From Victor & Rolf's "Get Mean" frock through Jordan Gogos's radical upcycling projects to Paul McCann's "Sovereignty Never Ceded" gown, certain items of clothing speak loudly - with intention - about the times we find ourselves in. Let's not forget the long traditions of tapestry-making, quilting, embroidery, and the newer but related concepts of stitch-n-bitch craftivism. Cloth can be a radical medium. You might call it soft power, for its undeniable tactility - but don't mistake soft for weak.

"Textiles galvanise communities. Through wars, pandemics and disasters, textiles have offered a way to mobilise social and cultural groups and build connections. In the late nineteenth century, British artist and designer William Morris sought to counter the mechanisation and mass-production of the Industrial Revolution by weaving tapestries on a manual loom with hand-dyed thread. Today, many artists are experimenting with the materials and techniques of textile design as a ‘slow making’ antidote to the high-speed digital age."

With an introduction like that, how could we not respond?

This week, Clare sits down with Rebecca Evans and Leigh Robb, curators of RADICAL TEXTILES - a major new exhibition at the Art Gallery of South Australia.

Up for discussion: do textiles belong in museums? Is fashion so often dismissed as some sort of lesser art because it's considered unserious women's business? How did political movements of the last century use textiles to get their messages across? What's with Don Dunstan's pink shorts? And so much more!

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