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Ever want to know what lengths one married couple will go to make the other watch some films they love? Well, this podcast is the answer. Listen in as Jordan and Lauren explore cinema in their &#39;Thematic Season&#39; format. They cover everything from classics to blockbusters, art-house flicks to guilty pleasures. If you love film, you&#39;ll love this show!

Ever want to know what lengths one married couple will go to make the other watch some films they love? Well, this podcast is the answer. Listen in as Jordan and Lauren explore cinema in their 'Thematic Season' format. They cover everything from classics to blockbusters, art-house flicks to guilty pleasures. If you love film, you'll love this show!

Ever want to know what lengths one married couple will go to make the other watch some films they love? Well, this podcast is the answer. Listen in as Jordan and Lauren explore cinema in their 'Thematic Season' format. They cover everything from classics to blockbusters, art-house flicks to guilty pleasures. If you love film, you'll love this show!

His Film Her Movie

The one stop shop for Reviews, News and Interviews with presenter Andy McCarroll<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

The one stop shop for Reviews, News and Interviews with presenter Andy McCarroll Hosted on Acast. See acast.com/privacy for more information.

The one stop shop for Reviews, News and Interviews with presenter Andy McCarroll Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Extra Vision

Podcast De Autor es un podcast dedicado a hablar de películas de arte, autor, culto, o simplemente de buenas películas. Este podcast es un producto de Revista Canes y Cánones, recuerda ver todos nuestros contenidos en: 
https://linktr.ee/revista.canesycanones Support this podcast: <a href="https://anchor.fm/podcatsdeautor/support" rel="payment">https://anchor.fm/podcatsdeautor/support</a>

Podcast De Autor es un podcast dedicado a hablar de películas de arte, autor, culto, o simplemente de buenas películas. Este podcast es un producto de Revista Canes y Cánones, recuerda ver todos nuestros contenidos en: https://linktr.ee/revista.canesycanones Support this podcast: https://anchor.fm/podcatsdeautor/support

Podcast De Autor es un podcast dedicado a hablar de películas de arte, autor, culto, o simplemente de buenas películas. Este podcast es un producto de Revista Canes y Cánones, recuerda ver todos nuestros contenidos en: 
https://linktr.ee/revista.canesycanones Support this podcast: <a href="https://anchor.fm/podcatsdeautor/support" rel="noopener noreferrer">https://anchor.fm/podcatsdeautor/support</a>

Podcast De Autor

Aaron Lewis is here to talk all thing film &amp; TV. This will feature reviews, top 5s, and retrospectives. Hosted by Aaron and featuring a rotation of guests.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Aaron Lewis is here to talk all thing film & TV. This will feature reviews, top 5s, and retrospectives. Hosted by Aaron and featuring a rotation of guests. Hosted on Acast. See acast.com/privacy for more information.

Aaron Lewis is here to talk all thing film &amp; TV. This will feature reviews, top 5s, and retrospectives. Hosted by Aaron and featuring a rotation of guests. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Last Jedi On The Left Podcast

Televizní vysílání není jen historie; ukrývá odpovědi na společenské otázky, které zůstávají aktuální dodnes. Je to fascinující okno do minulosti – a klíč k pochopení dnešních fenoménů. Od velkých historických událostí až po ty zdánlivě malé, které ale definují naší povahu. Historici a editoři Archivu ČT Jakubové Hošek a Adamus vybírají ty nejzajímavější záznamy, rozkrývají jejich příběhy a dávají jim nový, současný kontext. Zvou si hosty, kteří dodávají hloubku i nečekané souvislosti, a ukazují, proč má smysl dívat se zpět, když chceme rozumět dnešku.

Zrnění

A couple’s guide to the films we love throughout cinema history.

Couple Indemnity

Der Schauspieler Dieter Landuris spricht in jeder Episode mit dem Film Enthusiasten Andi Latuska über seltene und aussergewöhnliche Filme der 50iger bis 80iger Jahre. Krimis, Science Fiction, Horror oder Comedy. Filme aus USA, Japan, England, Italien und vielen anderen Nationen, die nie zu Filmklassikern geworden sind oder Filmklassiker, die zu schnell in Vergessenheit geraten sind. Dieter Landuris erfährt dabei von Andi Latuska nicht nur diverse&nbsp; Filmdetails sondern auch viele insider Geschichten über die Hintergründe und Entstehungsprozesse von manch einem Film. Einige private Anekdoten von Filmschauspieler Dieter Landuris dürfen da natürlich nicht fehlen. &nbsp; Bekannt wurde Dieter Landuris mit der Pro 7 Krimiserie ALLES AUSSER MORD. www.landuris.de This is a Film Podcast about rare Movies from the 60ies, 70ies and 80ies

Der Schauspieler Dieter Landuris spricht in jeder Episode mit dem Film Enthusiasten Andi Latuska über seltene und aussergewöhnliche Filme der 50iger bis 80iger Jahre. Krimis, Science Fiction, Horror oder Comedy. Filme aus USA, Japan, England, Italien und vielen anderen Nationen, die nie zu Filmklassikern geworden sind oder Filmklassiker, die zu schnell in Vergessenheit geraten sind. Dieter Landuris erfährt dabei von Andi Latuska nicht nur diverse  Filmdetails sondern auch viele insider Geschichten über die Hintergründe und Entstehungsprozesse von manch einem Film. Einige private Anekdoten von Filmschauspieler Dieter Landuris dürfen da natürlich nicht fehlen.   Bekannt wurde Dieter Landuris mit der Pro 7 Krimiserie ALLES AUSSER MORD. www.landuris.de This is a Film Podcast about rare Movies from the 60ies, 70ies and 80ies

Die Guten von Gestern - Ein Filmpodcast mit Dieter Landuris und Andi Latuska

A Place Podcast is a podcast from A Place Pictures, an American independent film and television production company, with a focus on surreal, spiritual and thought provoking stories. Produced by Avraham Ben Yehuda and Dylan Herin-Soule.

A Place Podcast is a podcast from A Place Pictures, an American independent film and television production company, with a focus on surreal, spiritual and thought provoking stories. Produced by Avraham Ben Yehuda and Dylan Herin-Soule.

A Place Podcast is a podcast from A Place Pictures, an American independent film and television production company, with a focus on surreal, spiritual and thought provoking stories. Produced by Avraham Ben Yehuda and Dylan Herin-Soule.

A Place Podcast

Novelist/filmmaker Neal McLaughlin is undertaking a massive project: writing a series of wicked rad horror novels, each one taking place in a different year of the 80s. Totally gnarly! To mine for ideas he's re/watching, like, every single notable horror film of the decade, you know? And he's turning the experiment into a totally tubular podcast! And who better to go on this bodacious ride with him than long time friend, collaborator, and horror enthusiast Christian Drerup! Join them each week as they travel chronologically through this seminal decade in horror. Like, barf OUT, I'm so sure!

Grody to the Max: An '80s Horror Movie Podcast

ScreenStories - Storie oltre lo schermo. Un podcast di Cinema che racconta storie vere. Viaggi tra vite ed esperienze che hanno ispirato grandi film (e non solo) in compagnia di Gabriele Cerrito, il caporedattore di ScreenWorld. Tra curiosità e retroscena, dolci sorprese e aneddoti oscuri, ScreenStories è il posto in cui solo le storie lasciano il segno. Seguici qui: <a href="https://screenworld.it" target="_blank" rel="noreferrer noopener">https://screenworld.it</a> <a href="https://www.twitch.tv/screenworld_it/" target="_blank" rel="noreferrer noopener">https://www.twitch.tv/screenworld_it/</a> <a href="https://www.facebook.com/screenworld.it" target="_blank" rel="noreferrer noopener">https://www.facebook.com/screenworld.it</a> <a href="https://www.instagram.com/screenworld" target="_blank" rel="noreferrer noopener">https://www.instagram.com/screenworld</a> <a href="https://www.tiktok.com/@screenworld_it" target="_blank" rel="noreferrer noopener">https://www.tiktok.com/@screenworld_it</a> <a href="https://t.me/screenworld_it" target="_blank" rel="noreferrer noopener">https://t.me/screenworld_it</a>

ScreenStories - Storie oltre lo schermo. Un podcast di Cinema che racconta storie vere. Viaggi tra vite ed esperienze che hanno ispirato grandi film (e non solo) in compagnia di Gabriele Cerrito, il caporedattore di ScreenWorld. Tra curiosità e retroscena, dolci sorprese e aneddoti oscuri, ScreenStories è il posto in cui solo le storie lasciano il segno.Seguici qui:https://screenworld.ithttps://www.twitch.tv/screenworld_it/https://www.facebook.com/screenworld.ithttps://www.instagram.com/screenworldhttps://www.tiktok.com/@screenworld_ithttps://t.me/screenworld_it

ScreenStories - Storie oltre lo schermo. Un podcast di Cinema che racconta storie vere. Viaggi tra vite ed esperienze che hanno ispirato grandi film (e non solo) in compagnia di Gabriele Cerrito, il caporedattore di ScreenWorld. Tra curiosità e retroscena, dolci sorprese e aneddoti oscuri, ScreenStories è il posto in cui solo le storie lasciano il segno. Seguici qui: <a href="https://screenworld.it" rel="noopener noreferrer">https://screenworld.it</a> <a href="https://www.twitch.tv/screenworld_it/" rel="noopener noreferrer">https://www.twitch.tv/screenworld_it/</a> <a href="https://www.facebook.com/screenworld.it" rel="noopener noreferrer">https://www.facebook.com/screenworld.it</a> <a href="https://www.instagram.com/screenworld" rel="noopener noreferrer">https://www.instagram.com/screenworld</a> <a href="https://www.tiktok.com/@screenworld_it" rel="noopener noreferrer">https://www.tiktok.com/@screenworld_it</a> <a href="https://t.me/screenworld_it" rel="noopener noreferrer">https://t.me/screenworld_it</a>

ScreenStories - Storie oltre lo schermo

Welcome to Recovered, where Dan and Keith dig into all films remade, rebooted, and redone. They say there are no new stories under the sun, and Hollywood's been taking that as an excuse to tell the same stories over and over since the silent era, so we dig into which movies warranted a remake, which remakes improved on the original, and how very often neither of those things are true.

Welcome to Recovered, where Dan and Keith dig into all films remade, rebooted, and redone. They say there are no new stories under the sun, and Hollywood's been taking that as an excuse to tell the same stories over and over since the silent era, so we dig into which movies warranted a remake, which remakes improved on the original, and how very often neither of those things are true.

Recovered

Clever B movies, cult classics, Criterion-worthy films, underseen imports, and more -- join host Will Turntale as he crashes through his curiously curated watchlist of cinema's past in a light-hearted but deeply felt format. You'll learn about underrated movies you should see or classics we remember and why. A production of Over-Egged Media, LLC.

Clever B movies, cult classics, Criterion-worthy films, underseen imports, and more -- join host Will Turntale as he crashes through his curiously curated watchlist of cinema's past in a light-hearted but deeply felt format. You'll learn about underrated movies you should see or classics we remember and why. A production of Over-Egged Media, LLC.

Not Now in Theaters

Une carrière est faite de hauts et de bas. Pour le Meilleur et Pour le Pire (PMPP pour les intimes) est un podcast dans lequel on discute de la filmographie d'une personnalité du cinéma en s'attardant plus précisément sur son pire et meilleur film (selon la critique).<hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Une carrière est faite de hauts et de bas. Pour le Meilleur et Pour le Pire (PMPP pour les intimes) est un podcast dans lequel on discute de la filmographie d'une personnalité du cinéma en s'attardant plus précisément sur son pire et meilleur film (selon la critique). Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Une carrière est faite de hauts et de bas. Pour le Meilleur et Pour le Pire (PMPP pour les intimes) est un podcast dans lequel on discute de la filmographie d'une personnalité du cinéma en s'attardant plus précisément sur son pire et meilleur film (selon la critique). Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

Pour le Meilleur et Pour le Pire

Ethan Schaps talks about the most recent news in the film industry every Monday. There's always a rant weather it's new movies, film drama, or awards here on Monday Movie Rants

Monday Movie Rants

Somos otro podcast de cuarentones hablando de cine. La idea es repasar franquicias o filmograf&iacute;as cada temporada. Hemos empezado con la fase 1 del Marvel. S&iacute;gnenos en Twitter en @MoviolaMutante

Somos otro podcast de cuarentones hablando de cine. La idea es repasar franquicias o filmografías cada temporada. Hemos empezado con la fase 1 del Marvel. Sígnenos en Twitter en @MoviolaMutante

Moviola Mutante

Post Credits is a weekly film podcast from a former television producer and avid film aficionado, Gil Garcia. The show will feature one movie per week, giving insight on the filmmaking process that went into it as well as a spoiler free review. More importantly, if you stay after the credits, the show will feature a spoiler-filled breakdown of the subject.

Post Credits is a weekly film podcast from a former television producer and avid film aficionado, Gil Garcia. The show will feature one movie per week, giving insight on the filmmaking process that went into it as well as a spoiler free review. More importantly, if you stay after the credits, the show will feature a spoiler-filled breakdown of the subject.

Post Credits with Gil Garcia

Déjàvu - Pillole di Cinema è il podcast che racconta la storia del cinema attraverso gli occhi di chi la vissuta. Condotto da Roberta Stefanini e prodotto da Déjàvu Magazine e RKH Studio.

Déjàvu - Pillole di Cinema

The Last Late Show takes subscribers on a BEHIND-THE-SCENES tour of the greatest horror and sci-fi films in cinematic history.  ALL the stuff they don't tell you. EVERYTHING you want to know. The fires, floods, mysterious deaths, MPAA suppression, scathing reviews and dailies, wanted FBI fugitives..The craziest stories in the industry. We've got it all and heard it all...and now so will you. Subscribe now and BOOST your horror IQ.

The Last Late Show takes subscribers on a BEHIND-THE-SCENES tour of the greatest horror and sci-fi films in cinematic history. ALL the stuff they don't tell you. EVERYTHING you want to know. The fires, floods, mysterious deaths, MPAA suppression, scathing reviews and dailies, wanted FBI fugitives..The craziest stories in the industry. We've got it all and heard it all...and now so will you. Subscribe now and BOOST your horror IQ.

The Last Late Show

Reel Disasters

Great actors make great movies, but they also make some pure, 100% garbage. Just ask Hope Cavendish and Jessica Durand. Each week, one of them watches an actor's highest-rated movie while the other gal watches the lowest. Hilarity, revelations, and true confusion ensue while they unpack the peaks and troughs of cinema. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Great actors make great movies, but they also make some pure, 100% garbage. Just ask Hope Cavendish and Jessica Durand. Each week, one of them watches an actor's highest-rated movie while the other gal watches the lowest. Hilarity, revelations, and true confusion ensue while they unpack the peaks and troughs of cinema. Hosted on Acast. See acast.com/privacy for more information.

Great actors make great movies, but they also make some pure, 100% garbage. Just ask Hope Cavendish and Jessica Durand. Each week, one of them watches an actor's highest-rated movie while the other gal watches the lowest. Hilarity, revelations, and true confusion ensue while they unpack the peaks and troughs of cinema. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Tip Tops & Flip Flops

This series, based upon short stories originally published in Redbook Magazine, was aired in the year 1932. The United States was then in the grip of the Great Depression, and several of the episodes reflect that phenomenon. "He Knew Women" and "Kiss and Jail," for example, feature families which have been devastated by the stock market crash and its aftermath. As if to counteract the country's grim circumstances, however, many of the stories offer "love, mystery, adventure, romance" in sometimes exotic settings. Listeners are transported to such places as Yucatan, France, Dalmatia and Manchuria and encounter some remarkable characters and circumstances along the way. These include a surly Army private who gets in trouble when his pet goat butts a brigadier general into a mud puddle; an American schoolteacher who becomes involved in a political intrigue abroad and temporarily represents herself as a collector of coffins; and an intrepid little domestic servant with Holmes-like powers of observation who solves a murder case at a frozen outpost beyond the Arctic Circle. Some of the authors are noteworthy as well. For example Elaine Carrington, who wrote "The Kid," is well remembered today as creator of the famous radio soap operas When a Girl Marries and Pepper Young's Family.

This series, based upon short stories originally published in Redbook Magazine, was aired in the year 1932. The United States was then in the grip of the Great Depression, and several of the episodes reflect that phenomenon. "He Knew Women" and "Kiss and Jail," for example, feature families which have been devastated by the stock market crash and its aftermath. As if to counteract the country's grim circumstances, however, many of the stories offer "love, mystery, adventure, romance" in sometimes exotic settings.Listeners are transported to such places as Yucatan, France, Dalmatia and Manchuria and encounter some remarkable characters and circumstances along the way. These include a surly Army private who gets in trouble when his pet goat butts a brigadier general into a mud puddle; an American schoolteacher who becomes involved in a political intrigue abroad and temporarily represents herself as a collector of coffins; and an intrepid little domestic servant with Holmes-like powers of observation who solves a murder case at a frozen outpost beyond the Arctic Circle. Some of the authors are noteworthy as well. For example Elaine Carrington, who wrote "The Kid," is well remembered today as creator of the famous radio soap operas When a Girl Marries and Pepper Young's Family.

This series, based upon short stories originally published in Redbook Magazine, was aired in the year 1932. The United States was then in the grip of the Great Depression, and several of the episodes reflect that phenomenon. "He Knew Women" and "Kiss and Jail," for example, feature families which have been devastated by the stock market crash and its aftermath. As if to counteract the country's grim circumstances, however, many of the stories offer "love, mystery, adventure, romance" in sometimes exotic settings. Listeners are transported to such places as Yucatan, France, Dalmatia and Manchuria and encounter some remarkable characters and circumstances along the way. These include a surly Army private who gets in trouble when his pet goat butts a brigadier general into a mud puddle; an American schoolteacher who becomes involved in a political intrigue abroad and temporarily represents herself as a collector of coffins; and an intrepid little domestic servant with Holmes-like powers of observation who solves a murder case at a frozen outpost beyond the Arctic Circle. Some of the authors are noteworthy as well. For example Elaine Carrington, who wrote "The Kid," is well remembered today as creator of the famous radio soap operas&nbsp;When a Girl Marries&nbsp;and&nbsp;Pepper Young's Family.

Redbook Dramas Radio Show

Roosevelt also made extensive use of radio. She was not the first first lady to broadcast—her predecessor, <a href="https://en.wikipedia.org/wiki/Lou_Henry_Hoover" target="_blank" rel="noreferrer noopener">Lou Henry Hoover</a>, had done that already. But Hoover did not have a regular radio program, whereas Roosevelt did. She first broadcast her own programs of radio commentary beginning on July 9, 1934. On that first show, she talked about the effect of movies on children, the need for a censor who could make sure movies did not glorify crime and violence, and her opinion about the recent <a href="https://en.wikipedia.org/wiki/1934_Major_League_Baseball_All-Star_Game" target="_blank" rel="noreferrer noopener">All-Star baseball game</a>. She also read a commercial from a mattress company, which sponsored the broadcast. She said she would not accept any salary for being on the air, and that she would donate the amount ($3,000) to charity. Later that year, in November 1934, she broadcast a series of programs about children's education; it was heard on the <a href="https://en.wikipedia.org/wiki/CBS_Radio_Network" target="_blank" rel="noreferrer noopener">CBS Radio Network</a>. Sponsored by a typewriter company, Roosevelt once again donated the money, giving it to the <a href="https://en.wikipedia.org/wiki/American_Friends_Service_Committee" target="_blank" rel="noreferrer noopener">American Friends Service Committee</a>, to help with a school it operated.  During 1934, Roosevelt set a record for the most times a first lady had spoken on radio: she spoke as a guest on other people's programs, as well as the host of her own, for a total of 28 times that year. In 1935, Roosevelt continued to host programs aimed at the female audience, including one called "It's A Woman's World." Each time, she donated the money she earned to charity.  The association of a sponsor with the popular first lady resulted in increases in sales for that company: when the Selby Shoe Company sponsored a series of Roosevelt's programs, sales increased by 200%. The fact that her programs were sponsored created controversy, with her husband's political enemies expressing skepticism about whether she really did donate her salary to charity; they accused her of "profiteering." But her radio programs proved to be so popular with listeners that the criticisms had little effect.  She continued to broadcast throughout the 1930s, sometimes on CBS and sometimes on <a href="https://en.wikipedia.org/wiki/NBC" target="_blank" rel="noreferrer noopener">NBC</a>.

Roosevelt also made extensive use of radio. She was not the first first lady to broadcast—her predecessor, Lou Henry Hoover, had done that already. But Hoover did not have a regular radio program, whereas Roosevelt did. She first broadcast her own programs of radio commentary beginning on July 9, 1934. On that first show, she talked about the effect of movies on children, the need for a censor who could make sure movies did not glorify crime and violence, and her opinion about the recent All-Star baseball game. She also read a commercial from a mattress company, which sponsored the broadcast. She said she would not accept any salary for being on the air, and that she would donate the amount ($3,000) to charity. Later that year, in November 1934, she broadcast a series of programs about children's education; it was heard on the CBS Radio Network. Sponsored by a typewriter company, Roosevelt once again donated the money, giving it to the American Friends Service Committee, to help with a school it operated. During 1934, Roosevelt set a record for the most times a first lady had spoken on radio: she spoke as a guest on other people's programs, as well as the host of her own, for a total of 28 times that year. In 1935, Roosevelt continued to host programs aimed at the female audience, including one called "It's A Woman's World." Each time, she donated the money she earned to charity. The association of a sponsor with the popular first lady resulted in increases in sales for that company: when the Selby Shoe Company sponsored a series of Roosevelt's programs, sales increased by 200%. The fact that her programs were sponsored created controversy, with her husband's political enemies expressing skepticism about whether she really did donate her salary to charity; they accused her of "profiteering." But her radio programs proved to be so popular with listeners that the criticisms had little effect. She continued to broadcast throughout the 1930s, sometimes on CBS and sometimes on NBC.

Roosevelt also made extensive use of radio. She was not the first first lady to broadcast—her predecessor,&nbsp;<a href="https://en.wikipedia.org/wiki/Lou_Henry_Hoover" rel="noopener noreferrer">Lou Henry Hoover</a>, had done that already. But Hoover did not have a regular radio program, whereas Roosevelt did. She first broadcast her own programs of radio commentary beginning on July 9, 1934. On that first show, she talked about the effect of movies on children, the need for a censor who could make sure movies did not glorify crime and violence, and her opinion about the recent&nbsp;<a href="https://en.wikipedia.org/wiki/1934_Major_League_Baseball_All-Star_Game" rel="noopener noreferrer">All-Star baseball game</a>. She also read a commercial from a mattress company, which sponsored the broadcast. She said she would not accept any salary for being on the air, and that she would donate the amount ($3,000) to charity. Later that year, in November 1934, she broadcast a series of programs about children's education; it was heard on the&nbsp;<a href="https://en.wikipedia.org/wiki/CBS_Radio_Network" rel="noopener noreferrer">CBS Radio Network</a>. Sponsored by a typewriter company, Roosevelt once again donated the money, giving it to the&nbsp;<a href="https://en.wikipedia.org/wiki/American_Friends_Service_Committee" rel="noopener noreferrer">American Friends Service Committee</a>, to help with a school it operated. &nbsp;During 1934, Roosevelt set a record for the most times a first lady had spoken on radio: she spoke as a guest on other people's programs, as well as the host of her own, for a total of 28 times that year. In 1935, Roosevelt continued to host programs aimed at the female audience, including one called "It's A Woman's World." Each time, she donated the money she earned to charity. &nbsp;The association of a sponsor with the popular first lady resulted in increases in sales for that company: when the Selby Shoe Company sponsored a series of Roosevelt's programs, sales increased by 200%. The fact that her programs were sponsored created controversy, with her husband's political enemies expressing skepticism about whether she really did donate her salary to charity; they accused her of "profiteering." But her radio programs proved to be so popular with listeners that the criticisms had little effect.&nbsp; She continued to broadcast throughout the 1930s, sometimes on CBS and sometimes on <a href="https://en.wikipedia.org/wiki/NBC" rel="noopener noreferrer">NBC</a>.

The Mrs. Eleanor Roosevelt Hour

Where do ghosts dwell? It seems just about everywhere: television, film, photography, theater, video games, folk songs, and even your family vacations. Oh the humanties! Join your hosts Quest and Annabelle on cultural ghost tour in Ghosts Were People Too, a podcast that investigates ghosts through the lens of the arts &amp; humanities.

Where do ghosts dwell? It seems just about everywhere: television, film, photography, theater, video games, folk songs, and even your family vacations. Oh the humanties! Join your hosts Quest and Annabelle on cultural ghost tour in Ghosts Were People Too, a podcast that investigates ghosts through the lens of the arts & humanities.

Where do ghosts dwell? It seems just about everywhere: television, film, photography, theater, video games, folk songs, and even your family vacations. Oh the humanties! Join your hosts Quest and Annabelle on cultural ghost tour in Ghosts Were People Too, a podcast that investigates ghosts through the lens of the arts &amp; humanities.

Ghosts Were People Too

Подкаст о теории фильмов, метафизикe экрана и философских аспектах кинематографаА ещё просто беседы о кино и интервью https://t.me/cinetheory канал в Телеграмме

Подкаст о теории фильмов, метафизикe экрана и философских аспектах кинематографаА ещё просто беседы о кино и интервью https://t.me/cinetheory канал в Телеграмме

Подкаст о теории фильмов, метафизикe экрана и философских аспектах кинематографаА ещё просто беседы о кино и интервью https://t.me/cinetheory канал в Телеграмме

Теории кино

Hosted by Ben Miller, a straight, white, cis-gendered, American male (in a good way), a diverse group of guests talk about the films they love that specifically targeted for them and their specific tastes. This is a podcast about empathy, through film.

Target Audience

Ich erzähle Geschichten<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Ich erzähle Geschichten Hosted on Acast. See acast.com/privacy for more information.

Ich erzähle Geschichten Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Preism Geschichte

I tell stories.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

I tell stories. Hosted on Acast. See acast.com/privacy for more information.

I tell stories. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Pryzm Stories

My new podcast is finally live. Hit that play button and join me for a fun ride

farhat zehra’s First Podcast

Witching Hour Whispers is a horror podcast hosted by an indie horror director from the US and a UK horror graphic novelist. We dive into dark comic book adaptations, true crime, and everything horror. Perfect for fans of horror movies, graphic novels, and dark storytelling.

Witching Hour Whispers is a horror podcast hosted by an indie horror director from the US and a UK horror graphic novelist. We dive into dark comic book adaptations, true crime, and everything horror. Perfect for fans of horror movies, graphic novels, and dark storytelling.

Film History Podcasts / Page 66

His Film Her Movie

Extra Vision

Podcast De Autor

Last Jedi On The Left Podcast

Zrnění

Couple Indemnity

Die Guten von Gestern - Ein Filmpodcast mit Dieter Landuris und Andi Latuska

A Place Podcast

Grody to the Max: An '80s Horror Movie Podcast

ScreenStories - Storie oltre lo schermo

Recovered

Not Now in Theaters

Pour le Meilleur et Pour le Pire

Monday Movie Rants

Moviola Mutante

Post Credits with Gil Garcia

Déjàvu - Pillole di Cinema

The Last Late Show

Reel Disasters

Tip Tops & Flip Flops

Redbook Dramas Radio Show

The Mrs. Eleanor Roosevelt Hour

Ghosts Were People Too

Теории кино

Target Audience

Preism Geschichte

Pryzm Stories

farhat zehra’s First Podcast

WITCHING HOUR WHISPERS

反派影评·马后炮

Streaming

塵影

Nick Carter, Master Detective

MrViralStar

GSMC Classics: Daredevils of Hollywood

Ticket Stubs and Cassette Tapes

Coolsville

La Table de L'horreur

The Twilight Zone Radio Show!

Back Pocket Films

Desde el inframundo

अभिनेता-अभिनेत्री | Abhineta Abhinetri

建步如飛

Sleepy Cinema

The Camden Critics

СПИСАНИЕ КИНО

At the Movies in the Noughties

Whatcha Know Joe?

Wendigo Uncut

The Forbidden Frequency