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Your favorite Black uncles and aunties discussing movies, TV and music, old and new, with deep-dive analyses into the past, present and future of popular culture

Say Something Nice Podcast - Film, TV & Music Talk on a Blacker Level

Almost everyone in the world grew up with the timeless magic of Disney. Well, almost everyone. Join Leo and Morgan on the raunchiest adventure of a lifetime and rediscover the world of Disney from someone who's never seen any of the magic!

Discovering Disney: One Movie at a Time

LE RENDEZ-VOUS DÉDIÉ AU CINÉMA QUE VOUS AIMEZ !

Une mélodie, une voix à jamais gravées dans la mémoire collective. Celle de Pierre Tchernia, le Monsieur Cinéma qui a marqué des générations … et m’a fait tomber dans le cinéma il y a bien longtemps déjà.

Et justement, le podcast de monsieur toutmoncinéma c’est aussi bien #laminute qui revient en une minute sur un des inoubliables partagés par sa communauté - que #LaRépliqueQuiClaque consacrée à toutes ces répliques qui claquent encore dans nos têtes - ou encore #SurVosÉcrans avec les immanquables du moment à (re)voir absolument … quel que soit l’écran - sans oublier #lachronique votre « 5 à 7 minutes » (voire plus si affinités) consacré à votre cinéma.

Le but ? Tout simplement donner envie de (re)découvrir tous ces films qui vous ont tant touchés, tant marqués - que ce soit en salle, en VOD/SVOD ou à la télévision !

Pour nous suivre sur facebook, youtube, insta ... et les autres : un simple #toutmoncinema suffit.
Et sinon, n’hésitez pas à vous abonner, liker, noter, partager, commenter … on ne sait jamais, sur un malentendu ça peut marcher.

À très vite, ici ou ailleurs sur la toile !
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

LE RENDEZ-VOUS DÉDIÉ AU CINÉMA QUE VOUS AIMEZ ! Une mélodie, une voix à jamais gravées dans la mémoire collective. Celle de Pierre Tchernia, le Monsieur Cinéma qui a marqué des générations … et m’a fait tomber dans le cinéma il y a bien longtemps déjà. Et justement, le podcast de monsieur toutmoncinéma c’est aussi bien #laminute qui revient en une minute sur un des inoubliables partagés par sa communauté - que #LaRépliqueQuiClaque consacrée à toutes ces répliques qui claquent encore dans nos têtes - ou encore #SurVosÉcrans avec les immanquables du moment à (re)voir absolument … quel que soit l’écran - sans oublier #lachronique votre « 5 à 7 minutes » (voire plus si affinités) consacré à votre cinéma. Le but ? Tout simplement donner envie de (re)découvrir tous ces films qui vous ont tant touchés, tant marqués - que ce soit en salle, en VOD/SVOD ou à la télévision ! Pour nous suivre sur facebook, youtube, insta ... et les autres : un simple #toutmoncinema suffit. Et sinon, n’hésitez pas à vous abonner, liker, noter, partager, commenter … on ne sait jamais, sur un malentendu ça peut marcher. À très vite, ici ou ailleurs sur la toile ! Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

LE CINÉMA DE MONSIEUR TOUTMONCINÉMA

Frankly my dears, we miss the Golden Age of Hollywood! Our podcast covers films from the silent era to 1969 - westerns, noir, romance, musicals - we'll cover it. Nikki, Suzanne, and Aimee chat about what they love and don't love about these films. Listen in and reminisce about your favorite old movies, or get introduced to some new ones! Share with us your thoughts and any movies you'd like us to cover.

Frankly, My Dears

Um podcast voltado para arte, cultura e informação.

Fundação São Pedro

Weekly updates on Disney Parks and deep dives in our favorite Disney Movies.

Disney Sessions

Welcome to Monsters by the Minute, where, each season, we take a deep dive into a classic horror film of yesteryear, and look at the influences and history behind it, and the creators and the people who brought the story to life on both sides of the camera.

Join award winning creator Bill Mize ("Bill Watches Movies") as he takes you on this journey which will give you a new appreciation for these classic films, and cast them in a new light.

Welcome to Monsters by the Minute, where, each season, we take a deep dive into a classic horror film of yesteryear, and look at the influences and history behind it, and the creators and the people who brought the story to life on both sides of the camera. Join award winning creator Bill Mize ("Bill Watches Movies") as he takes you on this journey which will give you a new appreciation for these classic films, and cast them in a new light.

Monsters by the Minute

Le podcast du site westernmovies.fr consacré au genre cinématographique, ses films, acteurs, réalisateurs, thématiques et bien plus...
https://www.westernmovies.fr/podcast/

Le podcast du site westernmovies.fr consacré au genre cinématographique, ses films, acteurs, réalisateurs, thématiques et bien plus... https://www.westernmovies.fr/podcast/

Tous à l'Ouest - Podcast Western Movies

Kisah Cinta

Welcome to Underrated Moments from Star Wars, a podcast where we take a look at all the amazing moments from Star Wars that don't get the love they deserve.

If you like what you hear, make sure you subscribe and tune in for more. We'll release new episodes every Monday, Wednesday, and Friday.

Welcome to Underrated Moments from Star Wars, a podcast where we take a look at all the amazing moments from Star Wars that don't get the love they deserve. If you like what you hear, make sure you subscribe and tune in for more. We'll release new episodes every Monday, Wednesday, and Friday.

Underrated Moments from Star Wars

Audio Série Original Ouço Texto da Public Play Audiobooks. Narração de Vinícius Léscio, Textos de Eros Paixão, edições Jhonattan Zanandrea

OUÇA E LEIA LIVROS GRATIS:


Audio Série Original Ouço Texto da Public Play Audiobooks. Narração de Vinícius Léscio, Textos de Eros Paixão, edições Jhonattan Zanandrea OUÇA E LEIA LIVROS GRATIS:

Olá, Muito Prazer

Welcome to the Oscar podcast that looks past the final nominees and homages the films and actors that fared well throughout awards season but couldn't pick up an Oscar nomination.

Out of Oscar

Toile Étoile est une chronique cinéma qui explore l'actualité du 7ᵉ art avec passion et exigence. Béatrice Malige, critique aguerrie et « professionnelle de la profession », analyse en profondeur un film en salle ou un classique du cinéma mondial. Des œuvres d'auteur aux blockbusters, du cinéma français au cinéma international, Toile Étoile propose un regard éclairé, sans complaisance mais toujours sensible, sur les films qui marquent leur époque.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Toile Étoile est une chronique cinéma qui explore l'actualité du 7ᵉ art avec passion et exigence. Béatrice Malige, critique aguerrie et « professionnelle de la profession », analyse en profondeur un film en salle ou un classique du cinéma mondial. Des œuvres d'auteur aux blockbusters, du cinéma français au cinéma international, Toile Étoile propose un regard éclairé, sans complaisance mais toujours sensible, sur les films qui marquent leur époque. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Toile Étoile est une chronique cinéma qui explore l'actualité du 7ᵉ art avec passion et exigence. Béatrice Malige, critique aguerrie et « professionnelle de la profession », analyse en profondeur un film en salle ou un classique du cinéma mondial. Des œuvres d'auteur aux blockbusters, du cinéma français au cinéma international, Toile Étoile propose un regard éclairé, sans complaisance mais toujours sensible, sur les films qui marquent leur époque.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite" rel="noopener noreferrer">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Toile Etoile

Welcome to Growing Up Geek, the podcast where we journey back in time to explore the movies, music, TV shows, comics, and books that defined a generation.I’m your host, my name is Steeven, and I&#39;ll be your pilot on this temporal odyssey through the geek-centric cultural zeitgeist of my youth. From the 70s, through the 80s, and on into the 90s, we’ll dig deep into the geeky gold that shaped my childhood and—let&#39;s be honest—probably yours, too.

Welcome to Growing Up Geek, the podcast where we journey back in time to explore the movies, music, TV shows, comics, and books that defined a generation. I’m your host, my name is Steeven, and I'll be your pilot on this temporal odyssey through the geek-centric cultural zeitgeist of my youth. From the 70s, through the 80s, and on into the 90s, we’ll dig deep into the geeky gold that shaped my childhood and—let's be honest—probably yours, too.

Welcome to Growing Up Geek, the podcast where we journey back in time to explore the movies, music, TV shows, comics, and books that defined a generation.I’m your host, my name is Steeven, and I'll be your pilot on this temporal odyssey through the geek-centric cultural zeitgeist of my youth. From the 70s, through the 80s, and on into the 90s, we’ll dig deep into the geeky gold that shaped my childhood and—let's be honest—probably yours, too.

Growing Up Geek

節目播放時間：美國西岸每星期六 5-6 PM http://www.am1430.net/ [K記冰室Podcast] 節目重溫 生活就是電影，看著一幕幕的情節，不單得到一些人生的領悟，還對現實社會有更多的理解。 我是阿Kay，一位電影迷，政治學者。 [K記冰室]，和你分享我所看到的電影畫面，我所理解的電影政治和社會文化！ IG: KayHo1430 https://www.instagram.com/kayho1430/ Facebook: https://shorturl.at/hoFGX Leave a comment and share your thoughts: https://open.firstory.me/user/clgzk5m1z0gcm01tb2i0a36aa/comments Powered by <a href="https://firstory.me/zh">Firstory Hosting</a>

節目播放時間：美國西岸每星期六 5-6 PM http://www.am1430.net/ [K記冰室Podcast] 節目重溫 生活就是電影，看著一幕幕的情節，不單得到一些人生的領悟，還對現實社會有更多的理解。 我是阿Kay，一位電影迷，政治學者。 [K記冰室]，和你分享我所看到的電影畫面，我所理解的電影政治和社會文化！ IG: KayHo1430 https://www.instagram.com/kayho1430/ Facebook: https://shorturl.at/hoFGX Leave a comment and share your thoughts: https://open.firstory.me/user/clgzk5m1z0gcm01tb2i0a36aa/comments Powered by Firstory Hosting

節目播放時間：美國西岸每星期六 5-6 PM http://www.am1430.net/ [K記冰室Podcast] 節目重溫 生活就是電影，看著一幕幕的情節，不單得到一些人生的領悟，還對現實社會有更多的理解。 我是阿Kay，一位電影迷，政治學者。 [K記冰室]，和你分享我所看到的電影畫面，我所理解的電影政治和社會文化！ IG: KayHo1430 https://www.instagram.com/kayho1430/ Facebook: https://shorturl.at/hoFGX Leave a comment and share your thoughts: https://open.firstory.me/user/clgzk5m1z0gcm01tb2i0a36aa/comments Powered by <a href="https://firstory.me/zh" rel="noopener noreferrer">Firstory Hosting</a>

K記冰室Podcast

Deep dives into cinema from the perspective of two neurodivergent friends.

Cinema On The Spectrum

Palomitas ('Popcorn' in Spanish) is the podcast where Spanish cinema comes alive! The podcast has emanated from research conducted with the financial support of Taighde Éireann – Research Ireland. Feedback and/or questions? Please send to palomitaspod@gmail.com - we'd love to hear from you!

Palomitas

Each week on the Weekly Movie Throwdown, hosts Mike Messineo and Steven Seighman compare two movies with striking similarities—whether it’s a release year, competing franchises, remake vs. original, or movies that share a genre or premise. Through in-depth film analysis, lively debate, and sharp humor, they break down performances, directing, screenwriting, cinematography, cultural impact, and rewatchability to decide which movie truly comes out on top. If you love passionate discussions about cinema, this is your weekly showdown. Folllow the show on social media and cast your vote for each week's winner! YOUTUBE: <a href="https://www.youtube.com/@MovieThrowdownPod" rel="noopener noreferrer" target="_blank">youtube.com/@MovieThrowdownPod</a>INSTAGRAM: <a href="https://www.instagram.com/moviethrowdownpod/" rel="noopener noreferrer" target="_blank">instagram.com/moviethrowdownpod/</a>TIKTOK: <a href="https://www.tiktok.com/@moviethrowdownpod" rel="noopener noreferrer" target="_blank">tiktok.com/@moviethrowdownpod</a>THREADS: <a href=" https://www.threads.com/@moviethrowdownpod" rel="noopener noreferrer" target="_blank">threads.com/@moviethrowdownpod</a>FACEBOOK: <a href="https://www.facebook.com/moviethrowdownpod" rel="noopener noreferrer" target="_blank">facebook.com/moviethrowdownpod</a>LETTERBOXD: <a href="https://letterboxd.com/moviethrowdown/" rel="noopener noreferrer" target="_blank">letterboxd.com/moviethrowdown/</a><hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Each week on the Weekly Movie Throwdown, hosts Mike Messineo and Steven Seighman compare two movies with striking similarities—whether it’s a release year, competing franchises, remake vs. original, or movies that share a genre or premise. Through in-depth film analysis, lively debate, and sharp humor, they break down performances, directing, screenwriting, cinematography, cultural impact, and rewatchability to decide which movie truly comes out on top. If you love passionate discussions about cinema, this is your weekly showdown. Folllow the show on social media and cast your vote for each week's winner! YOUTUBE: youtube.com/@MovieThrowdownPod INSTAGRAM: instagram.com/moviethrowdownpod/ TIKTOK: tiktok.com/@moviethrowdownpod THREADS: threads.com/@moviethrowdownpod FACEBOOK: facebook.com/moviethrowdownpod LETTERBOXD: letterboxd.com/moviethrowdown/ Hosted on Acast. See acast.com/privacy for more information.

Each week on the Weekly Movie Throwdown, hosts Mike Messineo and Steven Seighman compare two movies with striking similarities—whether it’s a release year, competing franchises, remake vs. original, or movies that share a genre or premise. Through in-depth film analysis, lively debate, and sharp humor, they break down performances, directing, screenwriting, cinematography, cultural impact, and rewatchability to decide which movie truly comes out on top. If you love passionate discussions about cinema, this is your weekly showdown. Folllow the show on social media and cast your vote for each week's winner! YOUTUBE: <a href="https://www.youtube.com/@MovieThrowdownPod" rel="noopener noreferrer">youtube.com/@MovieThrowdownPod</a>INSTAGRAM: <a href="https://www.instagram.com/moviethrowdownpod/" rel="noopener noreferrer">instagram.com/moviethrowdownpod/</a>TIKTOK: <a href="https://www.tiktok.com/@moviethrowdownpod" rel="noopener noreferrer">tiktok.com/@moviethrowdownpod</a>THREADS: <a href=" https://www.threads.com/@moviethrowdownpod" rel="noopener noreferrer">threads.com/@moviethrowdownpod</a>FACEBOOK: <a href="https://www.facebook.com/moviethrowdownpod" rel="noopener noreferrer">facebook.com/moviethrowdownpod</a>LETTERBOXD: <a href="https://letterboxd.com/moviethrowdown/" rel="noopener noreferrer">letterboxd.com/moviethrowdown/</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Weekly Movie Throwdown

Movie Bones is a film podcast adventure, exploring the rich history of movies available from free-streaming platforms to find out how much of it still has value, whether it&#39;s in the form of thought-provoking art-house films to cheesy cult classics. Justin Miller and Ryan Spurlock subject themselves to it all, and render judgement.And because the best adventures are shared, we hope you&#39;ll watch them alongside us. Especially because we talk spoilers. Did we mention that? I guess now we did. New episodes every Wednesday. If any of this sounds like your jam, feel free to follow us on your favorite podcast platform.Here&#39;s how we rate the films we dig up, based, naturally, on that most famous film archaeologist himself, Indiana Jones...  • “Fortune &amp; Glory” films are pure gold. They&#39;re movies to go back to again and again. These are the films would find a great home in your physical movie library, if you&#39;ve still got one - they&#39;re that good.  • “Trust Me” films are imperfect gems that still offer a really good time. Buy a digital copy to stream if you want to make sure you always have access to it.  • “Belongs in a Museum”: If you think of museums as places you pay to get in to see things you wouldn’t necessarily want to bring home with you, then you’ve got a good feel for this category.  If you can’t find these movies for free on sites like Tubi, you might still consider renting them off one of the paid platforms when the mood strikes.   • “Bad Dates”, happen when ‘free’ is the only price you’d be willing to pay to experience it, and only because at least one person showed up to make a good film. It could be the special effects were ahead of their time, the stunning cinematography, or some other aspect. But generally speaking, these are once-and-done films. Once you’ve seen it, you’ve gotten everything out of it you’ll ever get.  • “Don’t Look At It”. Movies so bad they’ll melt your face off, whether from boredom or some really horrible sensibilities, and nobody doing ‘their best’ could make it worth enduring again. If you&#39;ve taken the chance to watch it along side Ryan and me, we make no apologies, because part of what makes this podcast journey unique is the shared risk of the occasional exploding head!  • “Nuke the Fridge”; A category reserved for films that manage to be fun because they’re bad in entertaining ways. You know the kind. This is kind of a ‘modifier’ category, that’ll often be applied alongside one of the other ratings.  • “Kill it with FIRE”; A new basement category, to only be used sparingly. This is our &#34;Break glass in case of Emergency&#34; basket. Films in this category don&#39;t just have horrible sensibilities, but go out of their way to feature them as an integral part of the plot and theme so you can&#39;t just wait them out. First appears in our review of &#34;Seven Brides for Seven Brothers&#34;, and hopefully will never again! Don&#39;t forget to share your thoughts on our <a href="https://www.facebook.com/profile.php?id=61560361802732" rel="nofollow">Facebook page</a>!

Movie Bones is a film podcast adventure, exploring the rich history of movies available from free-streaming platforms to find out how much of it still has value, whether it's in the form of thought-provoking art-house films to cheesy cult classics. Justin Miller and Ryan Spurlock subject themselves to it all, and render judgement. And because the best adventures are shared, we hope you'll watch them alongside us. Especially because we talk spoilers. Did we mention that? I guess now we did. New episodes every Wednesday. If any of this sounds like your jam, feel free to follow us on your favorite podcast platform. Here's how we rate the films we dig up, based, naturally, on that most famous film archaeologist himself, Indiana Jones... • “Fortune & Glory” films are pure gold. They're movies to go back to again and again. These are the films would find a great home in your physical movie library, if you've still got one - they're that good. • “Trust Me” films are imperfect gems that still offer a really good time. Buy a digital copy to stream if you want to make sure you always have access to it. • “Belongs in a Museum”: If you think of museums as places you pay to get in to see things you wouldn’t necessarily want to bring home with you, then you’ve got a good feel for this category. If you can’t find these movies for free on sites like Tubi, you might still consider renting them off one of the paid platforms when the mood strikes. • “Bad Dates”, happen when ‘free’ is the only price you’d be willing to pay to experience it, and only because at least one person showed up to make a good film. It could be the special effects were ahead of their time, the stunning cinematography, or some other aspect. But generally speaking, these are once-and-done films. Once you’ve seen it, you’ve gotten everything out of it you’ll ever get. • “Don’t Look At It”. Movies so bad they’ll melt your face off, whether from boredom or some really horrible sensibilities, and nobody doing ‘their best’ could make it worth enduring again. If you've taken the chance to watch it along side Ryan and me, we make no apologies, because part of what makes this podcast journey unique is the shared risk of the occasional exploding head! • “Nuke the Fridge”; A category reserved for films that manage to be fun because they’re bad in entertaining ways. You know the kind. This is kind of a ‘modifier’ category, that’ll often be applied alongside one of the other ratings. • “Kill it with FIRE”; A new basement category, to only be used sparingly. This is our "Break glass in case of Emergency" basket. Films in this category don't just have horrible sensibilities, but go out of their way to feature them as an integral part of the plot and theme so you can't just wait them out. First appears in our review of "Seven Brides for Seven Brothers", and hopefully will never again! Don't forget to share your thoughts on our Facebook page!

Movie Bones is a film podcast adventure, exploring the rich history of movies available from free-streaming platforms to find out how much of it still has value, whether it's in the form of thought-provoking art-house films to cheesy cult classics.&nbsp;Justin Miller and Ryan Spurlock subject themselves to it all, and render judgement.And because the best adventures are shared, we hope you'll watch them alongside us.&nbsp;Especially because we talk spoilers.&nbsp;Did we mention that?&nbsp;I guess now we did. New episodes every Wednesday. If any of this sounds like your jam, feel free to follow us on your favorite podcast platform.Here's how we rate the films we dig up, based, naturally, on that most famous film archaeologist himself, Indiana Jones... &nbsp;•&nbsp;“Fortune &amp; Glory”&nbsp;films are pure gold. They're movies to go back to again and again. These are the films would find a great home in your physical movie library, if you've still got one - they're that good.&nbsp;&nbsp;•&nbsp;“Trust Me”&nbsp;films are imperfect gems that still offer a really good time.&nbsp;Buy a digital copy to stream if you want to make sure you always have access to it.&nbsp;&nbsp;•&nbsp;“Belongs in a Museum”:&nbsp;If you think of museums as places you pay to get in to see things you wouldn’t necessarily want to bring home with you, then you’ve got a good feel for this category.&nbsp;&nbsp;If you can’t find these movies for free on sites like Tubi, you might still consider renting them off one of the paid platforms when the mood strikes.&nbsp;&nbsp;&nbsp;•&nbsp;“Bad Dates”, happen when ‘free’ is the only price you’d be willing to pay to experience it, and only because at least one person showed up to make a good film. It could be the special effects were ahead of their time, the stunning cinematography, or some other aspect.&nbsp;But generally speaking, these are once-and-done films.&nbsp;Once you’ve seen it, you’ve gotten everything out of it you’ll ever get.&nbsp;&nbsp;•&nbsp;“Don’t Look At It”.&nbsp;Movies so bad they’ll melt your face off, whether from boredom or some really horrible sensibilities, and nobody doing ‘their best’ could make it worth enduring again. If you've taken the chance to watch it along side Ryan and me, we make no apologies, because part of what makes this podcast journey unique is the shared risk of the occasional exploding head!&nbsp;&nbsp;•&nbsp;“Nuke the Fridge”; A category reserved for films that manage to be fun&nbsp;because&nbsp;they’re bad in entertaining ways.&nbsp;You know the kind.&nbsp;This is kind of a ‘modifier’ category, that’ll often be applied alongside one of the other ratings.&nbsp;&nbsp;•&nbsp;“Kill it with FIRE”; A new basement category, to only be used sparingly. This is our "Break glass in case of Emergency" basket. Films in this category don't just have horrible sensibilities, but go out of their way to feature them as an integral part of the plot and theme so you can't just wait them out. First appears in our review of "Seven Brides for Seven Brothers", and hopefully will never again! Don't forget to share your thoughts on our <a href="https://www.facebook.com/profile.php?id=61560361802732" rel="noopener noreferrer">Facebook page</a>!

Movie Bones

Ang Ninuno ay isang kababalaghan at misteryosong bahagi ng kulturang Pilipino. Bawat episode ay tumatalakay sa madilim at kapanapanabik na mundo ng mga alamat, kwentong-bayan, at urban legends ng Pilipinas, na nagbibigay sa mga tagapakinig ng nakaka-engganyong paglalakbay sa supernatural. Ang seryeng ito ay maingat na binuo upang itampok ang mga kwentong hindi gaanong kilala ngunit
kapansin-pansin dahil sa kanilang pagyaman sa kulturang Pilipino. For brand partnerships, advertisements, or other collaboration opportunities with our podcast, please contact our management team at info@tagm.com.

Ang Ninuno ay isang kababalaghan at misteryosong bahagi ng kulturang Pilipino. Bawat episode ay tumatalakay sa madilim at kapanapanabik na mundo ng mga alamat, kwentong-bayan, at urban legends ng Pilipinas, na nagbibigay sa mga tagapakinig ng nakaka-engganyong paglalakbay sa supernatural. Ang seryeng ito ay maingat na binuo upang itampok ang mga kwentong hindi gaanong kilala ngunit kapansin-pansin dahil sa kanilang pagyaman sa kulturang Pilipino. For brand partnerships, advertisements, or other collaboration opportunities with our podcast, please contact our management team at info@tagm.com.

Ang Ninuno: Pinoy Horror Podcast

Cinematheque – Concertzender | Klassiek, Jazz, World en meer

The Vintage Cinephile explores the rich tapestry of world cinema from decades past. Hosted by Rod Richards.

The Vintage Cinephile Podcast

Host Scott Kurland takes his Co-Hosts Valerie Langlois and Johannes Crueger-Cain on a journey through old Hollywood to learn about the stars, accomplishments, and turmoil of LaLa Land.

Matinee Idles

The Jack Benny Program, starring <a href="https://en.wikipedia.org/wiki/Jack_Benny" target="_blank" rel="noreferrer noopener">Jack Benny</a>, is a radio and television comedy series. The show ran for over three decades, from 1932 to 1955 on radio, and from 1950 to 1965 on television. It won numerous awards, including the <a href="https://en.wikipedia.org/wiki/11th_Primetime_Emmy_Awards" target="_blank" rel="noreferrer noopener">1959</a> and <a href="https://en.wikipedia.org/wiki/13th_Primetime_Emmy_Awards" target="_blank" rel="noreferrer noopener">1961 Emmy Awards</a> for <a href="https://en.wikipedia.org/wiki/Primetime_Emmy_Award_for_Outstanding_Comedy_Series" target="_blank" rel="noreferrer noopener">Best Comedy Series</a>, and is generally regarded as a high-water mark in 20th-century American comedy.<a href="https://en.wikipedia.org/wiki/The_Jack_Benny_Program#cite_note-dun-1" target="_blank" rel="noreferrer noopener">[1]</a>Throughout his career, Jack Benny played the same character: A pompous, vain, and stingy man who played the violin badly but was convinced of his own talent. Although technically the star of his show, Benny was constantly the butt of jokes from his cast members, including <a href="https://en.wikipedia.org/wiki/Mary_Livingstone" target="_blank" rel="noreferrer noopener">Mary Livingstone</a> (Sayde Marks Benny, his real-life wife); <a href="https://en.wikipedia.org/wiki/Phil_Harris" target="_blank" rel="noreferrer noopener">Phil Harris</a>, his band leader; <a href="https://en.wikipedia.org/wiki/Kenny_Baker_(American_performer)" target="_blank" rel="noreferrer noopener">Kenny Baker</a> or <a href="https://en.wikipedia.org/wiki/Dennis_Day" target="_blank" rel="noreferrer noopener">Dennis Day</a>, his tenors; <a href="https://en.wikipedia.org/wiki/Don_Wilson_(announcer)" target="_blank" rel="noreferrer noopener">Don Wilson</a>, his portly announcer; and Rochester Van Jones (<a href="https://en.wikipedia.org/wiki/Eddie_%22Rochester%22_Anderson" target="_blank" rel="noreferrer noopener">Eddie Anderson</a>), his African American valet.

The Jack Benny Program, starring Jack Benny, is a radio and television comedy series. The show ran for over three decades, from 1932 to 1955 on radio, and from 1950 to 1965 on television. It won numerous awards, including the 1959 and 1961 Emmy Awards for Best Comedy Series, and is generally regarded as a high-water mark in 20th-century American comedy.[1]Throughout his career, Jack Benny played the same character: A pompous, vain, and stingy man who played the violin badly but was convinced of his own talent. Although technically the star of his show, Benny was constantly the butt of jokes from his cast members, including Mary Livingstone (Sayde Marks Benny, his real-life wife); Phil Harris, his band leader; Kenny Baker or Dennis Day, his tenors; Don Wilson, his portly announcer; and Rochester Van Jones (Eddie Anderson), his African American valet.

The Jack Benny Program, starring&nbsp;<a href="https://en.wikipedia.org/wiki/Jack_Benny" rel="noopener noreferrer">Jack Benny</a>, is a radio and television comedy series. The show ran for over three decades, from 1932 to 1955 on radio, and from 1950 to 1965 on television. It won numerous awards, including the&nbsp;<a href="https://en.wikipedia.org/wiki/11th_Primetime_Emmy_Awards" rel="noopener noreferrer">1959</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/13th_Primetime_Emmy_Awards" rel="noopener noreferrer">1961 Emmy Awards</a>&nbsp;for&nbsp;<a href="https://en.wikipedia.org/wiki/Primetime_Emmy_Award_for_Outstanding_Comedy_Series" rel="noopener noreferrer">Best Comedy Series</a>, and is generally regarded as a high-water mark in 20th-century American comedy.<a href="https://en.wikipedia.org/wiki/The_Jack_Benny_Program#cite_note-dun-1" rel="noopener noreferrer">[1]</a>Throughout his career, Jack Benny played the same character: A pompous, vain, and stingy man who played the violin badly but was convinced of his own talent. Although technically the star of his show, Benny was constantly the butt of jokes from his cast members, including&nbsp;<a href="https://en.wikipedia.org/wiki/Mary_Livingstone" rel="noopener noreferrer">Mary Livingstone</a>&nbsp;(Sayde Marks Benny, his real-life wife);&nbsp;<a href="https://en.wikipedia.org/wiki/Phil_Harris" rel="noopener noreferrer">Phil Harris</a>, his band leader;&nbsp;<a href="https://en.wikipedia.org/wiki/Kenny_Baker_(American_performer)" rel="noopener noreferrer">Kenny Baker</a>&nbsp;or&nbsp;<a href="https://en.wikipedia.org/wiki/Dennis_Day" rel="noopener noreferrer">Dennis Day</a>, his tenors;&nbsp;<a href="https://en.wikipedia.org/wiki/Don_Wilson_(announcer)" rel="noopener noreferrer">Don Wilson</a>, his portly announcer; and Rochester Van Jones (<a href="https://en.wikipedia.org/wiki/Eddie_%22Rochester%22_Anderson" rel="noopener noreferrer">Eddie Anderson</a>), his African American valet.

Jack Benny Program

Cousins Chris and Lenny sit down and discuss the latest movies coming out in theaters.

Cousins Chris and Lenny sit down and discuss the latest movies coming out in theaters.

Movie Town

100 anni fa nasceva Marcello Mastroianni. Da "La dolce vita" a "Una giornata particolare", da "I soliti ignoti" a "8½", Marcello ha impreziosito il nostro modo di guardare il cinema e il mondo. Perché lo abbiamo amato e continuiamo ad amarlo così tanto? In un viaggio lungo otto puntate siamo andati alla ricerca di una risposta: osservando Marcello Mastroianni da angolazioni e prospettive differenti, abbiamo potuto scoprire piccole meraviglie e grandi lezioni di stile, che ci hanno appassionato ancora di più all'arte di Marcello. Giacomo Giorgio, uno degli attori più amati dalle nuove generazioni racconta la biografia, le luci e le sfumature di uno dei personaggi più grandi del Novecento.

Marcello

Welcome to The Cults Bay Podcast! Our channel is a hub for cinema enthusiasts, exploring the rich history of film studios, directors, writers, and producers. Our mission is to build an extensive library celebrating the magic of filmmaking, starting with Telugu Cinema and expanding to other industries. Join us as we learn and share the stories behind iconic studios and creative minds. Your support means the world to us as we bring these fascinating stories to light. Thank you for being part of our journey. Let's celebrate the world of cinema together!

Cults Cassettes

In the fall of 1933, <a href="https://en.wikipedia.org/wiki/NBC" target="_blank" rel="noreferrer noopener">NBC</a> writer <a href="https://en.wikipedia.org/wiki/Wyllis_Cooper" target="_blank" rel="noreferrer noopener">Wyllis Cooper</a> conceived the idea of "a midnight mystery serial to catch the attention of the listeners at the witching hour." The idea was to offer listeners a dramatic program late at night, at a time when the competition was mostly airing music. At some point, the serial concept was dropped in favor of an anthology format emphasizing crime thrillers and the supernatural. The first series of shows (each 15 minutes long) ran on a local NBC station, WENR, at midnight Wednesdays, starting in January 1934.  By April, the series proved successful enough to expand to a half-hour. In January 1935, the show was discontinued in order to ease Cooper's workload (he was then writing scripts for the network's prestigious Immortal Dramas program), but was brought back by huge popular demand a few weeks later. After a successful tryout in New York City, the series was picked up by NBC in April 1935 and broadcast nationally, usually late at night and always on Wednesdays. Cooper stayed on the program until June 1936, when another Chicago writer, <a href="https://en.wikipedia.org/wiki/Arch_Oboler" target="_blank" rel="noreferrer noopener">Arch Oboler</a>, took over.<a href="https://en.wikipedia.org/wiki/Lights_Out_(radio_show)#cite_note-3" target="_blank" rel="noreferrer noopener">[3]</a> By the time Cooper left, the series had inspired about 600 fan clubs.

In the fall of 1933, NBC writer Wyllis Cooper conceived the idea of "a midnight mystery serial to catch the attention of the listeners at the witching hour." The idea was to offer listeners a dramatic program late at night, at a time when the competition was mostly airing music. At some point, the serial concept was dropped in favor of an anthology format emphasizing crime thrillers and the supernatural. The first series of shows (each 15 minutes long) ran on a local NBC station, WENR, at midnight Wednesdays, starting in January 1934. By April, the series proved successful enough to expand to a half-hour. In January 1935, the show was discontinued in order to ease Cooper's workload (he was then writing scripts for the network's prestigious Immortal Dramas program), but was brought back by huge popular demand a few weeks later. After a successful tryout in New York City, the series was picked up by NBC in April 1935 and broadcast nationally, usually late at night and always on Wednesdays. Cooper stayed on the program until June 1936, when another Chicago writer, Arch Oboler, took over.[3] By the time Cooper left, the series had inspired about 600 fan clubs.

In the fall of 1933,&nbsp;<a href="https://en.wikipedia.org/wiki/NBC" rel="noopener noreferrer">NBC</a>&nbsp;writer&nbsp;<a href="https://en.wikipedia.org/wiki/Wyllis_Cooper" rel="noopener noreferrer">Wyllis Cooper</a> conceived the idea of "a midnight mystery serial to catch the attention of the listeners at the witching hour."&nbsp;The idea was to offer listeners a dramatic program late at night, at a time when the competition was mostly airing music. At some point, the serial concept was dropped in favor of an anthology format emphasizing crime thrillers and the supernatural. The first series of shows (each 15 minutes long) ran on a local NBC station, WENR, at midnight Wednesdays, starting in January 1934. &nbsp;By April, the series proved successful enough to expand to a half-hour. In January 1935, the show was discontinued in order to ease Cooper's workload (he was then writing scripts for the network's prestigious Immortal Dramas&nbsp;program), but was brought back by huge popular demand a few weeks later. After a successful tryout in New York City, the series was picked up by NBC in April 1935 and broadcast nationally, usually late at night and always on Wednesdays. Cooper stayed on the program until June 1936, when another Chicago writer,&nbsp;<a href="https://en.wikipedia.org/wiki/Arch_Oboler" rel="noopener noreferrer">Arch Oboler</a>, took over.<a href="https://en.wikipedia.org/wiki/Lights_Out_(radio_show)#cite_note-3" rel="noopener noreferrer">[3]</a>&nbsp;By the time Cooper left, the series had inspired about 600 fan clubs.

Lights Out Radio Show!

The Mystery Project was produced by CBC Radio (Canada). It aired every Saturday night on CBC Radio One (6:30 p.m. for most of Canada, 7:30 p.m. Maritimes, 8:00 p.m. Nfld.), and was repeated at 3:30 p.m. the following Mondays on The Roundup, also on Radio One.The series ran from 1992 until 2002. Each week, casual listeners got to puzzle through a fully dramatized radio-play with a resolved plot, while regular listeners had the added fun of following familiar characters' further adventures. The series was created by the Executive Producer, Bill Howell. Barry Morgan was the co-ordinating producer. With Host Bob Boving.To view a complete log of all the shows aired please refer to this page Goeff's CBC Mystery Project.

The Mystery Project was produced by CBC Radio (Canada). It aired every Saturday night on CBC Radio One (6:30 p.m. for most of Canada, 7:30 p.m. Maritimes, 8:00 p.m. Nfld.), and was repeated at 3:30 p.m. the following Mondays on The Roundup, also on Radio One.The series ran from 1992 until 2002. Each week, casual listeners got to puzzle through a fully dramatized radio-play with a resolved plot, while regular listeners had the added fun of following familiar characters' further adventures. The series was created by the Executive Producer, Bill Howell. Barry Morgan was the co-ordinating producer. With Host Bob Boving.To view a complete log of all the shows aired please refer to this page Goeff's CBC Mystery Project.

The Mystery Project&nbsp;was produced by&nbsp;CBC Radio&nbsp;(Canada). It aired every Saturday night on&nbsp;CBC Radio One&nbsp;(6:30&nbsp;p.m. for most of Canada, 7:30&nbsp;p.m. Maritimes, 8:00&nbsp;p.m. Nfld.), and was repeated at 3:30&nbsp;p.m. the following Mondays on&nbsp;The Roundup, also on Radio One.The series ran from 1992 until 2002. Each week, casual listeners got to puzzle through a fully dramatized radio-play with a resolved plot, while regular listeners had the added fun of following familiar characters' further adventures. The series was created by the Executive Producer, Bill Howell. Barry Morgan was the co-ordinating producer. With Host Bob Boving.To view a complete log of all the shows aired please refer to this page&nbsp;Goeff's CBC Mystery Project.

Baileys Way CBC Mystery Project!

This is not your typical western drama -- it is a series that will transport you back in time to the days of the wild, unsettled west. Retrace the steps of heroes who, despite the odds, fought and conquered the West. Frontier Fighters was a syndicated series that ran sometime during the 1930s. Each show dealt with some bit of history about the early West and ran for approximately 15 minutes. From Robert La Salle's navigation of the Mississippi River, to Lewis and Clark's challenge of reaching the West Coast of North America, Frontier Fighters will take you on an exciting voyage of the taming of the Wild West. This is American History at its best!

This is not your typical western drama -- it is a series that will transport you back in time to the days of the wild, unsettled west. Retrace the steps of heroes who, despite the odds, fought and conquered the West.Frontier Fighters was a syndicated series that ran sometime during the 1930s. Each show dealt with some bit of history about the early West and ran for approximately 15 minutes. From Robert La Salle's navigation of the Mississippi River, to Lewis and Clark's challenge of reaching the West Coast of North America, Frontier Fighters will take you on an exciting voyage of the taming of the Wild West. This is American History at its best!

This is not your typical western drama -- it is a series that will transport you back in time to the days of the wild, unsettled west. Retrace the steps of heroes who, despite the odds, fought and conquered the West. Frontier Fighters&nbsp;was a syndicated series that ran sometime during the 1930s. Each show dealt with some bit of history about the early West and ran for approximately 15 minutes. From Robert La Salle's navigation of the Mississippi River, to Lewis and Clark's challenge of reaching the West Coast of North America,&nbsp;Frontier Fighters&nbsp;will take you on an exciting voyage of the taming of the Wild West. This is American History at its best!

Frontier Fighters Radio Show!

Dark Fantasy was an American radio supernatural thriller anthology series. It had a short run of 31 episodes, debuting on November 14, 1941, and ending on June 19, 1942. Its writer was Scott Bishop, also known for his work on The Mysterious Traveler. It originated from station WKY in Oklahoma City and was heard Friday nights on NBC stations. The stories found a nationwide audience almost immediately.

Dark Fantasy was an American radio supernatural thriller anthology series. It had a short run of 31 episodes, debuting on November 14, 1941, and ending on June 19, 1942. Its writer was Scott Bishop, also known for his work on The Mysterious Traveler. It originated from station WKY in Oklahoma City and was heard Friday nights on NBC stations. The stories found a nationwide audience almost immediately.

Dark Fantasy&nbsp;was an&nbsp;American radio&nbsp;supernatural&nbsp;thriller&nbsp;anthology series. It had a short run of 31 episodes, debuting on November 14, 1941, and ending on June 19, 1942. Its writer was Scott Bishop, also known for his work on&nbsp;The Mysterious Traveler. It originated from station&nbsp;WKY&nbsp;in&nbsp;Oklahoma City&nbsp;and was heard Friday nights on&nbsp;NBC&nbsp;stations. The stories found a nationwide audience almost immediately.

Dark Fantasy

Movie Voyage: Season 1 - Exploring 2000's Best FilmsDive into "Movie Voyage," a captivating podcast where we kick off our quest to find the best movies of all time, starting in 2000. Join host Ish &amp; Dana in this exciting first season as they casually revisits and discuss some of the best movies of the 21st century

Movie Voyage: Season 1 - Exploring 2000's Best Films Dive into "Movie Voyage," a captivating podcast where we kick off our quest to find the best movies of all time, starting in 2000. Join host Ish & Dana in this exciting first season as they casually revisits and discuss some of the best movies of the 21st century

Movie Voyage Podcast

Подкаст в котором двое ведущих разбирают кино с углов настолько же нестандартных и непредсказуемых как и его название.

Film History Podcasts / Page 69

Say Something Nice Podcast - Film, TV & Music Talk on a Blacker Level

Discovering Disney: One Movie at a Time

LE CINÉMA DE MONSIEUR TOUTMONCINÉMA

Frankly, My Dears

Fundação São Pedro

Disney Sessions

Monsters by the Minute

Tous à l'Ouest - Podcast Western Movies

Kisah Cinta

Underrated Moments from Star Wars

Olá, Muito Prazer

Out of Oscar

Toile Etoile

Growing Up Geek

K記冰室Podcast

Cinema On The Spectrum

Palomitas

The Weekly Movie Throwdown

Movie Bones

Ang Ninuno: Pinoy Horror Podcast

Cinematheque – Concertzender | Klassiek, Jazz, World en meer

The Vintage Cinephile Podcast

Matinee Idles

Jack Benny Program

Movie Town

Marcello

Cults Cassettes

Lights Out Radio Show!

Baileys Way CBC Mystery Project!

Frontier Fighters Radio Show!

Dark Fantasy

Movie Voyage Podcast

Ладошковый Лебедь

See It or Screw It

El resplandor

The Bollywood Pod

Somewhere on the Screen

World of Tomorrow with David Bluvband

No Luck Podcast

The Valero Verdict

mila avery

Cult Connections

Fear of the Dark

Stakeouts & Shakedowns

Hear Me Out!

Scarah's Screamcast

OZ Film Files

Καρέ-Καρέ

Behind the Spritz

CIAK IMPOSSIBILI