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Сделай Глубокий Вдох! Ощущения от услышанного словами не передать, жестами не показать! Могу сказать только одно: это просто живет внутри тебя, это часть тебя. Уютно, по-домашнему, живо, мелодично, экспрессивно, лично, грандиозно, скромно, всеобъемлюще, для тебя. Дыши в такт!

TADB

Ikareta DJ 友達　ポッドキャスト

Ikareta DJ - 友達　ポッドキャスト

INDIEcent Exposure – INDIEcent Exposure

Preflight Checklist

Founded in 1964, Wingert-Jones started as a labor of love between two instrument salesmen with a passion for grand, high-end band music. Merrill Jones started small, attending the 1964 Mid-West National Band Clinic with just one piece: Emperata Overture by Claude T. Smith. From those humble beginnings, Wingert-Jones has grown into a nationally known publisher. 

Merrill Jones and George Wingert met as traveling instrument salesmen in the Midwest and became good friends with a number of connections in the industry. Together, they founded a small print and retail shop in Kansas City selling just a few pieces by their sole composer, Claude T. Smith. Smith would remain the chief composer for Wingert-Jones until his death in 1987. His music was the foundation Wingert-Jones was built on and still features prominently to this day. 

Today, Wingert-Jones continues to publish some of the best pieces of band music in the world, but they have expanded their library to include orchestral and educational pieces as well. Our Achievement and Early Achievement music series are among the most popular hands on music learning collections in the nation. This year, Wingert-Jones is celebrating its 50th anniversary with a line of commemorative editions featuring many of the best pieces ever published by the company.

Founded in 1964, Wingert-Jones started as a labor of love between two instrument salesmen with a passion for grand, high-end band music. Merrill Jones started small, attending the 1964 Mid-West National Band Clinic with just one piece: Emperata Overture by Claude T. Smith. From those humble beginnings, Wingert-Jones has grown into a nationally known publisher. Merrill Jones and George Wingert met as traveling instrument salesmen in the Midwest and became good friends with a number of connections in the industry. Together, they founded a small print and retail shop in Kansas City selling just a few pieces by their sole composer, Claude T. Smith. Smith would remain the chief composer for Wingert-Jones until his death in 1987. His music was the foundation Wingert-Jones was built on and still features prominently to this day. Today, Wingert-Jones continues to publish some of the best pieces of band music in the world, but they have expanded their library to include orchestral and educational pieces as well. Our Achievement and Early Achievement music series are among the most popular hands on music learning collections in the nation. This year, Wingert-Jones is celebrating its 50th anniversary with a line of commemorative editions featuring many of the best pieces ever published by the company.

Wingert Jones

Cette série d’émissions pose un regard amoureux sur un homme qui avait tous les talents...

Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur <a href="http://www.radiofrance.fr/?at_campaign=desc_podcast&at_medium=lien_RSS">Radio France</a>.

Cette série d’émissions pose un regard amoureux sur un homme qui avait tous les talents... Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France.

Cette série d’émissions pose un regard amoureux sur un homme qui avait tous les talents...

Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur <a href="http://www.radiofrance.fr/?at_campaign=desc_podcast&amp;at_medium=lien_RSS" rel="noopener noreferrer">Radio France</a>.

Un été avec Bernstein

Mario & Clive are the Men In Black. Presenting a weekly show discussing business innovations and interviewing business leaders.

Mario &amp; Clive are the Men In Black. Presenting a weekly show discussing business innovations and interviewing business leaders.

Thought Leaders - Men in Black

En esta serie de podcast traemos la actualidad de la música electrónica en general y del techno en particular. Una de nuestras misiones es acercar esta música a la gente y por ello estamos abiertos a que nos enviéis vuestros mixes, temas y promos para que suenen en este podcast.

Unrealised Podcast

Blues Therapy Radio is an independently owned radio show. BTR is a weekly show that is broadcast for two hours every week from the state of Washington and in syndication across the country and overseas. Support this podcast: <a href="https://anchor.fm/ray-l-hansen/support" rel="payment">https://anchor.fm/ray-l-hansen/support</a>

Blues Therapy Radio is an independently owned radio show. BTR is a weekly show that is broadcast for two hours every week from the state of Washington and in syndication across the country and overseas. Support this podcast: https://anchor.fm/ray-l-hansen/support

Blues Therapy Radio is an independently owned radio show. BTR is a weekly show that is broadcast for two hours every week from the state of Washington and in syndication across the country and overseas. Support this podcast: <a href="https://anchor.fm/ray-l-hansen/support" rel="noopener noreferrer">https://anchor.fm/ray-l-hansen/support</a>

Blues Therapy Radio

This Is Modulations is a monthly one hour show featuring cutting-edge underground Techno & House music that takes you on a journey into sound. . 
We will feature DJs, Producers and live acts.  Behind the mic is your host Greg Gow

This Is Modulations is a monthly one hour show featuring cutting-edge underground Techno & House music that takes you on a journey into sound. . We will feature DJs, Producers and live acts. Behind the mic is your host Greg Gow

This Is Modulations is a monthly one hour show featuring cutting-edge underground Techno &amp; House music that takes you on a journey into sound. . 
We will feature DJs, Producers and live acts.  Behind the mic is your host Greg Gow

This Is Modulations

Follow SNADS: ⬇
https://snads.fanlink.to/findus

Follow SNADS: ⬇ https://snads.fanlink.to/findus

SNADS | Podcast

A new podcast from Greenwoodside in which we chat to fascinating people working on exciting projects to keep the folk music scene in England moving forward.

Future-Proof Folk

oh i like that song!! Wanna know what songs are hot and what songs are duds in the past week

well the folks from country 93.5 are coming up with the top Billboard songs of the past week in a little podcast from all your streaming services 


Cover art background photo provided by Ian Tormo on Unsplash: https://unsplash.com/@tormius

ztas5vca

oh i like that song!! Wanna know what songs are hot and what songs are duds in the past week well the folks from country 93.5 are coming up with the top Billboard songs of the past week in a little podcast from all your streaming services Cover art background photo provided by Ian Tormo on Unsplash: https://unsplash.com/@tormius ztas5vca

Country Hits 101

Unirock te trae las últimas noticias del mundo del rock.

UniRock

Join us on a 100 year journey to watch movies and see how they evolve. It's best to watch the movies beforehand as we will be discussing all aspects of the movie, describing scenes and possible spoilers.

A Century Of Cinema

Thought Crimez is a jack of all trades podcast that delves into Hip Hop, Comedy, Entertainment, Social Commentary, Animation, Music and more. Completely neutral grounds with NO payola. We keep it fresh, real and free. From behind the curtains of the industry, animated skits, animated shows, narrative tales, parodies, mini-documentaries and more.

We're bringing you raw conversations about the Millennial and Gen Z social media culture and how it impacts the world today. While keeping that real cultural aesthetic that Gen Xer's love and like. #thoughtcrimez

Thought Crimez is a jack of all trades podcast that delves into Hip Hop, Comedy, Entertainment, Social Commentary, Animation, Music and more. Completely neutral grounds with NO payola. We keep it fresh, real and free. From behind the curtains of the industry, animated skits, animated shows, narrative tales, parodies, mini-documentaries and more. We're bringing you raw conversations about the Millennial and Gen Z social media culture and how it impacts the world today. While keeping that real cultural aesthetic that Gen Xer's love and like. #thoughtcrimez

Thought Crimez

Fala gravíssimos amigos e amigas! Eu sou Duca Tambasco quem me acompanha nas redes sociais e pela minha história do Oficina G3 agora também vai ter mais esse canal de comunicação, mais essa forma de bater um papo sobre o mundo do contrabaixo sobre os graves mas, também sobre música em geral e diversidades.

Podcast GRAVIDADE

Jeff has years of covering the metal music scene under his belt.  The 5hole is a drunk tequila snob.  Together, they interview bands, tell stories and speak on issues without all the P.C. nonsense you'll find on NPR.  This show has been called "a comedic prolapse" by one bottom feeding scumbag from Philly.

Jeff has years of covering the metal music scene under his belt. The 5hole is a drunk tequila snob. Together, they interview bands, tell stories and speak on issues without all the P.C. nonsense you'll find on NPR. This show has been called "a comedic prolapse" by one bottom feeding scumbag from Philly.

In The Pit Radio

A brand new podcast showcasing, and chatting with, some of the most talented, badass women in the biz! Hosted by Rebecca Geary & Sinead McConville.

A brand new podcast showcasing, and chatting with, some of the most talented, badass women in the biz! Hosted by Rebecca Geary &amp; Sinead McConville.

Girls To The Front

The official podcast from The Parlotones. It is casual and spontaneous, recorded by Paul at home or on the road, and covers a variety of topics related to the band.

The Parlotones Podcast

GLiM'STATION/グリムステーションへの
感想やお便りはこちら　glimstation@gmail.com

GLiM'STATION/グリムステーションのTwitterはhttps://twitter.com/GlimStation




Stripe
Twitter
https://twitter.com/Strip_2016
YouTube
https://www.youtube.com/channel/UCbZTqFLwkWKm_oe35317QHg

GYRO
Twitter
https://twitter.com/GYRO_7

GLiM'STATION/グリムステーションへの 感想やお便りはこちら glimstation@gmail.com GLiM'STATION/グリムステーションのTwitterはhttps://twitter.com/GlimStation Stripe Twitter https://twitter.com/Strip_2016 YouTube https://www.youtube.com/channel/UCbZTqFLwkWKm_oe35317QHg GYRO Twitter https://twitter.com/GYRO_7

GLiM‘STATION/ｸﾞﾘﾑｽﾃｰｼｮﾝ EP8~14

Welcome to the Synthetic Dreams Podcast, where musical exploration meets laid-back conversations. Hosted by Mondmann, this podcast is a sanctuary for those who crave variety in electronic music. From mesmerizing instrumentals to tracks with punchy vocals, each episode takes you on a journey through different sounds and styles.
Short, sweet, and always filled with good tunes, Synthetic Dreams is not just a podcast – it's a musical adventure. Tune in, relax, and let the beats transport you to a world where variety reigns supreme.

Welcome to the Synthetic Dreams Podcast, where musical exploration meets laid-back conversations. Hosted by Mondmann, this podcast is a sanctuary for those who crave variety in electronic music. From mesmerizing instrumentals to tracks with punchy vocals, each episode takes you on a journey through different sounds and styles. Short, sweet, and always filled with good tunes, Synthetic Dreams is not just a podcast – it's a musical adventure. Tune in, relax, and let the beats transport you to a world where variety reigns supreme.

Synthetic Dreams

MAKE IT FUNKY – Radio Activ' 101.9 FM

Welcome to "Court-2-Court," the podcast where I unravel the legal intricacies within the dynamic worlds of sports and entertainment. Join me as I dive into the fascinating intersection of law, athletics, and the entertainment industry, exploring the cases, contracts, and controversies that shape the playing field and the stage. Hosted by Kassandra Ramsey, a sports and entertainment attorney,&nbsp; this podcast brings you insightful conversations with legal professionals, athletes, entertainers, and key stakeholders. Gain a behind-the-scenes perspective on the legal battles that make headlines and the contractual negotiations that define careers. Each episode delves into a specific legal aspect, from contract negotiations and intellectual property rights to dispute resolution and regulatory compliance. Our guests share their experiences and expertise, offering valuable insights into the challenges and triumphs of navigating the legal landscape in sports and entertainment. Whether you're a legal enthusiast, industry professional, athlete, or simply a fan, "Court-@-Court" provides engaging and informative discussions that demystify the legal side of the games we love and the entertainment we crave. Stay informed, entertained, and in-the-know with "Court-2-Court" – where law meets the fast-paced worlds of sports and entertainment.

Welcome to "Court-2-Court," the podcast where I unravel the legal intricacies within the dynamic worlds of sports and entertainment. Join me as I dive into the fascinating intersection of law, athletics, and the entertainment industry, exploring the cases, contracts, and controversies that shape the playing field and the stage. Hosted by Kassandra Ramsey, a sports and entertainment attorney,  this podcast brings you insightful conversations with legal professionals, athletes, entertainers, and key stakeholders. Gain a behind-the-scenes perspective on the legal battles that make headlines and the contractual negotiations that define careers. Each episode delves into a specific legal aspect, from contract negotiations and intellectual property rights to dispute resolution and regulatory compliance. Our guests share their experiences and expertise, offering valuable insights into the challenges and triumphs of navigating the legal landscape in sports and entertainment. Whether you're a legal enthusiast, industry professional, athlete, or simply a fan, "Court-@-Court" provides engaging and informative discussions that demystify the legal side of the games we love and the entertainment we crave. Stay informed, entertained, and in-the-know with "Court-2-Court" – where law meets the fast-paced worlds of sports and entertainment.

Court2Court: Navigating the Legal Arena of Sports and Entertainment

Il presente programma fece parte nel 2004 delle manifestazioni universitarie di ICAMus a Firenze (un seminario e due concerti) dal titolo Solitudini creative, a cura di Aloma Bardi, dedicate a una stagione speciale, il Romanticismo americano, nelle sue potenti implicazioni musicali studiate attraverso il movimento filosofico e letterario del Trascendentalismo e la poesia di Emily Dickinson.

Il tema delle “Solitudini creative” riassume in sé valori centrali alla cultura e al pensiero nordamericani, dal rapporto con la natura alla libertà delle forme espressive, dalla protesta sociale alla visione ultraterrena. Numerose e diversificate sono le sembianze che assume. Per la poesia di Emily Dickinson i compositori di liriche d’arte hanno costantemente mostrato predilezione, come pure per i testi di Walt Whitman. Questi due mondi poetici generano un repertorio musicale in crescita incessante; ICAMus nel corso degli anni ha dedicato varie iniziative ai due poeti e alle composizioni musicali sui loro versi.

Emily Dickinson (1830-1886), con le sue enigmatiche poesie dal linguaggio vertiginosamente simbolico, permane nel tempo come un culmine di attrazione per i compositori, indipendente dalle tendenze musicali e culturali, capace di riaffermare ogni volta la sua inquietante modernità. Sin dagli anni Sessanta dell’Ottocento, la poetessa aveva condotto alle estreme conseguenze la sperimentazione di uno stile innovativo che sa evocare spazi immensi e abissali entro i confini di un ambiente vitale intimo, persino minimo. Nei suoi versi, la presenza musicale assume un ruolo centrale: da un lato la poetessa amava e praticava con competenza la musica, dall’altro lato la sua poesia contiene migliaia di riferimenti e immagini musicali, oltre ad una intrinseca complessa musicalità nel metro e nel fraseggio.

I compositori, soprattutto ma non soltanto statunitensi, attraverso le generazioni hanno echeggiato ed espanso la musica presente nel verso dickinsoniano. Già nel 1894, soltanto otto anni dopo la morte della poetessa e quattro anni dopo la pubblicazione di una prima raccolta di sue poesie, la compositrice Willetta “Etta” Parker eseguì in concerto il proprio song Have You Got a Brook in Your Little Heart? sui versi di Emily Dickinson. Da allora e sino ai giorni nostri, compositori e compositrici hanno trovato nella poesia dickinsoniana inesauribile illuminazione per scrivere migliaia di adattamenti musicali, dall’ambito altamente artistico al pregevole artigianato, sino alla musica “domestica” e amatoriale.

La scelta di questo programma include alcune delle presenze più significative tra i compositori americani contemporanei di liriche d’arte, introducendo il pubblico italiano ad un ambito musicale pressoché sconosciuto e ai nomi di Arthur Farwell, Ernst Bacon, Leo Smit e Lori Laitman – che sin dagli anni Venti del Novecento hanno sperimentato con sorprendente varietà stilistica la composizione di songs dickinsoniani in cicli e raccolte, tornando ripetutamente al verso della poetessa attraverso i decenni – per trovare un culmine stilistico nel ciclo di Aaron Copland, Twelve Poems of Emily Dickinson (1949-1950): individuando un universo di emozioni condivise, il compositore forgia un linguaggio musicale straordinariamente toccante, espressione di profonda compenetrazione tra musica e testo poetico.

Il soprano Antonia Brown e il pianista Gregorio Nardi furono gli interpreti del concerto di ICAMus (Firenze, Accademia Bartolomeo Cristofori, 15 giugno 2004) il cui programma comprendeva numerose prime esecuzioni in Europa. Le trasmissioni includono registrazioni dal vivo da quel concerto affiancate a due incisioni storiche: il soprano Helen Boatwright con il pianista John Kirkpatrick nella selezione dei songs di Bacon in una registrazione del 1964, e il soprano Adele Addison nel ciclo di Copland, accompagnata dal compositore al pianoforte, ancora in una registrazione degli anni Sessanta.

Il Centro di Documentazione sulla Musica Am

Il presente programma fece parte nel 2004 delle manifestazioni universitarie di ICAMus a Firenze (un seminario e due concerti) dal titolo Solitudini creative, a cura di Aloma Bardi, dedicate a una stagione speciale, il Romanticismo americano, nelle sue potenti implicazioni musicali studiate attraverso il movimento filosofico e letterario del Trascendentalismo e la poesia di Emily Dickinson. Il tema delle “Solitudini creative” riassume in sé valori centrali alla cultura e al pensiero nordamericani, dal rapporto con la natura alla libertà delle forme espressive, dalla protesta sociale alla visione ultraterrena. Numerose e diversificate sono le sembianze che assume. Per la poesia di Emily Dickinson i compositori di liriche d’arte hanno costantemente mostrato predilezione, come pure per i testi di Walt Whitman. Questi due mondi poetici generano un repertorio musicale in crescita incessante; ICAMus nel corso degli anni ha dedicato varie iniziative ai due poeti e alle composizioni musicali sui loro versi. Emily Dickinson (1830-1886), con le sue enigmatiche poesie dal linguaggio vertiginosamente simbolico, permane nel tempo come un culmine di attrazione per i compositori, indipendente dalle tendenze musicali e culturali, capace di riaffermare ogni volta la sua inquietante modernità. Sin dagli anni Sessanta dell’Ottocento, la poetessa aveva condotto alle estreme conseguenze la sperimentazione di uno stile innovativo che sa evocare spazi immensi e abissali entro i confini di un ambiente vitale intimo, persino minimo. Nei suoi versi, la presenza musicale assume un ruolo centrale: da un lato la poetessa amava e praticava con competenza la musica, dall’altro lato la sua poesia contiene migliaia di riferimenti e immagini musicali, oltre ad una intrinseca complessa musicalità nel metro e nel fraseggio. I compositori, soprattutto ma non soltanto statunitensi, attraverso le generazioni hanno echeggiato ed espanso la musica presente nel verso dickinsoniano. Già nel 1894, soltanto otto anni dopo la morte della poetessa e quattro anni dopo la pubblicazione di una prima raccolta di sue poesie, la compositrice Willetta “Etta” Parker eseguì in concerto il proprio song Have You Got a Brook in Your Little Heart? sui versi di Emily Dickinson. Da allora e sino ai giorni nostri, compositori e compositrici hanno trovato nella poesia dickinsoniana inesauribile illuminazione per scrivere migliaia di adattamenti musicali, dall’ambito altamente artistico al pregevole artigianato, sino alla musica “domestica” e amatoriale. La scelta di questo programma include alcune delle presenze più significative tra i compositori americani contemporanei di liriche d’arte, introducendo il pubblico italiano ad un ambito musicale pressoché sconosciuto e ai nomi di Arthur Farwell, Ernst Bacon, Leo Smit e Lori Laitman – che sin dagli anni Venti del Novecento hanno sperimentato con sorprendente varietà stilistica la composizione di songs dickinsoniani in cicli e raccolte, tornando ripetutamente al verso della poetessa attraverso i decenni – per trovare un culmine stilistico nel ciclo di Aaron Copland, Twelve Poems of Emily Dickinson (1949-1950): individuando un universo di emozioni condivise, il compositore forgia un linguaggio musicale straordinariamente toccante, espressione di profonda compenetrazione tra musica e testo poetico. Il soprano Antonia Brown e il pianista Gregorio Nardi furono gli interpreti del concerto di ICAMus (Firenze, Accademia Bartolomeo Cristofori, 15 giugno 2004) il cui programma comprendeva numerose prime esecuzioni in Europa. Le trasmissioni includono registrazioni dal vivo da quel concerto affiancate a due incisioni storiche: il soprano Helen Boatwright con il pianista John Kirkpatrick nella selezione dei songs di Bacon in una registrazione del 1964, e il soprano Adele Addison nel ciclo di Copland, accompagnata dal compositore al pianoforte, ancora in una registrazione degli anni Sessanta. Il Centro di Documentazione sulla Musica Am

Il presente programma fece parte nel 2004 delle manifestazioni universitarie di ICAMus a Firenze (un seminario e due concerti) dal titolo Solitudini creative, a cura di Aloma Bardi, dedicate a una stagione speciale, il Romanticismo americano, nelle sue potenti implicazioni musicali studiate attraverso il movimento filosofico e letterario del Trascendentalismo e la poesia di Emily Dickinson.

Il tema delle “Solitudini creative” riassume in sé valori centrali alla cultura e al pensiero nordamericani, dal rapporto con la natura alla libertà delle forme espressive, dalla protesta sociale alla visione ultraterrena. Numerose e diversificate sono le sembianze che assume. Per la poesia di Emily Dickinson i compositori di liriche d’arte hanno costantemente mostrato predilezione, come pure per i testi di Walt Whitman. Questi due mondi poetici generano un repertorio musicale in crescita incessante; ICAMus nel corso degli anni ha dedicato varie iniziative ai due poeti e alle composizioni musicali sui loro versi.

Emily Dickinson (1830-1886), con le sue enigmatiche poesie dal linguaggio vertiginosamente simbolico, permane nel tempo come un culmine di attrazione per i compositori, indipendente dalle tendenze musicali e culturali, capace di riaffermare ogni volta la sua inquietante modernità. Sin dagli anni Sessanta dell’Ottocento, la poetessa aveva condotto alle estreme conseguenze la sperimentazione di uno stile innovativo che sa evocare spazi immensi e abissali entro i confini di un ambiente vitale intimo, persino minimo. Nei suoi versi, la presenza musicale assume un ruolo centrale: da un lato la poetessa amava e praticava con competenza la musica, dall’altro lato la sua poesia contiene migliaia di riferimenti e immagini musicali, oltre ad una intrinseca complessa musicalità nel metro e nel fraseggio.

I compositori, soprattutto ma non soltanto statunitensi, attraverso le generazioni hanno echeggiato ed espanso la musica presente nel verso dickinsoniano. Già nel 1894, soltanto otto anni dopo la morte della poetessa e quattro anni dopo la pubblicazione di una prima raccolta di sue poesie, la compositrice Willetta “Etta” Parker eseguì in concerto il proprio song Have You Got a Brook in Your Little Heart? sui versi di Emily Dickinson. Da allora e sino ai giorni nostri, compositori e compositrici hanno trovato nella poesia dickinsoniana inesauribile illuminazione per scrivere migliaia di adattamenti musicali, dall’ambito altamente artistico al pregevole artigianato, sino alla musica “domestica” e amatoriale.

La scelta di questo programma include alcune delle presenze più significative tra i compositori americani contemporanei di liriche d’arte, introducendo il pubblico italiano ad un ambito musicale pressoché sconosciuto e ai nomi di Arthur Farwell, Ernst Bacon, Leo Smit e Lori Laitman – che sin dagli anni Venti del Novecento hanno sperimentato con sorprendente varietà stilistica la composizione di songs dickinsoniani in cicli e raccolte, tornando ripetutamente al verso della poetessa attraverso i decenni – per trovare un culmine stilistico nel ciclo di Aaron Copland, Twelve Poems of Emily Dickinson&nbsp;(1949-1950): individuando un universo di emozioni condivise, il compositore forgia un linguaggio musicale straordinariamente toccante, espressione di profonda compenetrazione tra musica e testo poetico.

Il soprano Antonia Brown e il pianista Gregorio Nardi furono gli interpreti del concerto di ICAMus (Firenze, Accademia Bartolomeo Cristofori, 15 giugno 2004) il cui programma comprendeva numerose prime esecuzioni in Europa. Le trasmissioni includono registrazioni dal vivo da quel concerto affiancate a due incisioni storiche: il soprano Helen Boatwright con il pianista John Kirkpatrick nella selezione dei songs di Bacon in una registrazione del 1964, e il soprano Adele Addison nel ciclo di Copland, accompagnata dal compositore al pianoforte, ancora in una registrazione degli anni Sessanta.

Il Centro di Documentazione sulla Musica Am

La poesia di Emily Dickinson e la musica americana del Novecento

Ian has remixed music for legends such as Roachford, System F, Bimbo Jones, Jon Fitz, Moonbeam and Jay Robinson and has been supported by DJs such as Roger Sanchez, Kissy Sell Out, Stonebridge, Armin Van Buuren et al. Here is his story…

Ian Round is a music producer, remix artist, DJ and educator with over 20 years of experience.  Starting his career at the age of 16 DJing at parties Ian soon progressed to DJing in clubs and bars across Birmingham and the Midlands.  It started when Ian completed a course in ‘Creating Music Through Technology’ at Birmingham’s Academy of Music under the tutelage of Lee Fisher, a House Music and Ibiza DJ legend and Austen Kilburn a renowned Birmingham sound engineer.  Ian learned his trade spinning vinyl on Technics 1210s and producing music on Properllerhead’s Reason and Cubase.  Whilst plying his trade DJing Ian set up a record label ‘Monkey Beats’ along with fellow DJ ‘Stu Morton’, a staple at Three Shades Records and Hard to Find recording in Birmingham during the booming vinyl era of early noughties.  With an ear for the zeitgeist of dance music Ian and Stu found and released numerous records from local talent including the now famous Jay Robinson.  Releasing several of his own tracks alongside successful remixes of artists on the label roster Ian proved himself to be a talented remix artist.  

Alongside running a record label, remixing and producing Ian had a career beyond the studio in mind.  In pursuit of this Ian followed up his course in Birmingham with a Degree in Music Technology and Audio Engineering soon followed by a PGCE where Ian would start his educational career teaching the next generation of music producers, DJs, composers and Sound engineers.  It was during his degree that Ian would secure his first release with American label Portamento, ‘Eivissa’ was an uplifting piano led house track. In 2007 Ian’s track ‘Dancin’’ was noticed by Manuel De La Mare from Hotfingers, an Italian label.  With the release of this track came support from House Music legend Roger Sanchez.  

During his career in teaching Ian has continued to produce and release music as well as win remix competitions including a remix of System F - ‘Cry’ which secured a full release on Ferry Corsten’s label, Premier.  Ian soon followed this up with a winning entry in another competition remixing Bimbo Jones and Beverly Knight’s ‘I Found Out’.  Since then Ian has continued to remix and produce to this day.

Ian has remixed music for legends such as Roachford, System F, Bimbo Jones, Jon Fitz, Moonbeam and Jay Robinson and has been supported by DJs such as Roger Sanchez, Kissy Sell Out, Stonebridge, Armin Van Buuren et al. Here is his story… Ian Round is a music producer, remix artist, DJ and educator with over 20 years of experience. Starting his career at the age of 16 DJing at parties Ian soon progressed to DJing in clubs and bars across Birmingham and the Midlands. It started when Ian completed a course in ‘Creating Music Through Technology’ at Birmingham’s Academy of Music under the tutelage of Lee Fisher, a House Music and Ibiza DJ legend and Austen Kilburn a renowned Birmingham sound engineer. Ian learned his trade spinning vinyl on Technics 1210s and producing music on Properllerhead’s Reason and Cubase. Whilst plying his trade DJing Ian set up a record label ‘Monkey Beats’ along with fellow DJ ‘Stu Morton’, a staple at Three Shades Records and Hard to Find recording in Birmingham during the booming vinyl era of early noughties. With an ear for the zeitgeist of dance music Ian and Stu found and released numerous records from local talent including the now famous Jay Robinson. Releasing several of his own tracks alongside successful remixes of artists on the label roster Ian proved himself to be a talented remix artist. Alongside running a record label, remixing and producing Ian had a career beyond the studio in mind. In pursuit of this Ian followed up his course in Birmingham with a Degree in Music Technology and Audio Engineering soon followed by a PGCE where Ian would start his educational career teaching the next generation of music producers, DJs, composers and Sound engineers. It was during his degree that Ian would secure his first release with American label Portamento, ‘Eivissa’ was an uplifting piano led house track. In 2007 Ian’s track ‘Dancin’’ was noticed by Manuel De La Mare from Hotfingers, an Italian label. With the release of this track came support from House Music legend Roger Sanchez. During his career in teaching Ian has continued to produce and release music as well as win remix competitions including a remix of System F - ‘Cry’ which secured a full release on Ferry Corsten’s label, Premier. Ian soon followed this up with a winning entry in another competition remixing Bimbo Jones and Beverly Knight’s ‘I Found Out’. Since then Ian has continued to remix and produce to this day.

ianround

Hosts Bubbawheat and Nick Rehak take a deep dive into the lyrics of popular songs throughout history and analyze whether they are about what they sound like or if there's a hidden meaning about sex, drugs, or miscellaneous.

Lyrical Innuendo

世界如此大，所見所聞或是聞所未聞，好友們齊聚一堂訴說暢談著，帶著分享的心情一同看見不同的風景樣貌，樸實無華酸甜苦辣的人生～ 聽聽我們的故事，談談平時的心靈成長，分享有趣的旅行紀事或是好吃好玩的美食地方等，就是不一樣的時光啦 Powered by <a href="https://firstory.me/zh">Firstory Hosting</a>

世界如此大，所見所聞或是聞所未聞，好友們齊聚一堂訴說暢談著，帶著分享的心情一同看見不同的風景樣貌，樸實無華酸甜苦辣的人生～ 聽聽我們的故事，談談平時的心靈成長，分享有趣的旅行紀事或是好吃好玩的美食地方等，就是不一樣的時光啦 Powered by Firstory Hosting

世界如此大，所見所聞或是聞所未聞，好友們齊聚一堂訴說暢談著，帶著分享的心情一同看見不同的風景樣貌，樸實無華酸甜苦辣的人生～ 聽聽我們的故事，談談平時的心靈成長，分享有趣的旅行紀事或是好吃好玩的美食地方等，就是不一樣的時光啦 Powered by <a href="https://firstory.me/zh" rel="noopener noreferrer">Firstory Hosting</a>

《超激大的大提琴》

Par A+B est un podcast musical original proposé par Lena-Marine Capus sur Radio Clapas. À travers un abécédaire sonore, chaque épisode explore une lettre de l'alphabet associée à un morceau emblématique, culte ou méconnu. De Redbone à La Femme, de la soul au rap, du rock indépendant au métal, cette série propose une découverte musicale éclectique, adaptée à tous les goûts.🎧 Format court, ton accessible, références pointues : parfait pour enrichir sa culture musicale et élargir ses horizons, un épisode à la fois.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Par A+B est un podcast musical original proposé par Lena-Marine Capus sur Radio Clapas. À travers un abécédaire sonore, chaque épisode explore une lettre de l'alphabet associée à un morceau emblématique, culte ou méconnu. De Redbone à La Femme, de la soul au rap, du rock indépendant au métal, cette série propose une découverte musicale éclectique, adaptée à tous les goûts. 🎧 Format court, ton accessible, références pointues : parfait pour enrichir sa culture musicale et élargir ses horizons, un épisode à la fois. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Par A+B est un podcast musical original proposé par Lena-Marine Capus sur Radio Clapas. À travers un abécédaire sonore, chaque épisode explore une lettre de l'alphabet associée à un morceau emblématique, culte ou méconnu. De Redbone à La Femme, de la soul au rap, du rock indépendant au métal, cette série propose une découverte musicale éclectique, adaptée à tous les goûts.🎧 Format court, ton accessible, références pointues : parfait pour enrichir sa culture musicale et élargir ses horizons, un épisode à la fois.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite" rel="noopener noreferrer">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Par A+B

Dalmatrax

Underground minimal, minimal house, rominimal, deep tech and everything in between. 2 hour DJ mixes from some of the best in the industry.

Ooof!Cast

We bring interviews with past and present artist national, local and underground hip hop legends. We discuss Life, Music, and more

Funky Fresh In Tha Flesh

Join Screamin’ Rachael and Jorge every month to get the inside scoop on all the happenings going on with the legendary Chicago house music label and the tea on all things house music.

Trax Records: The Official Podcast

廣播老鳥X廣播菜鳥，熱愛八○、九○年代，分享生活中的音樂，從音樂裡過生活，邀請生活裡的大玩家分享經驗。 Powered by <a href="https://firstory.me/zh">Firstory Hosting</a>

廣播老鳥X廣播菜鳥，熱愛八○、九○年代，分享生活中的音樂，從音樂裡過生活，邀請生活裡的大玩家分享經驗。 Powered by Firstory Hosting

廣播老鳥X廣播菜鳥，熱愛八○、九○年代，分享生活中的音樂，從音樂裡過生活，邀請生活裡的大玩家分享經驗。 Powered by <a href="https://firstory.me/zh" rel="noopener noreferrer">Firstory Hosting</a>

超級大玩家2.0

Get the latest music news from Q Magazine and get more at qthemusic.com.

Get the latest music news from Q Magazine and get more at qthemusic.com.

Music Podcasts / Page 1571

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ianround

Lyrical Innuendo

《超激大的大提琴》

Par A+B

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Ooof!Cast

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Trax Records: The Official Podcast

超級大玩家2.0

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