by the radio series&nbsp;Dragnet,&nbsp;The Lineup&nbsp;strove to portray realism in a police drama. The title indicated the show's focus, as each story began and ended with a&nbsp;lineup of suspects in a police station in San Francisco. Sergeant Matt Grebb, who was heard giving instructions to participants in each lineup, was "quick-tempered and often bored", while his boss, Lieutenant Ben Guthrie, was "soft-spoken and calm." The program portrayed most activities of the police as part of the job with "few heroics". Episodes were "fast, furious, and realistic." Each episode began with the announcer saying:Ladies and gentlemen, we take you behind the scenes at a police headquarters in a great American city where, under glaring lights, will pass before us the innocent, the vagrant, the thief, the murderer. This is The Lineup

The Line Up Radio Show!

Exploring women in film - both the roles they play, what we love, what we're disappointed by, how we're moving forward, and their contribution to the history and creation of feature films!

CineFemme

Revive junto a Sergio Pérezgrovas y Andrea Dada los libros que se convirtieron en películas inmortales junto a sus legendarios soundtracks.

De cinta en cinta

Three cousins from New York talk about Movies, TV and assorted other Pop Culture. Occasional 4th seats will join the trio as well. Questions &amp; Comments can be emailed to BUCKTOOTHGREMLINS@GMAIL.COM

Three cousins from New York talk about Movies, TV and assorted other Pop Culture. Occasional 4th seats will join the trio as well. Questions & Comments can be emailed to BUCKTOOTHGREMLINS@GMAIL.COM

Film History Podcasts / Page 51

Le 7ème antiquaire

Cineplayers

All 2GuysTalking Podcast Network Content

Cliffhanger

Parde Ke Peeche (PKP) Podcast

Necronomiconversa

That's Podcasting! A Movie Musical Podcast

Talking Terrific Television

Anatomy of Horror

Hablemos de Ciencias Forenses

I’ll Drink to Horror with Phoenix & Meli

O Tom no Cinema

All The Best Pictures

Papu di Nerd

Skipp It

Papu di Nerd

The Popcorn Chronicles: Movies, TV & Pop Culture

Bring Your Own Blockbuster

Kael Your Idols: A New Hollywood Podcast

Nerdz Vs Evil

Celluloid Crypt

Ghost Town Video

Talky Balboa

À travers l'écran

Reel 3

NosferaTuesdays

Bobby Benson and the BRB Riders

Dreadful Film

Undead & Unfiltered

Creature From The Black Lagoon - Audio Biography

Lon Chaney Jr. - Audio Biography

Horatio Hornblower Radio Show!

The Line Up Radio Show!

CineFemme

De cinta en cinta

BUCKTOOTH GREMLINS

Re-Oscared

The Horrors of Love

Vive le cinéma : Perspectives

The 5 Minute Movie Review

Celluloid Dreams

The Odd Podd

Даблфичер: два фильма — одна тема

Cinema Fora da Caixa

INDIANIMALS

Prasadcorp

Butaca Abierta

Fade to Chat: Golden Age Cinema

The Cult Section

Why This Film?