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Le 7ème Antiquaire, c'est un temple érigé à chaque semaine au nom des anciens dieux du Cinéma. Un rituel où se mêle les films, le sexe, l'occultisme et la philosophie... pour les curieux, les néophytes, les exégètes et les déviants.

Le 7ème antiquaire

Two film nerds discuss theory behind classic, art-house, and independent cinema, and try to be a little less pretentious than that sounds. Each episode will establish a common thread between three films and engage in discussion about them.

Two film nerds discuss theory behind classic, art-house, and independent cinema, and try to be a little less pretentious than that sounds. Each episode will establish a common thread between three films and engage in discussion about them.

Frames of Reference

Conheça o nosso trabalho de confecção caseira de livros em capa dura: Instagram @bunkereditora 

Blog do Esboço com artigos e livros raros em pdf (DE GRAÇA) esbocodesanidade.com

email: esbocodeinsanidade@proton.me

Considere colaborar financeiramente com o nosso trabalho modesto: https://livepix.gg/esbocodesanidade

Conheça o nosso trabalho de confecção caseira de livros em capa dura: Instagram @bunkereditora Blog do Esboço com artigos e livros raros em pdf (DE GRAÇA) esbocodesanidade.com email: esbocodeinsanidade@proton.me Considere colaborar financeiramente com o nosso trabalho modesto: https://livepix.gg/esbocodesanidade

Os animes salvarão o ocidente

A couple’s guide to the films we love throughout cinema history.

Couple Indemnity

Willkommen im „Don & Rey‘s Movie Club“. Mit einem Drink in der Hand philosophieren wir über Filme und das Leben. Wir sind nicht hier, um die Filme kritisch zu analysieren, sondern um ein entspanntes und unterhaltsames Gespräch darüber zu führen, wie diese Filme uns und unsere Perspektiven geprägt haben. Begleitet uns dabei, wie wir auf einige der (für uns) größten Filme aller Zeiten anstoßen. Cheers! Folgt uns auch auf Instagram: http://instagram.com/don.and.reys/

Willkommen im „Don &amp; Rey‘s Movie Club“. Mit einem Drink in der Hand philosophieren wir über Filme und das Leben. Wir sind nicht hier, um die Filme kritisch zu analysieren, sondern um ein entspanntes und unterhaltsames Gespräch darüber zu führen, wie diese Filme uns und unsere Perspektiven geprägt haben. Begleitet uns dabei, wie wir auf einige der (für uns) größten Filme aller Zeiten anstoßen. Cheers! Folgt uns auch auf Instagram: http://instagram.com/don.and.reys/

Don & Rey's Movie Club

We Love Movies more than Hillbillies Love Ned Beatty. Hosted by Adam Chin and Dave Ray.

Dirty Rotten Cinephiles

We take the fight to evil as we watch and review horror and Sci-Fi films that are considered "B" movies. Join us in our ongoing battle against Evil!

We take the fight to evil as we watch and review horror and Sci-Fi films that are considered "B" movies. Join us in our ongoing battle against Evil!

Nerdz Vs Evil

🎙️ Talky Balboa: A podcast where @imtyjordan &amp; @heyheylogan_ go the distance reviewing every Rocky film. 💥 Join us for an in-depth journey through the ultimate boxing movie franchise as we explore every punch, training montage, and underdog triumph. 🥊🎬From Apollo Creed's flashy entrances to Rocky's gritty climbs up the Philadelphia Museum steps, we break down the stories, themes, and unforgettable characters that have made Rocky a cinematic legend. Expect analysis, behind-the-scenes trivia, and plenty of passionate debates about what makes this franchise a timeless classic.Whether you're a longtime fan or stepping into the ring for the first time, Talky Balboa is your definitive guide to the world of Rocky, Creed, and everything in between. Hit subscribe, and let’s go the distance! 🥇🏆 ☕ <a href="https://ko-fi.com/talkybalboa" target="_blank" rel="noreferrer noopener">Buy us a coffee! Granting you access to exclusive bonus episodes! Ko-Fi.com/TalkyBalboa</a>

🎙️ Talky Balboa: A podcast where @imtyjordan & @heyheylogan_ go the distance reviewing every Rocky film. 💥 Join us for an in-depth journey through the ultimate boxing movie franchise as we explore every punch, training montage, and underdog triumph.🥊🎬From Apollo Creed's flashy entrances to Rocky's gritty climbs up the Philadelphia Museum steps, we break down the stories, themes, and unforgettable characters that have made Rocky a cinematic legend.Expect analysis, behind-the-scenes trivia, and plenty of passionate debates about what makes this franchise a timeless classic.Whether you're a longtime fan or stepping into the ring for the first time, Talky Balboa is your definitive guide to the world of Rocky, Creed, and everything in between. Hit subscribe, and let’s go the distance! 🥇🏆☕ Buy us a coffee! Granting you access to exclusive bonus episodes! Ko-Fi.com/TalkyBalboa

🎙️ Talky Balboa: A podcast where @imtyjordan &amp; @heyheylogan_ go the distance reviewing every Rocky film. 💥 Join us for an in-depth journey through the ultimate boxing movie franchise as we explore every punch, training montage, and underdog triumph. 🥊🎬From Apollo Creed's flashy entrances to Rocky's gritty climbs up the Philadelphia Museum steps, we break down the stories, themes, and unforgettable characters that have made Rocky a cinematic legend. Expect analysis, behind-the-scenes trivia, and plenty of passionate debates about what makes this franchise a timeless classic.Whether you're a longtime fan or stepping into the ring for the first time, Talky Balboa is your definitive guide to the world of Rocky, Creed, and everything in between. Hit subscribe, and let’s go the distance! 🥇🏆 ☕ <a href="https://ko-fi.com/talkybalboa" rel="noopener noreferrer">Buy us a coffee! Granting you access to exclusive bonus episodes! Ko-Fi.com/TalkyBalboa</a>

Talky Balboa

A podcast about the dead and dying art of cinema.

The Death of Cinema Podcast

The Hippodrome Silent Film Festival (HippFest) is Scotland's first and only festival of silent film with live music. This brand new podcast features insights from a variety of HippFest evndeavours: Q&amp;As with performers, interviews with archivists, and plenty of other fascinating conversations about archive cinema. We hope you enjoy tuning in!

The Hippodrome Silent Film Festival (HippFest) is Scotland's first and only festival of silent film with live music. This brand new podcast features insights from a variety of HippFest evndeavours: Q&As with performers, interviews with archivists, and plenty of other fascinating conversations about archive cinema. We hope you enjoy tuning in!

HippCast

Mind Your Movies is a podcast for and by movie fans. In each episode, Ryan and Shane discuss in detail two films centered on a specific topic (spoilers and all!). Sometimes they’re movies we love, and sometimes they’re just movies that have to be discussed. After our conversation, we choose a random topic for the next episode. We choose the next films live so you can watch along with us! Join us for some fun (and informative) conversations about movies!

Mind Your Movies is a podcast for and by movie fans. In each episode, Ryan and Shane discuss in detail two films centered on a specific topic (spoilers and all!). Sometimes they’re movies we love, and sometimes they’re just movies that have to be discussed. After our conversation, we choose a random topic for the next episode. We choose the next films live so you can watch along with us! Join us for some fun (and informative) conversations about movies!

Mind Your Movies is a podcast for and by movie fans. In each episode, Ryan and Shane discuss in detail two films centered on a specific topic (spoilers and all!). Sometimes they’re movies we love, and sometimes they’re just movies that have to be discussed. After our conversation, we choose a random topic for the next episode. We choose the next films live so you can watch along with us! Join us for some fun (and informative) conversations about movies!&nbsp;

Mind Your Movies

This is a podcast about movies and tv for those who love them like I do.

This is a podcast about movies and tv for those who love them like I do.

Lounging with Lo

Hi there, my name is Abbas. This is my podcast story time. I talk in this podcast about what was due in My Life and in my day.

Story time

Amos 'n' Andy was an American radio <a href="https://en.wikipedia.org/wiki/Sitcom" target="_blank" rel="noreferrer noopener">sitcom</a> about black characters, initially set in Chicago then later in the <a href="https://en.wikipedia.org/wiki/Harlem" target="_blank" rel="noreferrer noopener">Harlem</a> section of New York City. While the show had a brief life on 1950s television with black actors, the 1928 to 1960 radio show was created, written and voiced by two white actors, <a href="https://en.wikipedia.org/wiki/Freeman_Gosden" target="_blank" rel="noreferrer noopener">Freeman Gosden</a> and <a href="https://en.wikipedia.org/wiki/Charles_Correll" target="_blank" rel="noreferrer noopener">Charles Correll</a>, who played Amos Jones (Gosden), Andrew Hogg Brown (Correll), and George "Kingfish" Stevens (Gosden) as well as incidental characters. On television from 1951 to 1953, black actors took over the majority of the roles; white characters were infrequent.Amos 'n' Andy began as one of the first radio comedy series and originated from station <a href="https://en.wikipedia.org/wiki/WMAQ_(AM)" target="_blank" rel="noreferrer noopener">WMAQ</a> in <a href="https://en.wikipedia.org/wiki/Chicago" target="_blank" rel="noreferrer noopener">Chicago</a>. After the first broadcast in 1928, the show became a hugely popular series, first on <a href="https://en.wikipedia.org/wiki/NBC" target="_blank" rel="noreferrer noopener">NBC</a> Radio and later on <a href="https://en.wikipedia.org/wiki/CBS" target="_blank" rel="noreferrer noopener">CBS</a> Radio and Television. Later episodes were broadcast from the <a href="https://en.wikipedia.org/wiki/Torney_General_Hospital#El_Mirador_Hotel" target="_blank" rel="noreferrer noopener">El Mirador Hotel</a> in <a href="https://en.wikipedia.org/wiki/Palm_Springs,_California" target="_blank" rel="noreferrer noopener">Palm Springs, California</a>.<a href="https://en.wikipedia.org/wiki/Amos_%27n%27_Andy#cite_note-Niemann-4" target="_blank" rel="noreferrer noopener">[4]</a>: 168–71  The show ran as a nightly radio <a href="https://en.wikipedia.org/wiki/Serial_(radio_and_television)" target="_blank" rel="noreferrer noopener">serial</a> (1928–43), as a weekly situation comedy (1943–55) and as a nightly disc-jockey program (1954–60). A television adaptation ran on CBS (1951–53) and continued in <a href="https://en.wikipedia.org/wiki/Broadcast_syndication" target="_blank" rel="noreferrer noopener">syndicated</a> reruns (1954–66). It was not shown to a nationwide audience again until 2012.

Amos 'n' Andy was an American radio sitcom about black characters, initially set in Chicago then later in the Harlem section of New York City. While the show had a brief life on 1950s television with black actors, the 1928 to 1960 radio show was created, written and voiced by two white actors, Freeman Gosden and Charles Correll, who played Amos Jones (Gosden), Andrew Hogg Brown (Correll), and George "Kingfish" Stevens (Gosden) as well as incidental characters.On television from 1951 to 1953, black actors took over the majority of the roles; white characters were infrequent.Amos 'n' Andy began as one of the first radio comedy series and originated from station WMAQ in Chicago. After the first broadcast in 1928, the show became a hugely popular series, first on NBC Radio and later on CBS Radio and Television. Later episodes were broadcast from the El Mirador Hotel in Palm Springs, California.[4]: 168–71 The show ran as a nightly radio serial (1928–43), as a weekly situation comedy (1943–55) and as a nightly disc-jockey program (1954–60). A television adaptation ran on CBS (1951–53) and continued in syndicated reruns (1954–66). It was not shown to a nationwide audience again until 2012.

Amos 'n' Andy&nbsp;was an American radio&nbsp;<a href="https://en.wikipedia.org/wiki/Sitcom" rel="noopener noreferrer">sitcom</a>&nbsp;about black characters, initially set in Chicago then later in the&nbsp;<a href="https://en.wikipedia.org/wiki/Harlem" rel="noopener noreferrer">Harlem</a>&nbsp;section of New York City. While the show had a brief life on 1950s television with black actors, the 1928 to 1960 radio show was created, written and voiced by two white actors,&nbsp;<a href="https://en.wikipedia.org/wiki/Freeman_Gosden" rel="noopener noreferrer">Freeman Gosden</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Charles_Correll" rel="noopener noreferrer">Charles Correll</a>, who played Amos Jones (Gosden), Andrew Hogg Brown (Correll), and George "Kingfish" Stevens (Gosden) as well as incidental characters. On television from 1951 to 1953, black actors took over the majority of the roles; white characters were infrequent.Amos 'n' Andy&nbsp;began as one of the first radio comedy series and originated from station&nbsp;<a href="https://en.wikipedia.org/wiki/WMAQ_(AM)" rel="noopener noreferrer">WMAQ</a>&nbsp;in&nbsp;<a href="https://en.wikipedia.org/wiki/Chicago" rel="noopener noreferrer">Chicago</a>. After the first broadcast in 1928, the show became a hugely popular series, first on&nbsp;<a href="https://en.wikipedia.org/wiki/NBC" rel="noopener noreferrer">NBC</a>&nbsp;Radio and later on&nbsp;<a href="https://en.wikipedia.org/wiki/CBS" rel="noopener noreferrer">CBS</a>&nbsp;Radio and Television. Later episodes were broadcast from the&nbsp;<a href="https://en.wikipedia.org/wiki/Torney_General_Hospital#El_Mirador_Hotel" rel="noopener noreferrer">El Mirador Hotel</a>&nbsp;in&nbsp;<a href="https://en.wikipedia.org/wiki/Palm_Springs,_California" rel="noopener noreferrer">Palm Springs, California</a>.<a href="https://en.wikipedia.org/wiki/Amos_%27n%27_Andy#cite_note-Niemann-4" rel="noopener noreferrer">[4]</a>: 168–71 &nbsp;The show ran as a nightly radio&nbsp;<a href="https://en.wikipedia.org/wiki/Serial_(radio_and_television)" rel="noopener noreferrer">serial</a>&nbsp;(1928–43), as a weekly situation comedy (1943–55) and as a nightly disc-jockey program (1954–60). A television adaptation ran on CBS (1951–53) and continued in&nbsp;<a href="https://en.wikipedia.org/wiki/Broadcast_syndication" rel="noopener noreferrer">syndicated</a>&nbsp;reruns (1954–66). It was not shown to a nationwide audience again until 2012.

Amos and Andy

The Lone Ranger is a fictional <a href="https://en.wikipedia.org/wiki/Domino_mask" target="_blank" rel="noreferrer noopener">masked</a> former <a href="https://en.wikipedia.org/wiki/Texas_Ranger_Division" target="_blank" rel="noreferrer noopener">Texas Ranger</a> who fought <a href="https://en.wikipedia.org/wiki/Outlaw" target="_blank" rel="noreferrer noopener">outlaws</a> in the <a href="https://en.wikipedia.org/wiki/American_frontier" target="_blank" rel="noreferrer noopener">American Old West</a> with his Native American friend <a href="https://en.wikipedia.org/wiki/Tonto" target="_blank" rel="noreferrer noopener">Tonto</a>. The character has been called an enduring icon of American cultureHe first appeared in 1933 in a <a href="https://en.wikipedia.org/wiki/Radio_show" target="_blank" rel="noreferrer noopener">radio show</a> on <a href="https://en.wikipedia.org/wiki/WXYT_(AM)" target="_blank" rel="noreferrer noopener">WXYZ</a> (Detroit), conceived either by station owner <a href="https://en.wikipedia.org/wiki/George_W._Trendle" target="_blank" rel="noreferrer noopener">George W. Trendle</a> or by <a href="https://en.wikipedia.org/wiki/Fran_Striker" target="_blank" rel="noreferrer noopener">Fran Striker</a>,<a href="https://en.wikipedia.org/wiki/Lone_Ranger#cite_note-LATimes-8" target="_blank" rel="noreferrer noopener">[8]</a> the show's writer.  Test episodes aired earlier on radio station <a href="https://en.wikipedia.org/wiki/WEBR" target="_blank" rel="noreferrer noopener">WEBR</a> in <a href="https://en.wikipedia.org/wiki/Buffalo,_New_York" target="_blank" rel="noreferrer noopener">Buffalo</a>. The radio series proved to be a hit, and spawned a series of books (largely written by Striker), an equally popular <a href="https://en.wikipedia.org/wiki/The_Lone_Ranger_(TV_series)" target="_blank" rel="noreferrer noopener">television show</a> that ran from 1949 to 1957, comic books, and several films.The title character was played on the radio show by <a href="https://en.wikipedia.org/wiki/Earle_Graser" target="_blank" rel="noreferrer noopener">Earle Graser</a> for some 1,300 episodes, but two others preceded him, according to The New York Times: "a man named Deeds, who lasted only a few weeks; a George Stenius [actually <a href="https://en.wikipedia.org/wiki/George_Seaton" target="_blank" rel="noreferrer noopener">George Seaton</a> according to the Los Angeles Times]. After Graser died in 1941, <a href="https://en.wikipedia.org/wiki/Brace_Beemer" target="_blank" rel="noreferrer noopener">Brace Beemer</a> assumed the role after serving as the program's narrator. On the radio, Tonto was played by <a href="https://en.wikipedia.org/wiki/John_Todd_(actor)" target="_blank" rel="noreferrer noopener">John Todd</a> and Roland Parker, among others.

The Lone Ranger is a fictional masked former Texas Ranger who fought outlaws in the American Old West with his Native American friend Tonto. The character has been called an enduring icon of American cultureHe first appeared in 1933 in a radio show on WXYZ (Detroit), conceived either by station owner George W. Trendle or by Fran Striker,[8] the show's writer. Test episodes aired earlier on radio station WEBR in Buffalo. The radio series proved to be a hit, and spawned a series of books (largely written by Striker), an equally popular television show that ran from 1949 to 1957, comic books, and several films.The title character was played on the radio show by Earle Graser for some 1,300 episodes, but two others preceded him, according to The New York Times: "a man named Deeds, who lasted only a few weeks; a George Stenius [actually George Seaton according to the Los Angeles Times]. After Graser died in 1941, Brace Beemer assumed the role after serving as the program's narrator. On the radio, Tonto was played by John Todd and Roland Parker, among others.

The&nbsp;Lone Ranger&nbsp;is a fictional&nbsp;<a href="https://en.wikipedia.org/wiki/Domino_mask" rel="noopener noreferrer">masked</a>&nbsp;former&nbsp;<a href="https://en.wikipedia.org/wiki/Texas_Ranger_Division" rel="noopener noreferrer">Texas Ranger</a>&nbsp;who fought&nbsp;<a href="https://en.wikipedia.org/wiki/Outlaw" rel="noopener noreferrer">outlaws</a>&nbsp;in the&nbsp;<a href="https://en.wikipedia.org/wiki/American_frontier" rel="noopener noreferrer">American Old West</a>&nbsp;with his Native American friend&nbsp;<a href="https://en.wikipedia.org/wiki/Tonto" rel="noopener noreferrer">Tonto</a>. The character has been called an enduring icon of American cultureHe first appeared in 1933 in a <a href="https://en.wikipedia.org/wiki/Radio_show" rel="noopener noreferrer">radio show</a>&nbsp;on&nbsp;<a href="https://en.wikipedia.org/wiki/WXYT_(AM)" rel="noopener noreferrer">WXYZ</a>&nbsp;(Detroit), conceived either by station owner&nbsp;<a href="https://en.wikipedia.org/wiki/George_W._Trendle" rel="noopener noreferrer">George W. Trendle</a>&nbsp;or by&nbsp;<a href="https://en.wikipedia.org/wiki/Fran_Striker" rel="noopener noreferrer">Fran Striker</a>,<a href="https://en.wikipedia.org/wiki/Lone_Ranger#cite_note-LATimes-8" rel="noopener noreferrer">[8]</a> the show's writer. &nbsp;Test episodes aired earlier on radio station <a href="https://en.wikipedia.org/wiki/WEBR" rel="noopener noreferrer">WEBR</a>&nbsp;in&nbsp;<a href="https://en.wikipedia.org/wiki/Buffalo,_New_York" rel="noopener noreferrer">Buffalo</a>. The radio series proved to be a hit, and spawned a series of books (largely written by Striker), an equally popular&nbsp;<a href="https://en.wikipedia.org/wiki/The_Lone_Ranger_(TV_series)" rel="noopener noreferrer">television show</a>&nbsp;that ran from 1949 to 1957, comic books, and several films.The title character was played on the radio show by&nbsp;<a href="https://en.wikipedia.org/wiki/Earle_Graser" rel="noopener noreferrer">Earle Graser</a>&nbsp;for some 1,300 episodes, but two others preceded him, according to&nbsp;The New York Times: "a man named Deeds, who lasted only a few weeks; a George Stenius [actually&nbsp;<a href="https://en.wikipedia.org/wiki/George_Seaton" rel="noopener noreferrer">George Seaton</a>&nbsp;according to the&nbsp;Los Angeles Times]. After Graser died in 1941,&nbsp;<a href="https://en.wikipedia.org/wiki/Brace_Beemer" rel="noopener noreferrer">Brace Beemer</a> assumed the role after serving as the program's narrator.&nbsp;On the radio, Tonto was played by&nbsp;<a href="https://en.wikipedia.org/wiki/John_Todd_(actor)" rel="noopener noreferrer">John Todd</a>&nbsp;and Roland Parker, among others.

The Lone Ranger Radio Show

Black TV Legends: Shaping Global Communication explores the powerful influence of Black television on culture and communication around the world. Through deep dives into classic shows, interviews with industry experts, and thoughtful discussions, this podcast celebrates the legacy of Black TV icons and their impact on storytelling, representation, and global media trends. Join us as we unpack how Black television has shaped perceptions, inspired change, and connected diverse audiences across the globe.

Black TV Legends: Shaping Global Communication

Join host Joe Weaven as he talks about horrors, thrillers and the psychological films that screwed up his mind as a child. These are truly Dreadful Film reviews you are about to hear. Unfiltered and unashamed. So enjoy the pod and remember, STAY TERRIFIED! <a href="https://dreadfulfilm.substack.com?utm_medium=podcast">dreadfulfilm.substack.com</a>

Join host Joe Weaven as he talks about horrors, thrillers and the psychological films that screwed up his mind as a child. These are truly Dreadful Film reviews you are about to hear. Unfiltered and unashamed. So enjoy the pod and remember, STAY TERRIFIED! dreadfulfilm.substack.com

Join host Joe Weaven as he talks about horrors, thrillers and the psychological films that screwed up his mind as a child. These are truly Dreadful Film reviews you are about to hear. Unfiltered and unashamed. So enjoy the pod and remember, STAY TERRIFIED! <a href="https://dreadfulfilm.substack.com?utm_medium=podcast" rel="noopener noreferrer">dreadfulfilm.substack.com</a>

Dreadful Film

Dissecting horror with a spatter of academic inquiry. DVD and Blu-ray are my preferred formats but I also mention films streaming online. Episodes begin with a plot summary, so prior viewing isn't necessary.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Dissecting horror with a spatter of academic inquiry. DVD and Blu-ray are my preferred formats but I also mention films streaming online. Episodes begin with a plot summary, so prior viewing isn't necessary. Hosted on Acast. See acast.com/privacy for more information.

Dissecting horror with a spatter of academic inquiry. DVD and Blu-ray are my preferred formats but I also mention films streaming online. Episodes begin with a plot summary, so prior viewing isn't necessary. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Uncut Reviews

Hello, Spookies! Rick or Treat Horrorcast is hosted by yours, ghouly: Ricky J. Duarte . Each episode I'm joined by some of my spookiest friends to discuss our favorite frightening films & TV shows. Let's go Rick or Treating!

Hello, Spookies! Rick or Treat Horrorcast is hosted by yours, ghouly: Ricky J. Duarte . Each episode I'm joined by some of my spookiest friends to discuss our favorite frightening films &amp; TV shows. Let's go Rick or Treating!

Rick or Treat Horrorcast

Greetings, tomb raiders and curse enthusiasts! Gather round the sarcophagus as we unravel the bandaged biography of everyone's favorite walking medical supply closet – The Mummy. So grab your khaki shorts, dust off your pith helmet, and for the love of Ra, don't read that ancient scroll out loud. We're about to take a sand-filled journey through the life, death, and afterlife of cinema's most stylish corpse.Our tale begins in ancient Egypt, a land of pyramids, pharaohs, and really complicated funeral arrangements. Picture this: it's around 3000 BCE, and the Egyptians have just invented the concept of preserving bodies for the afterlife. Talk about a growth industry. Suddenly, "eternal rest" went from a figurative concept to a very literal, very mummified reality.Now, let's clear up a common misconception right off the bat. Mummification wasn't just for pharaohs and their pampered pets. If you had the cash, you too could be wrapped up tighter than a burrito for your journey to the afterlife. It was like the ancient Egyptian version of cryogenic freezing, but with more bandages and less Walt Disney.The process of mummification was, to put it mildly, intense. First, they'd remove all the squishy bits (organs, brain, dignity) and store them in fancy jars called canopic jars. The heart, however, was left in place because it was believed to be the center of intelligence and emotion. Then, they'd dry out the body using a salt called natron, stuff it with linen and sawdust (ancient Egyptian Spanx), and wrap it up in more linen than a Bed Bath &amp; Beyond warehouse.But wait, there's more. They'd then deck out the mummy with amulets, place it in a series of nested coffins, and finally, into a sarcophagus. It was like those Russian nesting dolls, but with more curse potential. The whole process took about 70 days, which is coincidentally how long it feels waiting in line at the DMV.You might be thinking, "That's all very interesting, but how did we get from respectful burial practices to bandaged monsters chasing Brendan Fraser through the desert?" For that, we need to fast forward a few thousand years to the 19th century, when Europe suddenly developed an unhealthy obsession with all things Egyptian.It all started with Napoleon's expedition to Egypt in 1798. Alongside his army, Napoleon brought a team of scholars to study Egyptian culture. This led to the discovery of the Rosetta Stone, which allowed for the translation of hieroglyphics. Suddenly, everyone wanted a piece of Egypt.This period, known as Egyptomania, saw a flood of mummies and artifacts making their way to Europe. Victorian England went nuts for these wrapped wonders. They'd have "unwrapping parties" where a mummy would be unveiled in front of an audience. It was like a macabre version of a gender reveal party, but with more risk of ancient curses.It was in this climate of fascination with ancient Egypt that our modern conception of the mummy as a horror monster was born. In 1827, Jane Webb published "The Mummy A Tale of the Twenty-Second Century," featuring a reanimated mummy. But the mummy really hit the big time in 1892 with Sir Arthur Conan Doyle's short story "Lot No. 249," which featured a mummy brought back to life through ancient magic.However, it wasn't until 1932 that the mummy truly shuffled into horror icon status with Universal's film "The Mummy," starring Boris Karloff. Karloff played Imhotep, an ancient Egyptian priest who was mummified alive for trying to resurrect his forbidden love. Millennia later, he's accidentally revived by a bumbling archaeologist. Imhotep then spends the rest of the movie trying to reunite with the reincarnation of his long-lost love, while also killing anyone who gets in his way.The success of "The Mummy" launched a franchise of films, establishing the mummy as a staple of the Universal Monsters lineup, alongside Dracula, Frankenstein's monster, and the Wolf Man.Now, let's talk about the mummy's characteristics. First, there's the walk. Arms outstretched, legs stiff, moving at a pace that would make a sloth say, "Pick up the pace, buddy." Then there's the whole bandage situation. Despite thousands of years, movie mummies always seem to have perfectly intact bandages. And let's not forget their aversion to fire. Wave a torch, and they recoil like you've just offered them a kale smoothie.Over the years, the mummy has been reimagined in many ways. In 1999, "The Mummy" starring Brendan Fraser brought the character back into the mainstream. This version of the mummy, named Imhotep, had powers over sand, bugs, and even the laws of physics. He could turn into a sandstorm, regenerate his body, and even split his jaw in ways that would make a snake jealous.This film introduced the concept of mummy priests who guard the mummy's tomb, sworn to prevent its resurrection. These guys have the worst job security ever.The success of the Fraser films spawned sequels, prequels, and even a spin-off series featuring The Rock as the Scorpion King.In recent years, we've seen more variations on the mummy theme. In 2017, Tom Cruise faced off against a female mummy in Universal's attempt to launch a "Dark Universe" of monster movies. Despite the film's mixed reception, it reminded us that the mummy remains a fascinating figure in horror and adventure films.So, what is it about the mummy that keeps us coming back for more? Perhaps it's the blend of history and horror, the idea that the past can quite literally come back to haunt us. Or maybe it's the mummy's tragic backstory – often portrayed as victims of cruel fate or forbidden love.In our modern world, the mummy represents a link to an ancient past, a time of mystery and magic that we can barely comprehend. They're a walking reminder of humanity's age-old desire for immortality, and the potential consequences of achieving it. Plus, let's face it, they're the only movie monster you can defeat with a sprinkler system.So the next time you're wandering through a museum and spot a mummy exhibit, take a moment to appreciate this bandaged baddie. Just don't read any ancient incantations out loud, don't remove any cursed accessories, and don't open any sarcophagi. Remember, in the world of the mummy, what happens in the tomb, stays in the tomb... until some archaeologist inevitably messes it up.And there you have it, folks – the wrapped and unraveled tale of the mummy. From ancient Egyptian burial rites to Hollywood horror icon, the mummy has shuffled its way into our hearts and nightmares. So the next time someone tells you to "wrap it up," just remember – the mummy did it first, and best.This is your host signing off. May your bandages stay tight, your curses remain dormant, and your canopic jars always match your decor. Good night, and sweet mummies.

Greetings, tomb raiders and curse enthusiasts! Gather round the sarcophagus as we unravel the bandaged biography of everyone's favorite walking medical supply closet – The Mummy. So grab your khaki shorts, dust off your pith helmet, and for the love of Ra, don't read that ancient scroll out loud. We're about to take a sand-filled journey through the life, death, and afterlife of cinema's most stylish corpse.Our tale begins in ancient Egypt, a land of pyramids, pharaohs, and really complicated funeral arrangements. Picture this: it's around 3000 BCE, and the Egyptians have just invented the concept of preserving bodies for the afterlife. Talk about a growth industry. Suddenly, "eternal rest" went from a figurative concept to a very literal, very mummified reality.Now, let's clear up a common misconception right off the bat. Mummification wasn't just for pharaohs and their pampered pets. If you had the cash, you too could be wrapped up tighter than a burrito for your journey to the afterlife. It was like the ancient Egyptian version of cryogenic freezing, but with more bandages and less Walt Disney.The process of mummification was, to put it mildly, intense. First, they'd remove all the squishy bits (organs, brain, dignity) and store them in fancy jars called canopic jars. The heart, however, was left in place because it was believed to be the center of intelligence and emotion. Then, they'd dry out the body using a salt called natron, stuff it with linen and sawdust (ancient Egyptian Spanx), and wrap it up in more linen than a Bed Bath & Beyond warehouse.But wait, there's more. They'd then deck out the mummy with amulets, place it in a series of nested coffins, and finally, into a sarcophagus. It was like those Russian nesting dolls, but with more curse potential. The whole process took about 70 days, which is coincidentally how long it feels waiting in line at the DMV.You might be thinking, "That's all very interesting, but how did we get from respectful burial practices to bandaged monsters chasing Brendan Fraser through the desert?" For that, we need to fast forward a few thousand years to the 19th century, when Europe suddenly developed an unhealthy obsession with all things Egyptian.It all started with Napoleon's expedition to Egypt in 1798. Alongside his army, Napoleon brought a team of scholars to study Egyptian culture. This led to the discovery of the Rosetta Stone, which allowed for the translation of hieroglyphics. Suddenly, everyone wanted a piece of Egypt.This period, known as Egyptomania, saw a flood of mummies and artifacts making their way to Europe. Victorian England went nuts for these wrapped wonders. They'd have "unwrapping parties" where a mummy would be unveiled in front of an audience. It was like a macabre version of a gender reveal party, but with more risk of ancient curses.It was in this climate of fascination with ancient Egypt that our modern conception of the mummy as a horror monster was born. In 1827, Jane Webb published "The Mummy A Tale of the Twenty-Second Century," featuring a reanimated mummy. But the mummy really hit the big time in 1892 with Sir Arthur Conan Doyle's short story "Lot No. 249," which featured a mummy brought back to life through ancient magic.However, it wasn't until 1932 that the mummy truly shuffled into horror icon status with Universal's film "The Mummy," starring Boris Karloff. Karloff played Imhotep, an ancient Egyptian priest who was mummified alive for trying to resurrect his forbidden love. Millennia later, he's accidentally revived by a bumbling archaeologist. Imhotep then spends the rest of the movie trying to reunite with the reincarnation of his long-lost love, while also killing anyone who gets in his way.The success of "The Mummy" launched a franchise of films, establishing the mummy as a staple of the Universal Monsters lineup, alongside Dracula, Frankenstein's monster, and the Wolf Man.Now, let's talk about the mummy's characteristics. First, there's the walk. Arms outstretched, legs stiff, moving at a pace that would make a sloth say, "Pick up the pace, buddy." Then there's the whole bandage situation. Despite thousands of years, movie mummies always seem to have perfectly intact bandages. And let's not forget their aversion to fire. Wave a torch, and they recoil like you've just offered them a kale smoothie.Over the years, the mummy has been reimagined in many ways. In 1999, "The Mummy" starring Brendan Fraser brought the character back into the mainstream. This version of the mummy, named Imhotep, had powers over sand, bugs, and even the laws of physics. He could turn into a sandstorm, regenerate his body, and even split his jaw in ways that would make a snake jealous.This film introduced the concept of mummy priests who guard the mummy's tomb, sworn to prevent its resurrection. These guys have the worst job security ever.The success of the Fraser films spawned sequels, prequels, and even a spin-off series featuring The Rock as the Scorpion King.In recent years, we've seen more variations on the mummy theme. In 2017, Tom Cruise faced off against a female mummy in Universal's attempt to launch a "Dark Universe" of monster movies. Despite the film's mixed reception, it reminded us that the mummy remains a fascinating figure in horror and adventure films.So, what is it about the mummy that keeps us coming back for more? Perhaps it's the blend of history and horror, the idea that the past can quite literally come back to haunt us. Or maybe it's the mummy's tragic backstory – often portrayed as victims of cruel fate or forbidden love.In our modern world, the mummy represents a link to an ancient past, a time of mystery and magic that we can barely comprehend. They're a walking reminder of humanity's age-old desire for immortality, and the potential consequences of achieving it. Plus, let's face it, they're the only movie monster you can defeat with a sprinkler system.So the next time you're wandering through a museum and spot a mummy exhibit, take a moment to appreciate this bandaged baddie. Just don't read any ancient incantations out loud, don't remove any cursed accessories, and don't open any sarcophagi. Remember, in the world of the mummy, what happens in the tomb, stays in the tomb... until some archaeologist inevitably messes it up.And there you have it, folks – the wrapped and unraveled tale of the mummy. From ancient Egyptian burial rites to Hollywood horror icon, the mummy has shuffled its way into our hearts and nightmares. So the next time someone tells you to "wrap it up," just remember – the mummy did it first, and best.This is your host signing off. May your bandages stay tight, your curses remain dormant, and your canopic jars always match your decor. Good night, and sweet mummies.

The Mummy -  Audio Biography

Your new favorite podcast about movies. Blake Englert and David Shah have been friends since they met in college in 1996. They love movies and talk about their favorite films. Blake has a background in advertising, he is a writer and works in Baseball. David is an actor and writer. Recently he worked on Top Gun 2 and Mandalorian. As a student of cinema David has a deep knowledge of film history. Blake will be picking David’s brain about movies here every week.

What’s on Next

From Recap To Review is a podcast that watches a lot of television for one. What we aim to do is to give you a brief recap of the film and then a brief review of the film in a short time span so you the viewer, do not have to waste your time. There are reviews on shows and movies that are just as long as the show of movie themselves but if your were going to watch or listen to that, you have watched the content instead. We are here the fix that. All we ask for is 10 to 15 minutes of your time.&nbsp;

From Recap To Review is a podcast that watches a lot of television for one. What we aim to do is to give you a brief recap of the film and then a brief review of the film in a short time span so you the viewer, do not have to waste your time. There are reviews on shows and movies that are just as long as the show of movie themselves but if your were going to watch or listen to that, you have watched the content instead. We are here the fix that. All we ask for is 10 to 15 minutes of your time. 

From Recap To Review

Join us for some short and snappy episodes as we share exclusive behind the scenes details of the film festival, alongside exciting interviews with our team.

Join us for some short and snappy episodes as we share exclusive behind the scenes details of the film festival, alongside exciting interviews with our team.

Women X Film Festival Podcast

Just a couple of movie geeks that talk about the glory days of cinema. Grab a beverage and relax while we discuss horror, sci-fi, action, cult classics, and deep cuts!

The VHS Vault Chronicles

Hors Promo Ciné est un podcast sur le cinéma enregistré en public.Un entretien avecun réalisateur ou une réalisatrice, un acteur ou une actrice mené par Nicolas Koretzky, suivi des question du public.Une parole hors contexte promotionnel,100% libre pour les passionnés du septième art.<hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Hors Promo Ciné est un podcast sur le cinéma enregistré en public. Un entretien avec un réalisateur ou une réalisatrice, un acteur ou une actrice mené par Nicolas Koretzky, suivi des question du public. Une parole hors contexte promotionnel, 100% libre pour les passionnés du septième art. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Hors Promo Ciné est un podcast sur le cinéma enregistré en public.Un entretien avecun réalisateur ou une réalisatrice, un acteur ou une actrice mené par Nicolas Koretzky, suivi des question du public.Une parole hors contexte promotionnel,100% libre pour les passionnés du septième art. Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

Hors Promo Ciné

Welcome to Z Pop culture show!I am your host Zahra, this is a podcast that covers everything K-pop, Hollywood and Pop culture as a whole. I started this show to talk about Pop culture in a simpler way that makes it accessible for Gen Z and Other Pop culture enthusiasts of any generation and with a little pinch of my quirky charm. If you want Deep dives about Pop culture that are made in a fun way this Show is right up your alley.

Welcome to Z Pop culture show!I am your host Zahra, this is a podcast that covers everything K-pop, Hollywood and Pop culture as a whole. I started this show to talk about Pop culture in a simpler way that makes it accessible for Gen Z and Other Pop culture enthusiasts of any generation and with a little pinch of my quirky charm. If you want Deep dives about Pop culture that are made in a fun way this Show is right up your alley.

Z pop culture show

Revive junto a Sergio Pérezgrovas y Max Espejel los libros que se convirtieron en películas inmortales junto a sus legendarios soundtracks.

De cinta en cinta

Hopalong Cassidy is a fictional <a href="https://en.wikipedia.org/wiki/Cowboy" target="_blank" rel="noreferrer noopener">cowboy</a> hero created in 1904 by the author <a href="https://en.wikipedia.org/wiki/Clarence_E._Mulford" target="_blank" rel="noreferrer noopener">Clarence E. Mulford</a>, who wrote a series of short stories and novels based on the character. Mulford portrayed the character as rude, dangerous, and rough-talking. He was shot in the leg during a gun fight which caused him to walk with a little "hop", hence the nickname.From the 1930s to the 1950s, the character became indelibly associated with actor <a href="https://en.wikipedia.org/wiki/William_Boyd_(actor)" target="_blank" rel="noreferrer noopener">William Boyd</a>, who portrayed Cassidy first in a <a href="https://en.wikipedia.org/wiki/List_of_Hopalong_Cassidy_films" target="_blank" rel="noreferrer noopener">series of sixty-six films</a> from 1935 to 1948, then in children-oriented <a href="https://en.wikipedia.org/wiki/Hopalong_Cassidy_(radio_program)" target="_blank" rel="noreferrer noopener">radio</a> and <a href="https://en.wikipedia.org/wiki/Hopalong_Cassidy_(TV_series)" target="_blank" rel="noreferrer noopener">TV series</a>, both of which lasted until 1952. Boyd's portrayal of Cassidy had little in common with the literary character, being instead a clean-cut, <a href="https://en.wikipedia.org/wiki/Sarsaparilla_(soft_drink)" target="_blank" rel="noreferrer noopener">sarsaparilla</a>-drinking hero who never shot first. The plots of the film, radio and TV series were generally not taken from Mulford's writings.At the peak of the character's popularity in the early 1950s, he spawned enormous amounts of merchandise, as well as a comic strip, additional novels by <a href="https://en.wikipedia.org/wiki/Louis_L%27Amour" target="_blank" rel="noreferrer noopener">Louis L'Amour</a> (writing as Tex Burns), and even a short-lived amusement park, "Hoppyland", in <a href="https://en.wikipedia.org/wiki/Venice,_Los_Angeles" target="_blank" rel="noreferrer noopener">Venice, Los Angeles</a>.

Hopalong Cassidy is a fictional cowboy hero created in 1904 by the author Clarence E. Mulford, who wrote a series of short stories and novels based on the character. Mulford portrayed the character as rude, dangerous, and rough-talking.He was shot in the leg during a gun fight which caused him to walk with a little "hop", hence the nickname.From the 1930s to the 1950s, the character became indelibly associated with actor William Boyd, who portrayed Cassidy first in a series of sixty-six films from 1935 to 1948, then in children-oriented radio and TV series, both of which lasted until 1952.Boyd's portrayal of Cassidy had little in common with the literary character, being instead a clean-cut, sarsaparilla-drinking hero who never shot first. The plots of the film, radio and TV series were generally not taken from Mulford's writings.At the peak of the character's popularity in the early 1950s, he spawned enormous amounts of merchandise, as well as a comic strip, additional novels by Louis L'Amour (writing as Tex Burns), and even a short-lived amusement park, "Hoppyland", in Venice, Los Angeles.

Hopalong Cassidy&nbsp;is a fictional&nbsp;<a href="https://en.wikipedia.org/wiki/Cowboy" rel="noopener noreferrer">cowboy</a>&nbsp;hero created in 1904 by the author&nbsp;<a href="https://en.wikipedia.org/wiki/Clarence_E._Mulford" rel="noopener noreferrer">Clarence E. Mulford</a>, who wrote a series of short stories and novels based on the character. Mulford portrayed the character as rude, dangerous, and rough-talking. He was shot in the leg during a gun fight which caused him to walk with a little "hop", hence the nickname.From the 1930s to the 1950s, the character became indelibly associated with actor&nbsp;<a href="https://en.wikipedia.org/wiki/William_Boyd_(actor)" rel="noopener noreferrer">William Boyd</a>, who portrayed Cassidy first in a&nbsp;<a href="https://en.wikipedia.org/wiki/List_of_Hopalong_Cassidy_films" rel="noopener noreferrer">series of sixty-six films</a>&nbsp;from 1935 to 1948, then in children-oriented&nbsp;<a href="https://en.wikipedia.org/wiki/Hopalong_Cassidy_(radio_program)" rel="noopener noreferrer">radio</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Hopalong_Cassidy_(TV_series)" rel="noopener noreferrer">TV series</a>, both of which lasted until 1952. Boyd's portrayal of Cassidy had little in common with the literary character, being instead a clean-cut,&nbsp;<a href="https://en.wikipedia.org/wiki/Sarsaparilla_(soft_drink)" rel="noopener noreferrer">sarsaparilla</a>-drinking hero who never shot first. The plots of the film, radio and TV series were generally not taken from Mulford's writings.At the peak of the character's popularity in the early 1950s, he spawned enormous amounts of merchandise, as well as a comic strip, additional novels by&nbsp;<a href="https://en.wikipedia.org/wiki/Louis_L%27Amour" rel="noopener noreferrer">Louis L'Amour</a>&nbsp;(writing as Tex Burns), and even a short-lived amusement park, "Hoppyland", in&nbsp;<a href="https://en.wikipedia.org/wiki/Venice,_Los_Angeles" rel="noopener noreferrer">Venice, Los Angeles</a>.

Hopalong Cassidy

Join Jericho Reid and Kyle Schimanski on their quest to watch every Golden Raspberry Worst Picture Winner.

Each week we'll be tackling another year in Razzie history, discussing the worst movies Hollywood has to offer and giving our takes on the award that nobody wants to win.

Join Jericho Reid and Kyle Schimanski on their quest to watch every Golden Raspberry Worst Picture Winner. Each week we'll be tackling another year in Razzie history, discussing the worst movies Hollywood has to offer and giving our takes on the award that nobody wants to win.

Watching Worst Films

Мы берём реальные кейсы из истории кино и театра и через них говорим о творчестве, ошибках, конфликтах и вдохновении — и о себе, конечно. Из Москвы и Варшавы, с любовью 🩷 Telegram-канал: https://t.me/sadgirlprod Instagram*: https://www.instagram.com/sadgirlprod И нас можно найти в тех же социальных сетях:Даша — @swnsfflНадя — @kustonada * принадлежит Meta — организации, признанной экстремистской и запрещённой в РФ

Мы берём реальные кейсы из истории кино и театра и через них говорим о творчестве, ошибках, конфликтах и вдохновении — и о себе, конечно. Из Москвы и Варшавы, с любовью 🩷 Telegram-канал: https://t.me/sadgirlprod Instagram*: https://www.instagram.com/sadgirlprod И нас можно найти в тех же социальных сетях: Даша — @swnsffl Надя — @kustonada * принадлежит Meta — организации, признанной экстремистской и запрещённой в РФ

Мы берём реальные кейсы из истории кино и театра и через них говорим о творчестве, ошибках, конфликтах и вдохновении — и о себе, конечно. Из Москвы и Варшавы, с любовью 🩷 Telegram-канал: https://t.me/sadgirlprod Instagram*: https://www.instagram.com/sadgirlprod И нас можно найти в тех же социальных сетях:Даша — @swnsfflНадя — @kustonada * принадлежит Meta — организации, признанной экстремистской и запрещённой в РФ

жизнь около искусства

Bienvenue dans ce podcast intitulé MON CINÉMA. Ici, on parle des films qui m’ont fait aimer le cinéma, des films qui sont très importants pour moi. Bonne écoute à tous.
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Bienvenue dans ce podcast intitulé MON CINÉMA. Ici, on parle des films qui m’ont fait aimer le cinéma, des films qui sont très importants pour moi. Bonne écoute à tous. Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Film History Podcasts / Page 49

Le 7ème antiquaire

Frames of Reference

Os animes salvarão o ocidente

Couple Indemnity

Don & Rey's Movie Club

Dirty Rotten Cinephiles

Nerdz Vs Evil

Talky Balboa

The Death of Cinema Podcast

HippCast

Mind Your Movies

Lounging with Lo

Story time

Amos and Andy

The Lone Ranger Radio Show

Black TV Legends: Shaping Global Communication

Dreadful Film

Uncut Reviews

Rick or Treat Horrorcast

The Mummy - Audio Biography

What’s on Next

From Recap To Review

Women X Film Festival Podcast

The VHS Vault Chronicles

Hors Promo Ciné

Z pop culture show

De cinta en cinta

Hopalong Cassidy

Watching Worst Films

жизнь около искусства

MON CINÉMA

Especial

Vive le cinéma : Perspectives

Pop Mythology

NAGYTOTÁL

Даблфичер: два фильма — одна тема

Good Film Hunting

Zoners

STREAMO - Mi Amore

Movie Rivals

Великая Иллюзия

Hm

Cinemania

Sangue Su Hollywood

Radio From The Past

Cult Cinema

Canadian Made

Blast to the Past

Invisible Triumphs

软硬兼施