卜卦、算命真普遍，古早是連囡仔嘛咧耍。關三姑是查某囡仔佇上元節佮中秋節的遊戲，後來佮觀落陰結合。關三姑、椅仔姑的故事是啥物？欲按怎辦？是按怎干焦女性佮囡仔會使看？關三姑的故事佇民間文學時常出現，這集來說關三姑。

Pok-kòa, sǹg-miā chin phó͘-phiàn, kó͘-chá sī liân gín-á mā leh sńg. Koan-sam-ko͘ sī cha-bó͘-gín-á tī Siōng-goân-cheh kap Tiong-chhiu-cheh ê iû-hì, āu--lâi kah koan-lo̍h-im kiat-ha̍p. Koan-sam-ko͘, Í-á-ko͘ ê kò͘-sū sī siáⁿ-mih? Beh an-chóaⁿ pān? Sī an-chóaⁿ kan-na lú-sèng kap gín-á ē-sái khòaⁿ? Koan-sam-ko͘ ê kò͘-sū tī bîn-kan bûn-ha̍k sî-siông chhut-hiān, chit chi̍p lâi kóng Koan-sam-ko͘.

Divination and fortune-telling are very common in Taiwan; in the past, they were even practiced as games by children. "Koan-sam-koo͘," or the "Séance of the Third Aunt," was a game played by girls during the Lantern and Mid-Autumn Festivals, which later merged with the practice of "koan-lo̍h-im" (séances to visit the underworld). So, what is the story behind "Koan-sam-koo͘" and the related "Í-á-ko͘o" ? How is the ritual performed? And why were only women and children allowed to participate? The tale of Koan-sam-ko͘ is a frequent subject in folk literature. In this episode, we'll delve into her story.

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傳說是文化ê記持。這九个寫tī 《民俗台灣》ê 傳說是有啥物特色？反映啥款看待世界ê方式？

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台灣的病院佇日本時代就有電療，毋過猶無專業人士。物理治療教育是按怎開始？這馬是對四冬變做六冬？誰是頭一个提著證照的物理治療師？物理治療的範圍真闊，這集來講物理治療。

Tâi-oân ê pēⁿ-īⁿ tī Ji̍t-pún sî-tāi tō ū tiān-liâu, m̄-koh iáu-bô choan-gia̍p jîn-sū. Bu̍t-lí tī-liâu kàu-io̍k sī án-chóaⁿ khai-sí? Chit-má sī tùi sì-tang piàn-chò la̍k-tang? Siáⁿ sī thâu-chi̍t-ê the̍h-tio̍h chèng-chiàu ê bu̍t-lí tī-liâu-su? Bu̍t-lí tī-liâu ê hoān-ûi chin khoah, chit-chi̍p lâi kóng bu̍t-lí tī-liâu.

Hospitals in Taiwan had electrotherapy during the Japanese colonial era, but there were no specialized professionals yet. How did physical therapy education begin? Why has the curriculum now expanded from four years to six? Who was the first person to become a licensed physical therapist? The scope of physical therapy is very broad; in this episode, we'll talk all about physical therapy.

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寫佇《民俗台灣》的傳說---------------

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扒龍船真濟所在有，佇台灣有兩三百冬的歷史。這項活動佇大清時代、日本時代佮國民政府來台灣以後，攏有咧舉辦，毋過方式佮意義攏無仝。按怎後來扒龍船會那來那少？這集講扒龍船佇台灣的轉變。

Pê lêng-chûn chin chē só͘-chāi lóng ū, tī Tâi-oân ū nn̄g saⁿ pah tang ê le̍k-sú. Chit hāng oa̍h-tāng tī Tāi-chheng sî-tāi, J̍t-pún sî-tāi kap Kok-bîn Chèng-hú lâi Tâi-oân í-āu, lóng ū teh kí-pān, m̄-koh hong-sek kap ì-gī lóng bô-kāng. Āu--lâi pê lêng-chûn án-chóaⁿ ná lâi ná chió? Chit chi̍p kóng pê lêng-chûn tī Tâi-oân ê choán-piàn.

Dragon boat racing exists in many countries, and in Taiwan, it has a legacy spanning two to three centuries. This activity has been held throughout the Qing period, the Japanese colonial era, and after the Nationalist Government's arrival in Taiwan, though its form and significance have varied. Why then, did dragon boat racing gradually become less common? This episode explores the transformation of dragon boat racing in Taiwan.

寫佇《民俗台灣》ê傳說---------

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臭豆腐毋是佇台灣發明的，毋過這馬逐家若講著臭豆腐攏會想著台灣。臭豆腐是按怎來的？你敢知影臭豆腐猶有分臊的佮素的?臭豆腐嘛有家己的俗語?這集來講臭豆腐。

Chhàu-tāu-hū m̄-sī tī Tâi-oân hoat-bêng--ê, m̄-koh chit-má ta̍k-ke nā kóng-tio̍h chhàu-tāu-hū, lóng ē siūⁿ-tio̍h Tâi-oân. Chhàu-tāu-hū sī án-chóaⁿ lâi--ê?Lán kám chai-iáⁿ chhāu-tāu-hū iáu-koh ū hun chho--ê kap sò͘--ê?Chhàu-tāu-hū iā ū i ka-kī ê sio̍k-gí? Chit chi̍p lâi kóng chhàu-tāu-hū.

Stinky tofu wasn't invented in Taiwan, but nowadays, when people talk about stinky tofu, they all think of Taiwan. How did stinky tofu come about? Did you know that stinky tofu also has non-vegetarian and vegetarian versions? Does stinky tofu even have its own common sayings? This episode is about stinky tofu.

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寫佇《民俗台灣》ê傳說

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廖玉蕙老師已經出版40外本冊，《彼年春天》是伊的頭一本台語散文集。這本冊寫伊的親人，伊佇車頂、病院、菜市仔拄著ê人，看著、聽著ê代誌。廖老師按怎開始錄台語冊、寫台文？伊閣拄著啥物困難？這本冊內攏有寫著。

Liāu Ge̍k-hūi lāu-su í-keng chhut-pán 40 gōa pún chheh, "Hit-nî chhun-thiⁿ" sī i ê thâu chi̍t pún Tâi-gí sàn-bûn-chi̍p. Chit pún chheh siá i ê chhin-lâng, i tī chhia-téng, pēⁿ-īⁿ, chhài-chhī-á tú-tio̍h ê lâng, khòaⁿ-tio̍h, thiaⁿ-tio̍h ê tāi-chì. Liāu lāu-su án-chóaⁿ khai-sí lo̍k Tâi-gí chheh, siá Tâi-bûn? I koh tú-tio̍h siáⁿ-mi̍h khùn-lân? Chit pún chheh lāi lóng ū siá-tio̍h.

Professor Liāu Gio̍k-huî has already published more than 40 books, and 《彼年春天》is her first Taiwanese prose collection. This book writes about her relatives, people she encountered on trains, in hospitals, and at markets, as well as things she saw and heard. How did Liāu Gio̍k-huî begin recording Taiwanese books and writing in Taiwanese? What difficulties did she face? All of this is written in this book.

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寫佇《民俗台灣》ê傳說。

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