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SEASON 2 - EPISODE 200 Tana Dubbe - Key Grip
In this episode of the Team Deakins Podcast, we speak with key grip Tana Dubbe (ONE BATTLE AFTER ANOTHER, A STAR IS BORN, IRON MAN). Throughout the episode, Tana illuminates the responsibilities of the lesser publicized position, and she shares how and why she became one herself. We also learn how a key grip might work with the cinematographer, such as Tana's frequent collaborator Matty Libatique (Season 1, Episode 84), during prep and production, and we discuss her observations on the different working conditions of smaller and larger scaled projects. Tana later shares how her job has changed with the advent of new lighting and camera technologies, and she reveals how she and her team might work with the gaffer, electrical department, and the rigging grips to bring what a cinematographer wants into reality. We also discuss the importance of assembling a team you can trust to not only do the job but also treat others fairly, and Tana reflects on the evolution of women in the grip department.
By James Ellis Deakins, Roger Deakins4.9
11081,108 ratings
SEASON 2 - EPISODE 200 Tana Dubbe - Key Grip
In this episode of the Team Deakins Podcast, we speak with key grip Tana Dubbe (ONE BATTLE AFTER ANOTHER, A STAR IS BORN, IRON MAN). Throughout the episode, Tana illuminates the responsibilities of the lesser publicized position, and she shares how and why she became one herself. We also learn how a key grip might work with the cinematographer, such as Tana's frequent collaborator Matty Libatique (Season 1, Episode 84), during prep and production, and we discuss her observations on the different working conditions of smaller and larger scaled projects. Tana later shares how her job has changed with the advent of new lighting and camera technologies, and she reveals how she and her team might work with the gaffer, electrical department, and the rigging grips to bring what a cinematographer wants into reality. We also discuss the importance of assembling a team you can trust to not only do the job but also treat others fairly, and Tana reflects on the evolution of women in the grip department.

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