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Welcome to the Podcast for the New York City-based rock band, Maslow.  Every week, we will post a new song, video, and other curiosity.   Listen to studio and live recordings, see live footage, the afterparties, the topless groupies, the Jack Daniels pouring, the crashed weddings, and the jail cells as you come inside our little world.  Never heard of Maslow?  The band has drawn comparisons to Velvet Revolver, Alice in Chains, Audioslave, System of a Down, Black Sabbath and Queen.

Welcome to the Podcast for the New York City-based rock band, Maslow. Every week, we will post a new song, video, and other curiosity. Listen to studio and live recordings, see live footage, the afterparties, the topless groupies, the Jack Daniels pouring, the crashed weddings, and the jail cells as you come inside our little world. Never heard of Maslow? The band has drawn comparisons to Velvet Revolver, Alice in Chains, Audioslave, System of a Down, Black Sabbath and Queen.

Maslow Podcast

RealTVfilms.com Video Podcasts daily - Get your Sundance FIX

RealTVfilms.com at Sundance 2008

These video clips are excerpts from Madison Savoyards DVD releases

Madison Savoyards Ltd Video Podcasts

How to adapt your novel into a screenplay that they will read.

Frank Catalano's Podcast

Tippek, tanácsok kórusod hatékony menedzseléséhez, és érdekességek, különlegességek az amatőr kórusmozgalom színes világából!

5. Szólam – A Kórusügyi Podcast

A podcast about some friends in NZ playing Dungeons and Dragons. Not like the other ones though, this one's different to the other ones.

Friday Night Dice

We watch movies so you don't have to!

Let's cut the crap. Most reviews and previews of movies and television programming are filled with an eye for the boring stuff. Do you want to know if you'll have fun with a particular movie or TV show? We'll let you know. That's what we're here for!

www.CinemaSavants.com

We watch movies so you don't have to! Let's cut the crap. Most reviews and previews of movies and television programming are filled with an eye for the boring stuff. Do you want to know if you'll have fun with a particular movie or TV show? We'll let you know. That's what we're here for! www.CinemaSavants.com

Cinema Savants

The podcast showcasing classical musicians that took their skill set and brought it into alternative genres.

Redefine Rock

En podcast om Henrik Ibsen produsert av IBSEN Museum & Teater i Oslo. Intervjuer: Bergljot Geist. Musikk: Alexander Lindbäck.

En podcast om Henrik Ibsen produsert av IBSEN Museum &amp; Teater i Oslo. Intervjuer: Bergljot Geist. Musikk: Alexander Lindbäck.

Ibsens salong

Je m'appelle Fanny Pierre, je suis une actrice d'origine belge, formée à Paris et je vis aujourd'hui à Los Angeles. 
J'ai créé ma chaine Youtube pour partager ma passion, mon parcours et tout ce que je découvre sur le métier d'acteur et l'univers du cinéma. 
Mon but est de permettre aux acteurs de devenir professionnels et de créer leurs propres opportunités! 
Bisous Bisous!

Je m'appelle Fanny Pierre, je suis une actrice d'origine belge, formée à Paris et je vis aujourd'hui à Los Angeles. J'ai créé ma chaine Youtube pour partager ma passion, mon parcours et tout ce que je découvre sur le métier d'acteur et l'univers du cinéma. Mon but est de permettre aux acteurs de devenir professionnels et de créer leurs propres opportunités! Bisous Bisous!

Actrice à Hollywood - Fanny Pierre

John and Angie play the best in Southern Gospel Music every week.  You can catch the show twice on Sunday mornings.  It Airs at 8:00am on 93.7 The Dawg (Ashland/Huntington) and again at 10:00am on Big Buck Country 101.5 (Gallipolis/Huntington).

John and Angie play the best in Southern Gospel Music every week. You can catch the show twice on Sunday mornings. It Airs at 8:00am on 93.7 The Dawg (Ashland/Huntington) and again at 10:00am on Big Buck Country 101.5 (Gallipolis/Huntington).

Mohrs Tire Farm Sunday Morning Jubillee

Roux La La, known as the "Vivacious Vixen from the Crescent City" introduces you to the world of burlesque. She will discuss the ins and outs of the business and how to get started as a performer.

Talk Burly to Me

Veronica "So Creative" Essex is a spoken word artist and creative arts minister from the DC Metro area. As the host of the Poetry & Proverbs Podcast, she's bringing you a fresh take on creativity, life issues, and how that all relates to your relationship with God. By sharing her own life experiences as well as the experiences of her guests, Veronica plans to offer insight in a relatable way and have fun while doing so. Everything done in a creative, transparent, and honest way.
Host Instagram: @s0cre8tive

Veronica "So Creative" Essex is a spoken word artist and creative arts minister from the DC Metro area. As the host of the Poetry & Proverbs Podcast, she's bringing you a fresh take on creativity, life issues, and how that all relates to your relationship with God. By sharing her own life experiences as well as the experiences of her guests, Veronica plans to offer insight in a relatable way and have fun while doing so. Everything done in a creative, transparent, and honest way. Host Instagram: @s0cre8tive

Veronica "So Creative" Essex is a spoken word artist and creative arts minister from the DC Metro area. As the host of the Poetry &amp; Proverbs Podcast, she's bringing you a fresh take on creativity, life issues, and how that all relates to your relationship with God. By sharing her own life experiences as well as the experiences of her guests, Veronica plans to offer insight in a relatable way and have fun while doing so. Everything done in a creative, transparent, and honest way.
Host Instagram: @s0cre8tive

Poetry & Proverbs

Teater Mimbar

KFAI - Minneapolis + St. Paul

Listen to Dr Alan Maddox in conversation with the Australian Brandenburg Orchestra’s Hugh Ronzani in an in-depth discussion of the composers and masterworks of the Baroque period.

Tales of Baroque

Math music and more - w edudad - a choice Yurman dedication channel

F2's podcast hosted by Jesse Callaert (Nederlands Dans Theater) is a series of ongoing interviews with artists across multiple disciplines and art forms. Peek into the minds of creators and performers transitioning from one phase to another and learn about the insecurities, challenges and realities behind their art and passion.

F2F w/ Jesse Callaert

Linguagens artísticas e relações com os contextos contemporâneos de ambiente, natureza, animais conectados a questões socioculturais, políticas e estéticas. Objetivo ampliar olhares e promover transformação pela descolonização e, assim, promover autonomia e reflexão.

Artstolearn: Arte & Sustentabilidade no Fundamental

We are working with my freelancer Graphics designer friends and working on social media posts .


We use Facebook , instagram , Twitter , LinkedIn , Pinterest , Telegram , Blogger , YouTube for our marketing contents .

while work on Weekly targets that make our projects Mostly successful .

content creation and posting with suitable hashtags are one of the important part of our marketing .

With Market analysis of the subject matter and analysing the strategic customer , We try to creat the campaign for the company

We are working with my freelancer Graphics designer friends and working on social media posts . We use Facebook , instagram , Twitter , LinkedIn , Pinterest , Telegram , Blogger , YouTube for our marketing contents . while work on Weekly targets that make our projects Mostly successful . content creation and posting with suitable hashtags are one of the important part of our marketing . With Market analysis of the subject matter and analysing the strategic customer , We try to creat the campaign for the company

LifeHappy

Soapbox Talks is an interview series that forms part of musicians Lizabett Russo and Graeme Stephen's project Ensemble Eòrpa. The project has been produced with arts organisation Deveron Projects from Jan-April 2021 and explores ways to remotely connect through music amidst the backdrop of the Covid-19 pandemic. Six musicians from across Europe have digitally collaborated on the production of a new album. 


Deveron Projects is an arts organisation based in Huntly, a small town in Aberdeenshire, Scotland. It has worked with the history, context and identity of the town since 1995.

Soapbox Talks is an interview series that forms part of musicians Lizabett Russo and Graeme Stephen's project Ensemble Eòrpa. The project has been produced with arts organisation Deveron Projects from Jan-April 2021 and explores ways to remotely connect through music amidst the backdrop of the Covid-19 pandemic. Six musicians from across Europe have digitally collaborated on the production of a new album. Deveron Projects is an arts organisation based in Huntly, a small town in Aberdeenshire, Scotland. It has worked with the history, context and identity of the town since 1995.

Ensemble Eòrpa: Soapbox Talks

Mission of Intrinsic: to show you how to be unafraid about using your creative gifts and talents for God’s glory, and how creativity and God intertwine.

Intrinsic

Welcome to the home of the “quick & easy” podcast. Talking about life and everything under the sun. All of this and it’s under five minutes.

Welcome to the home of the “quick &amp; easy” podcast. Talking about life and everything under the sun. All of this and it’s under five minutes.

Fally Under Five

Calm And Positive Vibes

Luke Janela is a cellist/guitarist/multi-instrumentalist who has been creating unique, hypnotic instrumental pieces as podcast. These thoughtful, magical pieces are a companion to your listening day, whether between other podcasts as a palette cleanser or on their own. There are now over 500 "episodes" of short instrumental songs. 

If you've discovered and enjoy this unique podcast leave a review.

Luke Janela is a cellist/guitarist/multi-instrumentalist who has been creating unique, hypnotic instrumental pieces as podcast. These thoughtful, magical pieces are a companion to your listening day, whether between other podcasts as a palette cleanser or on their own. There are now over 500 "episodes" of short instrumental songs. If you've discovered and enjoy this unique podcast leave a review.

REVERIES

Hyphenated: Music + Identity is an audio documentary series about immigrant and second generation immigrant musicians in Europe navigating their "hyphenated" identity through their music. It's about borders and frontiers both within themselves and their music. It's been called "a musical archive of modern migration." I hope to put some light on these artists and to introduce you, the listener, to new music and perhaps new perspectives on the world. Created and produced by veteran music+film journalist Ron Deutsch. More info can be found at our website: http://www.hyphenated.eu

Hyphenated: Music + Identity is an audio documentary series about immigrant and second generation immigrant musicians in Europe navigating their "hyphenated" identity through their music. It's about borders and frontiers both within themselves and their music. It's been called "a musical archive of modern migration." I hope to put some light on these artists and to introduce you, the listener, to new music and perhaps new perspectives on the world. Created and produced by veteran music+film journalist Ron Deutsch. More info can be found at our website: http://www.hyphenated.eu

Hyphenated: Music + Identity

俳優・八嶋智人がパーソナリティをつとめる番組『SUZUKI No.1 Factory』
音楽・映画・漫画・アニメ・グルメ・スポーツなど、
様々なジャンルで現在・過去に「No.1」となったトピックを毎日ピックアップ。
その裏にあるエピソードと共に、栄光のNo.1ストーリーや、
明日話したくなるトリビアを紹介していきます。

俳優・八嶋智人がパーソナリティをつとめる番組『SUZUKI No.1 Factory』 音楽・映画・漫画・アニメ・グルメ・スポーツなど、 様々なジャンルで現在・過去に「No.1」となったトピックを毎日ピックアップ。 その裏にあるエピソードと共に、栄光のNo.1ストーリーや、 明日話したくなるトリビアを紹介していきます。

SUZUKI No.1 Factory

Welcome to Indie Tea Talk, where music and flavour unite in a harmonious celebration of independent artists based in the vibrant North. Join us for intimate interviews, live acoustic performances, and soulful conversations with emerging musicians. Immerse yourself in the rich soundscape of jazz-infused alternative soul, folk tunes, and more. Sip your favourite tea as we explore the diverse and enchanting world of indie music. Subscribe now to discover the stories and melodies that make Indie Tea Talk a unique and immersive musical experience! Find us on YouTube to see the full episodes on screen! <a href="https://youtube.com/@IndieTeaTalk?si=o3z_cwORy6PISD-8" rel="noopener noreferrer" target="_blank">https://youtube.com/@IndieTeaTalk?si=o3z_cwORy6PISD-8</a><hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Welcome to Indie Tea Talk, where music and flavour unite in a harmonious celebration of independent artists based in the vibrant North. Join us for intimate interviews, live acoustic performances, and soulful conversations with emerging musicians. Immerse yourself in the rich soundscape of jazz-infused alternative soul, folk tunes, and more. Sip your favourite tea as we explore the diverse and enchanting world of indie music. Subscribe now to discover the stories and melodies that make Indie Tea Talk a unique and immersive musical experience! Find us on YouTube to see the full episodes on screen! https://youtube.com/@IndieTeaTalk?si=o3z_cwORy6PISD-8 Hosted on Acast. See acast.com/privacy for more information.

Welcome to Indie Tea Talk, where music and flavour unite in a harmonious celebration of independent artists based in the vibrant North. Join us for intimate interviews, live acoustic performances, and soulful conversations with emerging musicians. Immerse yourself in the rich soundscape of jazz-infused alternative soul, folk tunes, and more. Sip your favourite tea as we explore the diverse and enchanting world of indie music. Subscribe now to discover the stories and melodies that make Indie Tea Talk a unique and immersive musical experience! Find us on YouTube to see the full episodes on screen! <a href="https://youtube.com/@IndieTeaTalk?si=o3z_cwORy6PISD-8" rel="noopener noreferrer">https://youtube.com/@IndieTeaTalk?si=o3z_cwORy6PISD-8</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Indie Tea Talk

🎙️ Sözdən səs gəlir... 📚 "Sözdələn" Azərbaycan dilində bədii və elmi mövzulu səsli mətnlər təqdim edir. 💚 Layihənin əsas məqsədi Azərbaycan dilini yaşatmaq və ana dilimizdə faydalı, maarifləndirici məzmunlar yaratmaqdır.

🎙️ Sözdən səs gəlir... 📚 "Sözdələn" Azərbaycan dilində bədii və elmi mövzulu səsli mətnlər təqdim edir. 💚 Layihənin əsas məqsədi Azərbaycan dilini yaşatmaq və ana dilimizdə faydalı, maarifləndirici məzmunlar yaratmaqdır.

Sözdələn

Η Ελένη Γεωργίου και ο Κώστας Κουρμουλάκης μιλούν με ηθοποιούς και συντελεστές του θεάτρου, καταγράφοντας μνήμες και τεκμήρια του νεοελληνικού θεάτρου, μέσα από την προφορική μαρτυρία.

Μιλάμε για το θέατρο

V podkastu "Komunikacija na podnu" se mednarodno priznana plesalca in koreografa Blaž Bertoncelj in Andreja Podlogar, poznana tudi kot BA Tango, pogovarjata o plesu skozi edinstveno perspektivo argentinskega tanga. 

Skozi strast do plesa raziskujeta tematike komunikacije, partnerstva, vloge spolov, vodstva ter globalnih izzivov, ki so prisotni tako na plesišču kot v vsakdanjem življenju.

Pridružite se jima na poglobljenih in navdihujočih pogovorih, ki presegajo meje tanga in plesa ter odpirajo prostor za razmislek o življenju kot plesu.

V podkastu "Komunikacija na podnu" se mednarodno priznana plesalca in koreografa Blaž Bertoncelj in Andreja Podlogar, poznana tudi kot BA Tango, pogovarjata o plesu skozi edinstveno perspektivo argentinskega tanga. Skozi strast do plesa raziskujeta tematike komunikacije, partnerstva, vloge spolov, vodstva ter globalnih izzivov, ki so prisotni tako na plesišču kot v vsakdanjem življenju. Pridružite se jima na poglobljenih in navdihujočih pogovorih, ki presegajo meje tanga in plesa ter odpirajo prostor za razmislek o življenju kot plesu.

Komunikacija na podnu

Librettist Josie and lyricist-composer Rita Abrams discuss why they were driven to make a musical from the classic book written by the most beloved author of the Regency era, novelist Jane Austen.

In each episode, Rita and Josie break down their creative process with a particular song, explaining how Austen's wonderful book inspired the placement, pace, and lyrics in this theatrical musical.

Librettist Josie and lyricist-composer Rita Abrams discuss why they were driven to make a musical from the classic book written by the most beloved author of the Regency era, novelist Jane Austen. In each episode, Rita and Josie break down their creative process with a particular song, explaining how Austen's wonderful book inspired the placement, pace, and lyrics in this theatrical musical.

Pride and Prejudice - The Musical Podcast

Australian theatre tells its own story so badly.Dr. Rob thinks they can do the job better. That's what this podcast is. A life in the Australian theatre is complicated, exhausting, misrepresented and misunderstood. Dr Rob Vs., presents a close up look at the day to day realities and a birds eye assessment of Australian theatre and the systems that support it.Boy, doesn't that sound like a laugh... A blend of history, critique, comedy and story telling. Recorded live at Theatreworks in St Kilda, Victoria.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Australian theatre tells its own story so badly. Dr. Rob thinks they can do the job better. That's what this podcast is. A life in the Australian theatre is complicated, exhausting, misrepresented and misunderstood. Dr Rob Vs., presents a close up look at the day to day realities and a birds eye assessment of Australian theatre and the systems that support it. Boy, doesn't that sound like a laugh... A blend of history, critique, comedy and story telling. Recorded live at Theatreworks in St Kilda, Victoria. Hosted on Acast. See acast.com/privacy for more information.

Australian theatre tells its own story so badly.Dr. Rob thinks they can do the job better. That's what this podcast is. A life in the Australian theatre is complicated, exhausting, misrepresented and misunderstood. Dr Rob Vs., presents a close up look at the day to day realities and a birds eye assessment of Australian theatre and the systems that support it.Boy, doesn't that sound like a laugh... A blend of history, critique, comedy and story telling. Recorded live at Theatreworks in St Kilda, Victoria. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Dr. Rob Vs.

Antony (He/Him) and Eden (They/She) spend an inordinate amount of time being excruciatingly normal about Dragongate past and present. The Paradise Vibes podcast brings you the latest show reviews, Yosuke Santa Maria propaganda and in-depth discussion of which members of the DG roster would play each character in the Rocky Horror Picture Show.

Antony (He/Him) and Eden (They/She) spend an inordinate amount of time being excruciatingly normal about Dragongate past and present. The Paradise Vibes podcast brings you the latest show reviews, Yosuke Santa Maria propaganda and in-depth discussion of which members of the DG roster would play each character in the Rocky Horror Picture Show.

Paradise Vibes - A Dragongate Podcast

Youtuber podcast

Before beloved singer and actor Burl Icle Ivanhoe Ives enchanted audiences worldwide with his warm, gritty voice, he traveled a long road that seemed unlikely to lead to stardom. Born in rural Hunt City, Illinois in 1909, Ives entered the world in humble circumstances that offered little hint of the prestigious performing career to come. As a member of a poor farming family, young Burl grew up toiling away on grueling tasks meant to supplement the meager family income. This arduous manual labor constituted his childhood education more than any formal schooling. However, Ives blossomed into a spirited boy whose jovial personality and musical inclination distinguished him. Music and Storytelling – A Childhood Passion From a young age, Ives found solace and escape in old folk ballads and country singalongs. He would listen intently to tunes floating from front porches in his traveling youth, fascinated by the way melodies preserved people’s stories. By age 14, Ives had picked up the banjo and guitar, demonstrating prodigal talent. As a wandering teenager searching for work during the Depression era, he discovered public performance to be a potent panacea for the bitterness of poverty and grueling physical jobs. When not toiling away on farms or in factories, Ives immersed himself in the rhythms and narratives of traditional American folk music. He realized such culturally rich songs granted him access to a heritage that stretched long before him. Ives also relished opportunities to inject humor or personalized flourishes into well-known standards for live audiences. Playing songs in his soulful, resonant baritone for spare change or passing trains helped Ives endure an often lonely, transient young adulthood. Big Breaks in New York City Theater By the late 1930s, the 20-something Ives had decided to pursue music professionally rather than as a hobby during seasonal employment. He moved to New York City and quickly earned notice in Greenwich Village folk circles, getting pegged as a rising “young balladeer.” This reputation scored him an invite to perform on WNYC radio in 1937. His rich voice and emotional delivery dazzled sophisticated city audiences, with one New York Times writer declaring him “the best ballad singer in America.” Ives soon found his breakout opportunity on the Great White Way itself when he was cast as a lead in the smash 1940 Broadway musical The Boys From Syracuse. His theater debut landed with resounding success, showcasing abilities to impart warmth and humanity through song. Rave reviews specifically cited Ives’ uncommon talents at story-song interpretation as something new and wonderful. Such acclaim earned him both a largerg platform for concerts and radio work, plus more Broadway productions thirsty for his magnetic, singular presence. By 1945, Ives had starred in productions like Sing Out, Sweet Land! and appeared on NBC radio programs that introduced him to millions of Americans. That year also marked his first studio album, The Wayfaring Stranger, considered a seminal entry in popularizing traditional folk for wider audiences. As Ives’ star rose in theater and music fame spread nationally, it became clear a barnstorming style crystallized in ragged 1930s living conditioned him uniquely to convey the simplest hopes and sorrows within America’s heritage. Scene-Stealing Film Roles Parallel to conquering Broadway stages with uncommon authenticity and earning a recording contract, Ives also contributed memorable early supporting appearances in Hollywood movies. Directors recognized his weathered voice, towering frame and sly charisma made him ideal for sage cowboys, no-nonsense cops or eccentric country bumpkins. In films spanning the 1940s like Smoky(1946) and Alias Jesse James (1959), Ives crafted scene-stealing moments around refrains of iconic songs like “Blue Tail Fly.” Yet Ives’ most legendary Hollywood hour came when he brought Southern patriarch Big Daddy Pollitt's bristling, tragicomic life opposite Paul Newman in 1958 Best Picture winner Cat on a Hot Tin Roof. As the tough, dying plantation owner Big Daddy, Ives earned effusive raves, an Academy Award for Best Supporting Actor, and saturation in the public imagination. In the years following, Ives rounded out his triple-threat entertainer status as a reliable film character actor by releasing hit records like “A Little Bitty Tear” and “Funny Way of Laughin’” which consolidated his radio fame into top chart visibility. Reinventing with the Times As the 1960s unfolded with flashier rock, Motown and British pop trends shoveling folk aside in mainstream music consciousness, Ives adeptly refined his sound and performance outlets to avoid fading away. He translated signature tunes into gently modernized arrangements while dabbling in spoken word story-songs like the smash “A Holly Jolly Christmas.” Simultaneously, Ives prioritized connecting with young audiences by acting in Disney films and network TV. Though Ives presented a non-controversial image publicly, he also aligned himself with the era’s counter-cultural impulse for personal expression in more subtle ways. His records would mix traditional with modern message tunes like “In the Summer of His Years,” released after Martin Luther King Jr’s assassination. And Ives lent narration to a classic counterculture film, 1962’s Monterey Pop Festival documentary. As the 1960s closed out, Ives gracefully transitioned into an elder statesman role that balanced mainstream TV appearances and even product endorsements with bold touches of social commentary. Later Life in Film and Music As he entered his 60s and 70s, Ives chiefly committed his talents to the mediums that initially popularized him - film, theater, and story-song records. He earned recognition for induction into the Country Music Hall of Fame and starred in carried Broadway revivals of allegorical plays like Knickerbocker Holiday. Meanwhile, on screens, Ives transitioned fluidly into heartwarming character roles as grandfatherly doctors, judges or wizened mentors in wholesome comedies. By his late years, Ives had accumulated an astonishing 300+ acting credits. Even amidst his final decade working constantly in network TV and family films, Ives also periodically revisited musical projects that highlighted underrated aspects of his legacy. In key albums from the 1970s and 80s like America Sings of Heroes &amp; Home, he got to further showcase himself as not just an interpreter carrying centuries of ballads forward, but also a distinctive songwriter penning poetic originals about the nation he crisscrossed. Just weeks before his death in 1995 at age 85, Ives even recorded what became a posthumous Grammy-winning gospel album called The Lord is My Shepherd, reaffirming his love of spiritual hymns. Across an incredible six-decade career traversing every facet of entertainment during periods of immense cultural change, Ives ultimately poured the hard-won wisdom of a transient early life spent connecting America’s communities into a matchless creative legacy spanning from Tony Awards to beloved film roles to classical records keeping folk traditions alive. While granted less flashy fame compared to musical contemporaries like Frank Sinatra and Elvis Presley, Ives earned arguably peerless admiration as a masterful vessel through which diverse generations experienced the profound weight of history within humble, uplifting American songcraft. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.

Before beloved singer and actor Burl Icle Ivanhoe Ives enchanted audiences worldwide with his warm, gritty voice, he traveled a long road that seemed unlikely to lead to stardom. Born in rural Hunt City, Illinois in 1909, Ives entered the world in humble circumstances that offered little hint of the prestigious performing career to come. As a member of a poor farming family, young Burl grew up toiling away on grueling tasks meant to supplement the meager family income. This arduous manual labor constituted his childhood education more than any formal schooling. However, Ives blossomed into a spirited boy whose jovial personality and musical inclination distinguished him. Music and Storytelling – A Childhood Passion From a young age, Ives found solace and escape in old folk ballads and country singalongs. He would listen intently to tunes floating from front porches in his traveling youth, fascinated by the way melodies preserved people’s stories. By age 14, Ives had picked up the banjo and guitar, demonstrating prodigal talent. As a wandering teenager searching for work during the Depression era, he discovered public performance to be a potent panacea for the bitterness of poverty and grueling physical jobs. When not toiling away on farms or in factories, Ives immersed himself in the rhythms and narratives of traditional American folk music. He realized such culturally rich songs granted him access to a heritage that stretched long before him. Ives also relished opportunities to inject humor or personalized flourishes into well-known standards for live audiences. Playing songs in his soulful, resonant baritone for spare change or passing trains helped Ives endure an often lonely, transient young adulthood. Big Breaks in New York City Theater By the late 1930s, the 20-something Ives had decided to pursue music professionally rather than as a hobby during seasonal employment. He moved to New York City and quickly earned notice in Greenwich Village folk circles, getting pegged as a rising “young balladeer.” This reputation scored him an invite to perform on WNYC radio in 1937. His rich voice and emotional delivery dazzled sophisticated city audiences, with one New York Times writer declaring him “the best ballad singer in America.” Ives soon found his breakout opportunity on the Great White Way itself when he was cast as a lead in the smash 1940 Broadway musical The Boys From Syracuse. His theater debut landed with resounding success, showcasing abilities to impart warmth and humanity through song. Rave reviews specifically cited Ives’ uncommon talents at story-song interpretation as something new and wonderful. Such acclaim earned him both a largerg platform for concerts and radio work, plus more Broadway productions thirsty for his magnetic, singular presence. By 1945, Ives had starred in productions like Sing Out, Sweet Land! and appeared on NBC radio programs that introduced him to millions of Americans. That year also marked his first studio album, The Wayfaring Stranger, considered a seminal entry in popularizing traditional folk for wider audiences. As Ives’ star rose in theater and music fame spread nationally, it became clear a barnstorming style crystallized in ragged 1930s living conditioned him uniquely to convey the simplest hopes and sorrows within America’s heritage. Scene-Stealing Film Roles Parallel to conquering Broadway stages with uncommon authenticity and earning a recording contract, Ives also contributed memorable early supporting appearances in Hollywood movies. Directors recognized his weathered voice, towering frame and sly charisma made him ideal for sage cowboys, no-nonsense cops or eccentric country bumpkins. In films spanning the 1940s like Smoky(1946) and Alias Jesse James (1959), Ives crafted scene-stealing moments around refrains of iconic songs like “Blue Tail Fly.” Yet Ives’ most legendary Hollywood hour came when he brought Southern patriarch Big Daddy Pollitt's bristling, tragicomic life opposite Paul Newman in 1958 Best Picture winner Cat on a Hot Tin Roof. As the tough, dying plantation owner Big Daddy, Ives earned effusive raves, an Academy Award for Best Supporting Actor, and saturation in the public imagination. In the years following, Ives rounded out his triple-threat entertainer status as a reliable film character actor by releasing hit records like “A Little Bitty Tear” and “Funny Way of Laughin’” which consolidated his radio fame into top chart visibility. Reinventing with the Times As the 1960s unfolded with flashier rock, Motown and British pop trends shoveling folk aside in mainstream music consciousness, Ives adeptly refined his sound and performance outlets to avoid fading away. He translated signature tunes into gently modernized arrangements while dabbling in spoken word story-songs like the smash “A Holly Jolly Christmas.” Simultaneously, Ives prioritized connecting with young audiences by acting in Disney films and network TV. Though Ives presented a non-controversial image publicly, he also aligned himself with the era’s counter-cultural impulse for personal expression in more subtle ways. His records would mix traditional with modern message tunes like “In the Summer of His Years,” released after Martin Luther King Jr’s assassination. And Ives lent narration to a classic counterculture film, 1962’s Monterey Pop Festival documentary. As the 1960s closed out, Ives gracefully transitioned into an elder statesman role that balanced mainstream TV appearances and even product endorsements with bold touches of social commentary. Later Life in Film and Music As he entered his 60s and 70s, Ives chiefly committed his talents to the mediums that initially popularized him - film, theater, and story-song records. He earned recognition for induction into the Country Music Hall of Fame and starred in carried Broadway revivals of allegorical plays like Knickerbocker Holiday. Meanwhile, on screens, Ives transitioned fluidly into heartwarming character roles as grandfatherly doctors, judges or wizened mentors in wholesome comedies. By his late years, Ives had accumulated an astonishing 300+ acting credits. Even amidst his final decade working constantly in network TV and family films, Ives also periodically revisited musical projects that highlighted underrated aspects of his legacy. In key albums from the 1970s and 80s like America Sings of Heroes & Home, he got to further showcase himself as not just an interpreter carrying centuries of ballads forward, but also a distinctive songwriter penning poetic originals about the nation he crisscrossed. Just weeks before his death in 1995 at age 85, Ives even recorded what became a posthumous Grammy-winning gospel album called The Lord is My Shepherd, reaffirming his love of spiritual hymns. Across an incredible six-decade career traversing every facet of entertainment during periods of immense cultural change, Ives ultimately poured the hard-won wisdom of a transient early life spent connecting America’s communities into a matchless creative legacy spanning from Tony Awards to beloved film roles to classical records keeping folk traditions alive. While granted less flashy fame compared to musical contemporaries like Frank Sinatra and Elvis Presley, Ives earned arguably peerless admiration as a masterful vessel through which diverse generations experienced the profound weight of history within humble, uplifting American songcraft. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.

Before beloved singer and actor Burl Icle Ivanhoe Ives enchanted audiences worldwide with his warm, gritty voice, he traveled a long road that seemed unlikely to lead to stardom. Born in rural Hunt City, Illinois in 1909, Ives entered the world in humble circumstances that offered little hint of the prestigious performing career to come. As a member of a poor farming family, young Burl grew up toiling away on grueling tasks meant to supplement the meager family income. This arduous manual labor constituted his childhood education more than any formal schooling. However, Ives blossomed into a spirited boy whose jovial personality and musical inclination distinguished him. Music and Storytelling – A Childhood Passion From a young age, Ives found solace and escape in old folk ballads and country singalongs. He would listen intently to tunes floating from front porches in his traveling youth, fascinated by the way melodies preserved people’s stories. By age 14, Ives had picked up the banjo and guitar, demonstrating prodigal talent. As a wandering teenager searching for work during the Depression era, he discovered public performance to be a potent panacea for the bitterness of poverty and grueling physical jobs. When not toiling away on farms or in factories, Ives immersed himself in the rhythms and narratives of traditional American folk music. He realized such culturally rich songs granted him access to a heritage that stretched long before him. Ives also relished opportunities to inject humor or personalized flourishes into well-known standards for live audiences. Playing songs in his soulful, resonant baritone for spare change or passing trains helped Ives endure an often lonely, transient young adulthood. Big Breaks in New York City Theater By the late 1930s, the 20-something Ives had decided to pursue music professionally rather than as a hobby during seasonal employment. He moved to New York City and quickly earned notice in Greenwich Village folk circles, getting pegged as a rising “young balladeer.” This reputation scored him an invite to perform on WNYC radio in 1937. His rich voice and emotional delivery dazzled sophisticated city audiences, with one New York Times writer declaring him “the best ballad singer in America.” Ives soon found his breakout opportunity on the Great White Way itself when he was cast as a lead in the smash 1940 Broadway musical The Boys From Syracuse. His theater debut landed with resounding success, showcasing abilities to impart warmth and humanity through song. Rave reviews specifically cited Ives’ uncommon talents at story-song interpretation as something new and wonderful. Such acclaim earned him both a largerg platform for concerts and radio work, plus more Broadway productions thirsty for his magnetic, singular presence. By 1945, Ives had starred in productions like Sing Out, Sweet Land! and appeared on NBC radio programs that introduced him to millions of Americans. That year also marked his first studio album, The Wayfaring Stranger, considered a seminal entry in popularizing traditional folk for wider audiences. As Ives’ star rose in theater and music fame spread nationally, it became clear a barnstorming style crystallized in ragged 1930s living conditioned him uniquely to convey the simplest hopes and sorrows within America’s heritage. Scene-Stealing Film Roles Parallel to conquering Broadway stages with uncommon authenticity and earning a recording contract, Ives also contributed memorable early supporting appearances in Hollywood movies. Directors recognized his weathered voice, towering frame and sly charisma made him ideal for sage cowboys, no-nonsense cops or eccentric country bumpkins. In films spanning the 1940s like Smoky(1946) and Alias Jesse James (1959), Ives crafted scene-stealing moments around refrains of iconic songs like “Blue Tail Fly.” Yet Ives’ most legendary Hollywood hour came when he brought Southern patriarch Big Daddy Pollitt's bristling, tragicomic life opposite Paul Newman in 1958 Best Picture winner Cat on a Hot Tin Roof. As the tough, dying plantation owner Big Daddy, Ives earned effusive raves, an Academy Award for Best Supporting Actor, and saturation in the public imagination. In the years following, Ives rounded out his triple-threat entertainer status as a reliable film character actor by releasing hit records like “A Little Bitty Tear” and “Funny Way of Laughin’” which consolidated his radio fame into top chart visibility. Reinventing with the Times As the 1960s unfolded with flashier rock, Motown and British pop trends shoveling folk aside in mainstream music consciousness, Ives adeptly refined his sound and performance outlets to avoid fading away. He translated signature tunes into gently modernized arrangements while dabbling in spoken word story-songs like the smash “A Holly Jolly Christmas.” Simultaneously, Ives prioritized connecting with young audiences by acting in Disney films and network TV. Though Ives presented a non-controversial image publicly, he also aligned himself with the era’s counter-cultural impulse for personal expression in more subtle ways. His records would mix traditional with modern message tunes like “In the Summer of His Years,” released after Martin Luther King Jr’s assassination. And Ives lent narration to a classic counterculture film, 1962’s Monterey Pop Festival documentary. As the 1960s closed out, Ives gracefully transitioned into an elder statesman role that balanced mainstream TV appearances and even product endorsements with bold touches of social commentary. Later Life in Film and Music As he entered his 60s and 70s, Ives chiefly committed his talents to the mediums that initially popularized him - film, theater, and story-song records. He earned recognition for induction into the Country Music Hall of Fame and starred in carried Broadway revivals of allegorical plays like Knickerbocker Holiday. Meanwhile, on screens, Ives transitioned fluidly into heartwarming character roles as grandfatherly doctors, judges or wizened mentors in wholesome comedies. By his late years, Ives had accumulated an astonishing 300+ acting credits. Even amidst his final decade working constantly in network TV and family films, Ives also periodically revisited musical projects that highlighted underrated aspects of his legacy. In key albums from the 1970s and 80s like America Sings of Heroes &amp; Home, he got to further showcase himself as not just an interpreter carrying centuries of ballads forward, but also a distinctive songwriter penning poetic originals about the nation he crisscrossed. Just weeks before his death in 1995 at age 85, Ives even recorded what became a posthumous Grammy-winning gospel album called The Lord is My Shepherd, reaffirming his love of spiritual hymns. Across an incredible six-decade career traversing every facet of entertainment during periods of immense cultural change, Ives ultimately poured the hard-won wisdom of a transient early life spent connecting America’s communities into a matchless creative legacy spanning from Tony Awards to beloved film roles to classical records keeping folk traditions alive. While granted less flashy fame compared to musical contemporaries like Frank Sinatra and Elvis Presley, Ives earned arguably peerless admiration as a masterful vessel through which diverse generations experienced the profound weight of history within humble, uplifting American songcraft. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.

Burl Ives - Audio Biography

Talking all things Dance every Wednesday.

Talking all things Dance every Wednesday.

Performing Arts Podcasts / Page 510