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Kicked out of anime club? No problem! Just listen to Running in the 90s, where three random goofuses talk about the anime that we grew up watching. Each week, we break down episodes, explore fandom content, and experience nostalgia for our favorite classic anime. Watch along with us as we work our way through Yu Yu Hakusho: Spirit Detective!

Running in the 90s

Podcast de entrevistas com realizadores de cinema sobre a experiência deles com a arte.

Imagem do perfil é do site vintagexretroxindustrial.wordpress.com, adquirida por meio do Creative Commons.

Podcast de entrevistas com realizadores de cinema sobre a experiência deles com a arte. Imagem do perfil é do site vintagexretroxindustrial.wordpress.com, adquirida por meio do Creative Commons.

Na Sala

Wöchentlich erscheinender Podcast der die Vorstellung neu publizierter Filme aus dem Bereich Horror und Phantasy im Kino und als Verkaufsversionen (DVD/Bluray) sowie Veröffentlichungen der beliebtesten Streamingdienste beinhaltet.

Ralfs Horrornews

Enjoy film analysis with a dose of nonsensical, sassy commentary? Watch the film with us! Every month, hosts Lara and Cheryl deep dive into a film and chat about four topics related to the movie. We draw comparisons with other films we have watched and chat about how the film industry has and continues to develop. Listen in on our lighthearted conversations as we watch and reflect on different film genres, with small doses of silliness sprinkled throughout! Theme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Enjoy film analysis with a dose of nonsensical, sassy commentary? Watch the film with us! Every month, hosts Lara and Cheryl deep dive into a film and chat about four topics related to the movie. We draw comparisons with other films we have watched and chat about how the film industry has and continues to develop. Listen in on our lighthearted conversations as we watch and reflect on different film genres, with small doses of silliness sprinkled throughout! Theme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Watch The Film With Us

Trois amis se retrouvent pour décortiquer la carrière filmique de l'agent secret le plus célèbre du monde : James Bond. Ensemble, ils analysent chacun des films de la saga de 007. Quelles missions sont les plus mémorables ? Quels gadgets faut-il oublier ? Vous le saurez avec ... Le Bond à Rebours !

Bond à Rebours

Feed criado para postar os episódios antigos do finado Jurassicast, um dos melhores podcasts de cinema.

Jurassicast

幽默说书人讲述 “古今历史人物笑谈，成功失败才华义情”。这里有书籍、有历史、有电影、有文化、有文学、有艺术、有故事、有八卦、有轶闻、有野史、有评论……看你所看，听你所听，闻你所闻少刷一分钟小视频，多听一分钟小文艺不知不觉，成为更好的自己

幽默说书人讲述 “古今历史人物笑谈，成功失败才华义情”。这里有书籍、有历史、有电影、有文化、有文学、有艺术、有故事、有八卦、有轶闻、有野史、有评论……看你所看，听你所听，闻你所闻少刷一分钟小视频，多听一分钟小文艺不知不觉，成为更好的自己

幽默说书人讲述 “古今历史人物笑谈，成功失败才华义情”。这里有书籍、有历史、有电影、有文化、有文学、有艺术、有故事、有八卦、有轶闻、有野史、有评论……看你所看，听你所听，闻你所闻少刷一分钟小视频，多听一分钟小文艺不知不觉，成为更好的自己

去他的xx

Si te gusta el cine estás en el lugar indicado, agarra tus palomitas y disfrutalo. LA PRIMERA TEMPORADA YA ESTÁ DISPONIBLE! GÉNEROS DEL CINE CON EL CESAR. 
REFERENCIAS: https://n9.cl/papgu

Si te gusta el cine estás en el lugar indicado, agarra tus palomitas y disfrutalo. LA PRIMERA TEMPORADA YA ESTÁ DISPONIBLE! GÉNEROS DEL CINE CON EL CESAR. REFERENCIAS: https://n9.cl/papgu

CINE CON EL CESAR

Podcast

Johannes Fries und Markus Klemt ziehen aus einem Hut eine Kategorie mit Filmbezug.
Das können Kategorien sein wie:

- Filme die hauptsächlich auf oder unter dem Wasser spielen
- Filme mit einer Farbe im Titel
- Filme die besser sind als ihre Vorlage
usw.

Spontan erstellt jeder seine Top 5 der Kategorie und stellt die Filme abwechselnd seinem Gegenüber vor.

Die Folgen wurden ursprünglich als Videos für YouTube zwischen Oktober 2016 und Juli 2018 aufgenommen.

Johannes Fries und Markus Klemt ziehen aus einem Hut eine Kategorie mit Filmbezug. Das können Kategorien sein wie: - Filme die hauptsächlich auf oder unter dem Wasser spielen - Filme mit einer Farbe im Titel - Filme die besser sind als ihre Vorlage usw. Spontan erstellt jeder seine Top 5 der Kategorie und stellt die Filme abwechselnd seinem Gegenüber vor. Die Folgen wurden ursprünglich als Videos für YouTube zwischen Oktober 2016 und Juli 2018 aufgenommen.

5 aus dem Hut

Horror is a form of media that has always fascinated the masses, whether they be obsessed with the adrenaline that comes with jump scares, or the thought-provoking endings that come with movies like "Us" and "The Blair Witch Project." With the mass amounts of horror pouring out into media in recent years, from movies, video games, and even literature, it's hard to filter out what's worth the time and what isn't. Being an avid horror fan, I'm here to help that filtering process and give you the rundown of what's worth seeing in theaters, or what should be played in the background.

Pulled Feathers: An Eagle's Guide to Horror

هنا نسرد قصص الجنود الذين ضحوا بحياتهم من أجل أوطانهم&nbsp; إنتاج : إذاعة الصمود&nbsp;

هنا نسرد قصص الجنود الذين ضحوا بحياتهم من أجل أوطانهم  إنتاج : إذاعة الصمود 

هنا نسرد قصص الجنود الذين ضحوا بحياتهم من أجل أوطانهم&nbsp; إنتاج : إذاعة الصمود&nbsp;

جنود خلدهم التاريخ

<div>Berry and Robin are a mom and son podcast team that talk about movies and their lives.&nbsp;</div>

Berry and Robin are a mom and son podcast team that talk about movies and their lives. 

Berry and Robin are a mom and son podcast team that talk about movies and their lives.&nbsp;

B&R at the Movies

Willkommen bei CRUISE CONTROL, dem Tom Cruise Film-Podcast des CINE ENTERTAINMENT TALK. Hier gehen wir die Filmkarriere des amerikanischen Schauspielers chronologisch durch und besprechen mit wechselnden Gästen pro Folge einen Film des letzten großen Superstars.

Cruise Control: Der Tom Cruise Film-Podcast

إعداد وتقديم إيمان السباعي

إعداد وتقديم إيمان السباعي

تذكرة سينما

Local – 2GuysTalking Podcast Network

Take 5 uncovers wild ties between movies, TV, music, and culture—linking 5 never-paired things. Shocking twists, sneaky 90s patterns, “how?!” mic-drop moments. Your favorites? We’re gonna find a way to connect them to Jurassic Park! Spoiler: history’s never been this fun

Music and Art by Ben Coe

Take 5 uncovers wild ties between movies, TV, music, and culture—linking 5 never-paired things. Shocking twists, sneaky 90s patterns, “how?!” mic-drop moments. Your favorites? We’re gonna find a way to connect them to Jurassic Park! Spoiler: history’s never been this fun Music and Art by Ben Coe

Take 5

0 expertos, 1 película, 2 o 3 o 4 amigos, 5comentarios.

Somos dos amigos aburridos y sin idea de cine, pero al parecer con mucho tiempo libre. ¿Sabemos de lo que hablamos? No. ¿Nos importa? Tampoco. Aquí hablar sin saber es el objetivo.

Cada semana, nos sentamos a charlar sobre películas que probablemente tú también has visto y tratamos de entenderlas. Aquí no analizamos, solo lo intentamos.

¡Esto es 5mentarios!

0 expertos, 1 película, 2 o 3 o 4 amigos, 5comentarios. Somos dos amigos aburridos y sin idea de cine, pero al parecer con mucho tiempo libre. ¿Sabemos de lo que hablamos? No. ¿Nos importa? Tampoco. Aquí hablar sin saber es el objetivo. Cada semana, nos sentamos a charlar sobre películas que probablemente tú también has visto y tratamos de entenderlas. Aquí no analizamos, solo lo intentamos. ¡Esto es 5mentarios!

5mentarios

This is "Telehell", Where We cover the worst, the dumbest, the most sin-worthy of TV moments from the past 7 decades. Then, we rate them on a scale based on Dante's 9 circles of Hell. Add dry wit and cheesy jokes to the mix, and you've got something that will last throughout eternity--we hope. We drop a new episode Bi-Weekly on Sunday Night (EST) Until then, thanks for coming and remember our Motto: "If It's Not in Telehell...It's Not worth a Damn!"<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

This is "Telehell", Where We cover the worst, the dumbest, the most sin-worthy of TV moments from the past 7 decades. Then, we rate them on a scale based on Dante's 9 circles of Hell. Add dry wit and cheesy jokes to the mix, and you've got something that will last throughout eternity--we hope. We drop a new episode Bi-Weekly on Sunday Night (EST) Until then, thanks for coming and remember our Motto: "If It's Not in Telehell...It's Not worth a Damn!" Hosted on Acast. See acast.com/privacy for more information.

This is "Telehell", Where We cover the worst, the dumbest, the most sin-worthy of TV moments from the past 7 decades. Then, we rate them on a scale based on Dante's 9 circles of Hell. Add dry wit and cheesy jokes to the mix, and you've got something that will last throughout eternity--we hope. We drop a new episode Bi-Weekly on Sunday Night (EST) Until then, thanks for coming and remember our Motto: "If It's Not in Telehell...It's Not worth a Damn!" Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Telehell

Reel Disasters

Tony Chickadee and Joe Stanwood travel through time, revisit their favorite movies of the 80's and 90's, and perhaps learn a little bit about love.

VHS Time Machine Podcast

Hosted by Ben Miller, a straight, white, cis-gendered, American male (in a good way), a diverse group of guests talk about the films they love that specifically targeted for them and their specific tastes. This is a podcast about empathy, through film.

Target Audience

Embark on a transformative journey as we explore the profound spiritual themes woven into the Star Wars saga. Each episode delves into the life of an iconic character, uncovering the spiritual archetypes they represent and the timeless lessons they offer. From Luke Skywalker’s heroic quest for self-discovery to Ahsoka Tano’s path of independence and integrity, we connect the dots between these epic narratives and our own life experiences. Join us in navigating the complexities of life and spirituality, guided by the wisdom of a galaxy far, far away. Whether you’re a lifelong Star Wars fan or seeking inspiration for personal growth, this podcast offers insightful conversations to awaken the Force within you.

Myth, Mind, and Midichlorians

Animation Discussion, Commentaries and more including the Looney Tunes Review Project where I will be reviewing all 1000 Looney Tunes shorts in Depth!

Anthony’s Animation Talk

The <a href="https://en.wikipedia.org/wiki/National_Broadcasting_Company" target="_blank" rel="noreferrer noopener">National Broadcasting Company</a>'s NBC Radio Network (also known as the NBC Red Network from 1927 to 1942)<a href="https://en.wikipedia.org/wiki/NBC_Radio_Network#cite_note-2" target="_blank" rel="noreferrer noopener">[a]</a> was an American commercial radio network which was in continuous operation from 1926 through 1999. Along with the <a href="https://en.wikipedia.org/wiki/NBC_Blue_Network" target="_blank" rel="noreferrer noopener">NBC Blue Network</a>, it was one of the first two nationwide networks established in the United States. Its major competitors were the <a href="https://en.wikipedia.org/wiki/CBS_Radio" target="_blank" rel="noreferrer noopener">Columbia Broadcasting System</a> (CBS), founded in 1927, and the <a href="https://en.wikipedia.org/wiki/Mutual_Broadcasting_System" target="_blank" rel="noreferrer noopener">Mutual Broadcasting System</a>, founded in 1934.  In 1942, NBC was required to divest one of its national networks, so it sold NBC Blue, which was soon renamed the <a href="https://en.wikipedia.org/wiki/American_Broadcasting_Company" target="_blank" rel="noreferrer noopener">American Broadcasting Company</a> (ABC). After this separation, the Red Network continued as the NBC Radio Network.For the first 61 years of its existence, this network was owned by the <a href="https://en.wikipedia.org/wiki/Radio_Corporation_of_America" target="_blank" rel="noreferrer noopener">Radio Corporation of America</a> (RCA) with <a href="https://en.wikipedia.org/wiki/New_York_City" target="_blank" rel="noreferrer noopener">New York City</a> radio station <a href="https://en.wikipedia.org/wiki/WFAN_(AM)" target="_blank" rel="noreferrer noopener">WEAF</a> (renamed WNBC in 1946, WRCA in 1954 and again as WNBC in 1960) as its <a href="https://en.wikipedia.org/wiki/Flagship_station" target="_blank" rel="noreferrer noopener">flagship station</a>. Following the emergence of television as the dominant entertainment medium and much of NBC Radio's talent migrating both to CBS and NBC television, the network made multiple investments in programming in hopes of retaining relevance. These included the weekend program umbrella <a href="https://en.wikipedia.org/wiki/Monitor_(radio_program)" target="_blank" rel="noreferrer noopener">Monitor</a> (1955–1975), the <a href="https://en.wikipedia.org/wiki/All-news" target="_blank" rel="noreferrer noopener">all-news</a> focused NBC News and Information Service (1975–1977) and the <a href="https://en.wikipedia.org/wiki/Talk_radio" target="_blank" rel="noreferrer noopener">talk radio</a> service <a href="https://en.wikipedia.org/wiki/NBC_Talknet" target="_blank" rel="noreferrer noopener">NBC Talknet</a>, all of which encountered varying degrees of success and failure.

The National Broadcasting Company's NBC Radio Network (also known as the NBC Red Network from 1927 to 1942)[a] was an American commercial radio network which was in continuous operation from 1926 through 1999. Along with the NBC Blue Network, it was one of the first two nationwide networks established in the United States. Its major competitors were the Columbia Broadcasting System (CBS), founded in 1927, and the Mutual Broadcasting System, founded in 1934. In 1942, NBC was required to divest one of its national networks, so it sold NBC Blue, which was soon renamed the American Broadcasting Company (ABC). After this separation, the Red Network continued as the NBC Radio Network.For the first 61 years of its existence, this network was owned by the Radio Corporation of America (RCA) with New York City radio station WEAF (renamed WNBC in 1946, WRCA in 1954 and again as WNBC in 1960) as its flagship station.Following the emergence of television as the dominant entertainment medium and much of NBC Radio's talent migrating both to CBS and NBC television, the network made multiple investments in programming in hopes of retaining relevance. These included the weekend program umbrella Monitor (1955–1975), the all-news focused NBC News and Information Service (1975–1977) and the talk radio service NBC Talknet, all of which encountered varying degrees of success and failure.

The&nbsp;<a href="https://en.wikipedia.org/wiki/National_Broadcasting_Company" rel="noopener noreferrer">National Broadcasting Company</a>'s&nbsp;NBC Radio Network&nbsp;(also known as the&nbsp;NBC Red Network&nbsp;from 1927 to 1942)<a href="https://en.wikipedia.org/wiki/NBC_Radio_Network#cite_note-2" rel="noopener noreferrer">[a]</a>&nbsp;was an American commercial radio network which was in continuous operation from 1926 through 1999. Along with the&nbsp;<a href="https://en.wikipedia.org/wiki/NBC_Blue_Network" rel="noopener noreferrer">NBC Blue Network</a>, it was one of the first two nationwide networks established in the United States. Its major competitors were the&nbsp;<a href="https://en.wikipedia.org/wiki/CBS_Radio" rel="noopener noreferrer">Columbia Broadcasting System</a>&nbsp;(CBS), founded in 1927, and the&nbsp;<a href="https://en.wikipedia.org/wiki/Mutual_Broadcasting_System" rel="noopener noreferrer">Mutual Broadcasting System</a>, founded in 1934. &nbsp;In 1942, NBC was required to divest one of its national networks, so it sold NBC Blue, which was soon renamed the <a href="https://en.wikipedia.org/wiki/American_Broadcasting_Company" rel="noopener noreferrer">American Broadcasting Company</a>&nbsp;(ABC). After this separation, the Red Network continued as the NBC Radio Network.For the first 61 years of its existence, this network was owned by the&nbsp;<a href="https://en.wikipedia.org/wiki/Radio_Corporation_of_America" rel="noopener noreferrer">Radio Corporation of America</a>&nbsp;(RCA) with&nbsp;<a href="https://en.wikipedia.org/wiki/New_York_City" rel="noopener noreferrer">New York City</a>&nbsp;radio station&nbsp;<a href="https://en.wikipedia.org/wiki/WFAN_(AM)" rel="noopener noreferrer">WEAF</a>&nbsp;(renamed WNBC in 1946, WRCA in 1954 and again as WNBC in 1960) as its&nbsp;<a href="https://en.wikipedia.org/wiki/Flagship_station" rel="noopener noreferrer">flagship station</a>. Following the emergence of television as the dominant entertainment medium and much of NBC Radio's talent migrating both to CBS and NBC television, the network made multiple investments in programming in hopes of retaining relevance. These included the weekend program umbrella&nbsp;<a href="https://en.wikipedia.org/wiki/Monitor_(radio_program)" rel="noopener noreferrer">Monitor</a>&nbsp;(1955–1975), the&nbsp;<a href="https://en.wikipedia.org/wiki/All-news" rel="noopener noreferrer">all-news</a>&nbsp;focused NBC News and Information Service (1975–1977) and the&nbsp;<a href="https://en.wikipedia.org/wiki/Talk_radio" rel="noopener noreferrer">talk radio</a>&nbsp;service&nbsp;<a href="https://en.wikipedia.org/wiki/NBC_Talknet" rel="noopener noreferrer">NBC Talknet</a>, all of which encountered varying degrees of success and failure.

NBC 50 Years of Radio

he Rotary Golden Theater was produced by the International Rotary Association in 1955 to celebrate it’s 50th anniversary. Consisting of thirteen 15 minute episodes, it was provided to local Rotary Clubs for broadcast on local stations. In conjunction, thirteen discussion scripts were also offered to be used as follow-up broadcasts or for use as program and educational material where local broadcast might not be possible. Broadcast from March 1, 1955 through March 18, 1955, five times a week. Each episode featured a different situation involving persons with a problem, with the solution being provided by the Rotary Club. Typical of the recordings is “Youth, Yesterday and Today”.

he Rotary Golden Theater was produced by the International Rotary Association in 1955 to celebrate it’s 50th anniversary. Consisting of thirteen 15 minute episodes, it was provided to local Rotary Clubs for broadcast on local stations. In conjunction, thirteen discussion scripts were also offered to be used as follow-up broadcasts or for use as program and educational material where local broadcast might not be possible. Broadcast from March 1, 1955 through March 18, 1955, five times a week.Each episode featured a different situation involving persons with a problem, with the solution being provided by the Rotary Club. Typical of the recordings is “Youth, Yesterday and Today”.

he&nbsp;Rotary Golden Theater&nbsp;was produced by the International Rotary Association in 1955 to celebrate it’s 50th anniversary. Consisting of thirteen 15 minute episodes, it was provided to local Rotary Clubs for broadcast on local stations. In conjunction, thirteen discussion scripts were also offered to be used as follow-up broadcasts or for use as program and educational material where local broadcast might not be possible. Broadcast from March 1, 1955 through March 18, 1955, five times a week. Each episode featured a different situation involving persons with a problem, with the solution being provided by the Rotary Club. Typical of the recordings is “Youth, Yesterday and Today”.

Rotary Golden Theater Radio Show!

سکانس و صفحه پادکستی‌ است برای آن‌ دسته از لحظه‌ها که سینما و ادبیات دست به دست هم می‌دهند تا ردی از انسان در تنهایی، عشق، فقدان یا رؤیا ثبت کنند.
در هر اپیزود، قدمی برمی‌داریم میان قاب‌های ماندگار فیلم‌ها و واژه‌های جادویی کتاب‌ها، تا از دل روایت‌ها، خودمان را بهتر بشناسیم.

سکانس و صفحه پادکستی‌ است برای آن‌ دسته از لحظه‌ها که سینما و ادبیات دست به دست هم می‌دهند تا ردی از انسان در تنهایی، عشق، فقدان یا رؤیا ثبت کنند. در هر اپیزود، قدمی برمی‌داریم میان قاب‌های ماندگار فیلم‌ها و واژه‌های جادویی کتاب‌ها، تا از دل روایت‌ها، خودمان را بهتر بشناسیم.

Sekans va Safhe  /   سکانس و صفحه

She Paid the Bills: The Women Who Made the Movies rips the curtain back on Old Hollywood to reveal the powerhouse women who invented and kept the industry running — whether they got the credit or not.

From capable directors who called the shots to screen sirens who weren’t just pretty faces, this is where their stories finally get the spotlight they deserve. 

If you love classic movies, fierce women, and stories of ambition, scandal, and success, this is the podcast you’ve been waiting for.

Lights, camera, listen! 🎬✨ <a href="https://shepaidthebillspod.substack.com?utm_medium=podcast">shepaidthebillspod.substack.com</a>

She Paid the Bills: The Women Who Made the Movies rips the curtain back on Old Hollywood to reveal the powerhouse women who invented and kept the industry running — whether they got the credit or not. From capable directors who called the shots to screen sirens who weren’t just pretty faces, this is where their stories finally get the spotlight they deserve. If you love classic movies, fierce women, and stories of ambition, scandal, and success, this is the podcast you’ve been waiting for. Lights, camera, listen! 🎬✨ shepaidthebillspod.substack.com

She Paid the Bills: The Women Who Made the Movies rips the curtain back on Old Hollywood to reveal the powerhouse women who invented and kept the industry running — whether they got the credit or not.

From capable directors who called the shots to screen sirens who weren’t just pretty faces, this is where their stories finally get the spotlight they deserve. 

If you love classic movies, fierce women, and stories of ambition, scandal, and success, this is the podcast you’ve been waiting for.

Lights, camera, listen! 🎬✨ <a href="https://shepaidthebillspod.substack.com?utm_medium=podcast" rel="noopener noreferrer">shepaidthebillspod.substack.com</a>

She Paid the Bills: The Women Who Made the Movies

Join us as we pit the highest grossing movie of a year against a box office bomb from that same year gladiator style. 1970 to now picked at random every week!

Join us as we pit the highest grossing movie of a year against a box office bomb from that same year gladiator style. 1970 to now picked at random every week!

Cash vs Trash

Romance of the Ranchos ran from 1941 to 1946 and told the story of the expeditions of men and women that tried to tame the wilds that existed in early California. The show brought an appreciation of California through understanding of its past.

Romance of the Rancho's Radio Show!

Seven friends (unaffiliated with rom-com actress Emma Roberts) each write a part of a script to create one movie — but they are only allowed to read the part right before theirs. This creates a hilariously unforgettable film. You&#39;ve never seen — or heard — a movie like this before! For more laughs and extra goofs, check out our -Insta: @starringemmarobertsTwitter: @starringemmarob

Seven friends (unaffiliated with rom-com actress Emma Roberts) each write a part of a script to create one movie — but they are only allowed to read the part right before theirs. This creates a hilariously unforgettable film. You've never seen — or heard — a movie like this before! For more laughs and extra goofs, check out our - Insta: @starringemmaroberts Twitter: @starringemmarob

Seven friends (unaffiliated with rom-com actress Emma Roberts) each write a part of a script to create one movie — but they are only allowed to read the part right before theirs. This creates a hilariously unforgettable film. You've never seen — or heard — a movie like this before! For more laughs and extra goofs, check out our -Insta: @starringemmarobertsTwitter: @starringemmarob

Starring Emma Roberts

Magic Island was a science-fantasy radio serial syndicated in the late 1930s and 1940s. The series had 130 15-minute episodes, and all episodes have survived.The storyline followed wealthy Patricia Gregory as she ended her 14-year search in the South Pacific for her long lost daughter Joan. When Joan was one year old, the Gregory yacht was shipwrecked near the 30th parallel south. Lashed to a lifeboat, Joan was presumed lost by all but Patricia. In the opening episode, she receives a tip about a white girl living on a mysterious island populated by scientifically advanced people in the Pacific. After the reunion of mother and daughter, the program dramatized their subsequent adventures on the island, which could submerge to escape detection. Targeted at a juvenile audience, Magic Island featured Sally Creighton as Patricia Gregory, Rosa Barcelo as Joan Gregory, Tommy Carr as Jerry Hall and Will H. Reynolds as Capt. Tex Bradford.The producer-writer was Perry (Percy C.) Crandall, who was also a cast member and the program's announcer. Crandall, who had acted in stock companies in the 1920s, was a continuity writer in the early 1930s for Hollywood station KNX, where "Magic Island" was first presented in 1935. He also produced "Si and Elmer", a hayseed amateur detective serial, while there in 1932. He was with San Diego station KBD just before moving in 1937 to Atlas Radio Corp., Hollywood, when it placed Magic Island in syndication. Atlas released the series in that year's transcription-syndication catalog and it continued in trade paper syndication listings for Radio Producers of Hollywood well into the 1940s. Crandall died of pneumonia in January, 1939, at age 38, just as the recorded series was finding an audience as a transcription feature

Magic Island was a science-fantasy radio serial syndicated in the late 1930s and 1940s. The series had 130 15-minute episodes, and all episodes have survived.The storyline followed wealthy Patricia Gregory as she ended her 14-year search in the South Pacific for her long lost daughter Joan. When Joan was one year old, the Gregory yacht was shipwrecked near the 30th parallel south. Lashed to a lifeboat, Joan was presumed lost by all but Patricia. In the opening episode, she receives a tip about a white girl living on a mysterious island populated by scientifically advanced people in the Pacific. After the reunion of mother and daughter, the program dramatized their subsequent adventures on the island, which could submerge to escape detection.Targeted at a juvenile audience, Magic Island featured Sally Creighton as Patricia Gregory, Rosa Barcelo as Joan Gregory, Tommy Carr as Jerry Hall and Will H. Reynolds as Capt. Tex Bradford.The producer-writer was Perry (Percy C.) Crandall, who was also a cast member and the program's announcer. Crandall, who had acted in stock companies in the 1920s, was a continuity writer in the early 1930s for Hollywood station KNX, where "Magic Island" was first presented in 1935.He also produced "Si and Elmer", a hayseed amateur detective serial, while there in 1932. He was with San Diego station KBD just before moving in 1937 to Atlas Radio Corp., Hollywood, when it placed Magic Island in syndication. Atlas released the series in that year's transcription-syndication catalog and it continued in trade paper syndication listings for Radio Producers of Hollywood well into the 1940s. Crandall died of pneumonia in January, 1939, at age 38, just as the recorded series was finding an audience as a transcription feature

Magic Island&nbsp;was a science-fantasy radio serial syndicated in the late 1930s and 1940s. The series had 130 15-minute episodes, and all episodes have survived.The storyline followed wealthy Patricia Gregory as she ended her 14-year search in the South Pacific for her long lost daughter Joan. When Joan was one year old, the Gregory yacht was shipwrecked near the&nbsp;30th parallel south. Lashed to a lifeboat, Joan was presumed lost by all but Patricia. In the opening episode, she receives a tip about a white girl living on a mysterious island populated by scientifically advanced people in the Pacific. After the reunion of mother and daughter, the program dramatized their subsequent adventures on the island, which could submerge to escape detection. Targeted at a juvenile audience,&nbsp;Magic Island&nbsp;featured&nbsp;Sally Creighton&nbsp;as Patricia Gregory,&nbsp;Rosa Barcelo as Joan Gregory, Tommy Carr as Jerry Hall and Will H. Reynolds as Capt. Tex Bradford.The producer-writer was Perry (Percy C.) Crandall, who was also a cast member and the program's announcer. Crandall, who had acted in stock companies in the 1920s, was a continuity writer in the early 1930s for Hollywood station KNX, where "Magic Island" was first presented in 1935. He also produced "Si and Elmer", a hayseed amateur detective serial, while there in 1932. He was with San Diego station KBD just before moving in 1937 to Atlas Radio Corp., Hollywood, when it placed Magic Island in syndication. Atlas released the series in that year's transcription-syndication catalog and it continued in trade paper syndication listings for Radio Producers of Hollywood well into the 1940s. Crandall died of pneumonia in January, 1939, at age 38, just as the recorded series was finding an audience as a transcription feature

Magic Island Radio Show!

Picture this: it's the new millennium. There are movie stars, the box office overflows. The 'sequel' peeks her head over the horizon, she has yet to show us how formidable she can be. Television? We don't truly know her. Any movie stands a chance to make money, but Oscar has her own set of rules. The pomposity! The artifice! The performances of the presenters, the winners, and always, always, the losers. Two women needed to discuss, and they have some notes.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Picture this: it's the new millennium. There are movie stars, the box office overflows. The 'sequel' peeks her head over the horizon, she has yet to show us how formidable she can be. Television? We don't truly know her. Any movie stands a chance to make money, but Oscar has her own set of rules. The pomposity! The artifice! The performances of the presenters, the winners, and always, always, the losers. Two women needed to discuss, and they have some notes. Hosted on Acast. See acast.com/privacy for more information.

Picture this: it's the new millennium. There are movie stars, the box office overflows. The 'sequel' peeks her head over the horizon, she has yet to show us how formidable she can be. Television? We don't truly know her. Any movie stands a chance to make money, but Oscar has her own set of rules. The pomposity! The artifice! The performances of the presenters, the winners, and always, always, the losers. Two women needed to discuss, and they have some notes. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Film History Podcasts / Page 70

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