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This podcast is devoted to the life, art, critique, analysis, and legacy of Zdzisław Beksiński, a Polish painter, photographer, and sculptor (1929-2005). The podcast consists of five episodes: Part 1 – Life Part 2 – Art Photography and Drawings Part 3 – Paintings and Computer Generated Works Part 4 – The Critique, the Analysis, and the Legacy Part 5 – In his own words - Beksiński by Beksiński The podcast was produced and edited by Cezary Lerski, and Diginet. The text is based on Wieslav Banach's essay, used with permission from the Historical Museum in Sanok, Poland, and Bosz Publishing House. The text was read by Phil Schoen. All music was composed and edited by Andrea Centazzo. All rights reserved.

This podcast is devoted to the life, art, critique, analysis, and legacy of Zdzisław Beksiński, a Polish painter, photographer, and sculptor (1929-2005). The podcast consists of five episodes: Part 1 – Life Part 2 – Art Photography and Drawings Part 3 – Paintings and Computer Generated Works Part 4 – The Critique, the Analysis, and the Legacy Part 5 – In his own words - Beksiński by Beksiński The podcast was produced and edited by Cezary Lerski, and Diginet. The text is based on Wieslav Banach's essay, used with permission from the Historical Museum in Sanok, Poland, and Bosz Publishing House. The text was read by Phil Schoen. All music was composed and edited by Andrea Centazzo. All rights reserved.

Zdzisław Beksiński, the podcast.

Written and narrated by Lisa Moren with music composed by Dan Deacon, the Chesapeake Bay is described in both enlightenment and medieval terms. The narrator weaves personal observation with scientific knowledge to unpack recent political events and argues for a broad perspective on diversity. The reader imagines the planet as an ensouled body soaked in a wet film that inhales and exhales like a living organism. Meandering stories reminisce on similar patterns in cryonics, meditation, the origins of the Internet, protests, US elections, and algae blooms all describing a world out of balance.
This podcast is an audio version of the AR project “Under the Bay”, in collaboration with marine biologist Tsvetan Bachvaroff. Voiceover engineering is by Woody Lissauer. Copy editing and fact-checking are by Aliyah Baruchin.
Funding for the AR project is through the Saul Zaentz Innovation Fund, The Deutsch Foundation, IMET, and UMBC. 
For more information on the full project see: lisamoren.com/underthebay

Written and narrated by Lisa Moren with music composed by Dan Deacon, the Chesapeake Bay is described in both enlightenment and medieval terms. The narrator weaves personal observation with scientific knowledge to unpack recent political events and argues for a broad perspective on diversity. The reader imagines the planet as an ensouled body soaked in a wet film that inhales and exhales like a living organism. Meandering stories reminisce on similar patterns in cryonics, meditation, the origins of the Internet, protests, US elections, and algae blooms all describing a world out of balance. This podcast is an audio version of the AR project “Under the Bay”, in collaboration with marine biologist Tsvetan Bachvaroff. Voiceover engineering is by Woody Lissauer. Copy editing and fact-checking are by Aliyah Baruchin. Funding for the AR project is through the Saul Zaentz Innovation Fund, The Deutsch Foundation, IMET, and UMBC. For more information on the full project see: lisamoren.com/underthebay

Under the Bay

Νέες ταινίες, τηλεοπτικές σειρές, βιβλία, θεατρικές παραστάσεις, εικαστικές εκθέσεις και ό,τι άλλο συζητιέται στον πολιτισμό.

The Review

The Lovin Doha Show

Featuring exclusive interviews with some of the world’s best photographers and other top industry professionals. Discussing photography, motivation, mental health, personality and success in business. Focused Professional is committed to raising standards in professional photography. Hosted by Joe Lenton - qualified Fellow & international Judge & Mentor. Equipping & supporting professional photographers to run their businesses to suit their personality.

Featuring exclusive interviews with some of the world’s best photographers and other top industry professionals. Discussing photography, motivation, mental health, personality and success in business. Focused Professional is committed to raising standards in professional photography. Hosted by Joe Lenton - qualified Fellow &amp; international Judge &amp; Mentor. Equipping &amp; supporting professional photographers to run their businesses to suit their personality.

Focused Professional

『ひとりシネバトル』このポッドキャストは、私kimtakeがひとり語り形式で映画のことについて、あーだこーだとわちゃわちゃしゃべるという内容になっています。

ひとりシネバトル

Dieser neue monatliche Podcast richtet sich an unsere Mitglieder und bietet spannende Einblicke hinter die Kulissen des Zauberlebens – ohne Tricks und Geheimnisse zu verraten. Hier geht es um das „Drumherum": persönliche Geschichten, kreative Inspiration, Bühnenpsychologie, handfeste Tipps zur Planung und Durchführung von Projekten und vieles mehr. Wir werden im Besonderen MZvD-spezifische Fragen aufwerfen, beleuchten und klären, zum Beispiel „Wie wird man Weltmeister?" oder „Was macht eigentlich der MZvD außer Fachzeitschrift und Kongresse?" oder "Wie stehen wir zur Digitalität?" oder „Wer genau ist unser neuer Präsident?" oder „Wie macht man Nachwuchsarbeit vor Ort?" oder „Wie geht Feedback unter Kolleginnen und Kollegen?".

"Zirkeltraining" soll regelmäßig für eine gute halbe Stunde ins Innere unserer Organisation schauen, nachhaltig in ihr wirken und so eine Plattform werden, die unsere Gemeinschaft stärkt und bereichert. Der Podcast sieht sich so als Teil der multiperspektivischen Zukunftsstrategie des Magischen Zirkels von Deutschland und kann sich frei von Statistiken und anderem Erfolgsdruck konzentrieren auf das, was uns wichtig ist. Mal mit Gast, mal ohne. Also! Seid dabei und entdeckt im wahrsten Sinne des Wortes die "Magie hinter der Magie"!

Die Gastgeber Martin Sierp und Jan Martensen sind erfahrene Podcasthosts und -produzenten und haben hunderte Folgen verschiedener Produktionen veröffentlicht. Sie kennen, mögen und schätzen den Magischen Zirkel seit vielen Jahren und möchten ehrenamtlich dazu beitragen, das Vereinsleben in all seinen Facetten nachhaltig zu fördern.

Dieser neue monatliche Podcast richtet sich an unsere Mitglieder und bietet spannende Einblicke hinter die Kulissen des Zauberlebens – ohne Tricks und Geheimnisse zu verraten. Hier geht es um das „Drumherum": persönliche Geschichten, kreative Inspiration, Bühnenpsychologie, handfeste Tipps zur Planung und Durchführung von Projekten und vieles mehr. Wir werden im Besonderen MZvD-spezifische Fragen aufwerfen, beleuchten und klären, zum Beispiel „Wie wird man Weltmeister?" oder „Was macht eigentlich der MZvD außer Fachzeitschrift und Kongresse?" oder "Wie stehen wir zur Digitalität?" oder „Wer genau ist unser neuer Präsident?" oder „Wie macht man Nachwuchsarbeit vor Ort?" oder „Wie geht Feedback unter Kolleginnen und Kollegen?". "Zirkeltraining" soll regelmäßig für eine gute halbe Stunde ins Innere unserer Organisation schauen, nachhaltig in ihr wirken und so eine Plattform werden, die unsere Gemeinschaft stärkt und bereichert. Der Podcast sieht sich so als Teil der multiperspektivischen Zukunftsstrategie des Magischen Zirkels von Deutschland und kann sich frei von Statistiken und anderem Erfolgsdruck konzentrieren auf das, was uns wichtig ist. Mal mit Gast, mal ohne. Also! Seid dabei und entdeckt im wahrsten Sinne des Wortes die "Magie hinter der Magie"! Die Gastgeber Martin Sierp und Jan Martensen sind erfahrene Podcasthosts und -produzenten und haben hunderte Folgen verschiedener Produktionen veröffentlicht. Sie kennen, mögen und schätzen den Magischen Zirkel seit vielen Jahren und möchten ehrenamtlich dazu beitragen, das Vereinsleben in all seinen Facetten nachhaltig zu fördern.

ZIRKELTRAINING - der offizielle Podcast des Magischen Zirkels von Deutschland e.V.

Lit Up + In Flow is a podcast for ambitious people who are ready to build success without sacrificing inner peace. Hosted by Amanda Campeanu, a Photographer, educator and business and mindset coach and Cassie Ellen, a videographer and video coach - this show explores a better way to achieve your goals—one rooted in balance, flow, and authenticity. Through expansive, needle-moving conversations, Cass and Amanda share the behind-the-scenes of their businesses, mindset shifts, and personal development journeys. They dive into the strategies, challenges, and insights you need to grow your business while staying grounded and regulated. If you’re tired of the constant hustle and want to build the business and lifestyle freedom that feels right for you, this podcast will leave you inspired, connected, and a little clearer on your path to success.

Lit Up + In Flow is a podcast for ambitious people who are ready to build success without sacrificing inner peace. Hosted by Amanda Campeanu, a Photographer, educator and business and mindset coach and Cassie Ellen, a videographer and video coach - this show explores a better way to achieve your goals—one rooted in balance, flow, and authenticity. Through expansive, needle-moving conversations, Cass and Amanda share the behind-the-scenes of their businesses, mindset shifts, and personal development journeys. They dive into the strategies, challenges, and insights you need to grow your business while staying grounded and regulated. If you’re tired of the constant hustle and want to build the business and lifestyle freedom that feels right for you, this podcast will leave you inspired, connected, and a little clearer on your path to success.

Lit Up + In Flow

Podcast sobre fotografia com a fotógrafa Ana Campbell. Ana é fotógrafa de marca pessoal e corporativo.

Estúdios Brownie

Ihr Podcast mit Themen rund um die Kunst-Szene, regionale und internationale Künstler*innen und aktuelle Ausstellungen - direkt aus dem Herzen von Neumarkt.

Ihr Podcast mit Themen rund um die Kunst-Szene, regionale und internationale Künstler*innen und aktuelle Ausstellungen - direkt aus dem Herzen von Neumarkt.

ARTTalk Neumarkt

Géographie, médecine, anthropologie, archéologie, biologie, psychologie, sociologie : les disciplines scientifiques mobilisent l'image dessinée de manière très différente. L'émission Sciences Dessinées explore cette diversité afin de réfléchir à la pratique, à la valeur et aux effets du dessin dans la recherche scientifique. Elle interroge le dessin comme régime d’expression pour la science et de la science.

Sciences dessinées, par Lou Herrmann

WonderBuzz with Nate Larson is a podcast about curiosity, adventure, exploration, and the stories that unfold when you chase the horizon. Join Nate as he travels full time in his can (VanHalen) to wild and unexpected places across North America. Episodes include stories from the road, reflections on travel, photography chats, interviews with guests, van life insights, poems, and found stories. Keep exploring and stay curious.&nbsp;

WonderBuzz with Nate Larson is a podcast about curiosity, adventure, exploration, and the stories that unfold when you chase the horizon. Join Nate as he travels full time in his can (VanHalen) to wild and unexpected places across North America. Episodes include stories from the road, reflections on travel, photography chats, interviews with guests, van life insights, poems, and found stories. Keep exploring and stay curious. 

WonderBuzz with Nate Larson

Sinéma è un podcast sul potere evocativo del profumo che fornisce informazioni, curiosità, opinioni personali e consigli olfattivi a tutti gli annusatori compulsivi che non sono mai stanchi di conoscere e provare nuove fragranze. Seguimi su Instagram  <a href="https://www.instagram.com/sinemaparfums/" target="_blank" rel="noreferrer noopener">@sinemaparfums</a>

Sinéma è un podcast sul potere evocativo del profumo che fornisce informazioni, curiosità, opinioni personali e consigli olfattivi a tutti gli annusatori compulsivi che non sono mai stanchi di conoscere e provare nuove fragranze.Seguimi su Instagram @sinemaparfums

Sinéma è un podcast sul potere evocativo del profumo che fornisce informazioni, curiosità, opinioni personali e consigli olfattivi a tutti gli annusatori compulsivi che non sono mai stanchi di conoscere e provare nuove fragranze. Seguimi su Instagram&nbsp; <a href="https://www.instagram.com/sinemaparfums/" rel="noopener noreferrer">@sinemaparfums</a>

Sinemà - Smells like film spirit

Vous trouverez sur l'Ouvroir d'Exposition Potentielle des expositions imaginaires, écrites et contées par Mathilde Castel, également disponibles sur YouTube (https://www.youtube.com/@ouexpo) et Instagram (https://www.instagram.com/ou.ex.po/).






Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Vous trouverez sur l'Ouvroir d'Exposition Potentielle des expositions imaginaires, écrites et contées par Mathilde Castel, également disponibles sur YouTube (https://www.youtube.com/@ouexpo) et Instagram (https://www.instagram.com/ou.ex.po/). Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

ouexpo

Oko is a podcast for collectors and other art lovers. I'm your host, Lisa Cooley. I have 25 years experience in this field, and I want to share it all with you. I made this podcast for veteran collectors, new collectors, and collecting-curious. Oko is for all of you.&nbsp;

Oko is a podcast for collectors and other art lovers. I'm your host, Lisa Cooley. I have 25 years experience in this field, and I want to share it all with you. I made this podcast for veteran collectors, new collectors, and collecting-curious. Oko is for all of you. 

Welcome to the Artbx Podcast, created for art teachers, elementary school teachers, and parents of elementary-aged students (5-12 years old)! Each episode explores fascinating art history with fun facts about famous artists and their masterpieces. Plus, we provide step-by-step instructions and creative ideas for engaging art projects that kids can try in the classroom or at home. Whether you're looking for inspiration, lesson ideas, or fun ways to bring art to life, this podcast is here to spark creativity and make art education exciting and accessible! The podcasts uses AI generated audio content based on art lessons and curriculum from www.artbx.org.  Brought to you by <a href="http://www.artbx.org" target="_blank" rel="noreferrer noopener">www.artbx.org</a>, the leading provider of elementary art curriculum.

Welcome to the Artbx Podcast, created for art teachers, elementary school teachers, and parents of elementary-aged students (5-12 years old)! Each episode explores fascinating art history with fun facts about famous artists and their masterpieces. Plus, we provide step-by-step instructions and creative ideas for engaging art projects that kids can try in the classroom or at home. Whether you're looking for inspiration, lesson ideas, or fun ways to bring art to life, this podcast is here to spark creativity and make art education exciting and accessible!The podcasts uses AI generated audio content based on art lessons and curriculum from www.artbx.org. Brought to you by www.artbx.org, the leading provider of elementary art curriculum.

Welcome to the Artbx Podcast, created for art teachers, elementary school teachers, and parents of elementary-aged students (5-12 years old)! Each episode explores fascinating art history with fun facts about famous artists and their masterpieces. Plus, we provide step-by-step instructions and creative ideas for engaging art projects that kids can try in the classroom or at home. Whether you're looking for inspiration, lesson ideas, or fun ways to bring art to life, this podcast is here to spark creativity and make art education exciting and accessible! The podcasts uses AI generated audio content based on art lessons and curriculum from www.artbx.org.&nbsp; Brought to you by <a href="http://www.artbx.org" rel="noopener noreferrer">www.artbx.org</a>, the leading provider of elementary art curriculum.

Art Adventures with Artbx

For 20 years before becoming a mom, Jacqueline practiced as an RN with a background in acute care, primarily the cardiac OR. She is the founder of DeepRootsatHome.com and Deep Roots at Home Podcast. 

But now, home is where she loves to be. She feels there is no greater place to incubate souls. These days you’ll find her using her experiences here to write about herbal remedies and natural health research — a big passion of hers.

For 20 years before becoming a mom, Jacqueline practiced as an RN with a background in acute care, primarily the cardiac OR. She is the founder of DeepRootsatHome.com and Deep Roots at Home Podcast. But now, home is where she loves to be. She feels there is no greater place to incubate souls. These days you’ll find her using her experiences here to write about herbal remedies and natural health research — a big passion of hers.

Jacqueline Franks

Join Bible teacher and author Angela Donadio for compelling conversations with leading voices that will inspire you to discover miracles in the messiness of life and ground your worth in the Word instead of the narrative of the world. Filled with insights from her vast ministry experience and adventures, this is the go-to podcast for anyone who wants to make their life matter no matter what.

Angela Donadio

Andrew F Carter is the lead pastor of Royal City Church. His never-ending mission is to lead people to Jesus by spreading the gospel around the world. Pastor Andrew guest speaks at churches, events, youth camps, conferences, and summits to fulfill the great commission.

Andrew F Carter

From the creators of Funnybooks with Aron and Paulie, a weekly discussion podcast about the new Star Wars: Ahsoka show on Disney +!

Star Wars with Aron and Paulie

El arte como relfejo de la sociedad

For art lovers, collectors, and curious minds who want to understand the people behind today’s creative work but are tired of the art world feeling distant and exclusive. Sit Down &amp; Have A Tea from Wolfgang &amp; Luke Art Gallery and Creative Space brings you inviting conversations with living artists who share their stories, process, and passion over a cup of tea. Each episode takes you behind the canvas into the lived experiences of artists, offering insights that help you connect more deeply with their work, appreciate the journey of creation, and see the value beyond the finished piece. If you’re ready to discover new voices, build confidence in your appreciation of art, and feel more connected to the creative world, Sit Down &amp; Have A Tea is your monthly source of inspiration, conversation, and discovery. New episodes every 3rd Thursday of the month at 6AM on Apple Podcasts, Spotify, and YouTube.

For art lovers, collectors, and curious minds who want to understand the people behind today’s creative work but are tired of the art world feeling distant and exclusive. Sit Down & Have A Tea from Wolfgang & Luke Art Gallery and Creative Space brings you inviting conversations with living artists who share their stories, process, and passion over a cup of tea. Each episode takes you behind the canvas into the lived experiences of artists, offering insights that help you connect more deeply with their work, appreciate the journey of creation, and see the value beyond the finished piece. If you’re ready to discover new voices, build confidence in your appreciation of art, and feel more connected to the creative world, Sit Down & Have A Tea is your monthly source of inspiration, conversation, and discovery. New episodes every 3rd Thursday of the month at 6AM on Apple Podcasts, Spotify, and YouTube.

Sit Down and Have A Tea from Wolfgang and Luke Art Gallery

Hold tight for a wild ride as film critic Charles Kirkland Jr delivers his truly unique views and meditations on all things TV, Movies, and entertainment related in Washington D.C. and the WORLD!

Reel Movie Stuff with Charles Kirkland Jr!

Simian is an independent art center in the district of Ørestad in Copenhagen, Denmark. Founded and run by artists as a non-profit organization, Simian aspires to support and present experimental exhibition projects by national and international artists from emergent and established positions. Through an extensive programme, Simian seeks to engage in critical artistic and social discourses, with the aim to generate discussion, reflection and agency.

Simian Podcasts

「蛤？真假！！」這是我常常在看完電影後，和其他人討論或是看影評時常有的反應，電影是個多重的奇幻世界，在每個人腦中產生不同的化學反應，不論是專業的、閒話家常的、不知道在幹嘛的電影探討，都會在「蛤 真假？」一起和我們跳入電影的新世界！ Powered by <a href="https://firstory.me/zh">Firstory Hosting</a>

「蛤？真假！！」這是我常常在看完電影後，和其他人討論或是看影評時常有的反應，電影是個多重的奇幻世界，在每個人腦中產生不同的化學反應，不論是專業的、閒話家常的、不知道在幹嘛的電影探討，都會在「蛤 真假？」一起和我們跳入電影的新世界！ Powered by Firstory Hosting

「蛤？真假！！」這是我常常在看完電影後，和其他人討論或是看影評時常有的反應，電影是個多重的奇幻世界，在每個人腦中產生不同的化學反應，不論是專業的、閒話家常的、不知道在幹嘛的電影探討，都會在「蛤 真假？」一起和我們跳入電影的新世界！ Powered by <a href="https://firstory.me/zh" rel="noopener noreferrer">Firstory Hosting</a>

蛤 真假？

A PODCAST CREATED TO OPEN DOORS FOR THE LIKE-MINDED PEOPLE TO SAY WHAT THEY NEED TO SAY, THE WAY THEY NEED TO SAY IT.

A PODCAST CREATED TO OPEN DOORS FOR THE LIKE-MINDED PEOPLE TO SAY WHAT THEY NEED TO SAY, THE WAY THEY NEED TO SAY IT.

THA' 420. ORG

Een podcast over oude en hedendaagse kunst in al haar facetten. Koen Fillet duikt in de verhalen en het onderzoek van kunsthistorici, restauratoren en kunstminnaars, op zoek naar antwoorden op vragen waarvan je het bestaan nog niet kende.

Een podcast over oude en hedendaagse kunst in al haar facetten. Koen Fillet duikt in de verhalen en het onderzoek van kunsthistorici, restauratoren en kunstminnaars, op zoek naar antwoorden op vragen waarvan je het bestaan nog niet kende.

Een podcast over oude en hedendaagse kunst in al haar facetten. Koen Fillet duikt in de verhalen en het onderzoek van kunsthistorici, restauratoren en kunstminnaars, op zoek naar antwoorden op vragen waarvan je het bestaan nog niet kende.&nbsp;

Phoebus Focus

Podcast presented by The Basic Parker

The Basic Parker Podcast

mahamusic

Two artists talk about their creative journeys and insights: Beginning during the pandemic and ending 2024, this podcast was all about inciting creativity, expressing different perspectives - and the emotional struggles of being an artist.

The Creative Explorers

¡Bienvenidos al Coliseo de Cine! 🎬💥 Aquí, "Los Gladiadores del Cine" te llevan a un mundo de críticas apasionantes y opiniones cinematográficas. Únete a nosotros para análisis profundos y recomendaciones exclusivas. ¡Que empiece el espectáculo!

¡Bienvenidos al Coliseo de Cine! 🎬💥 Aquí, "Los Gladiadores del Cine" te llevan a un mundo de críticas apasionantes y opiniones cinematográficas. Únete a nosotros para análisis profundos y recomendaciones exclusivas. ¡Que empiece el espectáculo!

Coliseo de Cine

Welcome to the Art Lawyers Association Podcast, a podcast that is dedicated to the discussion of the interesting issues, quirks, stories, rumours and, yes, legal cases that have arisen, or which remain current issues in the Art World, and which we lucky lawyers, very often are asked to try to resolve. 

The Art World is truly a wonderful place to work in, and it is filled with all of the great attributes good stories need, wealth, beauty, honesty and dishonesty - and it is inhabited by by some similarly colourful characters, some of whom we are looking forward to introducing you to over the course of the next few months and weeks.

Welcome to the Art Lawyers Association Podcast, a podcast that is dedicated to the discussion of the interesting issues, quirks, stories, rumours and, yes, legal cases that have arisen, or which remain current issues in the Art World, and which we lucky lawyers, very often are asked to try to resolve. The Art World is truly a wonderful place to work in, and it is filled with all of the great attributes good stories need, wealth, beauty, honesty and dishonesty - and it is inhabited by by some similarly colourful characters, some of whom we are looking forward to introducing you to over the course of the next few months and weeks.

Art Lawyers Association podcast

Gedanken und Denkanstöße zur Fotografie. Mal philosophisch, mal praxisorientiert.

Fotogedanken

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra - Audio Biography

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#健康卡片 是一個前所未見的人生遊戲 這裡是官方同名 podcast 也是唯一聽得到卡片大師真人說話的時刻 每月隨環境主題更新 聽完歡迎留言給大師 https://www.instagram.com/healthygacha/ 認識 #健康卡片 官方LINE：https://page.line.me/?accountId=healthygacha 官網：https://www.healthygacha.com/ 媒體報導： ELLE https://www.elle.com/tw/life/how-to/a44729982/healthygachachairman30/ Women's Health https://www.womenshealthmag.com/tw/wellness/health-care/a44182095/healthygacha/ Powered by <a href="https://firstory.me/zh" rel="noopener noreferrer">Firstory Hosting</a>

Visual Arts Podcasts / Page 166

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Richard Serra - Audio Biography

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