It’s always fun to interview two songwriters who have a history together! Before his solo career, Kishi Bashi was a member of Kevin Barnes’ band of Montreal. 

Kishi Bashi’s new album Kantos is out now on Joyful Noise Recordings, and of Montreal’s Lady on the Cusp is out on Polyvinyl Records. Kishi Bashi’s “Omoiyari: A Song Film” has been nominated for an Emmy with the winners announced in September. 

Mica Tenenbaum and Matt Lewin of Magdalena Bay love hybrid cars. While I’m sure they appreciate the environmental benefits, it’s the humming sound the cars make that the duo finds inspiring. In fact, they find inspiration in everything around them, visually and sonically—even the act of Swiffering, as you’ll hear on the podcast. Small surprise that Tenenbaum had 2002 voice memos of ideas on her phone when we spoke.  

Magdalena Bay’s new album Imaginal Disk is out on Mom + Pop Records.  The band’s videos are incredible, so check those out too. 

"I'm always writing and always creating. I relate to the world by writing," Eva Hendricks of Charly Bliss told me on the podcast. Besides songwriting, she's written a YA novel and is a big journaler. Heck, Hendricks even gets inspired while she's hanging laundry! And when those songs are close to fruition, they need to be perfect: Hendricks estimates that she wrote 50 different verses for the new song "Waiting For You."

The new Charly Bliss album Forever is out on Lucky Number Records.

Tracyanne Campbell of Camera Obscura has a superpower: she's able to write entire songs in her head before putting them to paper. If Campbell gets an idea and can't write it down immediately, she'll repeat the words over and over to herself until she can grab a pen and pencil. This superpower comes in handy when driving is an especially rich source of inspiration, as it is for Campbell. 

Camera Obscura's latest album Look to the East, Look to the West is out now on Merge Records.

Matthew Koma of Winnetka Bowling League stops by the podcast to talk about how writing a song is like solving a crossword puzzle, why he doesn't like to dig through discarded melodic and lyrical ideas for new songs, and how he gets inspired by being among the stores.

Winnetka Bowling League's debut album Sha La La is out now. I'm a big fan. 

Ashton Irwin, drummer for 5 Seconds of Summer, often writes songs out of necessity. While he likes to journal, Irwin finds songwriting a much more effective vehicle for maintaining his mental health. And there's a routine to the songwriting process: from 11a-3p when the caffeine is at its peak, with a Moleskin journal and a black ink pen.

Irwin likes to write lyrics during the day; the songs he writes at night are different. "I’m less concerned with being tricky with the wordplay," he explains. "The songs I write at night are more beat driven and animalistic, conjuring the energies of the night."

Irwin's latest solo album, his second, is called Blood on the Drums.

ED NOTE: This is from 2021, before this was a podcast and I was posting the video interviews to YouTube. I've taken the audio from that interview and turned it into podcast form. As you can tell at the beginning, we did this in the middle of the pandemic, hence our discussion about the creative process during COVID.

Mike Doughty believes that discipline is a necessary part of the songwriting process. Doughty made his name as the founder of Soul Coughing, but he's had a prolific career as a solo singer/songwriter.  “I believe in discipline and the idea of working every day. I do like to look back at the end of the day with a sense of accomplishment.”  

That feeling of accomplishment comes after some consistent journaling each morning and evening. It’s decidedly vintage: he uses an IBM Electric typewriter in the morning (“The blank white page is filled with light and hope) and a 1983 Apple IIe computer at night (“The glowing green has a definite night vibe.”). And he saves those evening journal entries on a five inch floppy disk.

The circle is complete. I’ve had recent interviews with Anais Mitchell (together with Charlotte Cornfield) and with Eric D. Johnson, but now that we’ve added Josh Kaufman, this is a full-on Bonny Light Horseman episode. I enjoyed this conversation immensely because we dove into their collective process, not just their individual processes. And listening to them talk for even a few seconds makes one thing immediately clear: the songwriting is great because the chemistry among them is so powerful. 

Bonny Light Horseman’s new double album Keep Me on Your Mind/See You Free is out now on Jagjaguwar Records. 

All four members of DIIV (Zachary Cole Smith, Andrew Bailey, Colin Caulfield, Ben Newman) joined me to talk about their individual songwriting processes. This interview could've gone on forever because they are so passionate about creativity. What's interesting is that their individual songwriting processes don't have too much in common, but perhaps how those differences play off each other is why they make such good music.

DIIV's new album Frog in Boiling Water is out now on Fantasy Records. 

Does the mind of Eric Earley from Blitzen Trapper ever rest? I think not.  After all, he told me that he liked to solve math problems in college while he was making breakfast. Earley is a voracious reader who just finished his self-proclaimed "Time of the Tomes," in which he read nothing but, well, tomes. (The longer, the better. Infinite Jest? Please. Kid's stuff).

Earley has a family and his other occupation involves working with the homeless population in Portland, so he's not quite as active as he used to be. But that's only because he doesn't have as much time, although now he's quite invested in meditation and dream journals. And songwriting, of course. 

This is the second time I've interviewed Earley; the first was in 2018, when he told me that he'd written five unpublished novels "just for fun." Earley is also responsible for turning me on to the great short story writer Breece D'J Pancake.

Blitzen Trapper's latest album 100's of 1000's, Millions of Billions is out now on Yep Roc Records.