Peter Jackson's 1994 fantasy/true crime/coming-of-age/period/romance/horror Heavenly Creatures gave Kate Winslet and Melanie Lynskey their first screen roles. Why was one an instant star and the other a much-delayed one? Can a man capture the intensity of teenage girls? Who, if anyone, is mad in this case? Find out the answers to these questions and more.

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Michelle Ovens MBE, founder of Small Business Britain and huge champion of female business owners, is a total powerhouse and inspiration. She’s chatting to our Mick about small businesses, where they’re at, what’s in store, why more women are starting them, and the work being done by Michelle and her team to make the word 'entrepreneur' way more diverse than tech bros and wannabe Alan Sugars. 

You can find Small Business Britain on all the socials @britainsmallbiz. And not a Sam the Eagle in sight.

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It's our birthday! So, here's a very special episode - a chat about the last decade with the boss herself, Sarah Millican. We're talking about what we've learned in the last 10 years, the time Mickey and Hannah got shut into a service station and the mystery meeting that only Jen remembers.

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Based on the much-lauded Nick Hornby classic, our Jen has picked filmic festival of football, Fever Pitch. But will protagonist and giant man-child Paul, played by Colin Firth, float Hannah or Jen’s boat? And what is the film trying to say, other than that women don’t like football?

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Having been involved in some of the country's most high-profile cases, lawyer and fearless campaigner for justice, Harriet Wistrich has some incredible stories to tell. Many of which are in her new memoir, Sister In Law. Hannnah chats to Harriet about the Stockwell shooting, Spycops, the media and Sally Challen, and asks if some of us are better built for legal battle. 

Hannah's Spycops interview is here: https://podcasts.apple.com/gb/podcast/sim-ep-744-chops-255-groomed-gaslighted-ghosted/id1080808404?i=1000568597088

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Best known as Coronation Street’s loveable matriarch, Eileen Grimshaw, Sue Cleaver is a woman of many talents. As well as treading the boards as Mother Superior in Sister Act the musical, she’s written a book - A Work In Progress. Part memoir, part manifesto, it champions women in midlife and beyond. Our Corrie fanatic, Jen, caught up with Sue to chat about the ways women can be put out to pasture once they hit middle-age, letting go of negative thoughts, life as a Corrie legend and spending time in close proximity with one Mr Matt Hancock.

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Hannah’s picked Martin Scorsese’s take on the string of brutal murders of the oil-wealthy Osage Nation that took place in 1920s Oklahoma. It stars Robert de Niro (natch) and Leonardo DiCaprio (also natch) and features a brilliant performance from newcomer Lily Gladstone. But does it warrant the stonking three-and-a-half-hour run time? WTF is going on with Leo’s face? And will both Mick and Yosra manage to stay awake? 

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Hannah and Jen are on duty this week and, naturally, they’re wondering (like the rest of us) WTAF is “Britcore”? They’re also pondering the benefits of Brexit and, across the pond, just how many copies of his self-published book is a would-be Trump assassin likely to sell? The Boss, Sarah Millican, is back with some more Light Relief for our £5 and above Patreons, talking bad weather for (little) dogs and the perils of online shopping. SOTW lends itself nicely to some Thierry Henry objectification, and JOTB asks, does anyone actually want the Commonwealth Games?

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It’s a first time watch of Larry Kramer and Ken Russell’s erotically charged adaptation of D.H. Lawrence’s 1920 novel for both Mick and Jen. Will they finally understand teenage Hannah’s obsession with Alan Bates? How many times can Mick sing Liberty X? And what’s (young) Olly Reed doing to Jen’s bloomers? Also contains – and no one was expecting this – that time David Blunkett was attacked by a cow. 

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Slow Horses is back for a fourth series on Apple TV and Hannah's been on the Zoom with one of its stars, Saskia Reeves, to talk about the wonder of Catherine Standish, the odour of Jackson Lamb and how the series keeps on creating great roles for women over 50.

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