Off the southern tip of South America, the remote and rocky Falkland Islands are home to one of the oddest birds of prey in the world: the striated caracara, which looks like a falcon but acts more like parrot. Charles Darwin had to fend these birds off the hats, compasses, and valuables of the Beagle; the Falkland Islands government had a bounty on their “cheeky” beaks for much of the 20th century; and modern falconers have used their understanding of language to train them to do dog-like tricks. The other nine species of caracara that span the rest of South America are just as odd in their own ways. In his new book, A Most Remarkable Creature, Jonathan Meiburg follows their unusual evolutionary path across the continent and describes his encounters with these birds over the past 25 years. He joins us from his home in Texas to introduce us to some new feathered friends.

Go beyond the episode:

• Jonathan Meiburg’s A Most Remarkable Creature
• Read an excerpt about Charles Darwin’s encounters with the bird
• Meet Tina, the striated caracara who can “find Nemo,” and a crested caracara named Kevin
• Here’s some footage of a flock on Saunders Island in the Falklands

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

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So many tropical storms and hurricanes hit Louisiana’s Isle de Jean Charles that native residents talk about them as if they’re family members: “Who broke that window—Rita? Gustav? It wasn’t Katrina or Ike.” Rising sea levels and increasingly volatile storms bring other, no less harmful consequences, too: groundwater salinization, disappearing wetlands, decimated wildlife and fishing. The choice for people and animals in these places is stark: retreat or die. In her book, Rising: Dispatches from the New American Shore, environmental reporter Elizabeth Rush tells the stories of the life-altering changes happening right now in our own back yards. This episode originally aired in 2018.

Go beyond the episode:

• Elizabeth Rush’s book, Rising: Dispatches from the New American Shore
• Episode page, with a slideshow of Elizabeth Rush's photographs from the book
• “The Marsh at the End of the World,” an excerpt from the book, published in Guernica
• Read an excerpt from Rush’s previous work, Still Lives from a Vanishing City, on disappearing homes in Yangon, Myanmar, in Granta

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.

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Stagger Lee is “The Baddest Man in Town,” as poet and critic Eric McHenry writes in our Spring 2021 issue. The man behind the myth—“Stack” Lee Shelton—was a real person, who did many if not most of the things ascribed to him in song (except, perhaps, go down to hell and take over for the devil). The bar, the hat, the gun, all have become mainstays of African-American folklore in the 120 years since Lee made his debut in song. McHenry joins us on the podcast for a look into the life and legend of Stagger Lee, which he exhumed through newly digitized newspaper records and troves of archival recordings—including the conversation between an elderly St. Louis musician and a 1970s graduate student that plucked Lee from a rich oral history tradition and back into the written record.

Go beyond the episode:

• Read Eric McHenry’s essay “The Baddest Man in Town”
• Compare the oldest known lyrics (from 1897) to Mississippi John Hurt’s definitive 1928 version—or Nick Cave’s depraved one
• Listen to our Spotify playlist of selected Stagger Lee renditions (here is the Beck cover mentioned)
• Read this primer on murder ballads, which can be found in all sorts of musical traditions, from African-American songs like “Stagger Lee” that are arguable precursors to gangsta rap to white Appalachian songs that drew on a Scots-Irish tradition
• Country murder ballads most often had women victims—which has led some female country musicians to flip the script

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.

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Wild, blossoming cherries are native to many diverse lands, from the British Isles and Norway to Morocco and Tunisia. But they’re most associated with Japan, where the sakura is the national flower. These days, though, you’ll find blossoming cherries everywhere, on practically every continent. For that, we must thank a lot of dedicated botanists, who braved world wars and long sea voyages—and endured repeated failures—to spread the sakura around the world. But there’s one naturalist in particular we can thank: Collingwood “Cherry” Ingram. Journalist Naoko Abe joins us on the podcast to share how this English eccentric saved some of Japan’s most iconic cherry blossoms—from the spectacular Great White Cherry to the pink Hokusai—from extinction. This episode originally aired in 2019.

Go beyond the episode:

• Naoko Abe’s The Sakura Obsession
• If you’re in Washington, D.C., you need not visit the (closed) Tidal Basin to view the cherries—here is a map trees blossoming all over the city
• The National Park Service created a guide to the cherry blossom varieties in the city
• Smithsonian’s list of the best places to see cherry blossoms around the world

Cherry varieties discussed:

• Taihaku / Prunus serrulata taihaku / Great white cherry
• Somei-yoshino / Prunus x yedoensis / Tokyo cherry

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.

Hosted on Acast. See acast.com/privacy for more information.

In the past year of the pandemic, Amazon has added more than 500,000 jobs, mostly in its various warehouses. During the same period, more than 20,000 of its frontline workers tested positive for Covid-19. Their boss, Amazon founder Jeff Bezos, saw his net worth rise by $67 billion. Amazon’s shadow extends beyond the warehouses, though, to the cardboard factories that supply its packaging, the local stores it’s crowded out, and the affordable housing that’s flipped to luxury condos near its headquarters. In his new book, Fulfillment, ProPublica reporter Alec MacGillis uses Amazon as a frame to chronicle the widening gap between winner-take-all-cities and the regions left behind.

Go beyond the episode:

• Alec MacGillis’s Fulfillment: Winning and Losing in One-Click America
• Read his piece in The New York Times, “Amazon and the Breaking of Baltimore”
• German novelist Heike Geissler worked at an Amazon fulfillment center to make ends meet—and wrote about the brutal experience in her novel Seasonal Associate
• Learn more about the high-stakes fight for a union at an Amazon warehouse in Bessemer, Alabama; ballots are due for the first-ever warehouse-wide union vote by March 29

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.

Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast

Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.

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Women in wars on land and sea, whether queens or foot soldiers, rarely get their due—yet their lives are at least as interesting as their male counterparts’, not least because they had to leap through so many hoops to fight. Historian Pamela Toler wants us to know their names, and her book Women Warriors is a global history covering everyone from the Trung sisters, who led an untrained, 80,000-strong Vietnamese army against the Chinese Empire, to Cheyenne warriors like Buffalo Calf Road Woman, who knocked General Custer off his horse. There are at least a hundred killer screenplay ideas lurking in the history books—if only we bothered to look. This episode originally aired in 2019.

Go beyond the episode:

• Pamela D. Toler’s Women Warriors: An Unexpected History
• Read an excerpt about the Russian First Women’s Battalion of Death
• Read Toler’s piece for us on Peggy Hull, the first woman accredited as a war correspondent by the U.S. military
• Learn about the lady pirates time forgot, including one who gave birth in the middle of a sea battle (and still won) and Cheng I Sao, who negotiated a sweet retirement package with the Chinese government when the Navy couldn’t take her out
• And meet Njinga, the West African queen who fended off the Portuguese (start at minute 21:30)

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.

Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast

Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.

Hosted on Acast. See acast.com/privacy for more information.

Once upon a time, you turned 30 and you already had it all: a spouse, a house, a job, and a passel of kids. But even before the Covid-19 pandemic wreaked havoc on our lives, thirtysomethings’ expectations for their own lives were changing, both by choice and by necessity. Today, they’re getting married later if at all, having fewer kids, taking on more debt, and moving back in with their parents. Is economic upheaval and inequality the primary force behind these shifts? And why do traditional landmarks like getting married still exert such a pull on our psyches? Journalist Kayleen Schaefer conducted hundreds of interviews with researchers and millennials across the country to understand how this generation is redefining adulthood.

Go beyond the episode:

• Kayleen Schaefer’s But You're Still So Young: How Thirtysomethings Are Redefining Adulthood
• One landmark millennials do seem to be hitting? Burnout. Read Anne Helen Petersen’s essay “How Millennials Became the Burnout Generation”
• Read Paula Marantz Cohen’s essay “This Side of Paradise,” or Edward Hoagland’s “A Country for Old Men” about the final landmark one traverses: seniority

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

Our theme music was composed by Nathan Prillaman.

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The Aeneid has a reputation: it’s the founding myth of Rome, used down the centuries to justify conquest, colonization, and the expansion of empire the world over. Although Virgil includes many voices in his epic, Aeneas’s is the one that tends to be remembered—and celebrated, especially by his putative descendant, the Emperor Augustus. But with her new translation of The Aeneid, classicist Shadi Bartsch reveals the many ways that Virgil undermines both the glory of Aeneas and the authority of collective memory, down to the very verb used to begin and end the poem. Bartsch joins us on the podcast to untangle how the story of Aeneas is actually many stories, all in conversation with one another.

Go beyond the episode:

• Shadi Bartsch’s translation of The Aeneid
• Read her essay in The Washington Post, “Why I won’t surrender the classics to the far right”
• Daniel Mendelsohn’s essay “Lost Classics” reminds us that the study of ancient texts is the study of things that are no longer: lives, songs, stories, poems, memories, and the ordinary people who preserved their memory
• In case you missed it: listen to our interview with historian Kyle Harper on the discomforting parallels between our current moment and the end of Rome

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast

Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.

Hosted on Acast. See acast.com/privacy for more information.

So much of the story we hear about China today concerns Covid-19, or the economy—how over the past few decades, it has risen from poverty and ruin to become a global powerhouse. But there’s a story beneath the surface, of the artistic avant-garde that resisted rule from above and inspired generations of ordinary Chinese citizens to seek freedom of expression. From their countryside re-education posts to the abandoned warehouses of Beijing and the short-lived Democracy Wall, Chinese artists flourished at the edge of acceptability—until the entire edifice came crashing down with the Tiananmen Square massacre. Madeleine O’Dea joins us to talk about her book, The Phoenix Years, which follows the lives of nine contemporary Chinese artists to tell the story of how art shaped a nation.

Visit the episode page for portraits and archival images of the artists and their work.

Go beyond the episode:

• Madeleine O’Dea’s The Phoenix Years: Art, Resistance, and the Making of Modern China
• Peruse the exhibition catalogue for the seminal 1993 Hong Kong show, “China’s New Art, Post-1989” (now out of print)
• Guo Jian’s artist website
• Xhang Ziaogang’s work on artnet
• Aniwar’s work on Artsy, if you’re looking to buy
• Listen to our first China-focused episode, “Unlikely Encounters,” for an interview with Julian Gewirtz the least likely visitor to the People’s Republic: Milton Friedman

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast

Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!

Our theme music was composed by Nathan Prillaman.

Hosted on Acast. See acast.com/privacy for more information.

On February 1st, the Burmese military detained high-ranking officials of the National League for Democracy and the leader of the country, Aung San Suu Kyi. It was a coup, haunted by memories of past coups: 1962, when the military first seized power, and then 1988, when student-led protests against that government led to another coup that killed at least 6,000 people. In 2007, hundreds of thousands of monks protested in what became known as the Saffron Revolution, and the military cracked down again, arresting hundreds of people, some of whom still remain in prison. Despite that bloody history, today tens of thousands of people are returning to the streets as part of the so-called Civil Disobedience Movement. It feels like we're all waiting to see what will happen next. Is this the end of Myanmar's decade-long experiment with democracy, or could it be the catalyst for a new movement? To give us a better picture of where things stand, and how they've gotten to this point, we're joined by Columbia University anthropologist Geoff Aung, who has spent years working in Burma and has written about the country for more than a decade.

Go beyond the episode:

• Read “The Lady and the Generals,” Aung’s 2016 analysis of the relationship between democratic reforms and economic justice; “Three Theses on the Crisis in Rakhine” on the Rohingyan genocide; and “Until the End of the World: Notes on a Coup”
• Organized labor has been a strong presence at the protests so far—read an interview with a labor organizer in a garment factory
• The story behind Naing Myanmar’s “Kabar Makyay Bu” (“We Won’t Be Satisfied Till the End of the World”), the unofficial anthem of the 8-8-88 uprising
• Many protest videos are circulating on Facebook, including the page Civil Disobedience Movement
• For ongoing coverage on the ground, check out The Irrawaddy
• For more context on ethnic conflict in Myanmar, particularly the Rohingya, check out our 2018 episode, “Burmese Daze”

Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.

Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast

Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.

Hosted on Acast. See acast.com/privacy for more information.