This holiday weekend, we’re revisiting one of our favorite talks with actor, author, and woodworker Nick Offerman. We begin with his new book, Where the Deer and the Antelope Play: The Pastoral Observations of One Ignorant American Who Loves to Walk Outside (5:05), which was inspired by Nick’s upbringing in rural Minooka, Illinois (6:12), the writings of poet Wendell Berry (7:30), and his experiences with the late Sam Shepard at Steppenwolf Theatre (8:08). 

Shortly after working with Shepard, Offerman began to find his footing—on and off the stage—as a performer, carpenter, and fight choreographer (9:35). He reflects on his galvanizing role in the film Going All the Way (15:14), the guiding principles of George Saunders (20:00), lessons from his sensei Shōzō Satō (25:26), the start of his nearly two-decade marriage with actress Megan Mullally (26:30), the phone call that changed his life (35:50), and the complicated legacy of Ron Swanson from Parks and Recreation (41:45). 

Then, before we go, we return to the timely (and urgent) message of his new book (46:47), a piece by Jeff Tweedy (49:50), and words by Wendell Berry (51:58).

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Today, we sit with author and cultural critic Margo Jefferson. We begin with her new book, Constructing a Nervous System (6:54), an early Ella Fitzgerald memory (11:20), and the said (and unsaid) racial pedagogy of her childhood (16:24), defined by Condoleezza Rice (19:54), Bing Crosby (24:18), and a formative interaction at a high school party (27:49).

On the back-half, we walk through Margo’s entry into criticism (34:27), her role in the emerging feminist movement (36:46), and what real allyship looks like in the continued fight for reproductive rights (40:12). To close, Margo discusses her approach in the classroom at Columbia (41:52), finding ‘temperamental kinship’ in Nina Simone (48:59), Oscar Wilde on the role of the critic (53:15), and how, at 74, she continues to “go on” (1:04:50).

To learn more and find links to support abortion funds, visit https://talkeasypod.com/margo-jefferson/.

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Last month, a leaked draft opinion offered a repudiation of a 1973 decision which guaranteed federal constitutional protections of abortion rights. The historic leak was followed by both pro-choice and pro-life protests across the country.

While we await the Supreme Court’s decision, attorney Neal Katyal has been fighting back. Formerly the Solicitor General under the Obama Administration, Katyal joins us to discuss the historic nature of Justice Samuel Alito’s draft opinion (4:18), the ‘super precedent’ that Roe v. Wade has set (6:24), and why the Constitution is designed to protect individual rights (9:45). We also look at the states that have begun restricting abortion (16:05) and their unnerving parallels to Margret Atwood’s The Handmaid’s Tale (20:23).

After the break, Neal outlines the aftermath of Alito’s draft opinion, should it come to pass: including other rights that could be in jeopardy (26:17), the erosion of public confidence in the courts (32:58), and a restrictive reimagining of the Judicial Branch (36:13). To end, Katyal reflects on a life in the courtroom and where he still finds hope—‘even in this darkest hour’ (44:29). 

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This week we’re joined by beloved author David Sedaris! We begin with the timely opening essay from his latest collection, Happy-Go-Lucky (4:05). Then, David describes growing up in Raleigh, North Carolina (10:07), his mother’s “Group Therapy” sessions at the dinner table (11:03), the night his father heckled him during a live performance (16:02), and what he learned about writing at the Art Institute of Chicago (26:55).

On the back-half, David reads a tribute to his mother from Calypso (32:55). We also unpack the way his work has evolved (35:09), the transformation that occurred in his father’s final days (39:20), and why, after forty years, he continues to keep his daily diary (46:45).

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This week we’re joined by actor Jon Bernthal! To begin, we discuss his latest performance on HBO’s We Own This City (6:00), policing and gun culture in America (9:15), growing up grappling with toxic masculinity (14:47), his pivot to acting in college (23:30), and the powerful history of theater in Moscow (27:25). 

On the back-half, he reflects on his first year in Los Angeles (32:45), the night that changed his life (37:44), and the magic behind the making of Martin Scorsese’s The Wolf of Wall Street (45:05). To close, Jon shares his hopes for the future (51:00) and how, as a father, he’s processed these tragic weeks in America (52:58).

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This week we are joined by comedian Meg Stalter! With season two of Hacks, we talk about her role as Kayla the assistant (5:50), a formative experience in a middle school drama class (12:50), moving from Ohio to Chicago to perform (17:54), and how she pushed boundaries on stage (19:47) with the support of her comedy community (22:34). We also unpack the strange sensation of going viral (25:19) before reenacting a trademark Meg Stalter bit (27:14). 

On the back half, we discuss her beloved quarantine sets on Instagram Live (34:52), the specificity of her Midwestern characters (41:16), and how her curiosity in people is at the core of her work (42:52). To close, Meg reflects on her blessed journey (48:54) and where she hopes to go in the years ahead (49:52).

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To start, a reflection on the week that was. Then, we return to our conversation with Stacey Abrams. She won her Gubernatorial primary this week in Georgia, where she hopes to unseat Brian Kemp this November.

We talk about the systemic challenges that small business owners face (6:32), the impact of Georgia’s new voting laws (11:20), the threat of election subversion (14:02), what a functional democracy could look like (16:48), the lessons learned from her 2018 bid for governor (19:31), and how she plans to win in 2022 (24:23). 

On the back half, Abrams reflects on growing up in the south (29:50), her earliest political ambitions (35:10), and how literature has offered a human complexity not always granted to people in politics (40:18), especially Black women in positions of power (42:17). As we leave, Stacey shares a personal story about her first visit to the governor’s mansion (46:05), the need to move past tribalism (50:42), and why she still wants to be in this fight in 2022 and beyond (52:55).

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Pulitzer Prize-winning author Jennifer Egan (“A Visit from the Goon Squad”) joins us this week. She describes the structural pulse of her new novel (4:00), why she’s drawn to nonlinear storytelling (6:33), and what “The Candy House” reveals about authenticity (7:40) in the digital age (14:26). Then, we revisit a formative trip to Europe (21:21) that inspired her to write (26:30) and move to New York, where she worked as a secretary to a countess (32:16) and rediscovered her creative voice (34:12).

On the back-half, Jennifer reflects on her late brother Graham (36:57), his courageous battle with schizophrenia (38:30), and his lasting presence in her work (40:13). We also discuss the role of luck (50:02), the value of pushing past boundaries (52:00), and how she continued to write in the face of loss (55:57). To close, she reads a healing passage from “Manhattan Beach” (57:22).

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This week we sit with actor Pedro Pascal! We begin with the release of his new film, The Unbearable Weight of Massive Talent (5:02), working with childhood idol Nicolas Cage (6:50), why his parents left Chile (11:40), the John Hughes classic his dad wouldn’t let him watch (17:00), and the Tony Kushner play (20:21) that inspired him to give acting a go in New York City (25:07). 

On the back-half, Pedro reflects on his first jobs on screen (27:52), the story of his mother’s passing (29:50), the friends who kept him afloat (36:20) as he built a career in theater (36:48), redefining childhood dreams in adulthood (42:34), and what really matters to him at age 47 (47:37).

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This Mother’s Day, a special talk with actor Minnie Driver. On the heels of her debut essay collection Managing Expectations, she discusses the role of luck (3:40), her bifurcated upbringing (5:12) and how it shaped her view of motherhood (11:28).

As we walk through the 1970s, Minnie describes discovering acting in boarding school (12:00), her proclivity for running away (13:02), the story of her performance (16:05), the aftermath of Circle of Friends (21:16), an unnerving series of commercial auditions in her 20s (21:16) and what they taught her about misogyny in Hollywood (30:32).

On the back-half, she tells a tender story from the making of Good Will Hunting (35:06), the media pressure she faced following the film (40:40), finding refuge in songwriting (43:10), and how having her son, Henry, changed her course (46:20). To close, we sit with her mother’s final days (54:10) and how she defines love at age 52 (57:52).

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