This week we are joined by comedian Meg Stalter! With season two of Hacks, we talk about her role as Kayla the assistant (5:50), a formative experience in a middle school drama class (12:50), moving from Ohio to Chicago to perform (17:54), and how she pushed boundaries on stage (19:47) with the support of her comedy community (22:34). We also unpack the strange sensation of going viral (25:19) before reenacting a trademark Meg Stalter bit (27:14). 

On the back half, we discuss her beloved quarantine sets on Instagram Live (34:52), the specificity of her Midwestern characters (41:16), and how her curiosity in people is at the core of her work (42:52). To close, Meg reflects on her blessed journey (48:54) and where she hopes to go in the years ahead (49:52).

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To start, a reflection on the week that was. Then, we return to our conversation with Stacey Abrams. She won her Gubernatorial primary this week in Georgia, where she hopes to unseat Brian Kemp this November.

We talk about the systemic challenges that small business owners face (6:32), the impact of Georgia’s new voting laws (11:20), the threat of election subversion (14:02), what a functional democracy could look like (16:48), the lessons learned from her 2018 bid for governor (19:31), and how she plans to win in 2022 (24:23). 

On the back half, Abrams reflects on growing up in the south (29:50), her earliest political ambitions (35:10), and how literature has offered a human complexity not always granted to people in politics (40:18), especially Black women in positions of power (42:17). As we leave, Stacey shares a personal story about her first visit to the governor’s mansion (46:05), the need to move past tribalism (50:42), and why she still wants to be in this fight in 2022 and beyond (52:55).

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Pulitzer Prize-winning author Jennifer Egan (“A Visit from the Goon Squad”) joins us this week. She describes the structural pulse of her new novel (4:00), why she’s drawn to nonlinear storytelling (6:33), and what “The Candy House” reveals about authenticity (7:40) in the digital age (14:26). Then, we revisit a formative trip to Europe (21:21) that inspired her to write (26:30) and move to New York, where she worked as a secretary to a countess (32:16) and rediscovered her creative voice (34:12).

On the back-half, Jennifer reflects on her late brother Graham (36:57), his courageous battle with schizophrenia (38:30), and his lasting presence in her work (40:13). We also discuss the role of luck (50:02), the value of pushing past boundaries (52:00), and how she continued to write in the face of loss (55:57). To close, she reads a healing passage from “Manhattan Beach” (57:22).

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This week we sit with actor Pedro Pascal! We begin with the release of his new film, The Unbearable Weight of Massive Talent (5:02), working with childhood idol Nicolas Cage (6:50), why his parents left Chile (11:40), the John Hughes classic his dad wouldn’t let him watch (17:00), and the Tony Kushner play (20:21) that inspired him to give acting a go in New York City (25:07). 

On the back-half, Pedro reflects on his first jobs on screen (27:52), the story of his mother’s passing (29:50), the friends who kept him afloat (36:20) as he built a career in theater (36:48), redefining childhood dreams in adulthood (42:34), and what really matters to him at age 47 (47:37).

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This Mother’s Day, a special talk with actor Minnie Driver. On the heels of her debut essay collection Managing Expectations, she discusses the role of luck (3:40), her bifurcated upbringing (5:12) and how it shaped her view of motherhood (11:28).

As we walk through the 1970s, Minnie describes discovering acting in boarding school (12:00), her proclivity for running away (13:02), the story of her performance (16:05), the aftermath of Circle of Friends (21:16), an unnerving series of commercial auditions in her 20s (21:16) and what they taught her about misogyny in Hollywood (30:32).

On the back-half, she tells a tender story from the making of Good Will Hunting (35:06), the media pressure she faced following the film (40:40), finding refuge in songwriting (43:10), and how having her son, Henry, changed her course (46:20). To close, we sit with her mother’s final days (54:10) and how she defines love at age 52 (57:52).

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This week, legendary actor and comedian Bill Hader! We discuss the return of Barry (4:57), the thematic evolution of the series (7:02), and how it draws from films like Taxi Driver and Goodfellas (10:36). Then, Bill reflects on growing up in Tulsa, Oklahoma (13:16), the influence of his late grandfather (17:04), his path from community college to his early PA jobs in Hollywood (18:25), landing on Saturday Night Live (21:36), the weekly pressure of the show (26:07), and how he made it through by collaborating with John Mulaney (29:51).

On the back-half, Bill shares a piece of advice from Jeff Bridges (35:14), how Barry came to be (37:27), the personal connection he has with the show (40:07), the enduring power of movies (47:52), and how, after some detours, he’s finally where he’s supposed to be (49:57).

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This week, our guest is poet Rupi Kaur. Ahead of her international tour (4:44), we sat to discuss her childhood in Canada (13:05), how she processes trauma through writing (22:13), her college photo series on menstruation that went viral (23:33), and the self-published poetry collection (milk & honey) that followed (29:20). In the aftermath of this unexpected attention, Rupi speaks candidly on the emotional toll of the last decade (30:43) and how she reckons with her critics today (32:35), before reading a poem written in response to their harassment (41:09).

On the back-half, Rupi describes her powerful connection to her heritage (42:41), understanding her mother’s sacrifices (43:15), which she recounts in Broken English (45:52), and the ways in which her work has evolved (54:08). To close, she performs two personal pieces from home body (56:17) and shares why she’s ready to get back on the stage, doing what she loves to do (58:43).

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Today we’re revisiting a favorite conversation with poet and author Ocean Vuong, following the release of his new book, Time Is a Mother.

He first joined us in June of 2021. We discuss reckoning with one’s work from a distance (6:18), why he wrote his autobiographical novel, On Earth We’re Briefly Gorgeous (7:40), the cage of American masculinity (12:10), how he’s stayed the course, creatively, amidst oppressive systems (19:56), and what it means to be a first-generation writer (23:53).

On the back-half, we wrestle with the grief of his mother’s passing and the tragic shootings in Atlanta (29:40), along with the collective uncertainty of the year (44:48). Before we leave, a tribute to his late mother (51:42).

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This week we’re joined by musician and founding member of The Internet, Syd! With the release of her new solo record, Broken Hearts Club (3:15), we discuss the origin of the album (5:45), how she healed in the process of making it (10:32), her evolution from engineer to singer-songwriter (11:50), the salad days of Odd Future (15:37), the depression that followed (20:25), and how she found her voice on the other side (31:00).

After the break, Syd talks about performing through her stage fright (32:22), reckoning with Odd Future’s hyper-masculinity (35:20), the media’s outsized expectations for queer artists (38:02), actualizing her mother’s musical dreams (44:34), a full circle moment with Erykah Badu (50:00), and what she hopes for in the decade to come (50:48).

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Film historian Karina Longworth is the host of You Must Remember This, a podcast exploring the forgotten histories of Hollywood’s first century. 

This week she joins us to discuss her new series, “Erotic 80s” (4:48), the seismic shift created by films like Last Tango in Paris and Deep Throat (7:58), the way in which these movies sold a distorted view of “female sexual liberation” (11:58), and how the cultural perception of these X-rated pictures evolved as the public learned of the abusive conditions in which they were made (12:50). As the 1980s took hold, Karina outlines how Hollywood capitalized on sex in the movies (16:50), making a film like American Gigolo (18:00), which transformed Richard Gere into a “distracting” sex symbol (22:09) and lead to “MTV aesthetic” in films like Flashdance and Risky Business (24:28). 

On the back-half, we wrestle with the legacy of director Adrian Lyne’s work (28:00), the way cinema has drifted away from the center of culture (31:57), why Karina continues to make You Must Remember This (40:50), and a refrain she shares with 1930s actress, Kay Francis (42:53).

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