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Tune in to hear the latest demos and immortal classics of house music in the monthly Conkrete House Show by Soul Avengerz, also broadcasted on a dozen stations across the world.

Soul Avengerz: Conkrete House Show

WAFFLES! Radio — live on CFRC 101.9 FM (cfrc.ca) every Saturday at 10 a.m. Podcasting under a SOCAN 22F tariff.

WAFFLES! Radio from CFRC 101.9 FM

想听更多好声音，关注公众号 重小烟 一个让你听了就上瘾的声音，每天给你分享好听的情感故事。 用心聆听你的心声，用声音传递温暖

小烟夜语

Hou Het Zout! Dé old school en true school Hip Hop show van Nederland. De hosts MC Drieman en Jerome XL (3xXL) houden je op de hoogte van nieuwe binnenkomers en legendary classics, frisse interviews, dope events en alles dat er tussen in zit! Elke drie weken een verse aflevering!

Hou Het Zout - True School Hip Hop

Cauet sur Europe 2, l’émission qui déchire est de retour du lundi au vendredi, de 7h à 11h !Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Cauet sur Europe 2, l’émission qui déchire est de retour du lundi au vendredi, de 7h à 11h ! Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Cauet sur Europe 2, l’émission qui déchire est de retour du lundi au vendredi, de 7h à 11h !Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite" rel="noopener noreferrer">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Tout Cauet sur Europe 2

Un podcast de conversaciones con las personas detrás de los lanzamientos, proyectos y festivales/promotoras más emocionantes de la industria musical hispana.

Un podcast de conversaciones con las personas detrás de los lanzamientos, proyectos y festivales/promotoras más emocionantes de la industria musical hispana.

En Tu Orilla

Aylin Skye is an educational dance pop singer for learning English. She is an artificial singer from vocaburger.com. Listen, repeat, learn and enjoy English!

Aylin Skye

De Bound For Glory Podcast is een eerlijke en ongedwongen verkenning van het kunstenaarschap in al zijn facetten. Gehost door Max van Dijk en Pedro Croes van The Dukes of Harlem, duiken we samen met muzikanten, schrijvers, dansers, acteurs, filmregisseurs, modeontwerpers en andere creatieven in de wereld van maken, dromen en falen. Met een drankje in de hand bespreken we de pieken en dalen, nieuwe inspiratiebronnen en de zoektocht naar authenticiteit.

The Dukes of Harlem present: The Bound For Glory Podcast

Semibreve

Basswalkers: Storie di Groove e Rivoluzioni a Quattro Corde" è il podcast dedicato agli appassionati di basso elettrico e musica. Scopri l’affascinante storia dello strumento che ha rivoluzionato il mondo del groove, dalla sua invenzione nel 1951 fino alle sue applicazioni nei generi più disparati: rock, funk, jazz, reggae, bossa nova, metal e molto altro. Attraverso episodi ironici e coinvolgenti, esploreremo l’evoluzione del basso elettrico, gli eventi storici significativi e i bassisti che hanno cambiato la musica per sempre. Unisciti al viaggio e lasciati guidare dal groove!

Basswalkers: Storie e leggende a 4 corde

DJ G400 MIXES

Kai aš mažas buvau“ – laida apie muzikantų, menininkų ir melomanų vaikystę, jų ryškiausius muzikinius prisiminimus. Kokie aplankyti koncertai padarė didžiausią įspūdį, kiek metrų kasetės buvo sunaudota įrašinėjant „mixtape’us“, kokia daina skambėjo bučiuojant pirmąsias meiles? Ankstyvosios įtakos ir grojaraščiai, kurie formuoja mūsų muzikinį kelią ir takeliu, o prisiminus kelia jaukią nostalgiją. Ved. Kamilė Tumelytė.

Kai aš mažas buvau“ – laida apie muzikantų, menininkų ir melomanų vaikystę, jų ryškiausius muzikinius prisiminimus. Kokie aplankyti koncertai padarė didžiausią įspūdį, kiek metrų kasetės buvo sunaudota įrašinėjant „mixtape’us“, kokia daina skambėjo bučiuojant pirmąsias meiles? Ankstyvosios įtakos ir grojaraščiai, kurie formuoja mūsų muzikinį kelią ir takeliu, o prisiminus kelia jaukią nostalgiją.Ved. Kamilė Tumelytė.

Kai&nbsp;aš&nbsp;mažas buvau“ – laida apie muzikantų, menininkų ir melomanų vaikystę, jų ryškiausius muzikinius prisiminimus. Kokie aplankyti koncertai padarė didžiausią įspūdį, kiek metrų kasetės buvo sunaudota įrašinėjant „mixtape’us“, kokia daina skambėjo bučiuojant pirmąsias meiles? Ankstyvosios įtakos ir grojaraščiai, kurie formuoja mūsų muzikinį kelią ir takeliu, o prisiminus kelia jaukią nostalgiją. Ved. Kamilė Tumelytė.

Kai aš mažas buvau

The Feel Good Radio Podcast is your weekly rewind through the best of the '80s and '90s pop culture. Hosted by GeorgeOdem and Miss Leigh Lovely, each episode spotlights a different month from the past—covering the music, movies, and TV moments that defined a generation. And now, there's a twist! At the end of every episode, it's game time. Everything from Trivia to Guess That Song, we're going to keep you guessing, and laughing! This podcast is the perfect companion to Feel Good Radio, the online station bringing you THE BEST MIX of the 80s &amp; 90s! With shows like The AM Groove (6–9 a.m.), The Hip-Hop/R&amp;B Lunch Break (12–1 p.m.), The Hair Bands Midday Mix (2–3 p.m.), and She Got The Beat Drive Home (5–6 p.m.) COMING SOON, there’s a feel-good vibe for everyone! Relive the decades that made pop culture iconic, only on Feel Good Radio - The Radio Station and the Podcast! The Feel Good Radio Podcast: Available every Monday, also on our website at www.feelgoodradcast.com Drinks With A Side Of Gossip: The Weekend Edition: Available Every Friday All shows available on Apple Podcasts, Spotify, and all podcast platforms. Feel Good Radio is available 24/7/365 on the FREE Live365 app and on our website at www.feelgoodradcast.com Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/the-feel-good-radio-podcast--6491592/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/the-feel-good-radio-podcast--6491592/support</a>.

The Feel Good Radio Podcast is your weekly rewind through the best of the '80s and '90s pop culture. Hosted by GeorgeOdem and Miss Leigh Lovely, each episode spotlights a different month from the past—covering the music, movies, and TV moments that defined a generation.And now, there's a twist! At the end of every episode, it's game time. Everything from Trivia to Guess That Song, we're going to keep you guessing, and laughing!This podcast is the perfect companion to Feel Good Radio, the online station bringing you THE BEST MIX of the 80s & 90s! With shows like The AM Groove (6–9 a.m.), The Hip-Hop/R&B Lunch Break (12–1 p.m.), The Hair Bands Midday Mix (2–3 p.m.), and She Got The Beat Drive Home (5–6 p.m.) COMING SOON, there’s a feel-good vibe for everyone! Relive the decades that made pop culture iconic, only on Feel Good Radio - The Radio Station and the Podcast!The Feel Good Radio Podcast: Available every Monday, also on our website at www.feelgoodradcast.comDrinks With A Side Of Gossip: The Weekend Edition: Available Every FridayAll shows available on Apple Podcasts, Spotify, and all podcast platforms.Feel Good Radio is available 24/7/365 on the FREE Live365 app and on our website at www.feelgoodradcast.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-feel-good-radio-podcast--6491592/support.

The Feel Good Radio Podcast is your weekly rewind through the best of the '80s and '90s pop culture. Hosted by GeorgeOdem and Miss Leigh Lovely, each episode spotlights a different month from the past—covering the music, movies, and TV moments that defined a generation. And now, there's a twist! At the end of every episode, it's game time. Everything from Trivia to Guess That Song, we're going to keep you guessing, and laughing! This podcast is the perfect companion to Feel Good Radio, the online station bringing you THE BEST MIX of the 80s &amp; 90s! With shows like The AM Groove (6–9 a.m.), The Hip-Hop/R&amp;B Lunch Break (12–1 p.m.), The Hair Bands Midday Mix (2–3 p.m.), and She Got The Beat Drive Home (5–6 p.m.) COMING SOON, there’s a feel-good vibe for everyone! Relive the decades that made pop culture iconic, only on Feel Good Radio - The Radio Station and the Podcast! The Feel Good Radio Podcast: Available every Monday, also on our website at www.feelgoodradcast.com Drinks With A Side Of Gossip: The Weekend Edition: Available Every Friday All shows available on Apple Podcasts, Spotify, and all podcast platforms. Feel Good Radio is available 24/7/365 on the FREE Live365 app and on our website at www.feelgoodradcast.com Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/the-feel-good-radio-podcast--6491592/support?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=rss" rel="noopener noreferrer">https://www.spreaker.com/podcast/the-feel-good-radio-podcast--6491592/support</a>.

The Feel Good Radio Podcast

Bienvenue sur TAKE PAF, podcast sur le monde de la production musicale. 
Julien et Bastien discutent logiciels, matériels, studio, instruments, et bien sûr artistes et producteurs.
C'est pour les geeks de la musique mais pas que !

Bienvenue sur TAKE PAF, podcast sur le monde de la production musicale. Julien et Bastien discutent logiciels, matériels, studio, instruments, et bien sûr artistes et producteurs. C'est pour les geeks de la musique mais pas que !

TAKE PAF

We invite you to join us in exploring the rich heritage of music, where we celebrate timeless tunes and the artists who made them legendary, and delve into the essence of music's enduring significance across different ages.

Each week on Sonic Legacy, we will present panel discussions on a wide array of musical subjects, share anecdotes from the hidden side of music production, and connect with the voices of musicians, producers, and key industry figures themselves, all in a collective journey through the world of music.

This is Sonic Legacy

We invite you to join us in exploring the rich heritage of music, where we celebrate timeless tunes and the artists who made them legendary, and delve into the essence of music's enduring significance across different ages. Each week on Sonic Legacy, we will present panel discussions on a wide array of musical subjects, share anecdotes from the hidden side of music production, and connect with the voices of musicians, producers, and key industry figures themselves, all in a collective journey through the world of music. This is Sonic Legacy

Sonic Legacy

DJ Vilson

Jingle

Corazón De Plástico

History remembers genius—but only when it’s convenient. For centuries, women’s brilliance has been silenced, sidelined, or stolen. Their discoveries credited to men. Their masterpieces forgotten. Their names erased.Not anymore.Welcome to Sheniuses, the podcast where we don’t just rewrite history—we claim it. Hosted by Daniela Garcia, this show uncovers the hidden women of genius—scientists, artists, revolutionaries, and visionaries—who changed the world but never got the credit.Each episode dives into the life, legacy, and lasting impact of a woman whose name you should know. Featuring expert interviews, deep research, and storytelling that challenges the way we define genius, Sheniuses isn’t just a history podcast—it’s a movement.🎙️ Think Maria Anna Mozart was just Wolfgang’s sister? Think again. 🎙️ Ever heard of the first self-made female millionaire? Meet Madam C.J. Walker. 🎙️ What if the brains behind a beautiful face are even more legendary?✨ It’s time to claim their brilliance. ✨ It’s time to say their names. ✨ It’s time for the rise of the Sheniuses.🔊 New episodes every week in March. Subscribe now.#Sheniuses #WomenInHistory #HiddenFigures #GeniusRedefined #PodcastForWomen

History remembers genius—but only when it’s convenient. For centuries, women’s brilliance has been silenced, sidelined, or stolen. Their discoveries credited to men. Their masterpieces forgotten. Their names erased. Not anymore. Welcome to Sheniuses, the podcast where we don’t just rewrite history—we claim it. Hosted by Daniela Garcia, this show uncovers the hidden women of genius—scientists, artists, revolutionaries, and visionaries—who changed the world but never got the credit. Each episode dives into the life, legacy, and lasting impact of a woman whose name you should know. Featuring expert interviews, deep research, and storytelling that challenges the way we define genius, Sheniuses isn’t just a history podcast—it’s a movement. 🎙️ Think Maria Anna Mozart was just Wolfgang’s sister? Think again. 🎙️ Ever heard of the first self-made female millionaire? Meet Madam C.J. Walker. 🎙️ What if the brains behind a beautiful face are even more legendary? ✨ It’s time to claim their brilliance. ✨ It’s time to say their names. ✨ It’s time for the rise of the Sheniuses. 🔊 New episodes every week in March. Subscribe now. #Sheniuses #WomenInHistory #HiddenFigures #GeniusRedefined #PodcastForWomen

Sheniuses: Untold Herstory

Podcast sobre análisis y discusión de música de películas, con David Garza M.


Sigue a David;
Instagram: ⁠@davidgarzam⁠
TikTok: ⁠@davidgarzam_⁠
⁠linktr.ee/davidgarzam

Podcast sobre análisis y discusión de música de películas, con David Garza M. Sigue a David; Instagram: ⁠@davidgarzam⁠ TikTok: ⁠@davidgarzam_⁠ ⁠linktr.ee/davidgarzam

Descompositores

一个人
播放简单的音乐
随便聊几句

一个人 播放简单的音乐 随便聊几句

音乐Yo-In

Cuenca Rock Clásica Podcast

歌聲是生命的渺小記錄者，我們需要音樂，這種「需要」不僅是聽感上的，更是心靈上的。如果有時眼睛不能洞察，那麽就托付給耳朵吧，在音樂裏讓你和我，成為我們。 Powered by <a href="https://firstory.me/zh">Firstory Hosting</a>

歌聲是生命的渺小記錄者，我們需要音樂，這種「需要」不僅是聽感上的，更是心靈上的。如果有時眼睛不能洞察，那麽就托付給耳朵吧，在音樂裏讓你和我，成為我們。 Powered by Firstory Hosting

歌聲是生命的渺小記錄者，我們需要音樂，這種「需要」不僅是聽感上的，更是心靈上的。如果有時眼睛不能洞察，那麽就托付給耳朵吧，在音樂裏讓你和我，成為我們。 Powered by <a href="https://firstory.me/zh" rel="noopener noreferrer">Firstory Hosting</a>

太平洋的風

7th Dimension

Basically Game Theory but about Kendrick Lamar

Lamar Theory

spotify’s library is inequivalent for 10$ a month

Podcast hosted by 2 siblings, exploring different possible chord progressions of popular songs and deep cuts.  Visit www.stlmzk.com to read our blogs and see the how to guides in action!

Podcast hosted by 2 siblings, exploring different possible chord progressions of popular songs and deep cuts. Visit www.stlmzk.com to read our blogs and see the how to guides in action!

Podcast hosted by 2 siblings, exploring different possible chord progressions of popular songs and deep cuts.&nbsp; Visit www.stlmzk.com to read our blogs and see the how to guides in action!

stlmzk - steal like an artist

Blues &amp; Rock songwriter, singer &amp; guitar TJ Wong hails from Portland, OR. <a target="_blank" rel="noopener" href="https://www.instagram.com/timothyjamesmusic/">https://www.instagram.com/timothyjamesmusic/</a>

Blues & Rock songwriter, singer & guitar TJ Wong hails from Portland, OR. https://www.instagram.com/timothyjamesmusic/

Blues &amp; Rock songwriter, singer &amp; guitar TJ Wong hails from Portland, OR. <a href="https://www.instagram.com/timothyjamesmusic/" rel="noopener noreferrer">https://www.instagram.com/timothyjamesmusic/</a>

Kingdom Come

Adventures and misadventures on the highways of old England.Good quotes from Stand and Deliver: In The Moonlight- story "Stand and deliver, your money or your life!" shouted the highwayman. "I hear that you met a real highwayman the other day I wish I had been with you. They are so thrilling and romantic!" "Hand over your loot! Either give it to me now or I will take it from your body!" Terrence the Terror said. "I said give it back, Terry!" said Sir Justin. "Tom your friend is a nut!" Mary said. "What did he do murder the driver so he could drive the coach?" asked Sir Thomas. "I bailed up the Terror and took your sister's stuff back as she was under my care!" said Sir Justin. "New to this are you lad!" said one of them. "Terry I think you killed him!" said one of the others he was the black-clad highwayman named the Ghost for his sudden appearances and disappearances. "I just found her here, I was on my way to see you." "I have never seen anything so beautiful! I could forget everything and live in this moment forever"audiobook with background music Song Shadows of the Night by Suno Ai. Story by and read by Rachel Lawson.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Adventures and misadventures on the highways of old England. Good quotes from Stand and Deliver: In The Moonlight- story "Stand and deliver, your money or your life!" shouted the highwayman. "I hear that you met a real highwayman the other day I wish I had been with you. They are so thrilling and romantic!" "Hand over your loot! Either give it to me now or I will take it from your body!" Terrence the Terror said. "I said give it back, Terry!" said Sir Justin. "Tom your friend is a nut!" Mary said. "What did he do murder the driver so he could drive the coach?" asked Sir Thomas. "I bailed up the Terror and took your sister's stuff back as she was under my care!" said Sir Justin. "New to this are you lad!" said one of them. "Terry I think you killed him!" said one of the others he was the black-clad highwayman named the Ghost for his sudden appearances and disappearances. "I just found her here, I was on my way to see you." "I have never seen anything so beautiful! I could forget everything and live in this moment forever" audiobook with background music Song Shadows of the Night by Suno Ai. Story by and read by Rachel Lawson. Hosted on Acast. See acast.com/privacy for more information.

Adventures and misadventures on the highways of old England.Good quotes from Stand and Deliver: In The Moonlight- story "Stand and deliver, your money or your life!" shouted the highwayman. "I hear that you met a real highwayman the other day I wish I had been with you. They are so thrilling and romantic!" "Hand over your loot! Either give it to me now or I will take it from your body!" Terrence the Terror said. "I said give it back, Terry!" said Sir Justin. "Tom your friend is a nut!" Mary said. "What did he do murder the driver so he could drive the coach?" asked Sir Thomas. "I bailed up the Terror and took your sister's stuff back as she was under my care!" said Sir Justin. "New to this are you lad!" said one of them. "Terry I think you killed him!" said one of the others he was the black-clad highwayman named the Ghost for his sudden appearances and disappearances. "I just found her here, I was on my way to see you." "I have never seen anything so beautiful! I could forget everything and live in this moment forever"audiobook with background music Song Shadows of the Night by Suno Ai. Story by and read by Rachel Lawson. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Rachel Lawson's In The Moonlight Podcast

G ogxotxlhx

At one point in my life, I looked at the box full of cassettes that sat next to my bass, drum machine and 4 track recorder. I'd recorded lots of songs. I thought, someday someone will come and throw all this stuff out. That’s ok. This podcast isn’t about the songs. It’s about the stories behind the songs. And those might just be worth a listen.

I Used to be a Wombat

Beats &amp; Best Friends is a podcast hosted by professional drummer and educator, Jon Harris and professional bassist and educator, Ben Jones. The podcast focuses on opening the doors to their friendship, professional lives and experiences both in the UK music industry and Higher Education. Follow them on the journey, through honest, open and often hilarious conversations!

Beats & Best Friends is a podcast hosted by professional drummer and educator, Jon Harris and professional bassist and educator, Ben Jones. The podcast focuses on opening the doors to their friendship, professional lives and experiences both in the UK music industry and Higher Education. Follow them on the journey, through honest, open and often hilarious conversations!

Beats & Best Friends

NATARAJA

Un espacio que recorre las venas de la música
y te transporta por la diversidad cultural.
@sonidosdelmundove

Un espacio que recorre las venas de la música y te transporta por la diversidad cultural. @sonidosdelmundove

Sonidos del Mundo

Spank Thru - 1988 Sub Pop 200

Dj & producer. Releases on @kosamusic  @ohxalarecords @trndmusik @shango-records 
Demos & Bookings: retribe.milano@gmail.com

Organic House * Indie Dance * Psychedelic

If you enjoy my sound, please hit those love buttons and share with your friends.

Dj & producer. Releases on @kosamusic @ohxalarecords @trndmusik @shango-records Demos & Bookings: retribe.milano@gmail.com Organic House * Indie Dance * Psychedelic If you enjoy my sound, please hit those love buttons and share with your friends.

Dj &amp; producer. Releases on @kosamusic  @ohxalarecords @trndmusik @shango-records 
Demos &amp; Bookings: retribe.milano@gmail.com

Organic House * Indie Dance * Psychedelic

If you enjoy my sound, please hit those love buttons and share with your friends.

Adarí

Los sonidos de lluvia y música relajante tienen efectos beneficiosos sobre el cuerpo y calmar la mente, ya que, al cubrir el ruido ambiente externo, promover la relajación y ayudar en diferentes ocasiones: para dormir mejor, para concentrarse en el trabajo, el estudio o la lectura, para la meditación, etc.

Sonidos De Lluvia Para Dormir

“Per quanto diversi tra loro sieno i drammi che voi prendete a mettere sotto le note, tutte le sinfonie che a quelli servono d’apertura sono sempre battute al conio medesimo: non falla mai ch’esse non sieno un solennissimo strombettio, composto d’un allegro, d’un largo e d’un balletto. Pure, se i nostri compositori avessero consultate le leggi del buon gusto, appreso avrebbero in quel codice prezioso che la sinfonia aver dee connessione col dramma, e segnatamente colla prima scena”.
Queste parole si leggono nel trattato Dell’opera in musica, scritto dal cavalier Antonio Planelli dell’ordine gerosolimitano e pubblicato a Napoli nel 1772.

Quella di introdurre uno spettacolo teatrale (non solo operistico) con della musica strumentale è un’usanza antica: la Toccata che il 24 febbraio 1607 precedette, a Mantova, la rappresentazione dell’Orfeo di Claudio Monteverdi è il primo “solennissimo strombettio” della storia dell’opera di cui si abbia notizia certa. Da quel momento, preparare il pubblico dell’opera con un brano strumentale diviene un’abitudine di cui non si sa fare a meno: per il solo fatto di ascoltare della bella musica, che li invita alla concentrazione e li esorta all’oblio del mondo quotidiano, gli spettatori si predispongono così ad assistere all’incanto che si paleserà loro all’alzarsi del sipario. La Francia di Luigi XIV e Jean-Baptiste Lully farà delle proprie “ouverture” un vessillo, e un modello in grado di conquistare il mondo. Napoli, divenuta il centro d’irradiazione di tutta l’opera italiana, risponderà con un proprio modello, altrettanto forte.

Con il Settecento, e in particolare con il pensiero illuminista, si manifesta un nuovo sentire. Non basta più che l’ouverture (o, in Italia, ‘sinfonia avanti l’opera’) apra lo spazio di una generica irrealtà: si vuole che essa susciti negli spettatori un sentimento coerente con le caratteristiche dello spettacolo che si va a rappresentare; si vuole, insomma, che dello spettacolo essa sia parte integrante, che ne condivida i tratti emotivi. Con il secolo successivo, e con l’affermarsi della temperie romantica, questa prospettiva si rafforza, anche se non mancano le eccezioni: prima fra tutte, quella costituita da Gioacchino Rossini, che solo raramente si piegherà all’idea di un’ouverture “programmatica”. Raggiunto infine il culmine nel secondo Ottocento, con le vette assolute della Forza del destino di Verdi e dei wagneriani Maestri cantori, l’ouverture d’opera esplode e si annienta, lasciando spazio a soluzioni alternative, che già esistevano, ma che ora sono pressoché esclusive: il preludio, gli intermezzi, la breve introduzione. Quando, nel Novecento, l’ouverture si riaffaccia, è ormai il vagheggiamento d’un mondo che non c’è più.
a cura di Marco Mangani,

“Per quanto diversi tra loro sieno i drammi che voi prendete a mettere sotto le note, tutte le sinfonie che a quelli servono d’apertura sono sempre battute al conio medesimo: non falla mai ch’esse non sieno un solennissimo strombettio, composto d’un allegro, d’un largo e d’un balletto. Pure, se i nostri compositori avessero consultate le leggi del buon gusto, appreso avrebbero in quel codice prezioso che la sinfonia aver dee connessione col dramma, e segnatamente colla prima scena”. Queste parole si leggono nel trattato Dell’opera in musica, scritto dal cavalier Antonio Planelli dell’ordine gerosolimitano e pubblicato a Napoli nel 1772. Quella di introdurre uno spettacolo teatrale (non solo operistico) con della musica strumentale è un’usanza antica: la Toccata che il 24 febbraio 1607 precedette, a Mantova, la rappresentazione dell’Orfeo di Claudio Monteverdi è il primo “solennissimo strombettio” della storia dell’opera di cui si abbia notizia certa. Da quel momento, preparare il pubblico dell’opera con un brano strumentale diviene un’abitudine di cui non si sa fare a meno: per il solo fatto di ascoltare della bella musica, che li invita alla concentrazione e li esorta all’oblio del mondo quotidiano, gli spettatori si predispongono così ad assistere all’incanto che si paleserà loro all’alzarsi del sipario. La Francia di Luigi XIV e Jean-Baptiste Lully farà delle proprie “ouverture” un vessillo, e un modello in grado di conquistare il mondo. Napoli, divenuta il centro d’irradiazione di tutta l’opera italiana, risponderà con un proprio modello, altrettanto forte. Con il Settecento, e in particolare con il pensiero illuminista, si manifesta un nuovo sentire. Non basta più che l’ouverture (o, in Italia, ‘sinfonia avanti l’opera’) apra lo spazio di una generica irrealtà: si vuole che essa susciti negli spettatori un sentimento coerente con le caratteristiche dello spettacolo che si va a rappresentare; si vuole, insomma, che dello spettacolo essa sia parte integrante, che ne condivida i tratti emotivi. Con il secolo successivo, e con l’affermarsi della temperie romantica, questa prospettiva si rafforza, anche se non mancano le eccezioni: prima fra tutte, quella costituita da Gioacchino Rossini, che solo raramente si piegherà all’idea di un’ouverture “programmatica”. Raggiunto infine il culmine nel secondo Ottocento, con le vette assolute della Forza del destino di Verdi e dei wagneriani Maestri cantori, l’ouverture d’opera esplode e si annienta, lasciando spazio a soluzioni alternative, che già esistevano, ma che ora sono pressoché esclusive: il preludio, gli intermezzi, la breve introduzione. Quando, nel Novecento, l’ouverture si riaffaccia, è ormai il vagheggiamento d’un mondo che non c’è più. a cura di Marco Mangani,

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