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The Cinephiliacs is a podcast exploring the past and future of cinephelia. Film critic Peter Labuza has interviewed critics, programmers, academics, filmmakers, and more about their relationship to film and film culture. Additionally, each guest will bring in a particular favorite film and discuss it with Labuza. Indiewire declares, "If you want to hear film critics talk at length about their craft, there are few better places on the Internet" and Keyframe Daily has called it "Exhibit A" for the future of film culture

The Cinephiliacs

Podcast - rianne pictures

In the Mic of Madness

Mike and Dustin travel through the ages of science fiction movies from retro 60s to current 2010s! Join them every Friday for sci-fi movie reviews!

Quiet On the Set

Movies By The Letter is a weekly film podcast featuring in depth discussion and analysis from hosts Jonathan, Carter, and Nich. Each week we randomly choose a letter and each recommend one film that begins with that letter to watch. Join us for some (sometimes) intelligent discussion, great movie recommendations, and just an all around great time!

Movies By The Letter

Taking Deep Dives on all genres of Film 
Ryan Fitzgerald and Chris Hickey

Taking Deep Dives on all genres of Film Ryan Fitzgerald and Chris Hickey

RC Cinema Podcast

Sounds Good by Tollywood Director Harish Shankar

Sounds Good by Harish Shankar

A journey through the filmography of America's greatest director, Brian De Palma.

The G.O.A.T. - A Brian De Palma Fan Podcast

Welcome to Recovered, where Dan and Keith dig into all films remade, rebooted, and redone. They say there are no new stories under the sun, and Hollywood's been taking that as an excuse to tell the same stories over and over since the silent era, so we dig into which movies warranted a remake, which remakes improved on the original, and how very often neither of those things are true.

Welcome to Recovered, where Dan and Keith dig into all films remade, rebooted, and redone. They say there are no new stories under the sun, and Hollywood's been taking that as an excuse to tell the same stories over and over since the silent era, so we dig into which movies warranted a remake, which remakes improved on the original, and how very often neither of those things are true.

Recovered

The podcast where your hosts film critics Bede Jermyn &amp; Sam Inglis explore all the films that made the U.K.'s notorious and infamous Video Nasty list.

The podcast where your hosts film critics Bede Jermyn & Sam Inglis explore all the films that made the U.K.'s notorious and infamous Video Nasty list.

Bede And Sam Vs. The Video Nasties

The series began on August 25, 1949, on <a href="https://en.wikipedia.org/wiki/NBC_Radio" target="_blank" rel="noreferrer noopener">NBC Radio</a>. Set in the Midwest, it starred <a href="https://en.wikipedia.org/wiki/Robert_Young_(actor)" target="_blank" rel="noreferrer noopener">Robert Young</a> as the General Insurance agent Jim Anderson. His wife Margaret was first portrayed by <a href="https://en.wikipedia.org/wiki/June_Whitley" target="_blank" rel="noreferrer noopener">June Whitley</a> and later by <a href="https://en.wikipedia.org/wiki/Jean_Vander_Pyl" target="_blank" rel="noreferrer noopener">Jean Vander Pyl</a>. The Anderson children were Betty (<a href="https://en.wikipedia.org/wiki/Rhoda_Williams" target="_blank" rel="noreferrer noopener">Rhoda Williams</a>), Bud (<a href="https://en.wikipedia.org/wiki/Ted_Donaldson" target="_blank" rel="noreferrer noopener">Ted Donaldson</a>) and Kathy (<a href="https://en.wikipedia.org/wiki/Norma_Jean_Nilsson" target="_blank" rel="noreferrer noopener">Norma Jean Nilsson</a>). Others in the cast were <a href="https://en.wikipedia.org/wiki/Eleanor_Audley" target="_blank" rel="noreferrer noopener">Eleanor Audley</a>, <a href="https://en.wikipedia.org/wiki/Herb_Vigran" target="_blank" rel="noreferrer noopener">Herb Vigran</a>, and <a href="https://en.wikipedia.org/wiki/Sam_Edwards" target="_blank" rel="noreferrer noopener">Sam Edwards</a>. Sponsored through most of its run by <a href="https://en.wikipedia.org/wiki/General_Foods" target="_blank" rel="noreferrer noopener">General Foods</a>, the series was heard Thursday evenings on NBC until March 25, 1954. On the radio program, the character of Jim differs from the later television character. The radio Jim is far more <a href="https://en.wikipedia.org/wiki/Sarcastic" target="_blank" rel="noreferrer noopener">sarcastic</a> and shows he really rules over his family. Jim also calls his children names, something common on radio but lost in the TV series. For example, Jim says, "What a bunch of stupid children I have." Margaret is portrayed as a paragon of solid reason and patience, unless the plot calls for her to act a bit off; for example, in a Halloween episode, Margaret cannot understand how a table floats in the air. But that is a rare exception.

The series began on August 25, 1949, on NBC Radio. Set in the Midwest, it starred Robert Young as the General Insurance agent Jim Anderson. His wife Margaret was first portrayed by June Whitley and later by Jean Vander Pyl. The Anderson children were Betty (Rhoda Williams), Bud (Ted Donaldson) and Kathy (Norma Jean Nilsson). Others in the cast were Eleanor Audley, Herb Vigran, and Sam Edwards. Sponsored through most of its run by General Foods, the series was heard Thursday evenings on NBC until March 25, 1954.On the radio program, the character of Jim differs from the later television character. The radio Jim is far more sarcastic and shows he really rules over his family. Jim also calls his children names, something common on radio but lost in the TV series. For example, Jim says, "What a bunch of stupid children I have." Margaret is portrayed as a paragon of solid reason and patience, unless the plot calls for her to act a bit off; for example, in a Halloween episode, Margaret cannot understand how a table floats in the air. But that is a rare exception.

The series began on August 25, 1949, on&nbsp;<a href="https://en.wikipedia.org/wiki/NBC_Radio" rel="noopener noreferrer">NBC Radio</a>. Set in the Midwest, it starred&nbsp;<a href="https://en.wikipedia.org/wiki/Robert_Young_(actor)" rel="noopener noreferrer">Robert Young</a>&nbsp;as the General Insurance agent Jim Anderson. His wife Margaret was first portrayed by&nbsp;<a href="https://en.wikipedia.org/wiki/June_Whitley" rel="noopener noreferrer">June Whitley</a>&nbsp;and later by&nbsp;<a href="https://en.wikipedia.org/wiki/Jean_Vander_Pyl" rel="noopener noreferrer">Jean Vander Pyl</a>. The Anderson children were Betty (<a href="https://en.wikipedia.org/wiki/Rhoda_Williams" rel="noopener noreferrer">Rhoda Williams</a>), Bud (<a href="https://en.wikipedia.org/wiki/Ted_Donaldson" rel="noopener noreferrer">Ted Donaldson</a>) and Kathy (<a href="https://en.wikipedia.org/wiki/Norma_Jean_Nilsson" rel="noopener noreferrer">Norma Jean Nilsson</a>). Others in the cast were&nbsp;<a href="https://en.wikipedia.org/wiki/Eleanor_Audley" rel="noopener noreferrer">Eleanor Audley</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Herb_Vigran" rel="noopener noreferrer">Herb Vigran</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/Sam_Edwards" rel="noopener noreferrer">Sam Edwards</a>. Sponsored through most of its run by&nbsp;<a href="https://en.wikipedia.org/wiki/General_Foods" rel="noopener noreferrer">General Foods</a>, the series was heard Thursday evenings on NBC until March 25, 1954. On the radio program, the character of Jim differs from the later television character. The radio Jim is far more&nbsp;<a href="https://en.wikipedia.org/wiki/Sarcastic" rel="noopener noreferrer">sarcastic</a>&nbsp;and shows he really rules over his family. Jim also calls his children names, something common on radio but lost in the TV series. For example, Jim says, "What a bunch of stupid children I have." Margaret is portrayed as a paragon of solid reason and patience, unless the plot calls for her to act a bit off; for example, in a Halloween episode, Margaret cannot understand how a table floats in the air. But that is a rare exception.

Father Knows Best

hroughout history, some of the most daring individuals have risked everything to defy captivity, outwit their captors, and reclaim their freedom. Legends of the Great Escapes delves into the most legendary prison breaks ever recorded, exploring the resilience, ingenuity, and sheer determination of those who refused to be confined. From remote island fortresses to labyrinthine tunnels beneath stone walls, these stories prove that the human will to be free is unbreakable.

Great Escapes:True Stories of Daring Prison Breaks

The Burkiss Way is a <a href="https://en.wikipedia.org/wiki/BBC_Radio_4" target="_blank" rel="noreferrer noopener">BBC Radio 4</a> sketch <a href="https://en.wikipedia.org/wiki/Comedy" target="_blank" rel="noreferrer noopener">comedy</a> series, originally broadcast between August 1976 and November 1980. It was written by <a href="https://en.wikipedia.org/wiki/Andrew_Marshall_(writer)" target="_blank" rel="noreferrer noopener">Andrew Marshall</a> and <a href="https://en.wikipedia.org/wiki/David_Renwick" target="_blank" rel="noreferrer noopener">David Renwick</a>, with additional material in series 1 and 2 by John Mason, <a href="https://en.wikipedia.org/wiki/Colin_Bostock-Smith" target="_blank" rel="noreferrer noopener">Colin Bostock-Smith</a>, <a href="https://en.wikipedia.org/wiki/Douglas_Adams" target="_blank" rel="noreferrer noopener">Douglas Adams</a>, <a href="https://en.wikipedia.org/wiki/John_Lloyd_(writer)" target="_blank" rel="noreferrer noopener">John Lloyd</a>, Tom Magee Englefield and Liz Pollock. The first series of the show starred <a href="https://en.wikipedia.org/wiki/Denise_Coffey" target="_blank" rel="noreferrer noopener">Denise Coffey</a>, <a href="https://en.wikipedia.org/wiki/Chris_Emmett" target="_blank" rel="noreferrer noopener">Chris Emmett</a>, <a href="https://en.wikipedia.org/wiki/Nigel_Rees" target="_blank" rel="noreferrer noopener">Nigel Rees</a> and <a href="https://en.wikipedia.org/wiki/Fred_Harris_(presenter)" target="_blank" rel="noreferrer noopener">Fred Harris</a>. From series 2 onwards the show starred <a href="https://en.wikipedia.org/wiki/Jo_Kendall" target="_blank" rel="noreferrer noopener">Jo Kendall</a>, Chris Emmett, Nigel Rees and Fred Harris. The series had three producers, announced as "<a href="https://en.wikipedia.org/wiki/Simon_Brett" target="_blank" rel="noreferrer noopener">Simon Brett</a> of <a href="https://en.wikipedia.org/wiki/Stepney" target="_blank" rel="noreferrer noopener">Stepney</a>", "<a href="https://en.wikipedia.org/wiki/John_Lloyd_(writer)" target="_blank" rel="noreferrer noopener">John Lloyd</a> of <a href="https://en.wikipedia.org/wiki/Europe" target="_blank" rel="noreferrer noopener">Europe</a>" and "<a href="https://en.wikipedia.org/wiki/David_Hatch" target="_blank" rel="noreferrer noopener">David 'Hatch of the BBC' Hatch</a>".The show's humour was based on <a href="https://en.wikipedia.org/wiki/Surrealism" target="_blank" rel="noreferrer noopener">surrealism</a> and literary and media <a href="https://en.wikipedia.org/wiki/Parody" target="_blank" rel="noreferrer noopener">parodies</a>, sprinkled with puns.

The Burkiss Way is a BBC Radio 4 sketch comedy series, originally broadcast between August 1976 and November 1980. It was written by Andrew Marshall and David Renwick, with additional material in series 1 and 2 by John Mason, Colin Bostock-Smith, Douglas Adams, John Lloyd, Tom Magee Englefield and Liz Pollock.The first series of the show starred Denise Coffey, Chris Emmett, Nigel Rees and Fred Harris. From series 2 onwards the show starred Jo Kendall, Chris Emmett, Nigel Rees and Fred Harris. The series had three producers, announced as "Simon Brett of Stepney", "John Lloyd of Europe" and "David 'Hatch of the BBC' Hatch".The show's humour was based on surrealism and literary and media parodies, sprinkled with puns.

The Burkiss Way&nbsp;is a&nbsp;<a href="https://en.wikipedia.org/wiki/BBC_Radio_4" rel="noopener noreferrer">BBC Radio 4</a>&nbsp;sketch&nbsp;<a href="https://en.wikipedia.org/wiki/Comedy" rel="noopener noreferrer">comedy</a>&nbsp;series, originally broadcast between August 1976 and November 1980. It was written by&nbsp;<a href="https://en.wikipedia.org/wiki/Andrew_Marshall_(writer)" rel="noopener noreferrer">Andrew Marshall</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/David_Renwick" rel="noopener noreferrer">David Renwick</a>, with additional material in series 1 and 2 by John Mason,&nbsp;<a href="https://en.wikipedia.org/wiki/Colin_Bostock-Smith" rel="noopener noreferrer">Colin Bostock-Smith</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Douglas_Adams" rel="noopener noreferrer">Douglas Adams</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/John_Lloyd_(writer)" rel="noopener noreferrer">John Lloyd</a>, Tom Magee Englefield and Liz Pollock. The first series of the show starred&nbsp;<a href="https://en.wikipedia.org/wiki/Denise_Coffey" rel="noopener noreferrer">Denise Coffey</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Chris_Emmett" rel="noopener noreferrer">Chris Emmett</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Nigel_Rees" rel="noopener noreferrer">Nigel Rees</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Fred_Harris_(presenter)" rel="noopener noreferrer">Fred Harris</a>. From series 2 onwards the show starred&nbsp;<a href="https://en.wikipedia.org/wiki/Jo_Kendall" rel="noopener noreferrer">Jo Kendall</a>, Chris Emmett, Nigel Rees and Fred Harris. The series had three producers, announced as "<a href="https://en.wikipedia.org/wiki/Simon_Brett" rel="noopener noreferrer">Simon Brett</a>&nbsp;of&nbsp;<a href="https://en.wikipedia.org/wiki/Stepney" rel="noopener noreferrer">Stepney</a>", "<a href="https://en.wikipedia.org/wiki/John_Lloyd_(writer)" rel="noopener noreferrer">John Lloyd</a>&nbsp;of&nbsp;<a href="https://en.wikipedia.org/wiki/Europe" rel="noopener noreferrer">Europe</a>" and "<a href="https://en.wikipedia.org/wiki/David_Hatch" rel="noopener noreferrer">David 'Hatch of the BBC' Hatch</a>".The show's humour was based on&nbsp;<a href="https://en.wikipedia.org/wiki/Surrealism" rel="noopener noreferrer">surrealism</a>&nbsp;and literary and media&nbsp;<a href="https://en.wikipedia.org/wiki/Parody" rel="noopener noreferrer">parodies</a>, sprinkled with puns.

The Burkiss Way

List Hai Toh Hit Hai is a theme-based podcast that showcases some of the best listicle based exclusive stories from the world of movies and shows.
Aaj kya dekhoge OTTplay se poocho.

This is an OTTplay production, brought to you by HT Smartcast.

List Hai Toh Hit Hai is a theme-based podcast that showcases some of the best listicle based exclusive stories from the world of movies and shows. Aaj kya dekhoge OTTplay se poocho. This is an OTTplay production, brought to you by HT Smartcast.

List Hai Toh Hit Hai

"Summer Camp" is one of Papi Chulo RADIO's signature series. "Summer Camp" is a panel discussion series where a group of co-hosts gather to discuss some of Hollywood's campiest flicks, cult classic motion pictures and fan favorite films.

During Season 30, the co-hosts chat about "The Jungle Book", "The Many Adventures of Winnie the Pooh", "The Lady from Shanghai", "Sunset Boulevard", "Fear of a Black Hat" and many more!

[In loving memory of our beloved Papi Chulo RADIO and "Summer Camp" co-host Legionnaire.]

"Summer Camp" is one of Papi Chulo RADIO's signature series. "Summer Camp" is a panel discussion series where a group of co-hosts gather to discuss some of Hollywood's campiest flicks, cult classic motion pictures and fan favorite films. During Season 30, the co-hosts chat about "The Jungle Book", "The Many Adventures of Winnie the Pooh", "The Lady from Shanghai", "Sunset Boulevard", "Fear of a Black Hat" and many more! [In loving memory of our beloved Papi Chulo RADIO and "Summer Camp" co-host Legionnaire.]

Summer Camp: Season 30

🎥Two friends, one endless journey through the world of cinema! यह एक Hindi-language podcast है जहाँ हम explore करते हैं दुनिया भर की फिल्में—sharing diverse viewpoints और  challenging ideas.🎙️From timeless classics to bold indie experiments, हमारी conversations होती हैं raw, real, और हमेशा thought-provoking.🎞️Whether you’re a die-hard cinephile या बस world cinema के बारे में curious हैं, join us every Tuesday &amp; Friday for our distinct, fresh perspectives क्योंकि जब दो दोस्त मिलकर movies की बातें करें, तो perspectives होते हैं infinite!

🎥Two friends, one endless journey through the world of cinema! यह एक Hindi-language podcast है जहाँ हम explore करते हैं दुनिया भर की फिल्में—sharing diverse viewpoints और challenging ideas. 🎙️From timeless classics to bold indie experiments, हमारी conversations होती हैं raw, real, और हमेशा thought-provoking. 🎞️Whether you’re a die-hard cinephile या बस world cinema के बारे में curious हैं, join us every Tuesday & Friday for our distinct, fresh perspectives क्योंकि जब दो दोस्त मिलकर movies की बातें करें, तो perspectives होते हैं infinite!

🎥Two friends, one endless journey through the world of cinema! यह एक Hindi-language podcast है जहाँ हम explore करते हैं दुनिया भर की फिल्में—sharing diverse viewpoints और &nbsp;challenging ideas.🎙️From timeless classics to bold indie experiments, हमारी conversations होती हैं raw, real, और हमेशा thought-provoking.🎞️Whether you’re a die-hard cinephile या बस world cinema के बारे में curious हैं, join us every Tuesday &amp; Friday for our distinct, fresh perspectives क्योंकि जब दो दोस्त मिलकर movies की बातें करें, तो perspectives होते हैं infinite!

Cinematrix

This podcast is about the role of costuming in storytelling. Each episode, we'll dissect a film or TV project with primary focus on the clothing.

Wardrobe! The Art of Costume in Storytelling

I love films, and my DVD / Blu-ray collection is forever growing. I pick up films all the time from charity shops, second hand from Facebook market place, and other places, picking up bundles at a time. However, it is growing at a rate that is definitely quicker than the speed at which I can watch them and so I now have a collection 100's of titles (and growing) that I still haven't got around to watching. And so, in this podcast series, I will be picking out a title each week and watching them for the first time, giving a little insight into each title and then a brief review. This is a spin off from the WN MOVIE TALK PODCAST so if you enjoy this series, you have to check that one out for loads of hour long, in-depth and often hilarious movie discussion and analysis - available on most good podcast platforms<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

I love films, and my DVD / Blu-ray collection is forever growing. I pick up films all the time from charity shops, second hand from Facebook market place, and other places, picking up bundles at a time. However, it is growing at a rate that is definitely quicker than the speed at which I can watch them and so I now have a collection 100's of titles (and growing) that I still haven't got around to watching. And so, in this podcast series, I will be picking out a title each week and watching them for the first time, giving a little insight into each title and then a brief review. This is a spin off from the WN MOVIE TALK PODCAST so if you enjoy this series, you have to check that one out for loads of hour long, in-depth and often hilarious movie discussion and analysis - available on most good podcast platforms Hosted on Acast. See acast.com/privacy for more information.

I love films, and my DVD / Blu-ray collection is forever growing. I pick up films all the time from charity shops, second hand from Facebook market place, and other places, picking up bundles at a time. However, it is growing at a rate that is definitely quicker than the speed at which I can watch them and so I now have a collection 100's of titles (and growing) that I still haven't got around to watching. And so, in this podcast series, I will be picking out a title each week and watching them for the first time, giving a little insight into each title and then a brief review. This is a spin off from the WN MOVIE TALK PODCAST so if you enjoy this series, you have to check that one out for loads of hour long, in-depth and often hilarious movie discussion and analysis - available on most good podcast platforms Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

FILMS I OWN BUT HAVEN'T WATCHED (YET)

Welcome to OTTplay Lost and found, a podcast that tells you about critically-acclaimed yet lesser-known films and shows that you’ve probably not watched yet but should. 

This is an OTTplay Production, brought to you by HT Smartcast.

Welcome to OTTplay Lost and found, a podcast that tells you about critically-acclaimed yet lesser-known films and shows that you’ve probably not watched yet but should. This is an OTTplay Production, brought to you by HT Smartcast.

Lost and Found

Welcome to History Unscripted —where every week we uncover the real history behind your favorite movies! <a href="https://historyunscripted.substack.com?utm_medium=podcast">historyunscripted.substack.com</a>

Welcome to History Unscripted —where every week we uncover the real history behind your favorite movies! historyunscripted.substack.com

Welcome to History Unscripted —where every week we uncover the real history behind your favorite movies! <a href="https://historyunscripted.substack.com?utm_medium=podcast" rel="noopener noreferrer">historyunscripted.substack.com</a>

History Unscripted

Acompaña a J. Iván Morales (@ivanmorales) y Victor Recinos (@el_collecto) a hablar de las películas de los 90 que marcaron a toda una generación. Producido por Cine PREMIERE.

Cine90

Behind the Mike was a <a href="https://en.wikipedia.org/wiki/Blue_Network" target="_blank" rel="noreferrer noopener">Blue Network</a> (NBC) radio series hosted by <a href="https://en.wikipedia.org/wiki/Graham_McNamee" target="_blank" rel="noreferrer noopener">Graham McNamee</a>, spotlighting behind-the-scenes stories in radio broadcasting. The <a href="https://en.wikipedia.org/wiki/Sustaining_program" target="_blank" rel="noreferrer noopener">sustaining show</a> aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942. : 76 : 34 The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of <a href="https://en.wikipedia.org/wiki/Sound-effects" target="_blank" rel="noreferrer noopener">sound-effects</a>, producers, engineers and other technicians involved in radio production. As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence Corner" segment. Music was provided by Ernie Watson and his orchestra.After McNamee's death May 9, 1942, the name of the series changed to This is the Truth, then Nothing But the Truth and continued until June 7, 1942

Behind the Mike was a Blue Network (NBC) radio series hosted by Graham McNamee, spotlighting behind-the-scenes stories in radio broadcasting. The sustaining show aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942. : 76 : 34 The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of sound-effects, producers, engineers and other technicians involved in radio production.As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence Corner" segment. Music was provided by Ernie Watson and his orchestra.After McNamee's death May 9, 1942, the name of the series changed to This is the Truth, then Nothing But the Truth and continued until June 7, 1942

Behind the Mike&nbsp;was a&nbsp;<a href="https://en.wikipedia.org/wiki/Blue_Network" rel="noopener noreferrer">Blue Network</a>&nbsp;(NBC) radio series hosted by&nbsp;<a href="https://en.wikipedia.org/wiki/Graham_McNamee" rel="noopener noreferrer">Graham McNamee</a>, spotlighting behind-the-scenes stories in radio broadcasting. The&nbsp;<a href="https://en.wikipedia.org/wiki/Sustaining_program" rel="noopener noreferrer">sustaining show</a> aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942. : 76 : 34 The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of <a href="https://en.wikipedia.org/wiki/Sound-effects" rel="noopener noreferrer">sound-effects</a>, producers, engineers and other technicians involved in radio production. As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence Corner" segment. Music was provided by Ernie Watson and his orchestra.After McNamee's death May 9, 1942, the name of the series changed to This is the Truth, then&nbsp;Nothing But the Truth&nbsp;and continued until June 7, 1942

Behind the Mic Radio Show!

"The Misadventures of Si &amp; Elmer" (aka "Si &amp; Elmer") was a daily 15 minute comedic soap opera, broadcast in the early 1930s. Story of two old fellas who decide later-in-life (their mid-60s) to become detectives. The boys manage to receive their detective licence, quickly open their own agency, studying their work-manual as they investigate. The antics to follow are quite hilarious and worth following - regardless of the 1 and 1/2 Minute Lead-in (and out) of music you will be listening to at opening and closing of show.

"The Misadventures of Si & Elmer"(aka "Si & Elmer") was a daily 15 minute comedic soap opera, broadcast in the early 1930s. Story of two old fellas who decide later-in-life (their mid-60s) to become detectives. The boys manage to receive their detective licence, quickly open their own agency, studying their work-manual as they investigate.The antics to follow are quite hilarious and worth following - regardless of the 1 and 1/2 Minute Lead-in (and out) of music you will be listening to at opening and closing of show.

"The Misadventures of Si &amp; Elmer" (aka "Si &amp; Elmer") was a daily 15 minute comedic soap opera, broadcast in the early 1930s. Story of two old fellas who decide later-in-life (their mid-60s) to become detectives. The boys manage to receive their detective licence, quickly open their own agency, studying their work-manual as they investigate. The antics to follow are quite hilarious and worth following - regardless of the 1 and 1/2 Minute Lead-in (and out) of music you will be listening to at opening and closing of show.

Si and Elmer Radio Show!

Привет! Это Андрей и Алексей - ведущие подкаста SCOPE, и мы не равнодушны к музыке, кинематографу, литературе, живописи и ко всем проявлениям искусства, которые нас окружают. Часто беседуем о создателях, идеях и их формах проявления. Делаем не душно, но c душой! Если тебе не с кем обсудить твой любимый трек, фильм или книгу, то приглашаем к нашему костру. Даже если и есть с кем обсудить - всё равно приглашаем!

SCOPE

Do we need another Star Wars podcast? Nope! But here&#39;s one anyway.Hosted by Kiri, Star Wars is her hobby, passion and obsession. In this podcast, you&#39;ll here her ramblings focused mostly on the movies and TV shows. This is a solo podcast, with occasional guests to talk about Star Wars. This is an opinion based show, which means all thoughts are her own. If you disagree and want your voice heard, head to starwarsanon.wordpress.com or find her at @thevirtualjedi on Instagram.

Do we need another Star Wars podcast? Nope! But here's one anyway.Hosted by Kiri, Star Wars is her hobby, passion and obsession. In this podcast, you'll here her ramblings focused mostly on the movies and TV shows. This is a solo podcast, with occasional guests to talk about Star Wars. This is an opinion based show, which means all thoughts are her own. If you disagree and want your voice heard, head to starwarsanon.wordpress.com or find her at @thevirtualjedi on Instagram.

Star Wars: Meanderings & Ramblings

"The War of the Worlds" was a <a href="https://en.wikipedia.org/wiki/Halloween" target="_blank" rel="noreferrer noopener">Halloween</a> episode of the <a href="https://en.wikipedia.org/wiki/Radio_drama" target="_blank" rel="noreferrer noopener">radio series</a> <a href="https://en.wikipedia.org/wiki/The_Mercury_Theatre_on_the_Air" target="_blank" rel="noreferrer noopener">The Mercury Theatre on the Air</a> directed and narrated by <a href="https://en.wikipedia.org/wiki/Orson_Welles" target="_blank" rel="noreferrer noopener">Orson Welles</a> as an adaptation of <a href="https://en.wikipedia.org/wiki/H._G._Wells" target="_blank" rel="noreferrer noopener">H. G. Wells</a>'s novel <a href="https://en.wikipedia.org/wiki/The_War_of_the_Worlds" target="_blank" rel="noreferrer noopener">The War of the Worlds</a> (1898) that was performed and broadcast live at 8 pm <a href="https://en.wikipedia.org/wiki/Eastern_Time_Zone" target="_blank" rel="noreferrer noopener">ET</a> on October 30, 1938, over the <a href="https://en.wikipedia.org/wiki/CBS_News_Radio" target="_blank" rel="noreferrer noopener">CBS Radio Network</a>. The episode is famous for inciting a panic by convincing some members of the listening audience that a <a href="https://en.wikipedia.org/wiki/Martian_(The_War_of_the_Worlds)" target="_blank" rel="noreferrer noopener">Martian invasion</a> was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the source novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on <a href="https://en.wikipedia.org/wiki/Mars" target="_blank" rel="noreferrer noopener">Mars</a> followed by a seemingly unrelated report of an unknown object falling on a farm in <a href="https://en.wikipedia.org/wiki/Grovers_Mill,_New_Jersey" target="_blank" rel="noreferrer noopener">Grovers Mill, New Jersey</a>. The crisis escalates dramatically when an on-scene reporter at Grovers Mill describes creatures emerging from what is evidently an alien spacecraft. The aliens employ a heat ray against police and onlookers, and the radio correspondent describes the attack in increasing panic until his audio feed abruptly goes dead. This is followed by a rapid series of news updates detailing the beginning of a devastating alien invasion and the US military's futile efforts to stop it. The first portion of the episode climaxes with a live report from a rooftop in Manhattan, from where a correspondent describes citizens fleeing from poison smoke released by towering Martian "war machines" until he coughs and falls silent. Only then does the program take its first break, about thirty minutes after Welles's introduction.

"The War of the Worlds" was a Halloween episode of the radio series The Mercury Theatre on the Air directed and narrated by Orson Welles as an adaptation of H. G. Wells's novel The War of the Worlds (1898) that was performed and broadcast live at 8 pm ET on October 30, 1938, over the CBS Radio Network. The episode is famous for inciting a panic by convincing some members of the listening audience that a Martian invasion was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the source novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on Mars followed by a seemingly unrelated report of an unknown object falling on a farm in Grovers Mill, New Jersey.The crisis escalates dramatically when an on-scene reporter at Grovers Mill describes creatures emerging from what is evidently an alien spacecraft. The aliens employ a heat ray against police and onlookers, and the radio correspondent describes the attack in increasing panic until his audio feed abruptly goes dead. This is followed by a rapid series of news updates detailing the beginning of a devastating alien invasion and the US military's futile efforts to stop it. The first portion of the episode climaxes with a live report from a rooftop in Manhattan, from where a correspondent describes citizens fleeing from poison smoke released by towering Martian "war machines" until he coughs and falls silent. Only then does the program take its first break, about thirty minutes after Welles's introduction.

"The War of the Worlds" was a&nbsp;<a href="https://en.wikipedia.org/wiki/Halloween" rel="noopener noreferrer">Halloween</a>&nbsp;episode of the&nbsp;<a href="https://en.wikipedia.org/wiki/Radio_drama" rel="noopener noreferrer">radio series</a>&nbsp;<a href="https://en.wikipedia.org/wiki/The_Mercury_Theatre_on_the_Air" rel="noopener noreferrer">The Mercury Theatre on the Air</a>&nbsp;directed and narrated by&nbsp;<a href="https://en.wikipedia.org/wiki/Orson_Welles" rel="noopener noreferrer">Orson Welles</a>&nbsp;as an adaptation of&nbsp;<a href="https://en.wikipedia.org/wiki/H._G._Wells" rel="noopener noreferrer">H. G. Wells</a>'s novel&nbsp;<a href="https://en.wikipedia.org/wiki/The_War_of_the_Worlds" rel="noopener noreferrer">The War of the Worlds</a>&nbsp;(1898) that was performed and broadcast live at 8 pm&nbsp;<a href="https://en.wikipedia.org/wiki/Eastern_Time_Zone" rel="noopener noreferrer">ET</a>&nbsp;on October 30, 1938, over the&nbsp;<a href="https://en.wikipedia.org/wiki/CBS_News_Radio" rel="noopener noreferrer">CBS Radio Network</a>. The episode is famous for inciting a panic by convincing some members of the listening audience that a&nbsp;<a href="https://en.wikipedia.org/wiki/Martian_(The_War_of_the_Worlds)" rel="noopener noreferrer">Martian invasion</a> was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the source novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on <a href="https://en.wikipedia.org/wiki/Mars" rel="noopener noreferrer">Mars</a>&nbsp;followed by a seemingly unrelated report of an unknown object falling on a farm in&nbsp;<a href="https://en.wikipedia.org/wiki/Grovers_Mill,_New_Jersey" rel="noopener noreferrer">Grovers Mill, New Jersey</a>. The crisis escalates dramatically when an on-scene reporter at Grovers Mill describes creatures emerging from what is evidently an alien spacecraft. The aliens employ a heat ray against police and onlookers, and the radio correspondent describes the attack in increasing panic until his audio feed abruptly goes dead. This is followed by a rapid series of news updates detailing the beginning of a devastating alien invasion and the US military's futile efforts to stop it. The first portion of the episode climaxes with a live report from a rooftop in Manhattan, from where a correspondent describes citizens fleeing from poison smoke released by towering Martian "war machines" until he coughs and falls silent. Only then does the program take its first break, about thirty minutes after Welles's introduction.

Words at War Radio Show!

Embark on a writer's odyssey into the world of storytelling in film and television with Writers of the Lost Arc. Through in-depth analysis and discussion, we'll uncover the secrets of character arcs, narrative structures, and thematic depth that make stories truly resonate. Whether you're an aspiring writer seeking inspiration or a seasoned storyteller looking to refine your skills, let's dive deep into the art of storytelling and unlock the keys to crafting unforgettable screenplays.

Writers of the Lost Arc

Bienvenue dans ce nouveau podcast intitulé la dernière minute. Chaque mois, Ninon et Valentin vous proposent de discuter avec un invité d’un film.La dernière minute c’est quoi? On vous raconte la dernière minute du film a chaque fin d’émission. A vous de le deviner, ce film sera à l’honneur dans le prochain épisode. VOUS POUVEZ NOUS SUIVRE SUR 🟣 INSTAGRAM : @laderniereminutepodcast<hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Bienvenue dans ce nouveau podcast intitulé la dernière minute. Chaque mois, Ninon et Valentin vous proposent de discuter avec un invité d’un film. La dernière minute c’est quoi? On vous raconte la dernière minute du film a chaque fin d’émission. A vous de le deviner, ce film sera à l’honneur dans le prochain épisode. VOUS POUVEZ NOUS SUIVRE SUR 🟣 INSTAGRAM : @laderniereminutepodcast Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Bienvenue dans ce nouveau podcast intitulé la dernière minute. Chaque mois, Ninon et Valentin vous proposent de discuter avec un invité d’un film.La dernière minute c’est quoi? On vous raconte la dernière minute du film a chaque fin d’émission. A vous de le deviner, ce film sera à l’honneur dans le prochain épisode. VOUS POUVEZ NOUS SUIVRE SUR 🟣 INSTAGRAM : @laderniereminutepodcast Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

La Dernière Minute

Tales of the Texas Rangers is a 20th century Western old-time radio and television police procedural drama which originally aired on NBC Radio from 1950 to 1952 and later on CBS Television from 1955 to 1958. Film star Joel McCrea voiced the radio version as the fictitious Texas Ranger Jace Pearson, who uses the latest scientific techniques to identify criminals. His faithful horse, Charcoal (or "Charky"), helps Pearson to track down the culprits. The radio shows, some of which are available on the Internet, are reenactments of actual Texas Ranger cases.The television version was produced and also directed for several episodes by Stacy Keach, Sr. It was sponsored for part of its run by Wheaties cereal. Captain Manuel T. "Lone Wolf" Gonzaullas, who was said to have killed thirty-one men during his 30-year career as a Texas Ranger, was the consultant for the television series, as he had been for the earlier radio series. The television version was filmed by Screen Gems.

Tales of the Texas Rangers is a 20th century Western old-time radio and television police procedural drama which originally aired on NBC Radio from 1950 to 1952 and later on CBS Television from 1955 to 1958.Film star Joel McCrea voiced the radio version as the fictitious Texas Ranger Jace Pearson, who uses the latest scientific techniques to identify criminals. His faithful horse, Charcoal (or "Charky"), helps Pearson to track down the culprits. The radio shows, some of which are available on the Internet, are reenactments of actual Texas Ranger cases.The television version was produced and also directed for several episodes by Stacy Keach, Sr. It was sponsored for part of its run by Wheaties cereal. Captain Manuel T. "Lone Wolf" Gonzaullas, who was said to have killed thirty-one men during his 30-year career as a Texas Ranger, was the consultant for the television series, as he had been for the earlier radio series. The television version was filmed by Screen Gems.

Tales of the Texas Rangers&nbsp;is a&nbsp;20th century Western&nbsp;old-time radio&nbsp;and television&nbsp;police procedural&nbsp;drama which originally aired on&nbsp;NBC Radio&nbsp;from 1950 to 1952 and later on&nbsp;CBS Television from 1955 to 1958. Film star Joel McCrea&nbsp;voiced the radio version as the fictitious&nbsp;Texas Ranger&nbsp;Jace Pearson, who uses the latest scientific techniques to identify criminals. His faithful horse, Charcoal (or "Charky"), helps Pearson to track down the culprits. The radio shows, some of which are available on the Internet, are reenactments of actual Texas Ranger cases.The television version was produced and also directed for several episodes by&nbsp;Stacy Keach, Sr.&nbsp;It was sponsored for part of its run by&nbsp;Wheaties&nbsp;cereal. Captain&nbsp;Manuel T. "Lone Wolf" Gonzaullas, who was said to have killed thirty-one men during his 30-year career as a Texas Ranger, was the consultant for the television series, as he had been for the earlier radio series. The television version was filmed by&nbsp;Screen Gems.

Tales of the Texas Rangers

Everything is Super is a new podcast focused on superhero and comic book movies and television, beginning with a re-watch of the Marvel Cinematic Universe. Each week, hosts Josh Wigler and Kevin Mahadeo discuss the movie or show of the week, and answer listener questions to provide more information about the Marvel Cinematic Universe and beyond.

Everything is Super Marvel

Let's watch movies together. Ever thought that there should be a book club for movies? Well we're your new favorite pod. Never doom scroll a streaming service again and end up not finding a single thing to watch. Every month we’ll pick a genre/topic and choose movies that are streaming across platforms to watch and talk about. Also, every movie can be a drinking game right? Join the conversation on the next meeting of the Monthly Movie Club.

Monthly Movie Club

Flamberade bananer är podden där högt möter lågt, dumt möter klokt och roligt möter tråkigt. Elin och Johan sätter sig ner i en källare och pratar om allt mellan himmel och jord och spårar i vanlig ordning ur över minsta lilla. Och vårt främsta mål? Det är att du som lyssnar aldrig någonsin ska känna dig ensam. Välkomna in i våra galna huvuden och flambera en banan eller två med oss!

e-postadress till podden: flamberadebananer@gmail.com

Flamberade bananer är podden där högt möter lågt, dumt möter klokt och roligt möter tråkigt. Elin och Johan sätter sig ner i en källare och pratar om allt mellan himmel och jord och spårar i vanlig ordning ur över minsta lilla. Och vårt främsta mål? Det är att du som lyssnar aldrig någonsin ska känna dig ensam. Välkomna in i våra galna huvuden och flambera en banan eller två med oss! e-postadress till podden: flamberadebananer@gmail.com

Flamberade Bananer

Join host and filmmaker Jake Laystrom as he interviews independent filmmakers on specific works from their filmographies. From shorts to features, learn about filmmaker's inspirations, lessons learned, and experiences from Pre-Production to Distribution.

Join host and filmmaker Jake Laystrom as he interviews independent filmmakers on specific works from their filmographies. From shorts to features, learn about filmmaker's inspirations, lessons learned, and experiences from Pre-Production to Distribution.

Film History Podcasts / Page 51

The Cinephiliacs

Podcast - rianne pictures

In the Mic of Madness

Quiet On the Set

Movies By The Letter

RC Cinema Podcast

Sounds Good by Harish Shankar

The G.O.A.T. - A Brian De Palma Fan Podcast

Recovered

Bede And Sam Vs. The Video Nasties

Father Knows Best

Great Escapes:True Stories of Daring Prison Breaks

The Burkiss Way

List Hai Toh Hit Hai

Summer Camp: Season 30

Cinematrix

Wardrobe! The Art of Costume in Storytelling

FILMS I OWN BUT HAVEN'T WATCHED (YET)

Lost and Found

History Unscripted

Cine90

Behind the Mic Radio Show!

Si and Elmer Radio Show!

SCOPE

Star Wars: Meanderings & Ramblings

Words at War Radio Show!

Writers of the Lost Arc

La Dernière Minute

Tales of the Texas Rangers

Everything is Super Marvel

Monthly Movie Club

Flamberade Bananer

Filmographies Podcast

Have You Scene It With Emily Bray

Movies Are Good Podcast

A Cinema Odyssey

NWC Podcast

The Screen Saga

Horror Movie Wh0res

Glass Half Full with Daniell and Kavin

The Allen Boyz Podcast

Sunset Studios

Cinco Películas

Bring Us The Movies

Ripleys Believe it or Kill Me!

电影十万个为什么

Beyond The Blood: A Horror Movie Commentary Podcast

Someone's In My Fruit Cellar Podcast

Il mio nome è leggenda

'Cinematic' with Jay Lewis (August 2025)