Standard Issue Podcast

Art historian, curator and broadcaster Kate Bryan is on a mission to wrest control of the art world from asymmetric haircuts and aloofness, and put it firmly back in the hands of us all. In her new book, How To Art, which is illustrated by David Shrigley, she sets about doing exactly that.

Jen chats to Kate about entering the art world from a working-class background, how to talk about art even if you don’t really know what you’re talking about, and why snobbery is so rife in the art world.

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It’s silly turned up to 11, as Mick catches up with brilliantly bonkers comedian Harriet Dyer, who describes her standup as a fizzy blancmange of whimsy. Delicious. 

Harriet’s currently on her biggest UK tour to date with her show Easily Distra…, but found some time to chat to Mick about mental health, getting trapped in cupboards and what she’s like at parties. 

Tickets for Harriet’s tour can be found here: harrietdyer.com.

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After a much-lauded off Broadway run, Maia Novi's play about the time she was involuntarily held in a mental health facility has arrived in the UK. The Argentine writer and actor speaks to Hannah about Invasive Species, inner monologues, ambition and the advice Michaela Coel gave her.

Tickets for Invasive Species are here: https://kingsheadtheatre.com/whats-on/invasive-species-q1qt

More info about the Standard Issue membership club is here: Standard Issue Podcast | creating a magazine for ears, by women for women | Patreon

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Mick and Jen are on Bush Telegraph duties this week and, unlike it does for Sabrina Carpenter, the idea of men doing more housework is not getting them going. In other news, can you kill someone with menstrual blood? And was Angela Rayner right to resign? Plus, Jenny Off the Blocks returns with all things women’s sport.

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The "gay cowboy movie" certainly opened the door for a lot of other films, but how does it fare 20 years later? Hankies at the ready as we take another look at  the small story, big landscape romance that was robbed at the Oscars. Don't @ us.

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The story of Medea has been popular since antiquity and continues to endure today. Not least because big names want what’s undoubtedly one of the meatiest female roles in theatre. Meatiest in its most gruesome sense, as Medea is most famous for killing her children in order to get revenge on her faithless husband. 

Or at least that’s the headlines. It is, of course, more complicated (if no less horrifying) than that, so our Mick was delighted that author, broadcaster and classicist Natalie Haynes’ latest novel, No Friend to This House, is her take on the Medea story.  

They talk Medea as witch and midwife, Medea as refugee, the power of love, the dangers of motherhood and why Medea has proven so endlessly fascinating to storytellers and story listeners alike. 

No Friend to This House is published by Mantle on Thursday 11 September, but available for pre-order now. And you can find out where near you Natalie is touring by following her on X @officialnhaynes and on Insta @nataliehaynesauthor.

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It took clinical psychologist, trauma therapist and complex trauma survivor Dr Ingrid Clayton years to understand how she had reacted to abuse within her home as a young person. But what she later understood to be a relational-trauma response known as “fawning” also helped her to make sense of her behaviour and relationships in the years that followed. And now that work informs her book, Fawning: Why the Need to Please Makes Us Lose Ourselves.

Jen chats to Ingrid about why we sometimes lean into situations that make us feel unsafe, the long-term impacts of this behaviour, and why we should revisit the narrative around trauma responses.

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It’s Robbie Williams, but he’s a chimp! But is there anything more to Michael Gracey’s biopic jukebox musical drama about the British pop phenomenon? Are there any facts in it? And will you look at that cast: Steve Pemberton! Alison Steadman! Damon Herriman! Jonno Davies (who? what?). It’s (oddly) Hannah’s pick, (poor?) Yosra’s second watch and (warning) may contain Mick singing. 

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Returning from a BT hiatus, Mickey and Hannah take a rifle through some of the daftest stories of the week, including AI failures, ball pits, watered down beer, rumours of Trump's death and odd book choices. While in Sexism of The Week, it turns out everything has been fixed in our absence. Oh no wait, it hasn't. Shame.

Chloe's story about The Salt Path is here: http://observer.co.uk/news/national/article/the-real-salt-path-how-the-couple-behind-a-bestseller-left-a-trail-of-debt-and-deceit

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Is there anything Meryl Streep and/or Shirley MacLaine can’t do? It's a question we return to, as we settle down with Mike Nichol’s 1990 dramedy, based on Carrie Fisher’s semi-autobiographical novel of the same name. But to what extent is it based on Fisher’s real-life relationship with her mum, Debbie Reynolds? How well does it reflect issues around addiction? And, another question we return to: what is Roger Ebert even on about?

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