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Film History

A weekly improvised podcast that discusses (made-up) films.

Forgotten Films

Some people enjoy movies. For others, it’s a way of life. My Celluloid Heart is a weekly podcast filled with deep, passionate, and detailed discussions about the films we love. Combining two movies, over two episodes, with a central theme or topic. Join Phillip and his cousin Chip for the conversations about movies you’d like to have with your own friends.

My Celluloid Heart Podcast

An Introspective reflective perspective watch-along of the movies that shaped us from the 70's, 80's, 90's and beyond... The best and worst of horror, sci-fi, flops and schlock - with talk.

Birdhands

Is It a Bird is a podcast where a couple watch comic book movies. One of them thinks comic books and the movies based on them are pretty great. The other does not.

Is It A Bird

Before radio, before television, before movies, there was Music Hall. This was the People’s Entertainment in the golden decade before the Great War. The Fun Factory is a historical comedy about the history of comedy, in which our hero Arthur Dandoe enters the world of music hall and The Fred Karno Company. Along the way Arthur encounters intense rivalry (Charlie Chaplin), passionate romance (Tilly Beckett) and great friendship (Stan Laurel). “Richly enjoyable… packed with intriguing details about&nbsp;a vanished world of entertainment”&nbsp;&nbsp;&nbsp;&nbsp;THE GUARDIAN Written and read by Chris England.Produced by Mark Augustyn Contact: thefunfactorypodcast@gmail.com <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Before radio, before television, before movies, there was Music Hall. This was the People’s Entertainment in the golden decade before the Great War. The Fun Factory is a historical comedy about the history of comedy, in which our hero Arthur Dandoe enters the world of music hall and The Fred Karno Company. Along the way Arthur encounters intense rivalry (Charlie Chaplin), passionate romance (Tilly Beckett) and great friendship (Stan Laurel). “Richly enjoyable… packed with intriguing details about a vanished world of entertainment”    THE GUARDIAN Written and read by Chris England. Produced by Mark Augustyn Contact: thefunfactorypodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Before radio, before television, before movies, there was Music Hall. This was the People’s Entertainment in the golden decade before the Great War. The Fun Factory is a historical comedy about the history of comedy, in which our hero Arthur Dandoe enters the world of music hall and The Fred Karno Company. Along the way Arthur encounters intense rivalry (Charlie Chaplin), passionate romance (Tilly Beckett) and great friendship (Stan Laurel). “Richly enjoyable… packed with intriguing details about&nbsp;a vanished world of entertainment”&nbsp;&nbsp;&nbsp;&nbsp;THE GUARDIAN Written and read by Chris England.Produced by Mark Augustyn Contact: thefunfactorypodcast@gmail.com Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Fun Factory

Der beste österreichische Filmpodcast über Klassiker, die man gesehen haben muss und Gurken, die durchaus im Regal der Videothek bleiben dürfen. Ein Filmpodcast in deutscher Sprache, aber mit Old Hollywood Charme. Otto und Sabrina lieben es nicht nur Gäste zu empfangen, sie unterhalten sich auch gern mit diesen - am liebsten über Filme. Analysen und Anekdoten mit Salonflair. Und am Ende jeder Folge gibt es eine Bestenliste als Inspiration für den nächsten Filmabend...

Otto und Sabrina haben einen Gast und reden über Filme

This is our flagship show, where we talk comics, movies, whatever. Hosted by Kenric Regan and John Horsley, they discuss whatever nerdy topic that comes to mind. Bringing on creators from all forums, covering conventions across the globe, and reviewing the things they love, you are always in for a good time when you travel to Spoiler Country!

Spoiler Country

Your new favorite movie podcast that's not quite a dumpster fire. But it's close.

Movie S#itshow

Kyle and Cody, two small-town Saskatchewan film critics ask the question of what makes a film, a bad film. They travel through a highly unorthodox list of films- some box office hits and some flops, to get the answer they are looking for. In their quest, they have found some hidden and not so well hidden gems.

Kyle and Cody's Cult Cinema Cast

Podcasts about bad movies? What is this the 90s? Podcasts about good movies? Passé! Shite &amp; Sound is the only podcast brave enough to talk about a good movie and a bad movie, at the same time. Each week, comedians and film buffs Finn Nicolas and Uther Dean watch and review two films, one critically beloved, the other critically reviled, and they try to work out whether these movies are Shite or Sound. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Podcasts about bad movies? What is this the 90s? Podcasts about good movies? Passé! Shite & Sound is the only podcast brave enough to talk about a good movie and a bad movie, at the same time. Each week, comedians and film buffs Finn Nicolas and Uther Dean watch and review two films, one critically beloved, the other critically reviled, and they try to work out whether these movies are Shite or Sound. Hosted on Acast. See acast.com/privacy for more information.

Podcasts about bad movies? What is this the 90s? Podcasts about good movies? Passé! Shite &amp; Sound is the only podcast brave enough to talk about a good movie and a bad movie, at the same time. Each week, comedians and film buffs Finn Nicolas and Uther Dean watch and review two films, one critically beloved, the other critically reviled, and they try to work out whether these movies are Shite or Sound. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Shite & Sound

Welcome to Last Night I Watched, a film review book club style podcast.Each episode Husband and Wife Co-hosts Luke and Devon discuss the weeks chosen film, the budget, awards, cast, props and more.Follow us at @LNIWpodcast and www.lastnightiwatched.com

Last Night I Watched

People are fascinated by the strange and horrifying. And we're two bearded dudes here to break down all the movies that freak you out and make your skin crawl. Whether you're a hardcore horror fan or you watch peeking between your fingers, Bearded B-Roll is perfect for you. New episodes every Monday, Wednesday and Friday!

People are fascinated by the strange and horrifying. And we're two bearded dudes here to break down all the movies that freak you out and make your skin crawl. Whether you're a hardcore horror fan or you watch peeking between your fingers, Bearded B-Roll is perfect for you. New episodes every Monday, Wednesday and Friday!

People are fascinated by the strange and horrifying. And we're two bearded dudes here to break down all the movies that freak you out and make your skin crawl. Whether you're a hardcore horror fan or you watch peeking between your fingers, Bearded B-Roll is perfect for you. New episodes every&nbsp;Monday,&nbsp;Wednesday&nbsp;and&nbsp;Friday!

Bearded B-Roll

Podcast dedicado a la vida y obra de las y los más grandes directores de cine de la historia.

Grandes Direcciones Grandes Películas

O 1º Podcast de Casamento de Ribeirão Preto e Região!

Talk Wedding

Two men named Budword and Zack Ward take the cinematic world by storm by watching every movie in existence alongside their very special guests! Sync up the movie and watch along with us!

Eternal Watch Party

A wacky movie review show made (especially) for the strange and unusual...

Hosted by Henry Faherty & Elle DeWeese!

Buds Nation Podcasts:
Film Buds
Music Buds
FrankenFilms
Artists We Admire

A wacky movie review show made (especially) for the strange and unusual... Hosted by Henry Faherty & Elle DeWeese! Buds Nation Podcasts: Film Buds Music Buds FrankenFilms Artists We Admire

A wacky movie review show made (especially) for the strange and unusual...

Hosted by Henry Faherty &amp; Elle DeWeese!

Buds Nation Podcasts:
Film Buds
Music Buds
FrankenFilms
Artists We Admire

FrankenFilms

电影，作为20世纪最具影响力的艺术形式之一，既是一种技术的奇迹，也是一面反映人类文化的镜子。从黑白到彩色，从默片到全景声，从胶片到数字，电影的每一次技术革新都带来了叙事方式的跃升和艺术表达的拓展。它承载了时代的情绪、社会的变迁和文化的反思，更为人类提供了一种凝视自身的方式。正因为如此，我们会说，电影是一种艺术，也是一种语言，更是一种哲学。在这个专栏中，我们怀着虔诚与敬意，以严谨的学术视角和谦逊的态度，试图追随历史的脚步，去触摸那些在电影史上闪耀着非凡光芒的杰作。从1920年代到2020年代，我们将依循时间顺序，每个时期择选其中最具艺术价值和时代突破性的电影作品。这些电影的伟大之处不仅在于它们的艺术成就，更在于它们深深植根于时代，反映了当时的社会、文化与人性。在这光影交织的世纪长河中，我们只是讲述者，而真正伟大的，是这些作品本身。 电影的历史，是一部人类情感与思想的视觉史诗。从默片到流媒体，每一部杰作都定义了一个时代，也在无形中塑造了我们的文化记忆。在这500部电影的旅程中，我们感受到的，是电影艺术的伟大，与人类精神的无限创造力。欢迎关注我并订阅我们的专辑。您将第一时间收到我们的更新，让我们一起感受电影历史的辉煌与深意。愿这些伟大的作品成为您探索光影艺术的，不竭动力。

电影，作为20世纪最具影响力的艺术形式之一，既是一种技术的奇迹，也是一面反映人类文化的镜子。从黑白到彩色，从默片到全景声，从胶片到数字，电影的每一次技术革新都带来了叙事方式的跃升和艺术表达的拓展。它承载了时代的情绪、社会的变迁和文化的反思，更为人类提供了一种凝视自身的方式。正因为如此，我们会说，电影是一种艺术，也是一种语言，更是一种哲学。在这个专栏中，我们怀着虔诚与敬意，以严谨的学术视角和谦逊的态度，试图追随历史的脚步，去触摸那些在电影史上闪耀着非凡光芒的杰作。从1920年代到2020年代，我们将依循时间顺序，每个时期择选其中最具艺术价值和时代突破性的电影作品。这些电影的伟大之处不仅在于它们的艺术成就，更在于它们深深植根于时代，反映了当时的社会、文化与人性。在这光影交织的世纪长河中，我们只是讲述者，而真正伟大的，是这些作品本身。电影的历史，是一部人类情感与思想的视觉史诗。从默片到流媒体，每一部杰作都定义了一个时代，也在无形中塑造了我们的文化记忆。在这500部电影的旅程中，我们感受到的，是电影艺术的伟大，与人类精神的无限创造力。欢迎关注我并订阅我们的专辑。您将第一时间收到我们的更新，让我们一起感受电影历史的辉煌与深意。愿这些伟大的作品成为您探索光影艺术的，不竭动力。

电影，作为20世纪最具影响力的艺术形式之一，既是一种技术的奇迹，也是一面反映人类文化的镜子。从黑白到彩色，从默片到全景声，从胶片到数字，电影的每一次技术革新都带来了叙事方式的跃升和艺术表达的拓展。它承载了时代的情绪、社会的变迁和文化的反思，更为人类提供了一种凝视自身的方式。正因为如此，我们会说，电影是一种艺术，也是一种语言，更是一种哲学。在这个专栏中，我们怀着虔诚与敬意，以严谨的学术视角和谦逊的态度，试图追随历史的脚步，去触摸那些在电影史上闪耀着非凡光芒的杰作。从1920年代到2020年代，我们将依循时间顺序，每个时期择选其中最具艺术价值和时代突破性的电影作品。这些电影的伟大之处不仅在于它们的艺术成就，更在于它们深深植根于时代，反映了当时的社会、文化与人性。在这光影交织的世纪长河中，我们只是讲述者，而真正伟大的，是这些作品本身。 电影的历史，是一部人类情感与思想的视觉史诗。从默片到流媒体，每一部杰作都定义了一个时代，也在无形中塑造了我们的文化记忆。在这500部电影的旅程中，我们感受到的，是电影艺术的伟大，与人类精神的无限创造力。欢迎关注我并订阅我们的专辑。您将第一时间收到我们的更新，让我们一起感受电影历史的辉煌与深意。愿这些伟大的作品成为您探索光影艺术的，不竭动力。

百年光影｜穿越电影史璀璨光芒 感悟艺术与生命的共鸣

節目播放時間：美國西岸每星期六 5-6 PM http://www.am1430.net/ [K記冰室Podcast] 節目重溫 生活就是電影，看著一幕幕的情節，不單得到一些人生的領悟，還對現實社會有更多的理解。 我是阿Kay，一位電影迷，政治學者。 [K記冰室]，和你分享我所看到的電影畫面，我所理解的電影政治和社會文化！ IG: KayHo1430 https://www.instagram.com/kayho1430/ Facebook: https://shorturl.at/hoFGX Leave a comment and share your thoughts: https://open.firstory.me/user/clgzk5m1z0gcm01tb2i0a36aa/comments Powered by <a href="https://firstory.me/zh">Firstory Hosting</a>

節目播放時間：美國西岸每星期六 5-6 PM http://www.am1430.net/ [K記冰室Podcast] 節目重溫 生活就是電影，看著一幕幕的情節，不單得到一些人生的領悟，還對現實社會有更多的理解。 我是阿Kay，一位電影迷，政治學者。 [K記冰室]，和你分享我所看到的電影畫面，我所理解的電影政治和社會文化！ IG: KayHo1430 https://www.instagram.com/kayho1430/ Facebook: https://shorturl.at/hoFGX Leave a comment and share your thoughts: https://open.firstory.me/user/clgzk5m1z0gcm01tb2i0a36aa/comments Powered by Firstory Hosting

節目播放時間：美國西岸每星期六 5-6 PM http://www.am1430.net/ [K記冰室Podcast] 節目重溫 生活就是電影，看著一幕幕的情節，不單得到一些人生的領悟，還對現實社會有更多的理解。 我是阿Kay，一位電影迷，政治學者。 [K記冰室]，和你分享我所看到的電影畫面，我所理解的電影政治和社會文化！ IG: KayHo1430 https://www.instagram.com/kayho1430/ Facebook: https://shorturl.at/hoFGX Leave a comment and share your thoughts: https://open.firstory.me/user/clgzk5m1z0gcm01tb2i0a36aa/comments Powered by <a href="https://firstory.me/zh" rel="noopener noreferrer">Firstory Hosting</a>

K記冰室Podcast

A biweekly podcast where Conrad and Joe react to LGBTQ+ film from every country and every decade, complete with nuanced discussion of queer representation and issues.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

A biweekly podcast where Conrad and Joe react to LGBTQ+ film from every country and every decade, complete with nuanced discussion of queer representation and issues. Hosted on Acast. See acast.com/privacy for more information.

A biweekly podcast where Conrad and Joe react to LGBTQ+ film from every country and every decade, complete with nuanced discussion of queer representation and issues. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Queer Gaze

A horror podcast delving into the franchises you love from the perspectives of a life-long horror hound and a newbie to the genre. 📺

A horror podcast delving into the franchises you love from the perspectives of a life-long horror hound and a newbie to the genre. 📺

Third Channel Podcast

“Let’s talk, movies, music and magic! The Jamie and Steven show is an unofficial Disney podcast for Disney movie fans. The podcast is hosted by, yes you guessed it, Jamie and Steven, best friends, proud Disney adults, who met long ago when they worked at The Disney Store. They are watching ALL the Disney animated classics from the beginning, so each week they will be sharing behind the scenes, fun facts and their opinions on the films. Follow the show on Threads and Instagram @thejamieandstevenshow for more.”

The Jamie and Steven Show: Let's Talk Movies, Music and Magic!

Each week on the Weekly Movie Throwdown, hosts Mike Messineo and Steven Seighman compare two movies with striking similarities—whether it’s a release year, competing franchises, remake vs. original, or movies that share a genre or premise. Through in-depth film analysis, lively debate, and sharp humor, they break down performances, directing, screenwriting, cinematography, cultural impact, and rewatchability to decide which movie truly comes out on top. If you love passionate discussions about cinema, this is your weekly showdown. Folllow the show on social media and cast your vote for each week's winner! YOUTUBE: <a href="https://www.youtube.com/@MovieThrowdownPod" rel="noopener noreferrer" target="_blank">youtube.com/@MovieThrowdownPod</a>INSTAGRAM: <a href="https://www.instagram.com/moviethrowdownpod/" rel="noopener noreferrer" target="_blank">instagram.com/moviethrowdownpod/</a>TIKTOK: <a href="https://www.tiktok.com/@moviethrowdownpod" rel="noopener noreferrer" target="_blank">tiktok.com/@moviethrowdownpod</a>THREADS: <a href=" https://www.threads.com/@moviethrowdownpod" rel="noopener noreferrer" target="_blank">threads.com/@moviethrowdownpod</a>FACEBOOK: <a href="https://www.facebook.com/moviethrowdownpod" rel="noopener noreferrer" target="_blank">facebook.com/moviethrowdownpod</a>LETTERBOXD: <a href="https://letterboxd.com/moviethrowdown/" rel="noopener noreferrer" target="_blank">letterboxd.com/moviethrowdown/</a><hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Each week on the Weekly Movie Throwdown, hosts Mike Messineo and Steven Seighman compare two movies with striking similarities—whether it’s a release year, competing franchises, remake vs. original, or movies that share a genre or premise. Through in-depth film analysis, lively debate, and sharp humor, they break down performances, directing, screenwriting, cinematography, cultural impact, and rewatchability to decide which movie truly comes out on top. If you love passionate discussions about cinema, this is your weekly showdown. Folllow the show on social media and cast your vote for each week's winner! YOUTUBE: youtube.com/@MovieThrowdownPod INSTAGRAM: instagram.com/moviethrowdownpod/ TIKTOK: tiktok.com/@moviethrowdownpod THREADS: threads.com/@moviethrowdownpod FACEBOOK: facebook.com/moviethrowdownpod LETTERBOXD: letterboxd.com/moviethrowdown/ Hosted on Acast. See acast.com/privacy for more information.

Each week on the Weekly Movie Throwdown, hosts Mike Messineo and Steven Seighman compare two movies with striking similarities—whether it’s a release year, competing franchises, remake vs. original, or movies that share a genre or premise. Through in-depth film analysis, lively debate, and sharp humor, they break down performances, directing, screenwriting, cinematography, cultural impact, and rewatchability to decide which movie truly comes out on top. If you love passionate discussions about cinema, this is your weekly showdown. Folllow the show on social media and cast your vote for each week's winner! YOUTUBE: <a href="https://www.youtube.com/@MovieThrowdownPod" rel="noopener noreferrer">youtube.com/@MovieThrowdownPod</a>INSTAGRAM: <a href="https://www.instagram.com/moviethrowdownpod/" rel="noopener noreferrer">instagram.com/moviethrowdownpod/</a>TIKTOK: <a href="https://www.tiktok.com/@moviethrowdownpod" rel="noopener noreferrer">tiktok.com/@moviethrowdownpod</a>THREADS: <a href=" https://www.threads.com/@moviethrowdownpod" rel="noopener noreferrer">threads.com/@moviethrowdownpod</a>FACEBOOK: <a href="https://www.facebook.com/moviethrowdownpod" rel="noopener noreferrer">facebook.com/moviethrowdownpod</a>LETTERBOXD: <a href="https://letterboxd.com/moviethrowdown/" rel="noopener noreferrer">letterboxd.com/moviethrowdown/</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Weekly Movie Throwdown

Movie Bones is a film podcast adventure, exploring the rich history of movies available from free-streaming platforms to find out how much of it still has value, whether it&#39;s in the form of thought-provoking art-house films to cheesy cult classics. Justin Miller and Ryan Spurlock subject themselves to it all, and render judgement.And because the best adventures are shared, we hope you&#39;ll watch them alongside us. Especially because we talk spoilers. Did we mention that? I guess now we did. New episodes every Wednesday. If any of this sounds like your jam, feel free to follow us on your favorite podcast platform.Here&#39;s how we rate the films we dig up, based, naturally, on that most famous film archaeologist himself, Indiana Jones...  • “Fortune &amp; Glory” films are pure gold. They&#39;re movies to go back to again and again. These are the films would find a great home in your physical movie library, if you&#39;ve still got one - they&#39;re that good.  • “Trust Me” films are imperfect gems that still offer a really good time. Buy a digital copy to stream if you want to make sure you always have access to it.  • “Belongs in a Museum”: If you think of museums as places you pay to get in to see things you wouldn’t necessarily want to bring home with you, then you’ve got a good feel for this category.  If you can’t find these movies for free on sites like Tubi, you might still consider renting them off one of the paid platforms when the mood strikes.   • “Bad Dates”, happen when ‘free’ is the only price you’d be willing to pay to experience it, and only because at least one person showed up to make a good film. It could be the special effects were ahead of their time, the stunning cinematography, or some other aspect. But generally speaking, these are once-and-done films. Once you’ve seen it, you’ve gotten everything out of it you’ll ever get.  • “Don’t Look At It”. Movies so bad they’ll melt your face off, whether from boredom or some really horrible sensibilities, and nobody doing ‘their best’ could make it worth enduring again. If you&#39;ve taken the chance to watch it along side Ryan and me, we make no apologies, because part of what makes this podcast journey unique is the shared risk of the occasional exploding head!  • “Nuke the Fridge”; A category reserved for films that manage to be fun because they’re bad in entertaining ways. You know the kind. This is kind of a ‘modifier’ category, that’ll often be applied alongside one of the other ratings.  • “Kill it with FIRE”; A new basement category, to only be used sparingly. This is our &#34;Break glass in case of Emergency&#34; basket. Films in this category don&#39;t just have horrible sensibilities, but go out of their way to feature them as an integral part of the plot and theme so you can&#39;t just wait them out. First appears in our review of &#34;Seven Brides for Seven Brothers&#34;, and hopefully will never again! Don&#39;t forget to share your thoughts on our <a href="https://www.facebook.com/profile.php?id=61560361802732" rel="nofollow">Facebook page</a>!

Movie Bones is a film podcast adventure, exploring the rich history of movies available from free-streaming platforms to find out how much of it still has value, whether it's in the form of thought-provoking art-house films to cheesy cult classics. Justin Miller and Ryan Spurlock subject themselves to it all, and render judgement. And because the best adventures are shared, we hope you'll watch them alongside us. Especially because we talk spoilers. Did we mention that? I guess now we did. New episodes every Wednesday. If any of this sounds like your jam, feel free to follow us on your favorite podcast platform. Here's how we rate the films we dig up, based, naturally, on that most famous film archaeologist himself, Indiana Jones... • “Fortune & Glory” films are pure gold. They're movies to go back to again and again. These are the films would find a great home in your physical movie library, if you've still got one - they're that good. • “Trust Me” films are imperfect gems that still offer a really good time. Buy a digital copy to stream if you want to make sure you always have access to it. • “Belongs in a Museum”: If you think of museums as places you pay to get in to see things you wouldn’t necessarily want to bring home with you, then you’ve got a good feel for this category. If you can’t find these movies for free on sites like Tubi, you might still consider renting them off one of the paid platforms when the mood strikes. • “Bad Dates”, happen when ‘free’ is the only price you’d be willing to pay to experience it, and only because at least one person showed up to make a good film. It could be the special effects were ahead of their time, the stunning cinematography, or some other aspect. But generally speaking, these are once-and-done films. Once you’ve seen it, you’ve gotten everything out of it you’ll ever get. • “Don’t Look At It”. Movies so bad they’ll melt your face off, whether from boredom or some really horrible sensibilities, and nobody doing ‘their best’ could make it worth enduring again. If you've taken the chance to watch it along side Ryan and me, we make no apologies, because part of what makes this podcast journey unique is the shared risk of the occasional exploding head! • “Nuke the Fridge”; A category reserved for films that manage to be fun because they’re bad in entertaining ways. You know the kind. This is kind of a ‘modifier’ category, that’ll often be applied alongside one of the other ratings. • “Kill it with FIRE”; A new basement category, to only be used sparingly. This is our "Break glass in case of Emergency" basket. Films in this category don't just have horrible sensibilities, but go out of their way to feature them as an integral part of the plot and theme so you can't just wait them out. First appears in our review of "Seven Brides for Seven Brothers", and hopefully will never again! Don't forget to share your thoughts on our Facebook page!

Movie Bones is a film podcast adventure, exploring the rich history of movies available from free-streaming platforms to find out how much of it still has value, whether it's in the form of thought-provoking art-house films to cheesy cult classics.&nbsp;Justin Miller and Ryan Spurlock subject themselves to it all, and render judgement.And because the best adventures are shared, we hope you'll watch them alongside us.&nbsp;Especially because we talk spoilers.&nbsp;Did we mention that?&nbsp;I guess now we did. New episodes every Wednesday. If any of this sounds like your jam, feel free to follow us on your favorite podcast platform.Here's how we rate the films we dig up, based, naturally, on that most famous film archaeologist himself, Indiana Jones... &nbsp;•&nbsp;“Fortune &amp; Glory”&nbsp;films are pure gold. They're movies to go back to again and again. These are the films would find a great home in your physical movie library, if you've still got one - they're that good.&nbsp;&nbsp;•&nbsp;“Trust Me”&nbsp;films are imperfect gems that still offer a really good time.&nbsp;Buy a digital copy to stream if you want to make sure you always have access to it.&nbsp;&nbsp;•&nbsp;“Belongs in a Museum”:&nbsp;If you think of museums as places you pay to get in to see things you wouldn’t necessarily want to bring home with you, then you’ve got a good feel for this category.&nbsp;&nbsp;If you can’t find these movies for free on sites like Tubi, you might still consider renting them off one of the paid platforms when the mood strikes.&nbsp;&nbsp;&nbsp;•&nbsp;“Bad Dates”, happen when ‘free’ is the only price you’d be willing to pay to experience it, and only because at least one person showed up to make a good film. It could be the special effects were ahead of their time, the stunning cinematography, or some other aspect.&nbsp;But generally speaking, these are once-and-done films.&nbsp;Once you’ve seen it, you’ve gotten everything out of it you’ll ever get.&nbsp;&nbsp;•&nbsp;“Don’t Look At It”.&nbsp;Movies so bad they’ll melt your face off, whether from boredom or some really horrible sensibilities, and nobody doing ‘their best’ could make it worth enduring again. If you've taken the chance to watch it along side Ryan and me, we make no apologies, because part of what makes this podcast journey unique is the shared risk of the occasional exploding head!&nbsp;&nbsp;•&nbsp;“Nuke the Fridge”; A category reserved for films that manage to be fun&nbsp;because&nbsp;they’re bad in entertaining ways.&nbsp;You know the kind.&nbsp;This is kind of a ‘modifier’ category, that’ll often be applied alongside one of the other ratings.&nbsp;&nbsp;•&nbsp;“Kill it with FIRE”; A new basement category, to only be used sparingly. This is our "Break glass in case of Emergency" basket. Films in this category don't just have horrible sensibilities, but go out of their way to feature them as an integral part of the plot and theme so you can't just wait them out. First appears in our review of "Seven Brides for Seven Brothers", and hopefully will never again! Don't forget to share your thoughts on our <a href="https://www.facebook.com/profile.php?id=61560361802732" rel="noopener noreferrer">Facebook page</a>!

Movie Bones

Ang Ninuno ay isang kababalaghan at misteryosong bahagi ng kulturang Pilipino. Bawat episode ay tumatalakay sa madilim at kapanapanabik na mundo ng mga alamat, kwentong-bayan, at urban legends ng Pilipinas, na nagbibigay sa mga tagapakinig ng nakaka-engganyong paglalakbay sa supernatural. Ang seryeng ito ay maingat na binuo upang itampok ang mga kwentong hindi gaanong kilala ngunit
kapansin-pansin dahil sa kanilang pagyaman sa kulturang Pilipino. For brand partnerships, advertisements, or other collaboration opportunities with our podcast, please contact our management team at info@tagm.com.

Ang Ninuno ay isang kababalaghan at misteryosong bahagi ng kulturang Pilipino. Bawat episode ay tumatalakay sa madilim at kapanapanabik na mundo ng mga alamat, kwentong-bayan, at urban legends ng Pilipinas, na nagbibigay sa mga tagapakinig ng nakaka-engganyong paglalakbay sa supernatural. Ang seryeng ito ay maingat na binuo upang itampok ang mga kwentong hindi gaanong kilala ngunit kapansin-pansin dahil sa kanilang pagyaman sa kulturang Pilipino. For brand partnerships, advertisements, or other collaboration opportunities with our podcast, please contact our management team at info@tagm.com.

Ang Ninuno: Pinoy Horror Podcast

Reel Sisters Rewind is your go-to podcast for a fun trip down movie memory lane! Join sisters Amanda Stephens and Missy Washam as they rewatch and humorously review nostalgic films, starting with the best of the 80s. Expect fun trivia, insightful commentary, and heartfelt discussions. Perfect for movie lovers and nostalgia seekers, this podcast celebrates films that have stood the test of time, making you wish they still made them like they used to. Whether you’re a seasoned movie buff or just discovering these gems, join Amanda and Missy on this delightful journey through the movies that shaped our love for film.

Reel Sisters Rewind

The Vintage Cinephile explores the rich tapestry of world cinema from decades past. Hosted by Rod Richards.

The Vintage Cinephile Podcast

Host Scott Kurland takes his Co-Hosts Valerie Langlois and Johannes Crueger-Cain on a journey through old Hollywood to learn about the stars, accomplishments, and turmoil of LaLa Land.

Matinee Idles

Un anecdotario donde María Luisa Valdés Doria, mejor conocida como ‘Maguicha’, comparte las historias que ha vivido en su trayectoria periodística, llevándola a conocer y convivir con las más grandes figuras del medio del espectáculo. A través de programas de veinte minutos en promedio, se da la oportunidad a la audiencia de conocer ‘Más allá de la nota’ con información nueva sobre los hechos que alguna vez vieron en televisión.

Más allá de la nota

Mystic Whispers Podcast—where the veil between the seen and unseen is lifted. Hosted by psychic medium and author Nicole Gaspard, this podcast delves into the mysteries of the paranormal, supernatural experiences, and spiritual awakenings. Each episode features hot topics on psychic phenomena, ghost encounters, and mystical discoveries, along with exclusive interviews with paranormal investigators, psychics, and experts in the field. Whether you're a believer or a skeptic, Mystic Whispers Podcast invites you on a journey beyond the ordinary—where whispers from the unknown reveal hidden truths. In conclusion, we've've teamed up with awesome networks such as, Parapost, Strimm TV &amp; Oracle Talk Radio stay connected.

Mystic Whispers Podcast—where the veil between the seen and unseen is lifted. Hosted by psychic medium and author Nicole Gaspard, this podcast delves into the mysteries of the paranormal, supernatural experiences, and spiritual awakenings. Each episode features hot topics on psychic phenomena, ghost encounters, and mystical discoveries, along with exclusive interviews with paranormal investigators, psychics, and experts in the field. Whether you're a believer or a skeptic, Mystic Whispers Podcast invites you on a journey beyond the ordinary—where whispers from the unknown reveal hidden truths. In conclusion, we've've teamed up with awesome networks such as, Parapost, Strimm TV & Oracle Talk Radio stay connected.

Mystic Whispers Paranormal Platform

This series is also known as The Player, and all roles are played by Paul Frees. This is a great example of early 20th century detective and crime radio.

Studio X

um podcast (lo-fi) sobre guiões nunca feitos

Na Gaveta

ഹിറ്റ് സിനിമാഗാനങ്ങള്‍ക്ക് പിന്നിലെ അറിയാക്കഥകള്‍ അറിയാം Hots; രാജേഷ് ബി.കെ. പഞ്ചമി  പ്രൊഡ്യൂസര്‍: അല്‍ഫോന്‍സ പി ജോര്‍ജ്

ഹിറ്റ് സിനിമാഗാനങ്ങള്‍ക്ക് പിന്നിലെ അറിയാക്കഥകള്‍ അറിയാം Hots; രാജേഷ് ബി.കെ. പഞ്ചമി പ്രൊഡ്യൂസര്‍: അല്‍ഫോന്‍സ പി ജോര്‍ജ്

ഹിറ്റ് സിനിമാഗാനങ്ങള്‍ക്ക് പിന്നിലെ അറിയാക്കഥകള്‍ അറിയാം Hots; രാജേഷ് ബി.കെ. പഞ്ചമി &nbsp;പ്രൊഡ്യൂസര്‍: അല്‍ഫോന്‍സ പി ജോര്‍ജ്

പാട്ടുപുരാണം | Pattu Puranam  | Mathrubhumi

In the fall of 1933, <a href="https://en.wikipedia.org/wiki/NBC" target="_blank" rel="noreferrer noopener">NBC</a> writer <a href="https://en.wikipedia.org/wiki/Wyllis_Cooper" target="_blank" rel="noreferrer noopener">Wyllis Cooper</a> conceived the idea of "a midnight mystery serial to catch the attention of the listeners at the witching hour." The idea was to offer listeners a dramatic program late at night, at a time when the competition was mostly airing music. At some point, the serial concept was dropped in favor of an anthology format emphasizing crime thrillers and the supernatural. The first series of shows (each 15 minutes long) ran on a local NBC station, WENR, at midnight Wednesdays, starting in January 1934.  By April, the series proved successful enough to expand to a half-hour. In January 1935, the show was discontinued in order to ease Cooper's workload (he was then writing scripts for the network's prestigious Immortal Dramas program), but was brought back by huge popular demand a few weeks later. After a successful tryout in New York City, the series was picked up by NBC in April 1935 and broadcast nationally, usually late at night and always on Wednesdays. Cooper stayed on the program until June 1936, when another Chicago writer, <a href="https://en.wikipedia.org/wiki/Arch_Oboler" target="_blank" rel="noreferrer noopener">Arch Oboler</a>, took over.<a href="https://en.wikipedia.org/wiki/Lights_Out_(radio_show)#cite_note-3" target="_blank" rel="noreferrer noopener">[3]</a> By the time Cooper left, the series had inspired about 600 fan clubs.

In the fall of 1933, NBC writer Wyllis Cooper conceived the idea of "a midnight mystery serial to catch the attention of the listeners at the witching hour." The idea was to offer listeners a dramatic program late at night, at a time when the competition was mostly airing music. At some point, the serial concept was dropped in favor of an anthology format emphasizing crime thrillers and the supernatural. The first series of shows (each 15 minutes long) ran on a local NBC station, WENR, at midnight Wednesdays, starting in January 1934. By April, the series proved successful enough to expand to a half-hour. In January 1935, the show was discontinued in order to ease Cooper's workload (he was then writing scripts for the network's prestigious Immortal Dramas program), but was brought back by huge popular demand a few weeks later. After a successful tryout in New York City, the series was picked up by NBC in April 1935 and broadcast nationally, usually late at night and always on Wednesdays. Cooper stayed on the program until June 1936, when another Chicago writer, Arch Oboler, took over.[3] By the time Cooper left, the series had inspired about 600 fan clubs.

In the fall of 1933,&nbsp;<a href="https://en.wikipedia.org/wiki/NBC" rel="noopener noreferrer">NBC</a>&nbsp;writer&nbsp;<a href="https://en.wikipedia.org/wiki/Wyllis_Cooper" rel="noopener noreferrer">Wyllis Cooper</a> conceived the idea of "a midnight mystery serial to catch the attention of the listeners at the witching hour."&nbsp;The idea was to offer listeners a dramatic program late at night, at a time when the competition was mostly airing music. At some point, the serial concept was dropped in favor of an anthology format emphasizing crime thrillers and the supernatural. The first series of shows (each 15 minutes long) ran on a local NBC station, WENR, at midnight Wednesdays, starting in January 1934. &nbsp;By April, the series proved successful enough to expand to a half-hour. In January 1935, the show was discontinued in order to ease Cooper's workload (he was then writing scripts for the network's prestigious Immortal Dramas&nbsp;program), but was brought back by huge popular demand a few weeks later. After a successful tryout in New York City, the series was picked up by NBC in April 1935 and broadcast nationally, usually late at night and always on Wednesdays. Cooper stayed on the program until June 1936, when another Chicago writer,&nbsp;<a href="https://en.wikipedia.org/wiki/Arch_Oboler" rel="noopener noreferrer">Arch Oboler</a>, took over.<a href="https://en.wikipedia.org/wiki/Lights_Out_(radio_show)#cite_note-3" rel="noopener noreferrer">[3]</a>&nbsp;By the time Cooper left, the series had inspired about 600 fan clubs.

Film History Podcasts / Page 72

Forgotten Films

My Celluloid Heart Podcast

Birdhands

Is It A Bird

The Fun Factory

Otto und Sabrina haben einen Gast und reden über Filme

Spoiler Country

Movie S#itshow

Kyle and Cody's Cult Cinema Cast

Spoiler Country

Shite & Sound

Last Night I Watched

Bearded B-Roll

Grandes Direcciones Grandes Películas

Talk Wedding

Eternal Watch Party

FrankenFilms

百年光影｜穿越电影史璀璨光芒 感悟艺术与生命的共鸣

K記冰室Podcast

The Queer Gaze

Third Channel Podcast

The Jamie and Steven Show: Let's Talk Movies, Music and Magic!

The Weekly Movie Throwdown

Movie Bones

Ang Ninuno: Pinoy Horror Podcast

Reel Sisters Rewind

The Vintage Cinephile Podcast

Matinee Idles

Más allá de la nota

Mystic Whispers Paranormal Platform

Studio X

Na Gaveta

പാട്ടുപുരാണം | Pattu Puranam | Mathrubhumi

Lights Out Radio Show!

To B-Movie or Not To B-Movie

Soundstage Insider

Reel Boyz

Movies & Hip Hop Podcast

Film Complex Horror Reviews

Original Pokéman

Somewhere on the Screen

World of Tomorrow with David Bluvband

Shrieks & Shivers

Rodando a la Madrileña

☠☠ CaptainBlackbeard Radio ☠☠

Fear of the Dark

Hear Me Out!

The Bombshell Effect

Lost In Frenchlation

croiX2malte

百年光影｜穿越电影史璀璨光芒感悟艺术与生命的共鸣