Arts

Books

Fashion & Beauty

Performing Arts

Food

Visual Arts

Design

Business

Entrepreneurship

Investing

Marketing

Careers

Management

Non-Profit

Comedy

Stand-Up

Comedy Interviews

Improv

Education

Self-Improvement

How To

Courses

Language Learning

Fiction

Comedy Fiction

Drama

Science Fiction

Government

Health & Fitness

Medicine

Alternative Health

Nutrition

Mental Health

Fitness

Sexuality

History

Kids & Family

Parenting

Stories for Kids

Education for Kids

Pets & Animals

Leisure

Video Games

Games

Automotive

Animation & Manga

Hobbies

Aviation

Home & Garden

Crafts

Music

Music Commentary

Music Interviews

Music History

News

Sports News

Entertainment News

News Commentary

Politics

Daily News

Business News

Tech News

Religion & Spirituality

Christianity

Spirituality

Religion

Judaism

Islam

Buddhism

Hinduism

Science

Social Sciences

Life Sciences

Natural Sciences

Nature

Chemistry

Mathematics

Earth Sciences

Physics

Astronomy

Society & Culture

Documentary

Relationships

Philosophy

Personal Journals

Places & Travel

Sports

Golf

Soccer

Wrestling

Basketball

Football

Fantasy Sports

Baseball

Wilderness

Running

Hockey

Rugby

Cricket

Volleyball

Tennis

Swimming

Technology

True Crime

TV & Film

Film Interviews

TV Reviews

After Shows

Film Reviews

Film History

Do independente ao mainstream e do clássico ao blockbuster, nosso time é formado por críticos, jornalistas e filmmakers que se encontram para discutir o universo do cinema e séries de tv. Aqui a gente não aguenta só assistir.

Canal Claquete

A podcast by Mariah Woods exploring the lives and legacies of classic Black Hollywood pioneers. Available on Spotify and iTunes.

The Blacklist

They are entertainment industry veterans with over 35 years of combined experience. Drew on the creative side and Dan on the research side. Hear insights, stories and commentary with a unique and funny perspective from two guys who should know better.

2D Entertainment

A monthly podcast hosted by cinema lovers and industry professionals working for Australia's largest independent cinema, talking all things film (aka movies, pictures, features, talkies). Tune in for discussions about the new, the old, filmmakers, festivals and the absolute must-see gems those pesky algorithms still can't get right.  

For more things Palace Cinemas, visit www.palacecinemas.com.au or follow us on Instagram, Facebook or Twitter @palacecinemas.

A monthly podcast hosted by cinema lovers and industry professionals working for Australia's largest independent cinema, talking all things film (aka movies, pictures, features, talkies). Tune in for discussions about the new, the old, filmmakers, festivals and the absolute must-see gems those pesky algorithms still can't get right. For more things Palace Cinemas, visit www.palacecinemas.com.au or follow us on Instagram, Facebook or Twitter @palacecinemas.

Palace Cinemas Podcast

Official 'A Galaxy United' show hosted by @trevorthesith, @SWBFExpress, & @Shaundalorian. #AllStarWarsIsGood

Official 'A Galaxy United' show hosted by @trevorthesith, @SWBFExpress, &amp; @Shaundalorian. #AllStarWarsIsGood

A Galaxy United

Remember those classic exploitation/sexploitation films of the past! Those films that had no redeeming qualities what so ever? Those are the films I am going to tell you about on Sex, Violence, and Shock! I’ll be looking at who made those films and why? This show is more than a film review podcast, but a history podcast as well.

Cinema of Shock!

A conversation show about cult movies, classic cinema, and films that live on the margins of Hollywood. Subscribe now.

Off-Hollywood

LeMar McLean, Tarik Davis, and Don P. Hooper reflect on current events, history, entertainment, race, and how they can all be brought together for a better future.

Brothers From Another Planet

What do we do? We eat male-dominated genre films for breakfast, dissect their parts with the lens of intersectional feminism, and analyze the roles of women and LGBTQ+ if they exist on screen.

We Eat Films Like You For Breakfast

In Antje Wessels' FRISCHE FILME Podcast erwarten euch Reviews über aktuelles aus der Film- und Serienwelt.

Gefällt dir der Podcast? 
Dann weißt du was zu tun ist: Abonnieren, teilen, weitersagen, kommentieren und nicht zuletzt: ganz viel Spaß mit FRISCHE FILME haben.

#filmistliebe

In Antje Wessels' FRISCHE FILME Podcast erwarten euch Reviews über aktuelles aus der Film- und Serienwelt. Gefällt dir der Podcast? Dann weißt du was zu tun ist: Abonnieren, teilen, weitersagen, kommentieren und nicht zuletzt: ganz viel Spaß mit FRISCHE FILME haben. #filmistliebe

ANTJE WESSELS‘ FRISCHE FILME

A podcast devoted to discussing classic movies from 1959 and earlier. The show is hosted by Rachal Jay and Matthew Ducza in Melbourne, Australia. We will normally release a new episode every two weeks.

A podcast devoted to discussing classic movies from 1959 and earlier. The show is hosted by Rachal Jay and Matthew Ducza in Melbourne, Australia. We will normally release a new episode every two weeks.

When Movies Were Good

Explore the history of horror movies with genre specialists Kat Ellinger and Martyn Conterio. Episodes put out fortnightly.

Don't Look Now: A History of Horror Podcast

David Lynch’s career has been a journey through the surreal and the sublime, redefining the boundaries of storytelling in film, television, and art. From the nightmarish worlds of Eraserhead and Blue Velvet to the groundbreaking television series Twin Peaks and the enigmatic brilliance of Mulholland Drive, Lynch has captivated audiences with his ability to blend the ordinary with the extraordinary. His work delves into the subconscious, exploring themes of duality, identity, and the hidden darkness beneath the surface of everyday life. As a filmmaker, artist, and musician, Lynch has left an indelible mark on modern culture, inspiring generations of creators to embrace experimentation and push the limits of their art. His legacy as a master of surreal storytelling ensures his influence will continue to resonate far into the future.

The Films of David Lynch

The past, present and future of horror cinema. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

The past, present and future of horror cinema. Hosted on Acast. See acast.com/privacy for more information.

The past, present and future of horror cinema. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Years of Fear

The History on Film Podcast is an award-winning wide-ranging podcast series that looks at the intersections of history, film and media studies, technology, and more. Our goal is to make the educational parts entertaining and the entertaining parts educational. New episodes every Monday morning!<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

The History on Film Podcast is an award-winning wide-ranging podcast series that looks at the intersections of history, film and media studies, technology, and more. Our goal is to make the educational parts entertaining and the entertaining parts educational. New episodes every Monday morning! Hosted on Acast. See acast.com/privacy for more information.

The History on Film Podcast is an award-winning wide-ranging podcast series that looks at the intersections of history, film and media studies, technology, and more. Our goal is to make the educational parts entertaining and the entertaining parts educational. New episodes every Monday morning! Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The History on Film Podcast

Dans ce podcast nous parlons de cinéma, mais pas que. Ici un mot d'ordre: la digression. On aime l'art sous toutes ses formes, comme la politique et le diabolo. Rendez-vous dans notre salon pour partager notre passion du cinoche, des anecdotes croustillantes et nos confessions les plus intimes<hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Dans ce podcast nous parlons de cinéma, mais pas que. Ici un mot d'ordre: la digression. On aime l'art sous toutes ses formes, comme la politique et le diabolo. Rendez-vous dans notre salon pour partager notre passion du cinoche, des anecdotes croustillantes et nos confessions les plus intimes Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dans ce podcast nous parlons de cinéma, mais pas que. Ici un mot d'ordre: la digression. On aime l'art sous toutes ses formes, comme la politique et le diabolo. Rendez-vous dans notre salon pour partager notre passion du cinoche, des anecdotes croustillantes et nos confessions les plus intimes Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

Digressions nocturnes

My mother and I sit down and watch a random cult classic movie, give listeners an overview and maybe a few opinions before we move on to talk about literally everything else. The gimmick is that I *love* movies and she hasn't seen a movie in a cinema since the 90s.

MOVIES WITH MY MOTHER

The series began on August 25, 1949, on <a href="https://en.wikipedia.org/wiki/NBC_Radio" target="_blank" rel="noreferrer noopener">NBC Radio</a>. Set in the Midwest, it starred <a href="https://en.wikipedia.org/wiki/Robert_Young_(actor)" target="_blank" rel="noreferrer noopener">Robert Young</a> as the General Insurance agent Jim Anderson. His wife Margaret was first portrayed by <a href="https://en.wikipedia.org/wiki/June_Whitley" target="_blank" rel="noreferrer noopener">June Whitley</a> and later by <a href="https://en.wikipedia.org/wiki/Jean_Vander_Pyl" target="_blank" rel="noreferrer noopener">Jean Vander Pyl</a>. The Anderson children were Betty (<a href="https://en.wikipedia.org/wiki/Rhoda_Williams" target="_blank" rel="noreferrer noopener">Rhoda Williams</a>), Bud (<a href="https://en.wikipedia.org/wiki/Ted_Donaldson" target="_blank" rel="noreferrer noopener">Ted Donaldson</a>) and Kathy (<a href="https://en.wikipedia.org/wiki/Norma_Jean_Nilsson" target="_blank" rel="noreferrer noopener">Norma Jean Nilsson</a>). Others in the cast were <a href="https://en.wikipedia.org/wiki/Eleanor_Audley" target="_blank" rel="noreferrer noopener">Eleanor Audley</a>, <a href="https://en.wikipedia.org/wiki/Herb_Vigran" target="_blank" rel="noreferrer noopener">Herb Vigran</a>, and <a href="https://en.wikipedia.org/wiki/Sam_Edwards" target="_blank" rel="noreferrer noopener">Sam Edwards</a>. Sponsored through most of its run by <a href="https://en.wikipedia.org/wiki/General_Foods" target="_blank" rel="noreferrer noopener">General Foods</a>, the series was heard Thursday evenings on NBC until March 25, 1954. On the radio program, the character of Jim differs from the later television character. The radio Jim is far more <a href="https://en.wikipedia.org/wiki/Sarcastic" target="_blank" rel="noreferrer noopener">sarcastic</a> and shows he really rules over his family. Jim also calls his children names, something common on radio but lost in the TV series. For example, Jim says, "What a bunch of stupid children I have." Margaret is portrayed as a paragon of solid reason and patience, unless the plot calls for her to act a bit off; for example, in a Halloween episode, Margaret cannot understand how a table floats in the air. But that is a rare exception.

The series began on August 25, 1949, on NBC Radio. Set in the Midwest, it starred Robert Young as the General Insurance agent Jim Anderson. His wife Margaret was first portrayed by June Whitley and later by Jean Vander Pyl. The Anderson children were Betty (Rhoda Williams), Bud (Ted Donaldson) and Kathy (Norma Jean Nilsson). Others in the cast were Eleanor Audley, Herb Vigran, and Sam Edwards. Sponsored through most of its run by General Foods, the series was heard Thursday evenings on NBC until March 25, 1954.On the radio program, the character of Jim differs from the later television character. The radio Jim is far more sarcastic and shows he really rules over his family. Jim also calls his children names, something common on radio but lost in the TV series. For example, Jim says, "What a bunch of stupid children I have." Margaret is portrayed as a paragon of solid reason and patience, unless the plot calls for her to act a bit off; for example, in a Halloween episode, Margaret cannot understand how a table floats in the air. But that is a rare exception.

The series began on August 25, 1949, on&nbsp;<a href="https://en.wikipedia.org/wiki/NBC_Radio" rel="noopener noreferrer">NBC Radio</a>. Set in the Midwest, it starred&nbsp;<a href="https://en.wikipedia.org/wiki/Robert_Young_(actor)" rel="noopener noreferrer">Robert Young</a>&nbsp;as the General Insurance agent Jim Anderson. His wife Margaret was first portrayed by&nbsp;<a href="https://en.wikipedia.org/wiki/June_Whitley" rel="noopener noreferrer">June Whitley</a>&nbsp;and later by&nbsp;<a href="https://en.wikipedia.org/wiki/Jean_Vander_Pyl" rel="noopener noreferrer">Jean Vander Pyl</a>. The Anderson children were Betty (<a href="https://en.wikipedia.org/wiki/Rhoda_Williams" rel="noopener noreferrer">Rhoda Williams</a>), Bud (<a href="https://en.wikipedia.org/wiki/Ted_Donaldson" rel="noopener noreferrer">Ted Donaldson</a>) and Kathy (<a href="https://en.wikipedia.org/wiki/Norma_Jean_Nilsson" rel="noopener noreferrer">Norma Jean Nilsson</a>). Others in the cast were&nbsp;<a href="https://en.wikipedia.org/wiki/Eleanor_Audley" rel="noopener noreferrer">Eleanor Audley</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Herb_Vigran" rel="noopener noreferrer">Herb Vigran</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/Sam_Edwards" rel="noopener noreferrer">Sam Edwards</a>. Sponsored through most of its run by&nbsp;<a href="https://en.wikipedia.org/wiki/General_Foods" rel="noopener noreferrer">General Foods</a>, the series was heard Thursday evenings on NBC until March 25, 1954. On the radio program, the character of Jim differs from the later television character. The radio Jim is far more&nbsp;<a href="https://en.wikipedia.org/wiki/Sarcastic" rel="noopener noreferrer">sarcastic</a>&nbsp;and shows he really rules over his family. Jim also calls his children names, something common on radio but lost in the TV series. For example, Jim says, "What a bunch of stupid children I have." Margaret is portrayed as a paragon of solid reason and patience, unless the plot calls for her to act a bit off; for example, in a Halloween episode, Margaret cannot understand how a table floats in the air. But that is a rare exception.

Father Knows Best

The Burkiss Way is a <a href="https://en.wikipedia.org/wiki/BBC_Radio_4" target="_blank" rel="noreferrer noopener">BBC Radio 4</a> sketch <a href="https://en.wikipedia.org/wiki/Comedy" target="_blank" rel="noreferrer noopener">comedy</a> series, originally broadcast between August 1976 and November 1980. It was written by <a href="https://en.wikipedia.org/wiki/Andrew_Marshall_(writer)" target="_blank" rel="noreferrer noopener">Andrew Marshall</a> and <a href="https://en.wikipedia.org/wiki/David_Renwick" target="_blank" rel="noreferrer noopener">David Renwick</a>, with additional material in series 1 and 2 by John Mason, <a href="https://en.wikipedia.org/wiki/Colin_Bostock-Smith" target="_blank" rel="noreferrer noopener">Colin Bostock-Smith</a>, <a href="https://en.wikipedia.org/wiki/Douglas_Adams" target="_blank" rel="noreferrer noopener">Douglas Adams</a>, <a href="https://en.wikipedia.org/wiki/John_Lloyd_(writer)" target="_blank" rel="noreferrer noopener">John Lloyd</a>, Tom Magee Englefield and Liz Pollock. The first series of the show starred <a href="https://en.wikipedia.org/wiki/Denise_Coffey" target="_blank" rel="noreferrer noopener">Denise Coffey</a>, <a href="https://en.wikipedia.org/wiki/Chris_Emmett" target="_blank" rel="noreferrer noopener">Chris Emmett</a>, <a href="https://en.wikipedia.org/wiki/Nigel_Rees" target="_blank" rel="noreferrer noopener">Nigel Rees</a> and <a href="https://en.wikipedia.org/wiki/Fred_Harris_(presenter)" target="_blank" rel="noreferrer noopener">Fred Harris</a>. From series 2 onwards the show starred <a href="https://en.wikipedia.org/wiki/Jo_Kendall" target="_blank" rel="noreferrer noopener">Jo Kendall</a>, Chris Emmett, Nigel Rees and Fred Harris. The series had three producers, announced as "<a href="https://en.wikipedia.org/wiki/Simon_Brett" target="_blank" rel="noreferrer noopener">Simon Brett</a> of <a href="https://en.wikipedia.org/wiki/Stepney" target="_blank" rel="noreferrer noopener">Stepney</a>", "<a href="https://en.wikipedia.org/wiki/John_Lloyd_(writer)" target="_blank" rel="noreferrer noopener">John Lloyd</a> of <a href="https://en.wikipedia.org/wiki/Europe" target="_blank" rel="noreferrer noopener">Europe</a>" and "<a href="https://en.wikipedia.org/wiki/David_Hatch" target="_blank" rel="noreferrer noopener">David 'Hatch of the BBC' Hatch</a>".The show's humour was based on <a href="https://en.wikipedia.org/wiki/Surrealism" target="_blank" rel="noreferrer noopener">surrealism</a> and literary and media <a href="https://en.wikipedia.org/wiki/Parody" target="_blank" rel="noreferrer noopener">parodies</a>, sprinkled with puns.

The Burkiss Way is a BBC Radio 4 sketch comedy series, originally broadcast between August 1976 and November 1980. It was written by Andrew Marshall and David Renwick, with additional material in series 1 and 2 by John Mason, Colin Bostock-Smith, Douglas Adams, John Lloyd, Tom Magee Englefield and Liz Pollock.The first series of the show starred Denise Coffey, Chris Emmett, Nigel Rees and Fred Harris. From series 2 onwards the show starred Jo Kendall, Chris Emmett, Nigel Rees and Fred Harris. The series had three producers, announced as "Simon Brett of Stepney", "John Lloyd of Europe" and "David 'Hatch of the BBC' Hatch".The show's humour was based on surrealism and literary and media parodies, sprinkled with puns.

The Burkiss Way&nbsp;is a&nbsp;<a href="https://en.wikipedia.org/wiki/BBC_Radio_4" rel="noopener noreferrer">BBC Radio 4</a>&nbsp;sketch&nbsp;<a href="https://en.wikipedia.org/wiki/Comedy" rel="noopener noreferrer">comedy</a>&nbsp;series, originally broadcast between August 1976 and November 1980. It was written by&nbsp;<a href="https://en.wikipedia.org/wiki/Andrew_Marshall_(writer)" rel="noopener noreferrer">Andrew Marshall</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/David_Renwick" rel="noopener noreferrer">David Renwick</a>, with additional material in series 1 and 2 by John Mason,&nbsp;<a href="https://en.wikipedia.org/wiki/Colin_Bostock-Smith" rel="noopener noreferrer">Colin Bostock-Smith</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Douglas_Adams" rel="noopener noreferrer">Douglas Adams</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/John_Lloyd_(writer)" rel="noopener noreferrer">John Lloyd</a>, Tom Magee Englefield and Liz Pollock. The first series of the show starred&nbsp;<a href="https://en.wikipedia.org/wiki/Denise_Coffey" rel="noopener noreferrer">Denise Coffey</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Chris_Emmett" rel="noopener noreferrer">Chris Emmett</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Nigel_Rees" rel="noopener noreferrer">Nigel Rees</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Fred_Harris_(presenter)" rel="noopener noreferrer">Fred Harris</a>. From series 2 onwards the show starred&nbsp;<a href="https://en.wikipedia.org/wiki/Jo_Kendall" rel="noopener noreferrer">Jo Kendall</a>, Chris Emmett, Nigel Rees and Fred Harris. The series had three producers, announced as "<a href="https://en.wikipedia.org/wiki/Simon_Brett" rel="noopener noreferrer">Simon Brett</a>&nbsp;of&nbsp;<a href="https://en.wikipedia.org/wiki/Stepney" rel="noopener noreferrer">Stepney</a>", "<a href="https://en.wikipedia.org/wiki/John_Lloyd_(writer)" rel="noopener noreferrer">John Lloyd</a>&nbsp;of&nbsp;<a href="https://en.wikipedia.org/wiki/Europe" rel="noopener noreferrer">Europe</a>" and "<a href="https://en.wikipedia.org/wiki/David_Hatch" rel="noopener noreferrer">David 'Hatch of the BBC' Hatch</a>".The show's humour was based on&nbsp;<a href="https://en.wikipedia.org/wiki/Surrealism" rel="noopener noreferrer">surrealism</a>&nbsp;and literary and media&nbsp;<a href="https://en.wikipedia.org/wiki/Parody" rel="noopener noreferrer">parodies</a>, sprinkled with puns.

The Burkiss Way

Una maniera nuova per parlare di Cinema vecchio

CineIntollerance

Ninety-six movies have won the Oscar for Best Picture. Did they deserve it? Let's find out! I'm going to watch every single one of them so you don't have to. Tune in each week to hear my reviews, hot takes &amp; other Hollywood tidbits! Source Material: Wikipedia, IMDb &amp; freemusicarchive.com

Ninety-six movies have won the Oscar for Best Picture. Did they deserve it? Let's find out! I'm going to watch every single one of them so you don't have to. Tune in each week to hear my reviews, hot takes & other Hollywood tidbits! Source Material: Wikipedia, IMDb & freemusicarchive.com

CINEMA SUNDAY

Dans ce podcast, nous allons retracer l'histoire du cinéma de ses origines à nos jours. 
Nous allons faire revivre les inventeurs, réalisateurs, producteurs, scénaristes... qui ont contribués à créer l'histoire du cinéma. 
Chaque mardi, je vous raconterai au travers des anecdotes inédites, des histoires rocambolesques et riches en rebondissements qui vous permettrons de vous constituer une base solide en cinéma mais également d'élargir vos références filmiques. 

J'espère que vous êtes prêt... Moteur et Action !

Produit par Calypso Films Studio

Dans ce podcast, nous allons retracer l'histoire du cinéma de ses origines à nos jours. Nous allons faire revivre les inventeurs, réalisateurs, producteurs, scénaristes... qui ont contribués à créer l'histoire du cinéma. Chaque mardi, je vous raconterai au travers des anecdotes inédites, des histoires rocambolesques et riches en rebondissements qui vous permettrons de vous constituer une base solide en cinéma mais également d'élargir vos références filmiques. J'espère que vous êtes prêt... Moteur et Action ! Produit par Calypso Films Studio

Let's Talk Cinema

In the annals of cinema history, few figures loom as large or as enigmatic as Lon Chaney. Known as "The Man of a Thousand Faces," Chaney was a pioneering actor and makeup artist whose ability to transform himself into the most grotesque and sympathetic characters captivated audiences during the silent film era. His life, marked by perseverance, innovation, and an unparalleled dedication to his craft, reads like a Hollywood script itself - full of challenges, triumphs, and a lasting legacy that continues to influence filmmakers and performers to this day. Born Leonidas Frank Chaney on April 1, 1883, in Colorado Springs, Colorado, Chaney's early life was far from ordinary. Both of his parents were deaf, and young Lon grew up using pantomime and facial expressions to communicate - skills that would later prove invaluable in his silent film career. This unique upbringing fostered in Chaney a deep empathy for those who were different or outcasts, a theme that would resonate throughout his later work. Chaney's journey into the world of entertainment began early. At the age of ten, he was taken out of school to help support his family, and he soon found work as a tour guide at Pike's Peak. This early exposure to the art of holding an audience's attention would serve him well in his future career. By his teenage years, Chaney was already involved in theater, working behind the scenes and occasionally performing in various productions. In 1902, at the age of 19, Chaney embarked on a career in vaudeville. He honed his skills as a versatile performer, learning to sing, dance, and act in comedic and dramatic roles. It was during this time that he met and married his first wife, Cleva Creighton, a singer with whom he often performed. The couple had a son, Creighton Tull Chaney, born in 1906, who would later follow in his father's footsteps and become an actor under the name Lon Chaney Jr. However, Chaney's personal life was not without its troubles. His marriage to Cleva was tumultuous, marked by her struggles with alcoholism. In 1913, during one of Chaney's performances at the Majestic Theater in Los Angeles, Cleva attempted suicide by swallowing mercury chloride backstage. While she survived, the incident damaged her singing voice and effectively ended her career. The scandal that followed led to the end of their marriage and temporarily derailed Chaney's theatrical career. This personal tragedy became a turning point for Chaney. Left to raise his son alone, he turned to the burgeoning film industry in Hollywood. Starting as a bit player and extra, Chaney slowly began to make a name for himself. His ability to transform his appearance through makeup and his willingness to take on challenging, often unsympathetic roles set him apart from other actors of the time. Chaney's breakthrough came in 1919 with his role as "The Frog" in George Loane Tucker's "The Miracle Man." The film showcased Chaney's ability to contort his body and use makeup to create a memorable character. His performance as a fraudulent faith healer who undergoes a genuine transformation captured the audience's imagination and caught the attention of studio executives. Over the next decade, Chaney became one of Hollywood's biggest stars, known for his incredible physical transformations and his ability to bring depth and humanity to even the most monstrous characters. Some of his most famous roles during this period include Quasimodo in "The Hunchback of Notre Dame" (1923) and the title character in "The Phantom of the Opera" (1925). Chaney's portrayal of Quasimodo was a tour de force of both acting and makeup artistry. He designed and applied his own makeup, which included a 40-pound hump strapped to his back and a harness to contort his face. The physical toll of such transformations was immense, but Chaney's dedication to authenticity was unwavering. His Quasimodo was not just a monster, but a complex, sympathetic character that resonated deeply with audiences. Similarly, his performance as Erik, the Phantom, in "The Phantom of the Opera" became one of the most iconic in film history. The reveal of the Phantom's face, achieved through Chaney's painstaking makeup application, is considered one of the greatest moments in silent cinema. Chaney's ability to evoke both terror and pity through his performance set a new standard for horror film actors. Chaney's expertise in makeup was legendary. He wrote the encyclopedia entry on makeup for the 14th edition of the Encyclopedia Britannica, and he guarded his secrets zealously. Unlike many stars of the time, Chaney often did his own makeup, spending hours transforming himself into his characters. He was known to use wire, putty, false teeth, and a variety of other materials to achieve his effects. His makeup kit was said to be the size of a steamer trunk, filled with an array of paints, powders, and prosthetics. But Chaney was far more than just a master of disguise. His acting abilities were equally impressive, bringing depth and nuance to characters that could easily have been one-dimensional. He had a particular talent for playing outcasts and physically deformed characters, imbuing them with a humanity that often made them the most sympathetic figures in the film. Throughout the 1920s, Chaney continued to take on challenging roles that showcased his versatility. In "Tell It to the Marines" (1926), he played a tough Marine sergeant, demonstrating his ability to portray "normal" characters with the same skill he brought to his more grotesque roles. In "Mr. Wu" (1927), he played a Chinese merchant, showcasing his ability to convincingly portray characters of different ethnicities (although such practices are rightfully criticized today). One of Chaney's most remarkable performances came in "The Unknown" (1927), directed by Tod Browning. Chaney played Alonzo the Armless, a criminal posing as an armless knife thrower in a circus. The role required Chaney to perform with his arms tightly bound to his body, a feat of physical endurance that exemplified his commitment to his craft. Chaney's collaboration with director Tod Browning produced some of the most memorable films of his career. Their partnership, which included ten films, was based on a shared fascination with the macabre and the outsider. Browning, like Chaney, had a background in carnival and vaudeville, and their films often explored themes of deformity, outcasts, and the dark side of human nature. Despite his fame and success, Chaney was known for being intensely private. He rarely gave interviews and was quoted as saying, "Between pictures, there is no Lon Chaney." This reclusiveness only added to his mystique and led to him being nicknamed "The Man of Mystery" as well as "The Man of a Thousand Faces." As the 1920s drew to a close, the film industry was undergoing a massive transformation with the advent of sound. Chaney, who had built his career in silent films, was initially hesitant about making the transition. However, he eventually signed a contract with MGM to make a series of talking pictures. Tragically, Chaney would only complete one talking picture, a remake of his silent film "The Unholy Three." In the film, Chaney demonstrated his skill with voices, performing five different voices for his various disguises. The film was a success and proved that Chaney could have made the transition to sound if fate had not intervened. In 1930, during the filming of "Thunder," Chaney developed a throat infection that was later diagnosed as bronchial lung cancer. He completed the film despite his illness, but his condition rapidly deteriorated. On August 26, 1930, Lon Chaney passed away, just seven weeks past his 47th birthday. Chaney's death sent shockwaves through Hollywood and his fans worldwide. His funeral was held on August 28 in Glendale, California, and drew thousands of mourners. As a testament to his impact on the film industry, the statue of Chaney's Hunchback of Notre Dame character in front of the Los Angeles County Museum of Art was draped in black. Lon Chaney's legacy in film history is immeasurable. He paved the way for character actors and makeup artists, showing that leading men didn't need to be conventionally handsome or play traditional heroic roles. His influence can be seen in the work of actors like Boris Karloff, Bela Lugosi, and later, performers like Johnny Depp and Gary Oldman, who similarly disappear into their roles. In the realm of makeup and special effects, Chaney's innovations laid the groundwork for much of what followed. His techniques influenced generations of makeup artists, and the transformative power of movie makeup that he pioneered continues to be a crucial element of filmmaking today. Chaney's son, Lon Chaney Jr., followed in his father's footsteps and became a notable actor in his own right, particularly known for his role as The Wolf Man in Universal's monster movies. While he never achieved the same level of fame as his father, Lon Jr.'s career helped keep the Chaney name alive in Hollywood for decades. Beyond his technical skills, Chaney's greatest legacy may be the empathy he brought to his portrayals of society's outcasts. In an era when physical differences were often treated as spectacle, Chaney humanized his characters, encouraging audiences to look beyond surface appearances. This theme, present in so much of his work, reflects back to his childhood experience as the son of deaf parents, navigating a world that often misunderstood and marginalized those who were different. In the years since his death, Chaney's work has been the subject of numerous books, documentaries, and retrospectives. Many of his films have been carefully restored, allowing new generations to appreciate his artistry. In 1957, James Cagney portrayed Chaney in the biopic "Man of a Thousand Faces," further cementing Chaney's place in Hollywood lore. Lon Chaney's life and career serve as a testament to the power of dedication, creativi

Lon Chaney - Audio Biography

The biographical overview of the life and career of Dame Maggie Smith, an acclaimed British actress known for her versatility across stage, film, and television. It details her upbringing, early career, significant roles, awards, and personal life. The second source is an interview with the artist James Lloyd who painted a portrait of Smith for the National Portrait Gallery. He describes his experiences with Smith during the portrait process, highlighting her personality and how her portrait captured both her public persona and private self.

Maggie Smith

Behind the Mike was a <a href="https://en.wikipedia.org/wiki/Blue_Network" target="_blank" rel="noreferrer noopener">Blue Network</a> (NBC) radio series hosted by <a href="https://en.wikipedia.org/wiki/Graham_McNamee" target="_blank" rel="noreferrer noopener">Graham McNamee</a>, spotlighting behind-the-scenes stories in radio broadcasting. The <a href="https://en.wikipedia.org/wiki/Sustaining_program" target="_blank" rel="noreferrer noopener">sustaining show</a> aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942. : 76 : 34 The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of <a href="https://en.wikipedia.org/wiki/Sound-effects" target="_blank" rel="noreferrer noopener">sound-effects</a>, producers, engineers and other technicians involved in radio production. As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence Corner" segment. Music was provided by Ernie Watson and his orchestra.After McNamee's death May 9, 1942, the name of the series changed to This is the Truth, then Nothing But the Truth and continued until June 7, 1942

Behind the Mike was a Blue Network (NBC) radio series hosted by Graham McNamee, spotlighting behind-the-scenes stories in radio broadcasting. The sustaining show aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942. : 76 : 34 The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of sound-effects, producers, engineers and other technicians involved in radio production.As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence Corner" segment. Music was provided by Ernie Watson and his orchestra.After McNamee's death May 9, 1942, the name of the series changed to This is the Truth, then Nothing But the Truth and continued until June 7, 1942

Behind the Mike&nbsp;was a&nbsp;<a href="https://en.wikipedia.org/wiki/Blue_Network" rel="noopener noreferrer">Blue Network</a>&nbsp;(NBC) radio series hosted by&nbsp;<a href="https://en.wikipedia.org/wiki/Graham_McNamee" rel="noopener noreferrer">Graham McNamee</a>, spotlighting behind-the-scenes stories in radio broadcasting. The&nbsp;<a href="https://en.wikipedia.org/wiki/Sustaining_program" rel="noopener noreferrer">sustaining show</a> aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942. : 76 : 34 The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of <a href="https://en.wikipedia.org/wiki/Sound-effects" rel="noopener noreferrer">sound-effects</a>, producers, engineers and other technicians involved in radio production. As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence Corner" segment. Music was provided by Ernie Watson and his orchestra.After McNamee's death May 9, 1942, the name of the series changed to This is the Truth, then&nbsp;Nothing But the Truth&nbsp;and continued until June 7, 1942

Behind the Mic Radio Show!

Tobacco company <a href="https://en.wikipedia.org/wiki/Brown_%26_Williamson" target="_blank" rel="noreferrer noopener">Brown &amp; Williamson</a>, former makers of <a href="https://en.wikipedia.org/wiki/Kool_(cigarette)" target="_blank" rel="noreferrer noopener">Kool</a> cigarettes, began producing Avalon in 1932. Avalon was Brown &amp; Williamson's 'economy' brand, while never actually mentioning that term. Instead, they were promoted as either the cigarettes that "cost you less" or the cigarettes that "give you change back". Avalon Time was the first Avalon-sponsored radio program with <a href="https://en.wikipedia.org/wiki/Show_Boat#Radio" target="_blank" rel="noreferrer noopener">Show Boat</a> premiering in 1939.The 'Reds' 'Red' was an ongoing theme and joke on Avalon Time. Coincidentally, all four hosts of the program had "red" hair. Two of the four hosts went by the name "Red". Also, the program was produced and broadcast over <a href="https://en.wikipedia.org/wiki/NBC" target="_blank" rel="noreferrer noopener">NBC</a>'s <a href="https://en.wikipedia.org/wiki/NBC_Radio_Network" target="_blank" rel="noreferrer noopener">"Red" Network</a>.

Tobacco company Brown & Williamson, former makers of Kool cigarettes, began producing Avalon in 1932. Avalon was Brown & Williamson's 'economy' brand, while never actually mentioning that term. Instead, they were promoted as either the cigarettes that "cost you less" or the cigarettes that "give you change back".Avalon Time was the first Avalon-sponsored radio program with Show Boat premiering in 1939.The 'Reds''Red' was an ongoing theme and joke on Avalon Time. Coincidentally, all four hosts of the program had "red" hair. Two of the four hosts went by the name "Red". Also, the program was produced and broadcast over NBC's "Red" Network.

Tobacco company&nbsp;<a href="https://en.wikipedia.org/wiki/Brown_%26_Williamson" rel="noopener noreferrer">Brown &amp; Williamson</a>, former makers of&nbsp;<a href="https://en.wikipedia.org/wiki/Kool_(cigarette)" rel="noopener noreferrer">Kool</a>&nbsp;cigarettes, began producing&nbsp;Avalon in 1932. Avalon was Brown &amp; Williamson's 'economy' brand, while never actually mentioning that term. Instead, they were promoted as either the cigarettes that "cost you less" or the cigarettes that "give you change back". Avalon Time&nbsp;was the first Avalon-sponsored radio program with&nbsp;<a href="https://en.wikipedia.org/wiki/Show_Boat#Radio" rel="noopener noreferrer">Show Boat</a> premiering in 1939.The 'Reds' 'Red' was an ongoing theme and joke on&nbsp;Avalon Time. Coincidentally, all four hosts of the program had "red" hair. Two of the four hosts went by the name "Red". Also, the program was produced and broadcast over&nbsp;<a href="https://en.wikipedia.org/wiki/NBC" rel="noopener noreferrer">NBC</a>'s&nbsp;<a href="https://en.wikipedia.org/wiki/NBC_Radio_Network" rel="noopener noreferrer">"Red" Network</a>.

Avalon Time Radio Show!

Kaliman Radio Novela

"The War of the Worlds" was a <a href="https://en.wikipedia.org/wiki/Halloween" target="_blank" rel="noreferrer noopener">Halloween</a> episode of the <a href="https://en.wikipedia.org/wiki/Radio_drama" target="_blank" rel="noreferrer noopener">radio series</a> <a href="https://en.wikipedia.org/wiki/The_Mercury_Theatre_on_the_Air" target="_blank" rel="noreferrer noopener">The Mercury Theatre on the Air</a> directed and narrated by <a href="https://en.wikipedia.org/wiki/Orson_Welles" target="_blank" rel="noreferrer noopener">Orson Welles</a> as an adaptation of <a href="https://en.wikipedia.org/wiki/H._G._Wells" target="_blank" rel="noreferrer noopener">H. G. Wells</a>'s novel <a href="https://en.wikipedia.org/wiki/The_War_of_the_Worlds" target="_blank" rel="noreferrer noopener">The War of the Worlds</a> (1898) that was performed and broadcast live at 8 pm <a href="https://en.wikipedia.org/wiki/Eastern_Time_Zone" target="_blank" rel="noreferrer noopener">ET</a> on October 30, 1938, over the <a href="https://en.wikipedia.org/wiki/CBS_News_Radio" target="_blank" rel="noreferrer noopener">CBS Radio Network</a>. The episode is famous for inciting a panic by convincing some members of the listening audience that a <a href="https://en.wikipedia.org/wiki/Martian_(The_War_of_the_Worlds)" target="_blank" rel="noreferrer noopener">Martian invasion</a> was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the source novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on <a href="https://en.wikipedia.org/wiki/Mars" target="_blank" rel="noreferrer noopener">Mars</a> followed by a seemingly unrelated report of an unknown object falling on a farm in <a href="https://en.wikipedia.org/wiki/Grovers_Mill,_New_Jersey" target="_blank" rel="noreferrer noopener">Grovers Mill, New Jersey</a>. The crisis escalates dramatically when an on-scene reporter at Grovers Mill describes creatures emerging from what is evidently an alien spacecraft. The aliens employ a heat ray against police and onlookers, and the radio correspondent describes the attack in increasing panic until his audio feed abruptly goes dead. This is followed by a rapid series of news updates detailing the beginning of a devastating alien invasion and the US military's futile efforts to stop it. The first portion of the episode climaxes with a live report from a rooftop in Manhattan, from where a correspondent describes citizens fleeing from poison smoke released by towering Martian "war machines" until he coughs and falls silent. Only then does the program take its first break, about thirty minutes after Welles's introduction.

"The War of the Worlds" was a Halloween episode of the radio series The Mercury Theatre on the Air directed and narrated by Orson Welles as an adaptation of H. G. Wells's novel The War of the Worlds (1898) that was performed and broadcast live at 8 pm ET on October 30, 1938, over the CBS Radio Network. The episode is famous for inciting a panic by convincing some members of the listening audience that a Martian invasion was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the source novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on Mars followed by a seemingly unrelated report of an unknown object falling on a farm in Grovers Mill, New Jersey.The crisis escalates dramatically when an on-scene reporter at Grovers Mill describes creatures emerging from what is evidently an alien spacecraft. The aliens employ a heat ray against police and onlookers, and the radio correspondent describes the attack in increasing panic until his audio feed abruptly goes dead. This is followed by a rapid series of news updates detailing the beginning of a devastating alien invasion and the US military's futile efforts to stop it. The first portion of the episode climaxes with a live report from a rooftop in Manhattan, from where a correspondent describes citizens fleeing from poison smoke released by towering Martian "war machines" until he coughs and falls silent. Only then does the program take its first break, about thirty minutes after Welles's introduction.

"The War of the Worlds" was a&nbsp;<a href="https://en.wikipedia.org/wiki/Halloween" rel="noopener noreferrer">Halloween</a>&nbsp;episode of the&nbsp;<a href="https://en.wikipedia.org/wiki/Radio_drama" rel="noopener noreferrer">radio series</a>&nbsp;<a href="https://en.wikipedia.org/wiki/The_Mercury_Theatre_on_the_Air" rel="noopener noreferrer">The Mercury Theatre on the Air</a>&nbsp;directed and narrated by&nbsp;<a href="https://en.wikipedia.org/wiki/Orson_Welles" rel="noopener noreferrer">Orson Welles</a>&nbsp;as an adaptation of&nbsp;<a href="https://en.wikipedia.org/wiki/H._G._Wells" rel="noopener noreferrer">H. G. Wells</a>'s novel&nbsp;<a href="https://en.wikipedia.org/wiki/The_War_of_the_Worlds" rel="noopener noreferrer">The War of the Worlds</a>&nbsp;(1898) that was performed and broadcast live at 8 pm&nbsp;<a href="https://en.wikipedia.org/wiki/Eastern_Time_Zone" rel="noopener noreferrer">ET</a>&nbsp;on October 30, 1938, over the&nbsp;<a href="https://en.wikipedia.org/wiki/CBS_News_Radio" rel="noopener noreferrer">CBS Radio Network</a>. The episode is famous for inciting a panic by convincing some members of the listening audience that a&nbsp;<a href="https://en.wikipedia.org/wiki/Martian_(The_War_of_the_Worlds)" rel="noopener noreferrer">Martian invasion</a> was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the source novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on <a href="https://en.wikipedia.org/wiki/Mars" rel="noopener noreferrer">Mars</a>&nbsp;followed by a seemingly unrelated report of an unknown object falling on a farm in&nbsp;<a href="https://en.wikipedia.org/wiki/Grovers_Mill,_New_Jersey" rel="noopener noreferrer">Grovers Mill, New Jersey</a>. The crisis escalates dramatically when an on-scene reporter at Grovers Mill describes creatures emerging from what is evidently an alien spacecraft. The aliens employ a heat ray against police and onlookers, and the radio correspondent describes the attack in increasing panic until his audio feed abruptly goes dead. This is followed by a rapid series of news updates detailing the beginning of a devastating alien invasion and the US military's futile efforts to stop it. The first portion of the episode climaxes with a live report from a rooftop in Manhattan, from where a correspondent describes citizens fleeing from poison smoke released by towering Martian "war machines" until he coughs and falls silent. Only then does the program take its first break, about thirty minutes after Welles's introduction.

Words at War Radio Show!

Three actors attempt the impossible task of watching and ranking every film on Disney Plus. Informative, hilarious, and often painful (for them)<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Three actors attempt the impossible task of watching and ranking every film on Disney Plus. Informative, hilarious, and often painful (for them) Hosted on Acast. See acast.com/privacy for more information.

Three actors attempt the impossible task of watching and ranking every film on Disney Plus. Informative, hilarious, and often painful (for them) Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Podcast Wore Tennis Shoes

Bienvenue dans ce nouveau podcast intitulé la dernière minute. Chaque mois, Ninon et Valentin vous proposent de discuter avec un invité d’un film.La dernière minute c’est quoi? On vous raconte la dernière minute du film a chaque fin d’émission. A vous de le deviner, ce film sera à l’honneur dans le prochain épisode. VOUS POUVEZ NOUS SUIVRE SUR 🟣 INSTAGRAM : @laderniereminutepodcast<hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Bienvenue dans ce nouveau podcast intitulé la dernière minute. Chaque mois, Ninon et Valentin vous proposent de discuter avec un invité d’un film. La dernière minute c’est quoi? On vous raconte la dernière minute du film a chaque fin d’émission. A vous de le deviner, ce film sera à l’honneur dans le prochain épisode. VOUS POUVEZ NOUS SUIVRE SUR 🟣 INSTAGRAM : @laderniereminutepodcast Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Bienvenue dans ce nouveau podcast intitulé la dernière minute. Chaque mois, Ninon et Valentin vous proposent de discuter avec un invité d’un film.La dernière minute c’est quoi? On vous raconte la dernière minute du film a chaque fin d’émission. A vous de le deviner, ce film sera à l’honneur dans le prochain épisode. VOUS POUVEZ NOUS SUIVRE SUR 🟣 INSTAGRAM : @laderniereminutepodcast Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

La Dernière Minute

Tales of the Texas Rangers is a 20th century Western old-time radio and television police procedural drama which originally aired on NBC Radio from 1950 to 1952 and later on CBS Television from 1955 to 1958. Film star Joel McCrea voiced the radio version as the fictitious Texas Ranger Jace Pearson, who uses the latest scientific techniques to identify criminals. His faithful horse, Charcoal (or "Charky"), helps Pearson to track down the culprits. The radio shows, some of which are available on the Internet, are reenactments of actual Texas Ranger cases.The television version was produced and also directed for several episodes by Stacy Keach, Sr. It was sponsored for part of its run by Wheaties cereal. Captain Manuel T. "Lone Wolf" Gonzaullas, who was said to have killed thirty-one men during his 30-year career as a Texas Ranger, was the consultant for the television series, as he had been for the earlier radio series. The television version was filmed by Screen Gems.

Tales of the Texas Rangers is a 20th century Western old-time radio and television police procedural drama which originally aired on NBC Radio from 1950 to 1952 and later on CBS Television from 1955 to 1958.Film star Joel McCrea voiced the radio version as the fictitious Texas Ranger Jace Pearson, who uses the latest scientific techniques to identify criminals. His faithful horse, Charcoal (or "Charky"), helps Pearson to track down the culprits. The radio shows, some of which are available on the Internet, are reenactments of actual Texas Ranger cases.The television version was produced and also directed for several episodes by Stacy Keach, Sr. It was sponsored for part of its run by Wheaties cereal. Captain Manuel T. "Lone Wolf" Gonzaullas, who was said to have killed thirty-one men during his 30-year career as a Texas Ranger, was the consultant for the television series, as he had been for the earlier radio series. The television version was filmed by Screen Gems.

Tales of the Texas Rangers&nbsp;is a&nbsp;20th century Western&nbsp;old-time radio&nbsp;and television&nbsp;police procedural&nbsp;drama which originally aired on&nbsp;NBC Radio&nbsp;from 1950 to 1952 and later on&nbsp;CBS Television from 1955 to 1958. Film star Joel McCrea&nbsp;voiced the radio version as the fictitious&nbsp;Texas Ranger&nbsp;Jace Pearson, who uses the latest scientific techniques to identify criminals. His faithful horse, Charcoal (or "Charky"), helps Pearson to track down the culprits. The radio shows, some of which are available on the Internet, are reenactments of actual Texas Ranger cases.The television version was produced and also directed for several episodes by&nbsp;Stacy Keach, Sr.&nbsp;It was sponsored for part of its run by&nbsp;Wheaties&nbsp;cereal. Captain&nbsp;Manuel T. "Lone Wolf" Gonzaullas, who was said to have killed thirty-one men during his 30-year career as a Texas Ranger, was the consultant for the television series, as he had been for the earlier radio series. The television version was filmed by&nbsp;Screen Gems.

Tales of the Texas Rangers

Bob Hope was a classic entertainer and his shows are still hilarious today. It's great to hear the ones where he's entertaining the troops during World War 2 as well.

Film History Podcasts / Page 70

Canal Claquete

The Blacklist

2D Entertainment

Palace Cinemas Podcast

A Galaxy United

Cinema of Shock!

Off-Hollywood

Brothers From Another Planet

We Eat Films Like You For Breakfast

ANTJE WESSELS‘ FRISCHE FILME

When Movies Were Good

Don't Look Now: A History of Horror Podcast

The Films of David Lynch

The Years of Fear

The History on Film Podcast

Digressions nocturnes

MOVIES WITH MY MOTHER

Father Knows Best

The Burkiss Way

CineIntollerance

CINEMA SUNDAY

Let's Talk Cinema

Lon Chaney - Audio Biography

Maggie Smith

Behind the Mic Radio Show!

Avalon Time Radio Show!

Kaliman Radio Novela

Words at War Radio Show!

The Podcast Wore Tennis Shoes

La Dernière Minute

Tales of the Texas Rangers

Bob Hope Radio Show

Everything is Super Marvel

Reel Echoes

Monthly Movie Club

Fun N Games with X

Make Your Own Damn Podcast

Have You Scene It With Emily Bray

The Lord of the Rings Disc 1

SMR’s Talk Shop

A Cinema Odyssey

Dirty Dancing: One Song at a Time

Поп-культурный Код

NWC Podcast

Glass Half Full with Daniell and Kavin

Ripleys Believe it or Kill Me!

Notebooking Cinema

Feast of Fun : A Gay Talk Show : Plus+

Someone's In My Fruit Cellar Podcast

Bri's Razzie Roundup