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To inform and have open conversations about movies

Dave The Movie Guy

Recupera les perles del fons sonor històric de Ràdio Barcelona i de SER Catalunya. De dilluns a divendres de 13:30h a 14:00h

Rebobinem

Enjoy film analysis with a dose of nonsensical, sassy commentary? Watch the film with us! Every month, hosts Lara and Cheryl deep dive into a film and chat about four topics related to the movie. We draw comparisons with other films we have watched and chat about how the film industry has and continues to develop. Listen in on our lighthearted conversations as we watch and reflect on different film genres, with small doses of silliness sprinkled throughout! Theme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Enjoy film analysis with a dose of nonsensical, sassy commentary? Watch the film with us! Every month, hosts Lara and Cheryl deep dive into a film and chat about four topics related to the movie. We draw comparisons with other films we have watched and chat about how the film industry has and continues to develop. Listen in on our lighthearted conversations as we watch and reflect on different film genres, with small doses of silliness sprinkled throughout! Theme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Watch The Film With Us

Host Liam Reidy with co-hosts Harry Harding, Samuel Mills and Joe Cassidy discuss all things movies! From franchises to hidden gems, from Jack Nicholson to Patty Jenkins, with a weekly take on your favorite movies.

Two Reels Podcast

Créateurs de contenu et grands nostalgiques dans l'âme / Podcast Geek / Twitch Affiliate / Merci de follow et de faire partie de la famille G Pour Geek /

G Pour Geek

It is effortless to sit back and enjoy the latest blockbuster or major video game, but what goes into making something so revolutionary? Artomic is a podcast to take a look into the creative minds behind the scenes. Each episode will contain insight to the latest industry standards, advancements with technology and our personal thoughts.

Artomic Podcast

Bienvenue dans le premier podcast cinéma qui utilise depuis 9 ans le 7ème art pour choisir des thèmes plus ou moins excentriques : Pourquoi les roux envahissent-ils Hollywood, la bière au cinéma a t-elle une belle image, peut-on être japonais et énervé? 

En un thème par mois avec des invités, des chroniques et des analyses de films, retrouvez-nous pour 1h toutes les semaines, on vous expliquera comment éviter nos jeux de mots, les dragons géants et les films de Yann Moix 

Un podcast pour lequel vous pouvez réagir ici sur facebook : https://www.facebook.com/graffitircfloiret

Bienvenue dans le premier podcast cinéma qui utilise depuis 9 ans le 7ème art pour choisir des thèmes plus ou moins excentriques : Pourquoi les roux envahissent-ils Hollywood, la bière au cinéma a t-elle une belle image, peut-on être japonais et énervé? En un thème par mois avec des invités, des chroniques et des analyses de films, retrouvez-nous pour 1h toutes les semaines, on vous expliquera comment éviter nos jeux de mots, les dragons géants et les films de Yann Moix Un podcast pour lequel vous pouvez réagir ici sur facebook : https://www.facebook.com/graffitircfloiret

Graffiti cinéma

Learn from history's greatest filmmakers as I read the biographies of renowned directors, writers, and producers, uncover the secrets to their creative processes and learn about the challenges they overcame to create some of the most iconic films in history. 

As the legendary Stanley Kubrick once said, "The screen is a magic medium. It has such power that it can retain interest as it conveys emotions and moods that no other art form can hope to tackle."

Join us as we explore the artistry, technique, and history of cinema and learn from the masters who paved the way for today's filmmakers.

Learn from history's greatest filmmakers as I read the biographies of renowned directors, writers, and producers, uncover the secrets to their creative processes and learn about the challenges they overcame to create some of the most iconic films in history. As the legendary Stanley Kubrick once said, "The screen is a magic medium. It has such power that it can retain interest as it conveys emotions and moods that no other art form can hope to tackle." Join us as we explore the artistry, technique, and history of cinema and learn from the masters who paved the way for today's filmmakers.

Illectric Sheep

Le Podcast qui parle de ce que le cinéma a fait de pire ! présenté par Luc Le Gonidec (@LucLeGonidec_) avec Marvin Montes (@Marvin__Montes), Emmanuel.le Peudon (@EmmanuelPeudon) et Wonder Vesper (@Wonder_Vesper) Production Retour vers le Turfu (@RVLT_studio) Mail Pro : shitlistpodcast@gmail.com<hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Le Podcast qui parle de ce que le cinéma a fait de pire ! présenté par Luc Le Gonidec (@LucLeGonidec_) avec Marvin Montes (@Marvin__Montes), Emmanuel.le Peudon (@EmmanuelPeudon) et Wonder Vesper (@Wonder_Vesper) Production Retour vers le Turfu (@RVLT_studio) Mail Pro : shitlistpodcast@gmail.com Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Le Podcast qui parle de ce que le cinéma a fait de pire ! présenté par Luc Le Gonidec (@LucLeGonidec_) avec Marvin Montes (@Marvin__Montes), Emmanuel.le Peudon (@EmmanuelPeudon) et Wonder Vesper (@Wonder_Vesper) Production Retour vers le Turfu (@RVLT_studio) Mail Pro : shitlistpodcast@gmail.com Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

Shitlist

What you should’ve been watching all along…

86’d

A historical podcast about the winners of the Best Picture Academy Award. Learn why these films were chosen, how society influenced their production, and what the history of American film looks like with them in the spotlight - all from the mouth of Oscar himself!

This educational podcast is unofficial and not related to the Academy Motion Picture Arts & Sciences in any way.

A historical podcast about the winners of the Best Picture Academy Award. Learn why these films were chosen, how society influenced their production, and what the history of American film looks like with them in the spotlight - all from the mouth of Oscar himself! This educational podcast is unofficial and not related to the Academy Motion Picture Arts & Sciences in any way.

A historical podcast about the winners of the Best Picture Academy Award. Learn why these films were chosen, how society influenced their production, and what the history of American film looks like with them in the spotlight - all from the mouth of Oscar himself!

This educational podcast is unofficial and not related to the Academy Motion Picture Arts &amp; Sciences in any way.

According to Oscar

Horror is a form of media that has always fascinated the masses, whether they be obsessed with the adrenaline that comes with jump scares, or the thought-provoking endings that come with movies like "Us" and "The Blair Witch Project." With the mass amounts of horror pouring out into media in recent years, from movies, video games, and even literature, it's hard to filter out what's worth the time and what isn't. Being an avid horror fan, I'm here to help that filtering process and give you the rundown of what's worth seeing in theaters, or what should be played in the background.

Pulled Feathers: An Eagle's Guide to Horror

Welcome to the &quot;Top 5 Podcast with Ray Taylor”, where each week host Ray Taylor ranks movies in a variety of categories. From franchises and sub genres, to directors and actors, no stone is left unturned as Ray breaks down his top 5 picks. But it's not just about the rankings - Ray also talks about why each film earned its spot on the list, offering in-depth analysis and commentary on the elements that make these movies stand out. Tune in every Sunday for a new episode, and get ready to dive into the world of film with &quot;Top 5 Podcast with Ray Taylor.&quot;

Welcome to the "Top 5 Podcast with Ray Taylor”, where each week host Ray Taylor ranks movies in a variety of categories. From franchises and sub genres, to directors and actors, no stone is left unturned as Ray breaks down his top 5 picks. But it's not just about the rankings - Ray also talks about why each film earned its spot on the list, offering in-depth analysis and commentary on the elements that make these movies stand out. Tune in every Sunday for a new episode, and get ready to dive into the world of film with "Top 5 Podcast with Ray Taylor."

Welcome to the "Top 5 Podcast with Ray Taylor”, where each week host Ray Taylor ranks movies in a variety of categories. From franchises and sub genres, to directors and actors, no stone is left unturned as Ray breaks down his top 5 picks. But it's not just about the rankings - Ray also talks about why each film earned its spot on the list, offering in-depth analysis and commentary on the elements that make these movies stand out. Tune in every Sunday for a new episode, and get ready to dive into the world of film with "Top 5 Podcast with Ray Taylor."

Top 5 Podcast with Ray Taylor

Welcome to our very first podcast, titled Hooked On Hammer.Hosted by Hooked On Horror's own Adam Williams and Mike Murphy, this six-episode podcast series takes a look back on the incredibly rich history of Hammer Films. Each episode will pull focus to a pinnacle film that helped turn Hammer Films into a household name, and shape the horror genre into what it is today.Each episode features a walkthrough of our chosen film complete with background on both Hammer Films and the film itself , contextualised history, behind the scenes stories and facts, our own experiences and a few choice pop culture references. This is made for old and new Hammer Horror fans alike.

Welcome to our very first podcast, titled Hooked On Hammer. Hosted by Hooked On Horror's own Adam Williams and Mike Murphy, this six-episode podcast series takes a look back on the incredibly rich history of Hammer Films. Each episode will pull focus to a pinnacle film that helped turn Hammer Films into a household name, and shape the horror genre into what it is today. Each episode features a walkthrough of our chosen film complete with background on both Hammer Films and the film itself , contextualised history, behind the scenes stories and facts, our own experiences and a few choice pop culture references. This is made for old and new Hammer Horror fans alike.

Hooked On Hammer

إعداد وتقديم إيمان السباعي

إعداد وتقديم إيمان السباعي

تذكرة سينما

The Movie Podcast from The Nerds Who Haunted Themselves. Each episode, host Stuart Mulrain is joined by a guest to talk about a movie that they love. A bit like two people in the pub, talking about the movie they just watched. As well as the main show, we also do some specials, including themed Summer Specials, Spoiler Specials for (then) current movies and others.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

The Movie Podcast from The Nerds Who Haunted Themselves. Each episode, host Stuart Mulrain is joined by a guest to talk about a movie that they love. A bit like two people in the pub, talking about the movie they just watched. As well as the main show, we also do some specials, including themed Summer Specials, Spoiler Specials for (then) current movies and others. Hosted on Acast. See acast.com/privacy for more information.

The Movie Podcast from The Nerds Who Haunted Themselves. Each episode, host Stuart Mulrain is joined by a guest to talk about a movie that they love. A bit like two people in the pub, talking about the movie they just watched. As well as the main show, we also do some specials, including themed Summer Specials, Spoiler Specials for (then) current movies and others. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

And Why Not?

I have to do something with these commentaries. Here on the Screen Queen, I host the show that puts an end to the term show stopper, because the show never stopped. There is so much to say about how a movie is made, its impact and more importantly how you choose how want to be entertained. This is how I choose to be entertained, and I get to share that now. You get episodes about commentaries, movie lists, hot topics, conversations with other movie fans, and all the new stuff in store, stay tuned to find out.&nbsp; Enjoy the show. Sami Parrish @thequeenofthescreen

I have to do something with these commentaries. Here on the Screen Queen, I host the show that puts an end to the term show stopper, because the show never stopped. There is so much to say about how a movie is made, its impact and more importantly how you choose how want to be entertained. This is how I choose to be entertained, and I get to share that now. You get episodes about commentaries, movie lists, hot topics, conversations with other movie fans, and all the new stuff in store, stay tuned to find out.  Enjoy the show. Sami Parrish @thequeenofthescreen

The Screen Queen

Kael Your Idols is a film discussion podcast focused on the "New Hollywood" era of American cinema. From the glamorized hippies and paranoid anti-heroes of the 60s and 70s, to the merchandise-driven blockbusters of the early 80s, join hosts Alana Gibson and Sam Ludwig as they dive into this wild period in studio filmmaking! Logo artwork by: the_illuminator

Kael Your Idols is a film discussion podcast focused on the "New Hollywood" era of American cinema. From the glamorized hippies and paranoid anti-heroes of the 60s and 70s, to the merchandise-driven blockbusters of the early 80s, join hosts Alana Gibson and Sam Ludwig as they dive into this wild period in studio filmmaking! Logo artwork by: the_illuminator

Kael Your Idols: A New Hollywood Podcast

We take the fight to evil as we watch and review horror and Sci-Fi films that are considered "B" movies. Join us in our ongoing battle against Evil!

We take the fight to evil as we watch and review horror and Sci-Fi films that are considered "B" movies. Join us in our ongoing battle against Evil!

Nerdz Vs Evil

This pod talks movie news, new movies, old movies, classic hidden gems, cult films, television, streaming media, and all things motion entertainment. Yep, if it's a moving picture of some sort, on any platform or media, Brandon and Steve will talk about it.

Ghost Town Video

Hosted by Brandon and Chelsea Cruz, Our Reel Relationships is a cozy, candid, and cinematic dive into the movies that make us — and the relationships that make those movies matter. From the classics our parents loved to the cult favorites we force on our friends, each episode explores not just how films are made, but how they shape who we are

Hosted by Brandon and Chelsea Cruz, Our Reel Relationships is a cozy, candid, and cinematic dive into the movies that make us — and the relationships that make those movies matter. From the classics our parents loved to the cult favorites we force on our friends, each episode explores not just how films are made, but how they shape who we are

Our Reel Relationships

A look at the best and worst B-movies from the past, present and future with Johnny Potoky and James Grimmer.

The Attack of the B-Movies 2.0

A horror writer and a scaredy-cat journey through the cinematic lore of Nosferatu. Will you join us on our journey? Hosted by Michal Schick and Avishai Weinberger.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

A horror writer and a scaredy-cat journey through the cinematic lore of Nosferatu. Will you join us on our journey? Hosted by Michal Schick and Avishai Weinberger. Hosted on Acast. See acast.com/privacy for more information.

A horror writer and a scaredy-cat journey through the cinematic lore of Nosferatu. Will you join us on our journey? Hosted by Michal Schick and Avishai Weinberger. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

NosferaTuesdays

While not every episode is frightening, this series contains some of the most unsettling radio plays I've ever listened to. Nor is every episode a horror story; there are some clever satirical episodes as well. While I'm very glad to see these posted here, as I've apparently lost my other set of episodes, there are some mistakes in the naming of some of the files. For example, episode 11, Teenage Catalogue Model is missing, and the episode that is labeled "VP_841207_11_Teenage_Catalogue_Model" is another episode altogether. Hopefully someone (like the great OTR Researchers Group, whose Vanishing Point log has many episodes I've never encountered) can share a more complete set of these with the world.

While not every episode is frightening, this series contains some of the most unsettling radio plays I've ever listened to. Nor is every episode a horror story; there are some clever satirical episodes as well.While I'm very glad to see these posted here, as I've apparently lost my other set of episodes, there are some mistakes in the naming of some of the files. For example, episode 11, Teenage Catalogue Model is missing, and the episode that is labeled "VP_841207_11_Teenage_Catalogue_Model" is another episode altogether. Hopefully someone (like the great OTR Researchers Group, whose Vanishing Point log has many episodes I've never encountered) can share a more complete set of these with the world.

While not every episode is frightening, this series contains some of the most unsettling radio plays I've ever listened to. Nor is every episode a horror story; there are some clever satirical episodes as well. While I'm very glad to see these posted here, as I've apparently lost my other set of episodes, there are some mistakes in the naming of some of the files. For example, episode 11, Teenage Catalogue Model is missing, and the episode that is labeled "VP_841207_11_Teenage_Catalogue_Model" is another episode altogether. Hopefully someone (like the great OTR Researchers Group, whose Vanishing Point log has many episodes I've never encountered) can share a more complete set of these with the world.

V Point Radio Show

Making Waves: An Unauthorized Biography of The Creature from the Black Lagoon In the star-studded pool of classic movie monsters, the Creature from the Black Lagoon holds a unique position as Hollywood's first aquatic matinee idol. While other monsters were prowling castles or lurking in laboratories, this ambitious amphibian was busy pioneering underwater horror and inventing synchronized swimming with a distinctly predatory twist. He's living proof that sometimes the best career move is to make a splash, quite literally. First surfacing in 1954's "Creature from the Black Lagoon," this scaly sensation (known to his friends as "Gill-man," though probably not to his face) brought something completely different to the monster scene. In a genre dominated by reanimated corpses and lunar-triggered transformations, he proved that sometimes the best horror comes with gills and an excellent backstroke. Physical specifications for the Creature are quite impressive. Standing at 6'3" when fully upright (though he prefers a more hydrodynamic posture), and weighing in at a svelte-but-muscular 200 pounds, he cuts quite the figure in his natural habitat. His most distinctive feature is, of course, his unique complexion – a striking green-scaled look that would later inspire countless cosplayers and make several dermatologists question their career choices. His signature appearance combines the best elements of fish, amphibian, and surprisingly athletic human, creating what marine biologists might classify as "Heartthrob horribilis" if they were feeling particularly unscientific. The design took elements from various aquatic species, though none of them had quite the same flair for dramatic underwater entrances. His look says both "I'm a prehistoric amphibian monster" and "I do my cardio regularly," proving that even ancient creatures can maintain good fitness habits. Unlike his monster contemporaries who needed elaborate laboratories or convenient full moons, the Creature's primary requirement was good old H2O. This made him simultaneously one of the most high-maintenance and low-maintenance movie monsters – he needed a constant water source, but at least he came with his own habitat. This aquatic lifestyle did present unique challenges for his social life, particularly when it came to attending monster conventions or meeting eligible paleontologists. The Creature's discovery in the Amazon marked a significant breakthrough in both archaeology and synchronized swimming. His initial encounter with the scientific expedition demonstrated his signature move set: the surprise underwater grab, the dramatic surface breach, and the surprisingly graceful aquatic stalking technique that would influence horror films for decades to come. His ability to swim while maintaining perfect dramatic timing showed that some talents are truly timeless. His career in Hollywood made quite the splash, starting with his titular debut and continuing through two sequels: "Revenge of the Creature" (1955) and "The Creature Walks Among Us" (1956). The fact that he managed to headline three features while barely speaking a word proves that sometimes actions (and excellent underwater choreography) speak louder than words. The Creature's influence on cinema cannot be overstated. He pioneered underwater horror techniques that would later influence everything from "Jaws" to "Deep Blue Sea," though he probably feels these later films relied too heavily on teeth and not enough on dramatic underwater ballet. His underwater stalking scenes set the standard for aquatic tension, proving that sometimes the most effective horror just needs good swimming skills and impeccable timing. In the realm of special effects, the Creature's costume design was groundbreaking. Created by Millicent Patrick (though originally credited to Bud Westmore), the suit combined functionality with prehistoric glamour. It had to be both terrifying and practical enough to actually swim in, a combination that had costume designers scratching their heads and swimmers questioning their career choices. The suit needed to work both underwater and on land, making it perhaps the first example of amphibious haute couture. His impact on fashion has been surprisingly significant, though mostly in very specific circles. The scaled look has influenced numerous designers, particularly in the world of competitive swimming and diving. Several Olympic swimmers have cited the Creature's hydrodynamic design as inspiration, though most stop short of adding claws and gills to their competition suits. In the world of sports, the Creature's swimming technique has been both admired and studied. His ability to move efficiently through water while maintaining an air of menace has influenced various aquatic disciplines, though most swimming coaches still frown on grabbing unsuspecting scientists during practice. Several synchronized swimming teams have attempted Creature-inspired routines, though usually with less terrorizing and more sequins. The fitness industry has particularly embraced his legacy. "Creature Fit" swimming programs promise to help participants achieve that lean, amphibian physique, though most health clubs struggle to maintain the proper prehistoric Amazon atmosphere. Underwater aerobics classes occasionally pay homage to his signature moves, minus the whole "dragging people to watery doom" aspect. In the realm of science, the Creature has inspired numerous researchers in fields ranging from paleontology to marine biology. Several scientific papers have attempted to explain his unique biology, though most get stuck on how he manages to be both fish and amphibian while maintaining such impressive muscle tone. His ability to breathe both air and water has particularly intrigued researchers, though attempts to recreate his physiology have mostly resulted in very confused laboratory fish. The environmental movement has embraced the Creature as an unlikely mascot. After all, he's a prehistoric species whose habitat was disturbed by human intervention – making him perhaps eco-horror's first poster child. Several conservation groups have used his image to promote Amazon preservation, though most avoid mentioning his tendency to abduct scientists. In the world of romance, the Creature pioneered the "mysterious aquatic admirer" trope, though his approach to courtship left something to be desired. His underwater ballet with Kay Lawrence set the standard for aquatic stalking scenes, proving that even prehistoric amphibian monsters can appreciate synchronized swimming. His romantic techniques, while problematic by modern standards, did demonstrate impressive underwater choreography. The scientific community has had a complicated relationship with the Creature. On one hand, he represents an incredible evolutionary discovery. On the other hand, his habit of disrupting research expeditions has made field work in the Amazon considerably more exciting than most scientists prefer. His existence has sparked numerous debates in paleontological circles, though most researchers agree that his cardiovascular fitness is impressive for a prehistoric species. In the world of literature, the Creature has inspired countless aquatic horror stories, though few capture his unique combination of menace and graceful swimming ability. Modern authors have explored everything from his possible evolutionary origins to his theoretical impact on Amazon River property values. Some works focus on the scientific implications of his existence, though few address the important question of how he maintains such excellent muscle definition on a primarily fish-based diet. The gaming industry has embraced the Creature's potential, featuring him in various titles though many struggle to capture the precise timing of his underwater choreography. Several survival horror games have included Creature-inspired sequences, though players often complain that the games' swimming mechanics lack the original's balletic grace. His influence on theme parks has been particularly notable. Various water rides and attractions have attempted to recreate the Black Lagoon experience, though most tone down the "grabbing unsuspecting tourists" aspect. Universal Studios has featured him in several attractions, proving that some monsters are particularly well-suited to Florida's climate. The Creature's impact on marine tourism has been mixed. While some adventure tourism companies have attempted to capitalize on his legacy with "Black Lagoon Experience" tours, most visitors prefer their Amazon expeditions without the risk of prehistoric amphibian encounters. Several luxury resorts have built "lagoon-style" pools, though most draw the line at including actual aquatic monsters. In the world of education, the Creature serves as an interesting case study in both paleontology and physical education. His existence raises numerous questions about evolution and adaptation, while his swimming technique has influenced aquatic physical education programs (minus the terrorizing aspects). Several universities have used his case to discuss the implications of discovering living prehistoric species, though most academic discussions focus less on his underwater ballet skills. Today, the Creature from the Black Lagoon remains one of horror's most distinctive and influential characters, proving that sometimes the best approach to monster stardom is to just dive right in. His legacy continues to influence fields ranging from marine biology to synchronized swimming, though most practitioners aim for less terrifying results. And remember, if you ever find yourself in a mysterious Amazon lagoon and spot what appears to be a prehistoric amphibian man practicing underwater ballet, it's best to maintain a respectful distance. Not every underwater encounter needs to turn into an impromptu swimming lesson, and some ancient species prefer to practice their choreography in private. Just keep in mind

Creature From The Black Lagoon - Audio Biography

In the annals of Hollywood history, few names carry the weight of legacy quite like Lon Chaney Jr. Born into the shadow of his legendary father, Lon Chaney Sr., the younger Chaney carved out his own niche in the world of cinema, becoming an icon of horror in his own right. His journey from reluctant actor to beloved monster portrayer is a tale of perseverance, talent, and the complex dynamics of family and fame in the golden age of Hollywood. Born Creighton Tull Chaney on February 10, 1906, in Oklahoma City, Oklahoma, the future Lon Chaney Jr. entered a world where his father was already making a name for himself in vaudeville and silent films. Creighton's early years were far from stable. His parents' marriage was tumultuous, marked by his mother Cleva's alcoholism and eventual attempted suicide in 1913. This event led to his parents' divorce and young Creighton being shuffled between various relatives and boarding schools. Despite the instability of his childhood, Creighton maintained a close relationship with his father. Lon Sr., known as "The Man of a Thousand Faces" for his remarkable makeup and character acting skills, was determined that his son would not follow in his footsteps. He wanted Creighton to have a more stable, conventional life than the uncertain world of show business could offer. As a result, Creighton was actively discouraged from pursuing acting and instead was guided towards more practical pursuits. Following his father's wishes, Creighton attended business school and worked a variety of jobs in his young adulthood. He served as a plumber's apprentice, worked at a meat-packing plant, and even had a stint as a farm hand. These experiences, while far from the glamour of Hollywood, would later inform his portrayals of working-class characters and contribute to his reputation as a relatable, down-to-earth figure despite his famous lineage. However, the lure of Hollywood proved too strong to resist. In the late 1920s, Creighton began to take on small, often uncredited roles in films. He was careful to use his birth name rather than his father's famous surname, determined to make his own way without trading on the Chaney name. This period of his career was marked by struggle and anonymity, a sharp contrast to the fame and success his father was enjoying. Lon Chaney Sr.'s untimely death in 1930 marked a turning point in Creighton's life and career. The loss of his father was a personal tragedy, but it also removed the main obstacle to Creighton pursuing acting full-time. In the years following his father's death, Creighton's roles began to grow in size and importance, though true stardom still eluded him. It was in 1935 that Creighton Chaney became Lon Chaney Jr., a change that would alter the course of his career. The name change was suggested by producer Maurice Pivar as a marketing tactic, capitalizing on the enduring fame of the elder Chaney. While the younger Chaney was initially reluctant, concerned about the inevitable comparisons to his father, he eventually agreed. The decision proved to be a double-edged sword, opening doors but also creating expectations that would haunt him throughout his career. Chaney Jr.'s breakthrough role came in 1939 with his portrayal of Lennie Small in the film adaptation of John Steinbeck's "Of Mice and Men." His performance as the gentle giant with a mental disability showcased his acting abilities beyond mere name recognition. The role earned him critical acclaim and demonstrated that he was more than capable of carrying a film on his own merits. This success in a serious dramatic role seemed to point towards a career path distinct from his father's legacy in horror and character roles. However, fate and Hollywood typecasting had other plans. In 1941, Chaney Jr. was cast as Larry Talbot, the tragic protagonist of "The Wolf Man." This role would define the rest of his career and cement his place in horror film history. Chaney Jr.'s portrayal of the tormented Talbot, cursed to become a werewolf, resonated with audiences. He brought a sympathetic quality to the monster, much as his father had done with characters like Quasimodo and the Phantom of the Opera. The success of "The Wolf Man" led to Chaney Jr. becoming Universal Studios' go-to monster actor. Over the next decade, he would portray not only the Wolf Man in various sequels but also Frankenstein's monster, Dracula, and the Mummy. This versatility in monster roles echoed his father's chameleon-like ability to transform into various characters, though achieved through different means. Where Lon Sr. was known for his elaborate makeup techniques, Lon Jr.'s transformations were more often the work of the studio's makeup artists. Chaney Jr.'s most frequent and beloved monster role remained the Wolf Man. He portrayed Larry Talbot in five films, including various monster mash-up movies that pitted Universal's creatures against each other. His consistent portrayal of Talbot as a tragic figure, tormented by his curse and seeking release, added depth to what could have been a one-note monster character. Chaney Jr. often remarked that he felt a personal connection to Talbot, understanding the character's inner turmoil and loneliness. While his horror roles brought him fame and a dedicated fan base, they also led to typecasting that frustrated Chaney Jr. throughout his career. He longed to be taken seriously as a dramatic actor, to build on the promise he had shown in "Of Mice and Men." However, opportunities for such roles were few and far between. When they did come, such as his role in the 1952 western "High Noon," Chaney Jr. proved that he was capable of holding his own alongside major stars like Gary Cooper. Despite his frustrations with typecasting, Chaney Jr. maintained a prolific career throughout the 1940s and 1950s. He worked consistently in films and, as the film industry began to change, transitioned into television work. He appeared in numerous TV shows, including westerns like "Rawhide" and "The Texan," as well as thriller series like "Alfred Hitchcock Presents." One of the most interesting phases of Chaney Jr.'s later career was his work with director Fred Zinnemann. In addition to "High Noon," Chaney Jr. appeared in Zinnemann's "Teresa" (1951) and "Member of the Wedding" (1952). These films provided him with the opportunity to play more nuanced, dramatic roles, showcasing a talent that was often overlooked due to his association with horror films. Chaney Jr.'s personal life was as complex as his professional one. He was married twice, first to Dorothy Hinckley from 1928 to 1937, with whom he had two sons, and then to Patsy Beck from 1937 until his death. His relationship with alcohol was a recurring struggle throughout his life, echoing his mother's battles with alcoholism and affecting both his personal relationships and his professional reputation. As he aged, Chaney Jr. continued to work, though the quality of productions often declined. He appeared in numerous low-budget horror and science fiction films throughout the 1960s and early 1970s. While these films were far from the prestige of Universal's golden age of horror, they allowed Chaney Jr. to continue working and maintained his connection with horror fans. One of the most poignant aspects of Chaney Jr.'s later career was his relationship with the legacy of his father. Throughout his life, he struggled with comparisons to Lon Sr., often feeling that he could never quite live up to the towering reputation of "The Man of a Thousand Faces." However, as he aged, Chaney Jr. seemed to find a measure of peace with his place in Hollywood history. He became more comfortable discussing his father in interviews and even appeared in the 1957 biopic "Man of a Thousand Faces," playing a studio makeup artist opposite James Cagney's portrayal of Lon Chaney Sr. Chaney Jr.'s final film appearance was in the 1971 horror film "Dracula vs. Frankenstein," a low-budget production that was a far cry from the Universal classics of his heyday. His health had declined significantly by this point, affected by years of heavy drinking and the physical toll of his acting career. He died on July 12, 1973, in San Clemente, California, from heart failure at the age of 67. In the years since his death, Lon Chaney Jr.'s legacy has been reevaluated and celebrated by film historians and horror enthusiasts. While he may not have achieved the critical acclaim or versatility of his father, Chaney Jr. made an indelible mark on the horror genre. His portrayal of Larry Talbot/The Wolf Man, in particular, stands as one of the great sympathetic monster performances in cinema history. Chaney Jr.'s impact extends beyond his individual performances. He was part of a transitional period in horror cinema, bridging the gap between the gothic monsters of Universal's golden age and the more modern, psychological horrors that would emerge in the 1960s and 1970s. His Wolf Man, with its themes of inner turmoil and the beast within, presaged later explorations of the monster as a metaphor for human struggles. Moreover, Chaney Jr.'s career serves as a fascinating case study in the complexities of Hollywood fame and legacy. His journey from reluctant actor to horror icon, always in the shadow of his famous father, reflects the unique pressures faced by children of celebrities. His struggles with typecasting and his desire to be seen as more than just a monster actor echo the challenges faced by many actors who find success in genre roles. In recent years, there has been renewed interest in Chaney Jr.'s work beyond his monster roles. Film scholars have revisited his dramatic performances, particularly in "Of Mice and Men" and his collaborations with Fred Zinnemann, leading to a more nuanced appreciation of his abilities as an actor. These reappraisals have helped to round out the public's understanding of Chaney Jr., showcasing him as more than just the son of a famous father or a one-note monster

Lon Chaney Jr. - Audio Biography

A show that explores the connections between Ohio and Hollywood.

Heart Of It All

我不追星，或者说“追”的星太多。我对很多名人抱着欣赏的态度，从他们身上汲取珍贵的品质，融入我而成为我。有些我十分喜爱，一直想为他们写篇文章，既然想了就做呗。这里将同步我的公众号栏目【谈谈人物】的文章朗读版，跟文章一样随缘更新。公众号：思考士多(thoughtsstore)

我不追星，或者说“追”的星太多。我对很多名人抱着欣赏的态度，从他们身上汲取珍贵的品质，融入我而成为我。有些我十分喜爱，一直想为他们写篇文章，既然想了就做呗。这里将同步我的公众号栏目【谈谈人物】的文章朗读版，跟文章一样随缘更新。公众号：思考士多(thoughtsstore)

我不追星，或者说“追”的星太多。我对很多名人抱着欣赏的态度，从他们身上汲取珍贵的品质，融入我而成为我。有些我十分喜爱，一直想为他们写篇文章，既然想了就做呗。这里将同步我的公众号栏目【谈谈人物】的文章朗读版，跟文章一样随缘更新。公众号：思考士多(thoughtsstore)

谈谈人物

WHAT A FEELING!Tutte le piú incredibili curiositá sui film degli anni 80 e sulle loro favolose colonne sonore! Dai grandi classici ai film e alle canzoni piú rare mai trasmesse prima!<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

WHAT A FEELING!Tutte le piú incredibili curiositá sui film degli anni 80 e sulle loro favolose colonne sonore! Dai grandi classici ai film e alle canzoni piú rare mai trasmesse prima! Hosted on Acast. See acast.com/privacy for more information.

WHAT A FEELING!Tutte le piú incredibili curiositá sui film degli anni 80 e sulle loro favolose colonne sonore! Dai grandi classici ai film e alle canzoni piú rare mai trasmesse prima! Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

What A Feeling! Un Fantastico Viaggio Nelle Colonne Sonore E Nei Film Degli Anni 80!

Edgar John (Berggren) Bergen was an American actor &amp; radio performer, born to Swedish family, in Decatur, Michigan. He lived there until he was 16 (when his father died), then went to Chicago, where he attended Lake View High School and worked n a silent movie house. He taught himself ventriloquism from a pamphlet when he was 11 and a few years later, commissioned as a woodcarver to make a likeness of a rascally Irish newspaper boy he knew. The head went on a puppet named Charlie McCarthy, who became Bergen's lifelong sidekick. In 1938, Bergen was presented an Honorary Oscar (in the form of a wooden Oscar stauette) for his creation of Charlie McCarthy. He attended Northwestern University, but did not graduate. Later the school gave him an honorary degree as Master of Innuendo and Snappy Comeback. His first performances were in vaudeville and one-reel movie shorts, but his real success was on the radio. Bergen &amp; Charlie were seen by Noel Coward, at a Hollywood party, and he recommended them for an appearance on Rudy Vallee's program. That appearance was so successful that the next year they were given their own show. Under various sponsors, they were on the air from December 17, 1937 to July 1, 1956.

Edgar John (Berggren) Bergen was an American actor & radio performer, born to Swedish family, in Decatur, Michigan. He lived there until he was 16 (when his father died), then went to Chicago, where he attended Lake View High School and worked n a silent movie house.He taught himself ventriloquism from a pamphlet when he was 11 and a few years later, commissioned as a woodcarver to make a likeness of a rascally Irish newspaper boy he knew. The head went on a puppet named Charlie McCarthy, who became Bergen's lifelong sidekick.In 1938, Bergen was presented an Honorary Oscar (in the form of a wooden Oscar stauette) for his creation of Charlie McCarthy. He attended Northwestern University, but did not graduate. Later the school gave him an honorary degree as Master of Innuendo and Snappy Comeback.His first performances were in vaudeville and one-reel movie shorts, but his real success was on the radio. Bergen & Charlie were seen by Noel Coward, at a Hollywood party, and he recommended them for an appearance on Rudy Vallee's program. That appearance was so successful that the next year they were given their own show. Under various sponsors, they were on the air from December 17, 1937 to July 1, 1956.

Edgar John (Berggren) Bergen was an American actor &amp; radio performer, born to Swedish family, in Decatur, Michigan. He lived there until he was 16 (when his father died), then went to Chicago, where he attended Lake View High School and worked n a silent movie house. He taught himself ventriloquism from a pamphlet when he was 11 and a few years later, commissioned as a woodcarver to make a likeness of a rascally Irish newspaper boy he knew. The head went on a puppet named Charlie McCarthy, who became Bergen's lifelong sidekick. In 1938, Bergen was presented an Honorary Oscar (in the form of a wooden Oscar stauette) for his creation of Charlie McCarthy. He attended Northwestern University, but did not graduate. Later the school gave him an honorary degree as Master of Innuendo and Snappy Comeback. His first performances were in vaudeville and one-reel movie shorts, but his real success was on the radio. Bergen &amp; Charlie were seen by Noel Coward, at a Hollywood party, and he recommended them for an appearance on Rudy Vallee's program. That appearance was so successful that the next year they were given their own show. Under various sponsors, they were on the air from December 17, 1937 to July 1, 1956.

Bergan McCarthy Radio Show!

Exploring women in film - both the roles they play, what we love, what we're disappointed by, how we're moving forward, and their contribution to the history and creation of feature films!

CineFemme

Hi and welcome to sewerscreen my name is Jackie page. I'm here to dive deep into the sewers of Hollywood to find stuff people may have forget and give my thought on it. Now that means i will look at movies from today and way back to who know when to find the stuff other have not seen. I know what you are thinking if he is only going to talk about bad movies y should i listen will I'm not just looking at bad movies my other goal is to find the diamonds down here in the sewers and give you a changes to see a good movie forgetting about.the music is form <a href="https://pixabay.com/users/audiocoffee-27">https://pixabay.com/users/audiocoffee-27</a>

Hi and welcome to sewerscreen my name is Jackie page. I'm here to dive deep into the sewers of Hollywood to find stuff people may have forget and give my thought on it. Now that means i will look at movies from today and way back to who know when to find the stuff other have not seen. I know what you are thinking if he is only going to talk about bad movies y should i listen will I'm not just looking at bad movies my other goal is to find the diamonds down here in the sewers and give you a changes to see a good movie forgetting about. the music is form https://pixabay.com/users/audiocoffee-27

Hi and welcome to sewerscreen my name is Jackie page. I'm here to dive deep into the sewers of Hollywood to find stuff people may have forget and give my thought on it. Now that means i will look at movies from today and way back to who know when to find the stuff other have not seen. I know what you are thinking if he is only going to talk about bad movies y should i listen will I'm not just looking at bad movies my other goal is to find the diamonds down here in the sewers and give you a changes to see a good movie forgetting about.the music is form <a href="https://pixabay.com/users/audiocoffee-27" rel="noopener noreferrer">https://pixabay.com/users/audiocoffee-27</a>

Film History Podcasts / Page 64

Dave The Movie Guy

Rebobinem

Watch The Film With Us

Two Reels Podcast

G Pour Geek

Artomic Podcast

Graffiti cinéma

Illectric Sheep

Shitlist

86’d

According to Oscar

Pulled Feathers: An Eagle's Guide to Horror

Top 5 Podcast with Ray Taylor

Hooked On Hammer

تذكرة سينما

And Why Not?

The Screen Queen

Kael Your Idols: A New Hollywood Podcast

Nerdz Vs Evil

Ghost Town Video

Our Reel Relationships

The Attack of the B-Movies 2.0

NosferaTuesdays

V Point Radio Show

Creature From The Black Lagoon - Audio Biography

Lon Chaney Jr. - Audio Biography

Heart Of It All

谈谈人物

What A Feeling! Un Fantastico Viaggio Nelle Colonne Sonore E Nei Film Degli Anni...

Bergan McCarthy Radio Show!

CineFemme

Sewerscreens

Re-Oscared

Horror & Opera: The Origins of Nosferatu

The 5 Minute Movie Review

Celluloid Dreams

Даблфичер: два фильма — одна тема

Cinema Fora da Caixa

Hong Kong Film Director

Movie Rack Podcast

Tunnel Vision

The Horror Double Bill

Фильм-о-семье

Hjemme på Gimle

软硬兼施

Prasadcorp

Superhero Cinema Club

Dicono che è bello, al cinema

Icons Of Fright

jun88qzcom