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We may be hungry, but we sure ain't weird... Bonzer Radio, aka OPAQUE MELODIES, an ongoing and ontological radio show hosted by Jacob Campbell.

OPAQUE MELODIES

Jazznrhythm ist eine Seite, die die Musikszene Karlsruhes betrachtet und bespricht. Interviews - Reviews von Platten und Konzerte - Musikerbiografien und vieles mehr.

Jazznrhythm

Bem-vindo ao nosso podcast (non-commercial) FLASHBACK do brunolima! Uma jornada musical com os maiores sucessos que marcou toda uma geração incluíndo você e eu. Clássicos inesquecíveis das décadas de 70, 80, 90 e 2000 de todos os gêneros selecionados e mixados em uma apresentação ao vivo de DJ brunolima. Aproveite para reviver momentos únicos e experiências marcantes com músicas que foram a trilha sonora de acontecimentos especiais e importantes na sua vida. Divirta-se!

Bem-vindo ao nosso podcast (non-commercial) FLASHBACK do brunolima! Uma jornada musical com os maiores sucessos que marcou toda uma geração incluíndo você e eu. Clássicos inesquecíveis das décadas de 70, 80, 90 e 2000 de todos os gêneros selecionados e mixados em uma apresentação ao vivo de DJ brunolima. Aproveite para reviver momentos únicos e experiências marcantes com músicas que foram a trilha sonora de acontecimentos especiais e importantes na sua vida. Divirta-se!

Bem-vindo ao nosso podcast&nbsp;(non-commercial) FLASHBACK do brunolima! Uma jornada musical com os maiores sucessos que marcou toda uma geração incluíndo você e eu. Clássicos inesquecíveis das décadas de 70, 80, 90 e 2000 de todos os gêneros selecionados e mixados em uma apresentação ao vivo de DJ brunolima. Aproveite para reviver momentos únicos e experiências marcantes com músicas que foram a trilha sonora de acontecimentos especiais e importantes na sua vida. Divirta-se!

FLASHBACK do brunolima

Autorinė Nacionalinės kultūros ir meno premijos laureato profesoriaus Giedriaus Kuprevičiaus laida, kurioje jis ne tik pateiks savo požiūrį į muzikinės kultūros reiškinius, bet ir diskutuos su kitų sričių profesionalais bei ieškos kontakto su muziką komponuojančiais mėgėjais.

Audiologai

Wo begegnen sich Jung und Alt heutzutage? Wie intensiv tauschen sie sich
untereinander aus? Und was können sie voneinander lernen? Der Podcast 60+ ist die Plattform, die junge Küken und alte Hasen ins Gespräch bringt.
Das Prinzip: zwei Gäste, zwei Generationen. Ihre Geburtstage liegen Jahrzehnte
auseinander, doch sie eint die Leidenschaft für eine Sache – für Musik und Mode, für Politik und soziales Engagement. Welche Erlebnisse hatte zum Beispiel ein DJ in den 1970er-Jahren? Und wie arbeitet aktuell sein Kollege, der damals noch in den Windeln lag? Der Podcast 60+ verbindet die Lebensgefühle und Alltagswelten, Weisheiten und Vorlieben von gestern und heute. Das schnelle digitale Dasein unserer Tage trifft auf jene Zeit, in der sich Lösungen noch ohne Mausklick und Smartphone fanden. Was ist anders, was ähnlich? Die Gäste schauen hin und blicken zurück, sie erzählen und vergleichen, sie schnacken locker und tauchen tief ab, sie reflektieren und lachen. Ein Austausch zwischen Erfahrung und Neugierde, Expertise und Sinnsuche. Und egal ob Generation Z, Babyboomer oder Best Ager – der Podcast 60+ macht überdeutlich hörbar: Coolness, Mut und Begeisterungsfähigkeit kennen kein Alter. Gastgeberin des Podcasts ist Mitra Kassai, die mit Oll Inklusiv 2018 eine gemeinnützige Initiative für Menschen 60+ gegründet hat. Zusammen mit ihrem Team holt sie Senioren & Senioritas heraus aus der Alterseinsamkeit und hinein eine buntes Miteinander aus Tanz, Kultur und ganz viel Klönschnack. Mit reichlich Charme und Witz transportiert Kulturmanagerin Kassai die positive Energie von Oll Inklusiv in ein anregendes Talkformat, das in den Studios der OMR Online Marketing Rockstars produziert wird. Sie vermittelt, denkt quer und fragt offen nach. Und mit Stichworten von „Einkaufszentrum“ bis „Subkultur“ kitzelt sie das Kollektive und das Besondere aus allen Altersklassen heraus.
So entsteht ein spannender Spiegel unserer Gesellschaft im Wandel der Jahre,
konzentriert auf 61 Minuten. 60+ eben. Eine lebenskluge Zeitreise, die Hörerinnen und Hörer egal welchen Alters inspiriert. Der Podcast wird produziert von Podstars.

Wo begegnen sich Jung und Alt heutzutage? Wie intensiv tauschen sie sich untereinander aus? Und was können sie voneinander lernen? Der Podcast 60+ ist die Plattform, die junge Küken und alte Hasen ins Gespräch bringt. Das Prinzip: zwei Gäste, zwei Generationen. Ihre Geburtstage liegen Jahrzehnte auseinander, doch sie eint die Leidenschaft für eine Sache – für Musik und Mode, für Politik und soziales Engagement. Welche Erlebnisse hatte zum Beispiel ein DJ in den 1970er-Jahren? Und wie arbeitet aktuell sein Kollege, der damals noch in den Windeln lag? Der Podcast 60+ verbindet die Lebensgefühle und Alltagswelten, Weisheiten und Vorlieben von gestern und heute. Das schnelle digitale Dasein unserer Tage trifft auf jene Zeit, in der sich Lösungen noch ohne Mausklick und Smartphone fanden. Was ist anders, was ähnlich? Die Gäste schauen hin und blicken zurück, sie erzählen und vergleichen, sie schnacken locker und tauchen tief ab, sie reflektieren und lachen. Ein Austausch zwischen Erfahrung und Neugierde, Expertise und Sinnsuche. Und egal ob Generation Z, Babyboomer oder Best Ager – der Podcast 60+ macht überdeutlich hörbar: Coolness, Mut und Begeisterungsfähigkeit kennen kein Alter. Gastgeberin des Podcasts ist Mitra Kassai, die mit Oll Inklusiv 2018 eine gemeinnützige Initiative für Menschen 60+ gegründet hat. Zusammen mit ihrem Team holt sie Senioren & Senioritas heraus aus der Alterseinsamkeit und hinein eine buntes Miteinander aus Tanz, Kultur und ganz viel Klönschnack. Mit reichlich Charme und Witz transportiert Kulturmanagerin Kassai die positive Energie von Oll Inklusiv in ein anregendes Talkformat, das in den Studios der OMR Online Marketing Rockstars produziert wird. Sie vermittelt, denkt quer und fragt offen nach. Und mit Stichworten von „Einkaufszentrum“ bis „Subkultur“ kitzelt sie das Kollektive und das Besondere aus allen Altersklassen heraus. So entsteht ein spannender Spiegel unserer Gesellschaft im Wandel der Jahre, konzentriert auf 61 Minuten. 60+ eben. Eine lebenskluge Zeitreise, die Hörerinnen und Hörer egal welchen Alters inspiriert. Der Podcast wird produziert von Podstars.

Wo begegnen sich Jung und Alt heutzutage? Wie intensiv tauschen sie sich
untereinander aus? Und was können sie voneinander lernen? Der Podcast 60+ ist die Plattform, die junge Küken und alte Hasen ins Gespräch bringt.
Das Prinzip: zwei Gäste, zwei Generationen. Ihre Geburtstage liegen Jahrzehnte
auseinander, doch sie eint die Leidenschaft für eine Sache – für Musik und Mode, für Politik und soziales Engagement. Welche Erlebnisse hatte zum Beispiel ein DJ in den 1970er-Jahren? Und wie arbeitet aktuell sein Kollege, der damals noch in den Windeln lag? Der Podcast 60+ verbindet die Lebensgefühle und Alltagswelten, Weisheiten und Vorlieben von gestern und heute. Das schnelle digitale Dasein unserer Tage trifft auf jene Zeit, in der sich Lösungen noch ohne Mausklick und Smartphone fanden. Was ist anders, was ähnlich? Die Gäste schauen hin und blicken zurück, sie erzählen und vergleichen, sie schnacken locker und tauchen tief ab, sie reflektieren und lachen. Ein Austausch zwischen Erfahrung und Neugierde, Expertise und Sinnsuche. Und egal ob Generation Z, Babyboomer oder Best Ager – der Podcast 60+ macht überdeutlich hörbar: Coolness, Mut und Begeisterungsfähigkeit kennen kein Alter. Gastgeberin des Podcasts ist Mitra Kassai, die mit Oll Inklusiv 2018 eine gemeinnützige Initiative für Menschen 60+ gegründet hat. Zusammen mit ihrem Team holt sie Senioren &amp; Senioritas heraus aus der Alterseinsamkeit und hinein eine buntes Miteinander aus Tanz, Kultur und ganz viel Klönschnack. Mit reichlich Charme und Witz transportiert Kulturmanagerin Kassai die positive Energie von Oll Inklusiv in ein anregendes Talkformat, das in den Studios der OMR Online Marketing Rockstars produziert wird. Sie vermittelt, denkt quer und fragt offen nach. Und mit Stichworten von „Einkaufszentrum“ bis „Subkultur“ kitzelt sie das Kollektive und das Besondere aus allen Altersklassen heraus.
So entsteht ein spannender Spiegel unserer Gesellschaft im Wandel der Jahre,
konzentriert auf 61 Minuten. 60+ eben. Eine lebenskluge Zeitreise, die Hörerinnen und Hörer egal welchen Alters inspiriert. Der Podcast wird produziert von Podstars.

Oll Inklusiv 60 Plus

This is a music quiz that features top music guests as they are challenged on their knowledge of the past 100 years in music, from 1920 - 2020. We start with 48 guests in a knockout tournament and only one will walk away being the champion.

IMN Decades of Dance Music Quiz | 1920 - 2020

Jaleando es un programa dedicado al flamenco, pero sobre todo a los cantaor@s antiguos, aquellos que no sólo apenas se escuchan sino que incluso las nuevas generaciones no los conocen.  Jaleando además trata los diferentes palos del cante flamenco. Como son, su origen y el poder distinguirlos y comprenderlos a la hora de escucharlos. Y no podía faltar un poco de biografía de esos cantaor@s, para conocerlos un poco más.

Jaleando es un programa dedicado al flamenco, pero sobre todo a los cantaor@s antiguos, aquellos que no sólo apenas se escuchan sino que incluso las nuevas generaciones no los conocen. Jaleando además trata los diferentes palos del cante flamenco. Como son, su origen y el poder distinguirlos y comprenderlos a la hora de escucharlos. Y no podía faltar un poco de biografía de esos cantaor@s, para conocerlos un poco más.

Jaleando

Five guys  having a weekly discussion on all things music and their love for collecting vinyl. Vinyl history, crate-digging, artist spotlights, top albums, audio setups and gear, spotlights on record stores, we'll have it all!

Five guys having a weekly discussion on all things music and their love for collecting vinyl. Vinyl history, crate-digging, artist spotlights, top albums, audio setups and gear, spotlights on record stores, we'll have it all!

4 Turntables and a Microphone Podcast

Ladies were the greatest decade ever and 80s country the best music this podcast is all about the '80s scene what we did and how we jammed, and it's all right here on....

        80s Country Revival

Ladies were the greatest decade ever and 80s country the best music this podcast is all about the '80s scene what we did and how we jammed, and it's all right here on.... 80s Country Revival

80s Country Revival

Tugas Seni Budaya Xis4/02

Novedades, datos curiosos y siniestros de la banda que revolucionó la industria del Rock en el mundo: ¡KISS!

KISSmanía - El Podcast del Universo KISS

Anuel Aa-Not Temas

Building on the work of many others, this series of podcasts charts the development of Australian Music. The Chart series commences at 1957 with the introduction of Top 40 charts. Other series will focus on Singers and Groups. Whilst 1957 is the starting-point, we will also be moving back in time to chart the rich history of Australian Music in many forms, before the beginning of the Top 40 era. The general principle in the development of these podcasts is 'let the music do the talking'. Thus, there will be a premium on musical content, with less emphasis on the narrative. Occasionally, when there is a good story to be told (and there are many!), I may wax a touch lyrical, more so in the Singers and Groups series. The key reference work is David Kent's "Australian Chart Chronicles 1940-2008", a truly monumental work in its breadth of detail. Many people/sites have contributed to the research for the podcasts; too many to name them all but special thanks to the History of Aussie Music Blogspot, the Milesago Facebook page, the Best of Bandstand Facebook page and the Pop Archives site, where you can answer the question, "Where did they get that song from?". Many video contributors on You Tube have been a great resource in finding obscure songs including Folk Rock Australian Rock More! sallie6 and Clem Viney and there are many others! The podcasts are designed to be a permanent record and as such this is a 'labour of love' and strictly not-for-profit. I have attempted to partner with a major Australian organisation but, alas, no interest! Thus, as my late Father would have said, I am the "chief cook and bottle-washer" which means that I'm researcher, scriptwriter, digitiser, narrator and producer. As such, especially in terms of digitising vinyl records, there may appear to the ear of the listener, to be less-than-optimal sound. I work all music through Audacity, vinyl or otherwise, but, at times with old vinyl, "you can only do so much"! So, please enjoy the podcasts and let me know what you think.

Australian Music Archives

Michael und Michael interviewen Menschen aus der Punk/Hardcore Subkultur und artverwandtem Umfeld.

Kreuzverhör Podcast

日本から世界へ！国内外で注目されるジャパニーズミュージックの魅力を発信するラジオプログラム。

世界で活躍するアーティストや世界を志すアーティストへのインタビューのほか、海外でいま話題になっている”日本の音楽”について最新情報をお届けします。

日本から世界へ！国内外で注目されるジャパニーズミュージックの魅力を発信するラジオプログラム。 世界で活躍するアーティストや世界を志すアーティストへのインタビューのほか、海外でいま話題になっている”日本の音楽”について最新情報をお届けします。

TOKYO MUSIC RADAR

Il Raccontatore di Musica

Every 2 weeks we pick a new band and listen to their entire discography. We discuss the highs and lows, interesting stories and career developments of a wide array of artists through many decades and genres.

Retrospectrum

Emisora de Radio "ATodaMecha": Un Destacado Enfoque Musical y Emocional. La Emisora de Radio "ATodaMecha" es una destacada plataforma de entretenimiento musical ubicada en Santa Cruz del Norte, Cuba. Con una programación ininterrumpida de más de 24 horas, esta emisora se ha consolidado como un referente en la escena radial cubana, ofreciendo una mezcla única de música y sentimiento que cautiva a su audiencia.Características Destacadas: <ul><li>Variedad Musical: Ofrece una amplia gama de géneros musicales, desde clásicos hasta contemporáneos, asegurando que la música nunca pase de moda.</li><li>Transmisión en Vivo: Disponible en línea a través de múltiples plataformas como TuneIn, Online Radio Box, y MyTuner Radio, permitiendo a los oyentes disfrutar de su contenido desde cualquier lugar.</li><li>Interacción con la Audiencia: Con un enfoque en la conexión emocional, la emisora invita a sus oyentes a compartir momentos especiales, como estar con su "media naranja", creando un ambiente íntimo y acogedor.</li><li>Contenido Dinámico: Incluye programas como "La Entrevista", "Autopista HonkyTonk", y "Metal Hits", ofreciendo diversidad y sorpresas constantes para mantener a la audiencia comprometida.</li></ul>Impacto y Presencia: La Emisora de Radio "ATodaMecha" ha logrado establecer una fuerte presencia en la comunidad cubana y más allá, gracias a su accesibilidad en línea y su compromiso con la calidad del contenido. Su enfoque en la amistad y la conexión emocional refuerza su posición como un espacio donde la música es más que un simple entretenimiento, sino una forma de unir a las personas. Con su sitio web en <a href="http://atodamecha.lovestoblog.com/" target="_blank" rel="noreferrer noopener">www.atodamecha.lovestoblog.com</a> y presencia en redes sociales como Facebook (@djalltimerecord), la emisora mantiene una comunicación directa con sus seguidores, asegurando una experiencia de radio en línea única y personalizada. Staff Emisora de Radio "ATodaMecha". Los locutores de la Emisora de Radio "ATodaMecha" incluyen a varios presentadores de diferentes países, lo que refleja su enfoque internacional y diverso. A continuación, se mencionan algunos de los locutores conocidos: <ul><li>Armin Justiz Luna (Cuba)</li><li>Leuvys López Machado (Cuba)</li><li>Yamisbel de la Torres Domínguez (Cuba)</li><li>Leticia Rodríguez (Cuba)</li><li>Luz Divina Pavón Jiménez (España)</li><li>MixSister's Sol y Luz Pavón (España)</li><li>Major Montemayor (México)</li><li>Norma Araiza (México)</li><li>Victor Hugo (Colombia)</li><li>Cecilia Szydelko y Mario Gutiérrez (Argentina)</li><li>Axel Martínez (Panamá)</li><li>Mario Goldman (Paraguay)</li><li>Walter Servín (Paraguay).</li></ul>Estos locutores contribuyen a la diversidad y riqueza cultural de la emisora, ofreciendo una variedad de programas y estilos musicales que atraen a una audiencia amplia y global.

Emisora de Radio "ATodaMecha": Un Destacado Enfoque Musical y Emocional.La Emisora de Radio "ATodaMecha" es una destacada plataforma de entretenimiento musical ubicada en Santa Cruz del Norte, Cuba. Con una programación ininterrumpida de más de 24 horas, esta emisora se ha consolidado como un referente en la escena radial cubana, ofreciendo una mezcla única de música y sentimiento que cautiva a su audiencia.Características Destacadas:Variedad Musical: Ofrece una amplia gama de géneros musicales, desde clásicos hasta contemporáneos, asegurando que la música nunca pase de moda.Transmisión en Vivo: Disponible en línea a través de múltiples plataformas como TuneIn, Online Radio Box, y MyTuner Radio, permitiendo a los oyentes disfrutar de su contenido desde cualquier lugar.Interacción con la Audiencia: Con un enfoque en la conexión emocional, la emisora invita a sus oyentes a compartir momentos especiales, como estar con su "media naranja", creando un ambiente íntimo y acogedor.Contenido Dinámico: Incluye programas como "La Entrevista", "Autopista HonkyTonk", y "Metal Hits", ofreciendo diversidad y sorpresas constantes para mantener a la audiencia comprometida.Impacto y Presencia:La Emisora de Radio "ATodaMecha" ha logrado establecer una fuerte presencia en la comunidad cubana y más allá, gracias a su accesibilidad en línea y su compromiso con la calidad del contenido. Su enfoque en la amistad y la conexión emocional refuerza su posición como un espacio donde la música es más que un simple entretenimiento, sino una forma de unir a las personas. Con su sitio web en www.atodamecha.lovestoblog.com y presencia en redes sociales como Facebook (@djalltimerecord), la emisora mantiene una comunicación directa con sus seguidores, asegurando una experiencia de radio en línea única y personalizada.Staff Emisora de Radio "ATodaMecha".Los locutores de la Emisora de Radio "ATodaMecha" incluyen a varios presentadores de diferentes países, lo que refleja su enfoque internacional y diverso. A continuación, se mencionan algunos de los locutores conocidos:Armin Justiz Luna (Cuba)Leuvys López Machado (Cuba)Yamisbel de la Torres Domínguez (Cuba)Leticia Rodríguez (Cuba)Luz Divina Pavón Jiménez (España)MixSister's Sol y Luz Pavón (España)Major Montemayor (México)Norma Araiza (México)Victor Hugo (Colombia)Cecilia Szydelko y Mario Gutiérrez (Argentina)Axel Martínez (Panamá)Mario Goldman (Paraguay)Walter Servín (Paraguay).Estos locutores contribuyen a la diversidad y riqueza cultural de la emisora, ofreciendo una variedad de programas y estilos musicales que atraen a una audiencia amplia y global.

Emisora de Radio "ATodaMecha": Un Destacado Enfoque Musical y Emocional. La Emisora de Radio "ATodaMecha" es una destacada plataforma de entretenimiento musical ubicada en Santa Cruz del Norte, Cuba. Con una programación ininterrumpida de más de 24 horas, esta emisora se ha consolidado como un referente en la escena radial cubana, ofreciendo una mezcla única de música y sentimiento que cautiva a su audiencia.Características Destacadas: <ul><li>Variedad Musical:&nbsp;Ofrece una amplia gama de géneros musicales, desde clásicos hasta contemporáneos, asegurando que la música nunca pase de moda.</li><li>Transmisión en Vivo:&nbsp;Disponible en línea a través de múltiples plataformas como TuneIn, Online Radio Box, y MyTuner Radio, permitiendo a los oyentes disfrutar de su contenido desde cualquier lugar.</li><li>Interacción con la Audiencia:&nbsp;Con un enfoque en la conexión emocional, la emisora invita a sus oyentes a compartir momentos especiales, como estar con su "media naranja", creando un ambiente íntimo y acogedor.</li><li>Contenido Dinámico:&nbsp;Incluye programas como "La Entrevista", "Autopista HonkyTonk", y "Metal Hits", ofreciendo diversidad y sorpresas constantes para mantener a la audiencia comprometida.</li></ul>Impacto y Presencia: La Emisora de Radio "ATodaMecha" ha logrado establecer una fuerte presencia en la comunidad cubana y más allá, gracias a su accesibilidad en línea y su compromiso con la calidad del contenido. Su enfoque en la amistad y la conexión emocional refuerza su posición como un espacio donde la música es más que un simple entretenimiento, sino una forma de unir a las personas. Con su sitio web en <a href="http://atodamecha.lovestoblog.com/" rel="noopener noreferrer">www.atodamecha.lovestoblog.com</a> y presencia en redes sociales como Facebook (@djalltimerecord), la emisora mantiene una comunicación directa con sus seguidores, asegurando una experiencia de radio en línea única y personalizada. Staff Emisora de Radio "ATodaMecha". Los locutores de la Emisora de Radio "ATodaMecha" incluyen a varios presentadores de diferentes países, lo que refleja su enfoque internacional y diverso. A continuación, se mencionan algunos de los locutores conocidos: <ul><li>Armin Justiz Luna&nbsp;(Cuba)</li><li>Leuvys López Machado&nbsp;(Cuba)</li><li>Yamisbel de la Torres Domínguez&nbsp;(Cuba)</li><li>Leticia Rodríguez&nbsp;(Cuba)</li><li>Luz Divina Pavón Jiménez&nbsp;(España)</li><li>MixSister's Sol y Luz Pavón&nbsp;(España)</li><li>Major Montemayor&nbsp;(México)</li><li>Norma Araiza&nbsp;(México)</li><li>Victor Hugo&nbsp;(Colombia)</li><li>Cecilia Szydelko&nbsp;y&nbsp;Mario Gutiérrez&nbsp;(Argentina)</li><li>Axel Martínez&nbsp;(Panamá)</li><li>Mario Goldman&nbsp;(Paraguay)</li><li>Walter Servín (Paraguay).</li></ul>Estos locutores contribuyen a la diversidad y riqueza cultural de la emisora, ofreciendo una variedad de programas y estilos musicales que atraen a una audiencia amplia y global.

EDRATM (Programación)

Mighty self-playing instruments to impress.

Hour of Power

Vito donne les commandes d'Europe 2 aux plus grands artistes pop du moment. Que vont-ils vous faire écouter ? Qu'ont-ils à vous raconter sur ces morceaux ?Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Vito donne les commandes d'Europe 2 aux plus grands artistes pop du moment. Que vont-ils vous faire écouter ? Qu'ont-ils à vous raconter sur ces morceaux ? Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Vito donne les commandes d'Europe 2 aux plus grands artistes pop du moment. Que vont-ils vous faire écouter ? Qu'ont-ils à vous raconter sur ces morceaux ?Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite" rel="noopener noreferrer">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

La Playlist Pop de...

Der Sender zu den Beats der Stars.

Maschinenbeats

SHIHIASSAN NEA SARJESARJE

Nel centenario della morte di Ferruccio Busoni, quattro incontri per approfondire il teatro musicale del compositore empolese, ancora oggi poco conosciuto e in attesa del dovuto riconoscimento. Parte centrale della sua estetica e del suo impegno creativo, Busoni manifestò sempre un grande amore per l’opera e per i due autori, a suo giudizio, massimi rappresentanti di questo genere musicale: Mozart (per lui “genio a metà latino”) e Verdi. Seppure basate su libretti tedeschi, scritti dal compositore stesso, queste opere rappresentano anche il massimo tentativo di Busoni nel ricongiungersi alle sue origini italiane e nella sempre difficile ricerca della propria identità artistica.

Il teatro musicale di Ferruccio Busoni

La Casa Fleyva, el programa de HipHop que hacía falta para raperos y no tan raperos que buscan información desde un medio de comunicación profesional, con un toque de comicidad, transmitido por adn40 Radio desde las instalaciones de TV Azteca.

La Casa Fleyva

PETROGLYPH is a podcast and video series where host Travis De Vries explores the creative journeys of musicians, artists and cultural leaders through slow, thoughtful conversations that uncover layers of storytelling and artistic expression.   PETROGLYPH creates a space for slow, meaningful dialogue, allowing guests to share their experiences in their own time. With a focus on authenticity, depth, and cultural significance, PETROGLYPH invites audiences to connect with the heart of creative life.

PETROGLYPH is a podcast and video series where host Travis De Vries explores the creative journeys of musicians, artists and cultural leaders through slow, thoughtful conversations that uncover layers of storytelling and artistic expression. PETROGLYPH creates a space for slow, meaningful dialogue, allowing guests to share their experiences in their own time. With a focus on authenticity, depth, and cultural significance, PETROGLYPH invites audiences to connect with the heart of creative life.

PETROGLYPH is a podcast and video series where host Travis De Vries explores the creative journeys of musicians, artists and cultural leaders through slow, thoughtful conversations that uncover layers of storytelling and artistic expression. &nbsp; PETROGLYPH creates a space for slow, meaningful dialogue, allowing guests to share their experiences in their own time. With a focus on authenticity, depth, and cultural significance, PETROGLYPH invites audiences to connect with the heart of creative life.

Petroglyph

Einer von uns ist Jahrgang 1992, der andere Jahrgang 1981. Eine knappe Dekade, die uns trennt – in Sachen Popkultur eine Ewigkeit. Also reden wir drüber: Welche Musik wir geil fanden, welche Bands uns begeisterten, welche Filme wir liebten, generell: was uns popkulturell geprägt hat in unserer jeweiligen Jugend, und was es uns heute noch bedeutet. Ein Podcast von BERSERKER (Musikjournalist) und SCHIMANSKI (Musikproduzent), die in jeder Folge in die Zeitmaschine steigen, um den Blick zurück zu wagen. Denn: Früher war nicht alles besser. Früher war einfach. ACHTUNG: Dies ist die Variante ohne Musik, Musik + Talk-Episoden sind exklusiv auf Spotify. Kontakt, Instagram, etc. <a href="http://linktr.ee/tristessetoujours" rel="nofollow">hier lang</a>

Einer von uns ist Jahrgang 1992, der andere Jahrgang 1981. Eine knappe Dekade, die uns trennt – in Sachen Popkultur eine Ewigkeit. Also reden wir drüber: Welche Musik wir geil fanden, welche Bands uns begeisterten, welche Filme wir liebten, generell: was uns popkulturell geprägt hat in unserer jeweiligen Jugend, und was es uns heute noch bedeutet. Ein Podcast von BERSERKER (Musikjournalist) und SCHIMANSKI (Musikproduzent), die in jeder Folge in die Zeitmaschine steigen, um den Blick zurück zu wagen. Denn: Früher war nicht alles besser. Früher war einfach. ACHTUNG: Dies ist die Variante ohne Musik, Musik + Talk-Episoden sind exklusiv auf Spotify. Kontakt, Instagram, etc. hier lang

Einer von uns ist Jahrgang 1992, der andere Jahrgang 1981. Eine knappe Dekade, die uns trennt –&nbsp;in Sachen Popkultur eine Ewigkeit. Also reden wir drüber: Welche Musik wir geil fanden, welche Bands uns begeisterten, welche Filme wir liebten, generell: was uns popkulturell geprägt hat in unserer jeweiligen Jugend, und was es uns heute noch bedeutet. Ein Podcast von BERSERKER (Musikjournalist) und SCHIMANSKI (Musikproduzent), die in jeder Folge in die Zeitmaschine steigen, um den Blick zurück zu wagen. Denn: Früher war nicht alles besser. Früher war einfach. ACHTUNG: Dies ist die Variante ohne Musik, Musik + Talk-Episoden sind exklusiv auf Spotify. Kontakt, Instagram, etc. <a href="http://linktr.ee/tristessetoujours" rel="noopener noreferrer">hier lang</a>

TRISTESSE TOUJOURS

Alright, folks, let's take a trip down memory lane to a time when the music industry was turned on its head. We're talking about the birth of Napster, the revolutionary file-sharing platform that changed the game 25 years ago. It was a wild ride, filled with controversy, legal battles, and a whole lot of free music. So, buckle up and let's dive into the story of Napster and how it forever altered the landscape of music consumption. Picture this: it's 1999, and the music scene is dominated by CDs. If you wanted to listen to your favorite tunes, you had to shell out some serious cash at the record store. But then, along came a couple of young visionaries named Shawn Fanning and Sean Parker. These guys had a crazy idea: what if people could share music files with each other over the internet, without having to pay a dime? And just like that, Napster was born. Now, when Napster first hit the scene, it was like a bomb went off in the music industry. Suddenly, anyone with a computer and an internet connection could access a massive library of music files, completely free of charge. It was a music lover's dream come true. College campuses were buzzing with excitement as students eagerly downloaded their favorite tracks and discovered new artists. The user-friendly interface and the thrill of sharing music with peers made Napster an instant hit. But, as you might expect, not everyone was thrilled about this new development. The big wigs in the music industry, particularly the Recording Industry Association of America (RIAA) and major record labels, saw Napster as a massive threat to their bottom line. They weren't about to sit back and watch as this upstart company undermined their traditional business model. So, they decided to take action. In December 1999, just six months after Napster's launch, the RIAA dropped a bombshell: they filed a lawsuit against the company for copyright infringement. It was a move that would spark a long and bitter legal battle, pitting the old guard of the music industry against the new digital revolutionaries. The courtroom drama that followed was nothing short of intense. Metallica and Dr. Dre, two of the biggest names in music, also jumped into the fray, filing their own lawsuits against Napster. They argued that the platform was nothing more than a tool for piracy, allowing users to steal their hard-earned music without any compensation. It was a heated debate that divided the music community, with some artists siding with Napster and others vehemently opposing it. As the legal battle raged on, Napster's popularity continued to soar. At its peak, the platform boasted over 80 million registered users, all eagerly sharing and downloading music files. It was a cultural phenomenon that couldn't be ignored. The music industry was facing a reckoning, forced to confront the reality that the days of physical media dominance were numbered. Napster had exposed the cracks in the system and shown that there was a massive demand for digital music access. But, as the saying goes, all good things must come to an end. In 2001, after a lengthy and highly publicized legal battle, a federal judge dealt a crushing blow to Napster, ordering the company to shut down its service. It was a bittersweet moment for music fans, who had grown accustomed to the convenience and accessibility of Napster's platform. The party was over, but the impact of Napster would be felt for years to come. You see, Napster wasn't just a flash in the pan; it was a harbinger of a new era in music consumption. The genie was out of the bottle, and there was no putting it back in. The music industry had to adapt or risk becoming obsolete. In the wake of Napster's demise, a new generation of digital music services emerged, all seeking to fill the void left by the fallen giant. Platforms like iTunes, Spotify, and Pandora rose to prominence, offering legal and convenient access to vast music libraries. They learned from Napster's mistakes and found ways to monetize digital music while still meeting consumer demand. These services introduced subscription and ad-supported models, providing a sustainable revenue stream for the industry while giving music fans the flexibility and choice they craved. But Napster's influence didn't stop there. It also fundamentally changed the way we think about music ownership. Before Napster, the idea of owning physical copies of music was deeply ingrained in our culture. We took pride in our CD collections, carefully curating them and displaying them on our shelves. But Napster challenged that notion, introducing the concept of access over ownership. Suddenly, the idea of having a vast library of music at our fingertips, without the need for physical media, became incredibly appealing. This shift in mindset had far-reaching consequences for the music industry. As streaming services gained traction, CD sales began to decline rapidly. Consumers no longer saw the need to purchase physical albums when they could access all their favorite songs with just a few clicks. The rise of streaming as the dominant mode of music consumption was a direct result of the path that Napster had paved. Of course, this transition wasn't without its challenges, particularly for artists. While some embraced the digital age and saw it as an opportunity to reach new audiences, others struggled to adapt to the new reality. The debate over fair compensation for artists in the streaming era continues to this day, with many arguing that the current system is skewed in favor of the platforms rather than the creators. But despite these challenges, there's no denying that Napster's legacy has had a profound impact on the music industry. It democratized music distribution, giving independent artists a platform to share their work without the need for major record label backing. It forced the industry to confront the realities of the digital age and find new ways to monetize music. And it changed the way we think about music consumption, paving the way for the streaming revolution. Even though Napster's original incarnation was short-lived, the brand has managed to endure. After its shutdown, the company went through a series of transformations, changing hands multiple times before eventually merging with Rhapsody. Today, Napster exists as a music streaming service, carrying on the spirit of innovation that made it such a disruptive force 25 years ago. As we look back on the legacy of Napster, it's clear that its impact extends far beyond the music industry. It was a cultural touchstone, a symbol of the power of technology to challenge the status quo and reshape entire industries. It sparked a conversation about copyright, ownership, and the value of creative work in the digital age. And it inspired a generation of entrepreneurs and innovators who saw the potential for technology to transform the world. So, here we are, 25 years later, in a music industry that looks very different from the one that existed before Napster. Streaming is king, physical media is on the decline, and the lines between creator and consumer are blurrier than ever. But one thing remains clear: Napster's legacy will continue to shape the music landscape for years to come. It's a testament to the power of innovation and the resilience of the human spirit. When faced with a challenge, we have the ability to adapt, evolve, and find new ways to thrive. Napster may have been a disruptor, but it was also a catalyst for change, forcing an entire industry to reckon with the realities of the digital age. As we move forward, it's important that we learn from the lessons of Napster and continue to push the boundaries of what's possible. We must find ways to support and compensate artists fairly, while still embracing the convenience and accessibility that technology provides. We must be open to new ideas and willing to challenge the status quo, even if it means ruffling a few feathers along the way. Because ultimately, that's what Napster was all about: pushing the envelope, taking risks, and daring to imagine a different way of doing things. It was a wild ride, full of ups and downs, but one thing is for sure – the music industry will never be the same. And for that, we have Napster to thank. So, the next time you fire up your favorite streaming service and listen to your carefully curated playlist, take a moment to remember the little company that started it all. Napster may be gone, but its spirit lives on, reminding us that sometimes, all it takes is a crazy idea and a whole lot of guts to change the world.Thanks for listening. Remember to like and share wherever you get your podcasts.

Alright, folks, let's take a trip down memory lane to a time when the music industry was turned on its head. We're talking about the birth of Napster, the revolutionary file-sharing platform that changed the game 25 years ago. It was a wild ride, filled with controversy, legal battles, and a whole lot of free music. So, buckle up and let's dive into the story of Napster and how it forever altered the landscape of music consumption. Picture this: it's 1999, and the music scene is dominated by CDs. If you wanted to listen to your favorite tunes, you had to shell out some serious cash at the record store. But then, along came a couple of young visionaries named Shawn Fanning and Sean Parker. These guys had a crazy idea: what if people could share music files with each other over the internet, without having to pay a dime? And just like that, Napster was born. Now, when Napster first hit the scene, it was like a bomb went off in the music industry. Suddenly, anyone with a computer and an internet connection could access a massive library of music files, completely free of charge. It was a music lover's dream come true. College campuses were buzzing with excitement as students eagerly downloaded their favorite tracks and discovered new artists. The user-friendly interface and the thrill of sharing music with peers made Napster an instant hit. But, as you might expect, not everyone was thrilled about this new development. The big wigs in the music industry, particularly the Recording Industry Association of America (RIAA) and major record labels, saw Napster as a massive threat to their bottom line. They weren't about to sit back and watch as this upstart company undermined their traditional business model. So, they decided to take action. In December 1999, just six months after Napster's launch, the RIAA dropped a bombshell: they filed a lawsuit against the company for copyright infringement. It was a move that would spark a long and bitter legal battle, pitting the old guard of the music industry against the new digital revolutionaries. The courtroom drama that followed was nothing short of intense. Metallica and Dr. Dre, two of the biggest names in music, also jumped into the fray, filing their own lawsuits against Napster. They argued that the platform was nothing more than a tool for piracy, allowing users to steal their hard-earned music without any compensation. It was a heated debate that divided the music community, with some artists siding with Napster and others vehemently opposing it. As the legal battle raged on, Napster's popularity continued to soar. At its peak, the platform boasted over 80 million registered users, all eagerly sharing and downloading music files. It was a cultural phenomenon that couldn't be ignored. The music industry was facing a reckoning, forced to confront the reality that the days of physical media dominance were numbered. Napster had exposed the cracks in the system and shown that there was a massive demand for digital music access. But, as the saying goes, all good things must come to an end. In 2001, after a lengthy and highly publicized legal battle, a federal judge dealt a crushing blow to Napster, ordering the company to shut down its service. It was a bittersweet moment for music fans, who had grown accustomed to the convenience and accessibility of Napster's platform. The party was over, but the impact of Napster would be felt for years to come. You see, Napster wasn't just a flash in the pan; it was a harbinger of a new era in music consumption. The genie was out of the bottle, and there was no putting it back in. The music industry had to adapt or risk becoming obsolete. In the wake of Napster's demise, a new generation of digital music services emerged, all seeking to fill the void left by the fallen giant. Platforms like iTunes, Spotify, and Pandora rose to prominence, offering legal and convenient access to vast music libraries. They learned from Napster's mistakes and found ways to monetize digital music while still meeting consumer demand. These services introduced subscription and ad-supported models, providing a sustainable revenue stream for the industry while giving music fans the flexibility and choice they craved. But Napster's influence didn't stop there. It also fundamentally changed the way we think about music ownership. Before Napster, the idea of owning physical copies of music was deeply ingrained in our culture. We took pride in our CD collections, carefully curating them and displaying them on our shelves. But Napster challenged that notion, introducing the concept of access over ownership. Suddenly, the idea of having a vast library of music at our fingertips, without the need for physical media, became incredibly appealing. This shift in mindset had far-reaching consequences for the music industry. As streaming services gained traction, CD sales began to decline rapidly. Consumers no longer saw the need to purchase physical albums when they could access all their favorite songs with just a few clicks. The rise of streaming as the dominant mode of music consumption was a direct result of the path that Napster had paved. Of course, this transition wasn't without its challenges, particularly for artists. While some embraced the digital age and saw it as an opportunity to reach new audiences, others struggled to adapt to the new reality. The debate over fair compensation for artists in the streaming era continues to this day, with many arguing that the current system is skewed in favor of the platforms rather than the creators. But despite these challenges, there's no denying that Napster's legacy has had a profound impact on the music industry. It democratized music distribution, giving independent artists a platform to share their work without the need for major record label backing. It forced the industry to confront the realities of the digital age and find new ways to monetize music. And it changed the way we think about music consumption, paving the way for the streaming revolution. Even though Napster's original incarnation was short-lived, the brand has managed to endure. After its shutdown, the company went through a series of transformations, changing hands multiple times before eventually merging with Rhapsody. Today, Napster exists as a music streaming service, carrying on the spirit of innovation that made it such a disruptive force 25 years ago. As we look back on the legacy of Napster, it's clear that its impact extends far beyond the music industry. It was a cultural touchstone, a symbol of the power of technology to challenge the status quo and reshape entire industries. It sparked a conversation about copyright, ownership, and the value of creative work in the digital age. And it inspired a generation of entrepreneurs and innovators who saw the potential for technology to transform the world. So, here we are, 25 years later, in a music industry that looks very different from the one that existed before Napster. Streaming is king, physical media is on the decline, and the lines between creator and consumer are blurrier than ever. But one thing remains clear: Napster's legacy will continue to shape the music landscape for years to come. It's a testament to the power of innovation and the resilience of the human spirit. When faced with a challenge, we have the ability to adapt, evolve, and find new ways to thrive. Napster may have been a disruptor, but it was also a catalyst for change, forcing an entire industry to reckon with the realities of the digital age. As we move forward, it's important that we learn from the lessons of Napster and continue to push the boundaries of what's possible. We must find ways to support and compensate artists fairly, while still embracing the convenience and accessibility that technology provides. We must be open to new ideas and willing to challenge the status quo, even if it means ruffling a few feathers along the way. Because ultimately, that's what Napster was all about: pushing the envelope, taking risks, and daring to imagine a different way of doing things. It was a wild ride, full of ups and downs, but one thing is for sure – the music industry will never be the same. And for that, we have Napster to thank. So, the next time you fire up your favorite streaming service and listen to your carefully curated playlist, take a moment to remember the little company that started it all. Napster may be gone, but its spirit lives on, reminding us that sometimes, all it takes is a crazy idea and a whole lot of guts to change the world.Thanks for listening. Remember to like and share wherever you get your podcasts.

Alright, folks, let's take a trip down memory lane to a time when the music industry was turned on its head. We're talking about the birth of Napster, the revolutionary file-sharing platform that changed the game 25 years ago. It was a wild ride, filled with controversy, legal battles, and a whole lot of free music. So, buckle up and let's dive into the story of Napster and how it forever altered the landscape of music consumption. Picture this: it's 1999, and the music scene is dominated by CDs. If you wanted to listen to your favorite tunes, you had to shell out some serious cash at the record store. But then, along came a couple of young visionaries named Shawn Fanning and Sean Parker. These guys had a crazy idea: what if people could share music files with each other over the internet, without having to pay a dime? And just like that, Napster was born. Now, when Napster first hit the scene, it was like a bomb went off in the music industry. Suddenly, anyone with a computer and an internet connection could access a massive library of music files, completely free of charge. It was a music lover's dream come true. College campuses were buzzing with excitement as students eagerly downloaded their favorite tracks and discovered new artists. The user-friendly interface and the thrill of sharing music with peers made Napster an instant hit. But, as you might expect, not everyone was thrilled about this new development. The big wigs in the music industry, particularly the Recording Industry Association of America (RIAA) and major record labels, saw Napster as a massive threat to their bottom line. They weren't about to sit back and watch as this upstart company undermined their traditional business model. So, they decided to take action. In December 1999, just six months after Napster's launch, the RIAA dropped a bombshell: they filed a lawsuit against the company for copyright infringement. It was a move that would spark a long and bitter legal battle, pitting the old guard of the music industry against the new digital revolutionaries. The courtroom drama that followed was nothing short of intense. Metallica and Dr. Dre, two of the biggest names in music, also jumped into the fray, filing their own lawsuits against Napster. They argued that the platform was nothing more than a tool for piracy, allowing users to steal their hard-earned music without any compensation. It was a heated debate that divided the music community, with some artists siding with Napster and others vehemently opposing it. As the legal battle raged on, Napster's popularity continued to soar. At its peak, the platform boasted over 80 million registered users, all eagerly sharing and downloading music files. It was a cultural phenomenon that couldn't be ignored. The music industry was facing a reckoning, forced to confront the reality that the days of physical media dominance were numbered. Napster had exposed the cracks in the system and shown that there was a massive demand for digital music access. But, as the saying goes, all good things must come to an end. In 2001, after a lengthy and highly publicized legal battle, a federal judge dealt a crushing blow to Napster, ordering the company to shut down its service. It was a bittersweet moment for music fans, who had grown accustomed to the convenience and accessibility of Napster's platform. The party was over, but the impact of Napster would be felt for years to come. You see, Napster wasn't just a flash in the pan; it was a harbinger of a new era in music consumption. The genie was out of the bottle, and there was no putting it back in. The music industry had to adapt or risk becoming obsolete. In the wake of Napster's demise, a new generation of digital music services emerged, all seeking to fill the void left by the fallen giant. Platforms like iTunes, Spotify, and Pandora rose to prominence, offering legal and convenient access to vast music libraries. They learned from Napster's mistakes and found ways to monetize digital music while still meeting consumer demand. These services introduced subscription and ad-supported models, providing a sustainable revenue stream for the industry while giving music fans the flexibility and choice they craved. But Napster's influence didn't stop there. It also fundamentally changed the way we think about music ownership. Before Napster, the idea of owning physical copies of music was deeply ingrained in our culture. We took pride in our CD collections, carefully curating them and displaying them on our shelves. But Napster challenged that notion, introducing the concept of access over ownership. Suddenly, the idea of having a vast library of music at our fingertips, without the need for physical media, became incredibly appealing. This shift in mindset had far-reaching consequences for the music industry. As streaming services gained traction, CD sales began to decline rapidly. Consumers no longer saw the need to purchase physical albums when they could access all their favorite songs with just a few clicks. The rise of streaming as the dominant mode of music consumption was a direct result of the path that Napster had paved. Of course, this transition wasn't without its challenges, particularly for artists. While some embraced the digital age and saw it as an opportunity to reach new audiences, others struggled to adapt to the new reality. The debate over fair compensation for artists in the streaming era continues to this day, with many arguing that the current system is skewed in favor of the platforms rather than the creators. But despite these challenges, there's no denying that Napster's legacy has had a profound impact on the music industry. It democratized music distribution, giving independent artists a platform to share their work without the need for major record label backing. It forced the industry to confront the realities of the digital age and find new ways to monetize music. And it changed the way we think about music consumption, paving the way for the streaming revolution. Even though Napster's original incarnation was short-lived, the brand has managed to endure. After its shutdown, the company went through a series of transformations, changing hands multiple times before eventually merging with Rhapsody. Today, Napster exists as a music streaming service, carrying on the spirit of innovation that made it such a disruptive force 25 years ago. As we look back on the legacy of Napster, it's clear that its impact extends far beyond the music industry. It was a cultural touchstone, a symbol of the power of technology to challenge the status quo and reshape entire industries. It sparked a conversation about copyright, ownership, and the value of creative work in the digital age. And it inspired a generation of entrepreneurs and innovators who saw the potential for technology to transform the world. So, here we are, 25 years later, in a music industry that looks very different from the one that existed before Napster. Streaming is king, physical media is on the decline, and the lines between creator and consumer are blurrier than ever. But one thing remains clear: Napster's legacy will continue to shape the music landscape for years to come. It's a testament to the power of innovation and the resilience of the human spirit. When faced with a challenge, we have the ability to adapt, evolve, and find new ways to thrive. Napster may have been a disruptor, but it was also a catalyst for change, forcing an entire industry to reckon with the realities of the digital age. As we move forward, it's important that we learn from the lessons of Napster and continue to push the boundaries of what's possible. We must find ways to support and compensate artists fairly, while still embracing the convenience and accessibility that technology provides. We must be open to new ideas and willing to challenge the status quo, even if it means ruffling a few feathers along the way. Because ultimately, that's what Napster was all about: pushing the envelope, taking risks, and daring to imagine a different way of doing things. It was a wild ride, full of ups and downs, but one thing is for sure – the music industry will never be the same. And for that, we have Napster to thank. So, the next time you fire up your favorite streaming service and listen to your carefully curated playlist, take a moment to remember the little company that started it all. Napster may be gone, but its spirit lives on, reminding us that sometimes, all it takes is a crazy idea and a whole lot of guts to change the world.Thanks for listening. Remember to like and share wherever you get your podcasts.

Napster: 25th Anniversary

Roots aims to highlight the influence of black people and black culture in shaping the history and development of multiple music genres. Each episode tackles a specific music genre, details the history of black involvement in that genre, and shows how this history is not dated or antique but shapes the present state of music and black involvement within music.

Roots

As best friends we have experienced the Baby Boomer generation and the Gen X generation between us.Friendships are built on the foundation of alcohol, and inappropriateness, and sarcasm.Dolly and I are using this podcast to:Tell a fun story.Teach from a fun story.Learn from a fun story... with a martini in hand and heels on.We want to entertain with your story and our stories to evoke passion and universal truths.This will remind us no matter where or who we are, we are not alone. We would love to share your stories as well.Join our podcast, where ever you get your current pod cast:<a href="https://podcasts.google.com/search/moms%20moments%20and%20martinis">https://podcasts.google.com/search/moms%20moments%20and%20martinis</a><a href="https://rss.com/podcasts/momsmomentsandmartinis/">https://rss.com/podcasts/momsmomentsandmartinis/</a><a href="https://open.spotify.com/show/3xwpcEHxNe1tcH12MW0BdH">https://open.spotify.com/show/3xwpcEHxNe1tcH12MW0BdH</a>

As best friends we have experienced the Baby Boomer generation and the Gen X generation between us. Friendships are built on the foundation of alcohol, and inappropriateness, and sarcasm. Dolly and I are using this podcast to: Tell a fun story. Teach from a fun story. Learn from a fun story... with a martini in hand and heels on. We want to entertain with your story and our stories to evoke passion and universal truths. This will remind us no matter where or who we are, we are not alone. We would love to share your stories as well. Join our podcast, where ever you get your current pod cast: https://podcasts.google.com/search/moms%20moments%20and%20martinis https://rss.com/podcasts/momsmomentsandmartinis/ https://open.spotify.com/show/3xwpcEHxNe1tcH12MW0BdH

As best friends we have experienced the Baby Boomer generation and the Gen X generation between us.Friendships are built on the foundation of alcohol, and inappropriateness, and sarcasm.Dolly and I are using this podcast to:Tell a fun story.Teach from a fun story.Learn from a fun story... with a martini in hand and heels on.We want to entertain with your story and our stories to evoke passion and universal truths.This will remind us no matter where or who we are, we are not alone. We would love to share your stories as well.Join our podcast, where ever you get your current pod cast:<a href="https://podcasts.google.com/search/moms%20moments%20and%20martinis" rel="noopener noreferrer">https://podcasts.google.com/search/moms%20moments%20and%20martinis</a><a href="https://rss.com/podcasts/momsmomentsandmartinis/" rel="noopener noreferrer">https://rss.com/podcasts/momsmomentsandmartinis/</a><a href="https://open.spotify.com/show/3xwpcEHxNe1tcH12MW0BdH" rel="noopener noreferrer">https://open.spotify.com/show/3xwpcEHxNe1tcH12MW0BdH</a>

Mom's, Moments, and Martinis Podcast

Historias Breves Mitos, leyendas, mentiras y verdades del rock de acá, de allá y de todas partes

This Towne Rocks is an exciting, dynamic radio or podcast show hosted by Curt Towne. Each episode features in-depth interviews with both local and national recording artists, giving listeners a behind-the-scenes look into the music world. With a focus on rock music, the show brings a mix of established and up-and-coming artists into the spotlight, offering a unique blend of stories, inspiration, and discussions on the latest trends in the rock scene.Along with these artist interviews, This Towne Rocks also regularly features Special Guests, giving the show an extra layer of excitement and intrigue. One of the recurring segments, Jax Facts, adds a fun and informative touch, delivering interesting facts about Jacksonville, its music culture, or the industry at large.Whether you're a hardcore rock fan or someone who just loves discovering new music and stories, This Towne Rocks is the perfect place to hear from the artists you love and those you're about to discover. Tune in to get your dose of rock, inspiration, and all things music. At Clayradio.com.

This Towne Rocks is an exciting, dynamic radio or podcast show hosted by Curt Towne. Each episode features in-depth interviews with both local and national recording artists, giving listeners a behind-the-scenes look into the music world. With a focus on rock music, the show brings a mix of established and up-and-coming artists into the spotlight, offering a unique blend of stories, inspiration, and discussions on the latest trends in the rock scene. Along with these artist interviews, This Towne Rocks also regularly features Special Guests, giving the show an extra layer of excitement and intrigue. One of the recurring segments, Jax Facts, adds a fun and informative touch, delivering interesting facts about Jacksonville, its music culture, or the industry at large. Whether you're a hardcore rock fan or someone who just loves discovering new music and stories, This Towne Rocks is the perfect place to hear from the artists you love and those you're about to discover. Tune in to get your dose of rock, inspiration, and all things music. At Clayradio.com.

"This Towne Rocks' w/ Curt Towne

all songs are owned by nirvana,i make no profit of off this,this is just for fun

all songs are owned by nirvana,i make no profit of off this,this is just for fun

Nirvana

beomgyu wonder

We just love timeless music, man.Soul Sugar Conversations: The Minds Behind Timeless R&amp;B/Soul Music is a podcast for the music heads, old souls, and the young at heart. Hosted by a 24-year-old super fan of 70s and 80s Soul, Funk, and Jazz music (Brooks Welch), this podcast is dedicated to music that will never get old, whether it's released today or 50 years ago.If you dig this podcast and have a moment to support, please leave a review and comment! It helps us out more than you know!Write to the show at soulsugarjoint@gmail.com

We just love timeless music, man. Soul Sugar Conversations: The Minds Behind Timeless R&B/Soul Music is a podcast for the music heads, old souls, and the young at heart. Hosted by a 24-year-old super fan of 70s and 80s Soul, Funk, and Jazz music (Brooks Welch), this podcast is dedicated to music that will never get old, whether it's released today or 50 years ago. If you dig this podcast and have a moment to support, please leave a review and comment! It helps us out more than you know! Write to the show at soulsugarjoint@gmail.com

Soul Sugar Conversations

Hosts Jason Baines and Scott Bouldin discuss all things Southern Gospel Music with guest artists, industry insiders, and fans. The Southern Gospel Spin also broadcasts live on YouTube and Facebook.

Hosts Jason Baines and Scott Bouldin discuss all things Southern Gospel Music with guest artists, industry insiders, and fans. The Southern Gospel Spin also broadcasts live on YouTube and Facebook.

The Southern Gospel Spin

Fj aftermidnight 2.0

Employees and friends of the Fat Dog Vinyl store in Mt. Vernon Ohio discuss their favorite records and artists

Music History Podcasts / Page 115