Songwriters on Process

Jim James needs a bigger head. How else to accommodate all the bursts of creativity he has throughout the day? They happen all the time. The My Morning Jacket frontman finds art galleries to be a particularly rich source of inspiration, but he also loves a good walk. Even the middle of the night is productive for James, though he admits that’s because of his insomnia. Who needs to force the process when your day is filled with ideas?

Jim James’s latest album is Wowed Out

You have seen Alicia Witt. Of that I can be sure since she's appeared in so many movies and tv shows. (She starred most recently opposite Nicolas Cage in Longlegs.) But Witt is also an accomplished piano player and singer/songwriter; it's not something she does in her spare time as a hobby. Her upcoming album is her fifth release, and her experience as an actor informs her songwriting process in the attention she pays to her lyrics.

Alicia Witt's latest album is Between Heaven and Earth. The album was inspired by Witt's enduring friendship with David Lynch. 

Tyler Mabry and Harlow Phillips of Athens-based hey, nothing have been friends since middle school. And when you've grown up with your songwriting partner, you have a good idea of what makes for an efficient writing process. Both have a clear idea of how to set up for success when they write, down to where and when they're the most productive. This includes the secret to editing: try to do it when you're sick.

hey, nothing's major label debut Hound is out on on Music Soup/Interscope Records.

Took a wonderfully deep dive into the songwriting process with David Shaw of The Revivalists. We discuss middle of the night epiphanies, how mishearing a lyric can make for a better lyric, and how reading great literature makes for better songwriting. 

The latest album by The Revivalists is Get It Honest.

Lenny Kaye's tenure as Patti Smith's guitarist and collaborator extends from 1971 to the present, but the 79 year old is only now releasing his debut solo album. The punk icon and pioneer is also the author of three books, so this episode is a deep dive into the writing process across a few genres. As you can imagine, Kaye doesn't believe in creating when the mood strikes; instead, it's a constant in his life. 

Lenny Kaye's debut solo album is Goin' Local

"I don't like closing a book on words, not even my laptop," says Alex Cameron. This is no metaphor. Cameron means this literally because he always wants to be able to see his words. He keeps a giant piece of butcher paper spread out on his table 24/7. This butcher paper contains all of his writing, and I mean all: text message drafts, lists, lyrics, journal writing. Anything that gets written down goes here as opposed to a notebook or laptop or phone, and since he's always walking by the table or sitting at it, he has unfettered access to his writing. And as you'll hear, it's where he practices his ruminazio. 

Alex Cameron's latest album is Late to Set

"You don't have to be a tortured artist to write a song, but it's important to write about what you're feeling and not run away from it," Azniv Korkejian (aka Bedouine) says about her songwriting process. As proof, she tells a story about how she sobbed the first time she played one of her new songs for her husband.

As you'll hear, there's no better place to write those songs than the local public library, and Bedouine provides some pretty powerful reasons why. 

Bedouine's latest album is Neon Summer Skin

It's not often (ever?) that I get to talk Hegel, Jung, and Goethe with songwriters. But Dragos Chiriac of Men I Trust and I go deep into philosophy in this episode. I am a huge fan of the band and enjoyed our discussion immensely as we talk about the impact these writers have on Chiriac and why he returns to them over and over.

Lest you think this episode was all about existential angst, we also discussed the relatively simple reason why the band wrote my favorite Men I Trust song "Billie Toppy."

"The failure is not in writing a bad song. The failure is in writing no song." 

Keenan O'Meara has always honored the value of work. Maybe it's because he's also a carpenter by trade, but discipline is his asset even though it's not something that comes naturally. "You have to teach yourself how to work. We've been tricked by the idea of divine inspiration for far too long," he told me. Carpentry has been a boon to his process. "It's great for songwriting. If you ever find yourself out of songwriting ideas, get a carpentry gig." I have to agree: O'Meara is one of several songwriters I've interviewed who are also woodworkers. 

Keenan O'Meara's new album is Bathe in the Everlasting Light. 

Jason Newsted blends words and acrylics. Literally. The former Metallica bassist and leader of Jason Newsted and the Chophouse Band is also an accomplished painter, and to get started he'll often write song lyrics (not his own) on a blank canvas, then paint over them. The lyrics serve as a way to stimulate his creative process as his brush strokes move over the words and mix. Newsted gives me a great example of how he recently did this with a Jim Croce song. 

This episode is a deep discussion about the creative process and what drives us to create. Newsted's words are wonderfully thoughtful.