Claudia talks to Eva Meijer about voice as a concept that helps us to think about animal sounds and practices in a more politicised way. Eva touches on how a broader conception of politics and voice allows for a more nuanced actions in response to animals and the lives they are trying to lead. They also touch on the usefulness of a variety of languages, mediums, and disciplines in becoming proficient in listening to animals. 

Date Recorded: 25 January 2022

Eva Meijer is a philosopher and writer. Meijer works as a postdoctoral researcher at the University of Amsterdam (NL), on the four-year research project The politics of (not) eating animals, supported by a Veni grant from the Dutch Research Council. She is the chair of the Dutch study group for Animal Philosophy. Recent publications include Animal Languages (John Murray 2019) and When animals speak. Toward an Interspecies Democracy (New York University Press 2019). Meijer wrote eleven books, fiction and non-fiction, that have been translated into eighteen languages. More information: www.evameijer.nl

Featured: 

 When Animals Speak: Toward an Interspecies Democracy and Zwaan Eva Meijer; Phenomenology of Perception by Maurice Merleau-Ponty; Zoopolis: A Political Theory of Animal Rights  by Will Kymlicka and Sue Donaldson; Inclusion and Democracy  by Iris Marion Young; Deep Listening: A Composer's Sound Practice by Pauline Oliveros; Living with Birds  by Len Howard; Canada Goose calls March 1966; Blue Tit song 1960s ; Blue Tit 1979  from the British Library of Sounds. 

The Animal Turn is part of the  iROAR, an Animals Podcasting Network and can also be found on A.P.P.L.E, Twitter, and Instagram

Thank you to Animals in Philosophy, Politics, Law and Ethics (A.P.P.L.E) for sponsoring this podcast; the Sonic Arts Studio and the Sonic Arts of Place Laboratory (SAPLab) for sponsoring this season; Gordon Clarke (Instagram: @_con_sol_) for the bed music, Jeremy John (Website) for the logo, and Hannah Hunter for the Animal Highlight. 

A.P.P.L.E
Animals in Politics, Law, and Ethics researches how we live in interspecies societies and polities.

Sonic Arts Studio
The Queen’s Sonic Arts Studio (formerly Electroacoustic Music Studio) was founded in 1970.

Sonic Arts of Place Laboratory (SAPLab)
The SAP Lab provides workspace and equipment for students engaged in sound related activities.

iROAR Network
iROAR brings together podcasts that aim is to make the world a better place for animals.

Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Support the show

The Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of the  iROAR Network. Learn more on our website. 

In this episode Claudia talks to musicologist Martin Ullrich about animals and music. Together they touch on the multiple ways in which music and animals intersect from how animals inspire human music, to how animals make and listen to music, and the ethics of more-than-human musical encounters. They find that the focus on animals and music destabilizes anthropocentric understandings of both culture and aesthetics.

 

Date Recorded: 15 December 2021

 

Martin Ullrich studied piano in Frankfurt and Berlin as well as music theory in Berlin too. He received his PhD in musicology in 2005. His main research area is sound and music in the context of more-than-human aesthetics (nonhuman animals and music, artificial intelligence and music), with an emphasis on human-animal studies. He has presented and chaired at international conferences and has published on animal music and the relationship between animal sounds and human music. Martin was a professor for music theory at Berlin University of the Arts from 2005 to 2009 and the president of Nuremberg University of Music from 2009 to 2017. Since 2017, he has worked as a professor for interdisciplinary musicology and human-animal studies at Nuremberg University of Music. Find Martin on Facebook and Twitter (@MResearchHAS).  

 

Featured: 

Human-Elephant Encounters in Music by Martin Ullrich; Animal Music: David Rothenberg, Dario Martinelli, and Martin Ullrich Exchange Their Views on the Topic Minding Animals: Studies and Research Contributions  by Jessica Ullrich;  The Critical Posthumanities; Or, Is Medianatures to Naturecultures as Zoe Is to Bios?  by Rosi Braidotti; Piano for Elephants by Paul Barton on Youtube; The War Against Animals by Dinesh Wadiwell; The Octopus, the Sea, and the Deep Origins of Consciousness by Peter Godfrey-Smith; How Musical are Animals by Hollis Taylor; Sound files: Woodland in Late Spring; Piano trio in C minor op.1 no.3 / Beethoven (1905) from the British Library

 

Thank you to  A.P.P.L.E for sponsoring this podcast; the Sonic Arts Studio and SAPLab for sponsoring this season; Gordon Clarke (Instagram: @_con_sol_) for the bed music, Jeremy John for the logo, and Hannah Hunter for the Animal Highlight. 

A.P.P.L.E
Animals in Politics, Law, and Ethics researches how we live in interspecies societies and polities.

Sonic Arts of Place Laboratory (SAPLab)
The SAP Lab provides workspace and equipment for students engaged in sound related activities.

Sonic Arts Studio
The Queen’s Sonic Arts Studio (formerly Electroacoustic Music Studio) was founded in 1970.

iROAR Network
iROAR brings together podcasts that aim is to make the world a better place for animals.

Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Support the show

The Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of the  iROAR Network. Learn more on our website. 

In this episode Claudia talks to Cheryl Tipp about sound archives, how they are managed and the ways in which animal studies scholars might use them in trying to research animals. Together they think about why some sounds are included in national archives more than others as well as how recordings of nature and animal voices are valued. 

Date Recorded: 1 December 2021

 

Cheryl Tipp is the British Library’s Curator of Wildlife & Environmental Sounds. With a background in zoology and library services, Cheryl has spent the past 16 years looking after the Library’s world-renowned collection of 300,000 species and habitat recordings. She has worked extensively on projects that encourage the creative reuse of archival content, from student videogames to short films from emerging filmmakers, and has written widely on the history of wildlife sound recording. Connect with Cheryl on Twitter (@CherylTipp). 

Featured: 

Environment and Sound Archiveat the British Library; Grey Wolfby Tom Cosburn; Haddock by A.D. Hawkins;  Animal Language: How Animals Communicate by Julian Huxley, The Sound and Vision Blog, The Zooniverse Project; Wildlife Sound Recording Society; Seaspiracy; What a Fish Knows by Jonathan Balcombe; Recording of the Ivory Bill Woodpecker by Arthur Allen; 

 

The Animal Turn is part of the  iROAR, an Animals Podcasting Network and can also be found on A.P.P.L.E, Twitter, and Instagram

 

Thank you to Animals in Philosophy, Politics, Law and Ethics (A.P.P.L.E) for sponsoring this podcast; the Sonic Arts Studio and the Sonic Arts of Place Laboratory (SAPLab) for sponsoring this season; Gordon Clarke (Instagram: @_con_sol_) for the bed music, Jeremy John (Website) for the logo, and Hannah Hunter for the Animal Highlight. 

A.P.P.L.E
Animals in Politics, Law, and Ethics researches how we live in interspecies societies and polities.

Sonic Arts Studio
The Queen’s Sonic Arts Studio (formerly Electroacoustic Music Studio) was founded in 1970.

Sonic Arts of Place Laboratory (SAPLab)
The SAP Lab provides workspace and equipment for students engaged in sound related activities.

iROAR Network
iROAR brings together podcasts that aim is to make the world a better place for animals.

Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Support the show

The Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of the  iROAR Network. Learn more on our website. 

In this episode Claudia continues the focus on methodology as it relates to animals and sound. This time Mickey Vallee joins The Animal Turn to talk about the concept of bioacoustics and how using bioacoustics methods alters the ways researchers relate to their research subjects – who are often animals. They discuss some of the theory and ideas circulating bioacoustics generally and Mickey’s experiences more specifically. 

 
Date Recorded: 26 October 2021

 
Mickey Vallee is an associate professor of interdisciplinary studies at Athabasca University in Alberta, where he also holds the Canada Research Chair in Community, Identity and Digital Media. His work focuses on developing interdisciplinary sonic methodologies to develop new insights on human/animal relations. He has been working on a theory of critical bioacoustics, which grows out of his empirical research with bioacoustics researchers across Canada and the United States. Against a mechanistic ideology of bioacoustics sciences, critical bioacoustics, by contrast, builds a new ethical system that is less focused on the atomistic constitution of the organism than it is on the primacy of relations in sonic communication. Read more about Mickey here or connect with him on Twitter (@mickeyvallee). 

 
Featured: Keynote Lecture by Prof Rosi Braidotti  at the Posthumanism and Society Conference; Wikipedia page about Little Nipper; A Thousand Plateaus: Capitalism and Schizophrenia by Gilles Delueze and Flex; What would animals say if we asked the right questions by Vinciane Despret; Listening by Jean-Luc Nancy and Charlotte Mandell; Indri Lemur by Mark H. Barsamian and Amy E. Dunham; Giant Lemurs are the First Mammals beside us found to use Rhythm by Jack Tamisiea 

The Animal Turn is part of the  iROAR, an Animals Podcasting Network and can also be found on A.P.P.L.E, Twitter, and Instagram

 

Thank you to Animals in Philosophy, Politics, Law and Ethics (A.P.P.L.E) for sponsoring this podcast; the Sonic Arts Studio and the Sonic Arts of Place Laboratory (SAPLab) for sponsoring this season; Gordon Clarke (Instagram: @_con_sol_) for the bed music, Jeremy John (Website) for the logo, and Hannah Hunter for the Animal Highlight

A.P.P.L.E
Animals in Politics, Law, and Ethics researches how we live in interspecies societies and polities.

Sonic Arts of Place Laboratory (SAPLab)
The SAP Lab provides workspace and equipment for students engaged in sound related activities.

Sonic Arts Studio
The Queen’s Sonic Arts Studio (formerly Electroacoustic Music Studio) was founded in 1970.

iROAR Network
iROAR brings together podcasts that aim is to make the world a better place for animals.

Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Support the show

The Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of the  iROAR Network. Learn more on our website. 

In this episode Claudia talks to Jonathan Prior about sonic methods and together they try to explore the ways in which methods such as recording, sound walking, and listening could help animal studies scholars better understand and appreciate the animals and worlds they are most concerned with. 

 

Date Recorded: 12 October 2021

 

Dr Jonathan Prior is a lecturer in Human Geography at Cardiff University, Wales. His research and publications take an interdisciplinary approach, spanning environmental philosophy, sound studies, and landscape research. His first book, Between Nature and Culture: The Aesthetics of Modified Environments, co-authored with Emily Brady and Isis Brook, was published in 2018 by Rowman & Littlefield. You can access some of Jonathan’s recordings on his audio project website (12 Gates to the City) or archived on the Internet Archive. You can also learn more about Jonathan;s work on his university’s website or connect with him on Twitter (@jd_prior).  

 

Claudia (Towne) Hirtenfelder is the founder and host of The Animal Turn. She is a PhD Candidate in Geography and Planning at Queen’s University and is currently undertaking her own research project looking at the geographical and historical relationships between animals (specifically cows) and cities. Contact Claudia via email ([email protected]) or follow her on Twitter (@ClaudiaFTowne).

 

Featured: Sonic Geographies, exploring phonographic methods by Michael Gallagher and Jonathan Prior; The reintroduction of beavers to Scotland by Kim Ward and Jonathan Prior; Making Noise in the Roaring twenties: Sound and Aural History on the Web by Emily Thompson; Acoustic Ecology and the World Soundscape Project by Barry Truax; Chris Watson’s website; David Dunn and The Acoustic Ecology Institute Website; In the Field: The Art of Field Recording by  Jana Winderen.  

 

The Animal Turn is part of the  iROAR, an Animals Podcasting Network and can also be found on A.P.P.L.E, Twitter, and Instagram

 

Thank you to Animals in Philosophy, Politics, Law and Ethics (A.P.P.L.E) for sponsoring this podcast; the Sonic Arts Studio and the Sonic Arts of Place Laboratory (SAPLab) for sponsoring this season; Gordon Clarke (Instagram: @_con_sol_) for the bed music, Jeremy John (Website) for the logo, and Hannah Hunter for the Animal Highlight

A.P.P.L.E
Animals in Politics, Law, and Ethics researches how we live in interspecies societies and polities.

Sonic Arts of Place Laboratory (SAPLab)
The SAP Lab provides workspace and equipment for students engaged in sound related activities.

Sonic Arts Studio
The Queen’s Sonic Arts Studio (formerly Electroacoustic Music Studio) was founded in 1970.

iROAR Network
iROAR brings together podcasts that aim is to make the world a better place for animals.

Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Support the show

The Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of the  iROAR Network. Learn more on our website. 

In this first episode of season 4, Claudia speaks to Bryan Pijanowski about soundscapes and sound ecology. They discuss what soundscapes are, how to study them and why thinking about sound might help scholars to think more deeply about animals and their environments.  

 

Date Recorded: 7 October 2021

 

Dr. Bryan C Pijanowski is Professor and University Faculty Scholar in the Department of Forestry and Natural Resources at Purdue University. His work focusses on the use of sounds to study nature and how humans perceive their environment through their senses, especially through sound.  He is also the Director of the Center for Global Soundscapes, which serves as a focal point for comparative global soundscape work that focusses on classifying sounds for use in biodiversity research.  His group also spans into informal learning. He is the Executive Producer of an IMAX-Giant Screen-Domed Experience interactive film called Global Soundscapes! A Mission to Record the Earth. He has published over 170 peer-reviewed articles, conducted research at over 54 locations around the world, and is close to reaching his personal mission of conducting a study in every major terrestrial and aquatic biome in the world (only four more to go!). His soundscape archive now exceeds 4 million recordings.  The longest research project is now starting its fifteenth year.  Dr. Pijanowski received his PhD (Zoology) from Michigan State University and his BS from Hope College (Biology).

 

Claudia (Towne) Hirtenfelder is the founder and host of The Animal Turn. She is a PhD Candidate in Geography and Planning at Queen’s University and is currently undertaking her own research project looking at the geographical and historical relationships between animals (specifically cows) and cities. Contact Claudia via email ([email protected]) or follow her on Twitter (@ClaudiaFTowne).

 

Featured: 

Soundscape Ecology: The Science of Sound in the Landscape by Bryan Pijanowski et al; Soundscape conservation by Sarah Dumyahn and Bryan Pijanowski; Introduction to the special issue on soundscape ecology by Bryan Pijanowski and Almo Farina; Global Soundscapes: Mission to Record the Earth narrated by Bryan Pijanowski; the cicada sound recording and dawn chorus in Borneo are sound recordings from Bryan Pijanowski’s archive; the sound recordings of the common nightingale are credited to Tristan Guillebot de Nerville (XC678935)

 

The Animal Turn is part of the  iROAR, an Animals Podcasting Network and can also be found on Twitter, and Instagram

Thank you to A.P.P.L.E for sponsoring this podcast; the Sonic Arts Studio and SAPLab for sponsoring this season; Gordon Clarke (Instagram: @_con_sol_) for the bed music, Jeremy John (Website) for the logo, and Hannah Hunter for the Animal Highlight. 

A.P.P.L.E
Animals in Politics, Law, and Ethics researches how we live in interspecies societies and polities.

Sonic Arts of Place Laboratory (SAPLab)
The SAP Lab provides workspace and equipment for students engaged in sound related activities.

Sonic Arts Studio
The Queen’s Sonic Arts Studio (formerly Electroacoustic Music Studio) was founded in 1970.

iROAR Network
iROAR brings together podcasts that aim is to make the world a better place for animals.

Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Support the show

The Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of the  iROAR Network. Learn more on our website. 

Animals are increasingly at the forefront of research questions – not as shadows to human stories, or as beings we want to understand biologically, or for purely our benefit – but as beings who have histories, stories, and geographies of their own. PhD Candidate Claudia Hirtenfelder talks to animal studies scholars about some of the most important ideas emerging out of this recent turn.

Each season is set around a particular theme so that the ways in which these different concepts hang together (or not) become more apparent, allowing for deeper reflection and consideration not only about animals but about the broader fields in which they are now being considered. To that end, each season finishes with a Grad Review to help tie some themes together and identify potential points of divergence.

Season 4 will focus all on sound!

 The Animal Turn is part of the  iROAR, an Animals Podcasting Network and can also be found on A.P.P.L.E, Twitter, and Instagram.

Thank you to Animals in Philosophy, Politics, Law and Ethics (A.P.P.L.E) for sponsoring this podcast and the Sonic Arts Studio and the Sonic Arts of Place Laboratory (SAPLab) for sponsoring this season; Gordon Clarke (Instagram: @_con_sol_) for the bed music, Jeremy John (Website) for the logo. 

Connect with the Podcast on Twitter or Instagram.

A.P.P.L.E
Animals in Politics, Law, and Ethics researches how we live in interspecies societies and polities.

Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Support the show

The Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of the  iROAR Network. Learn more on our website. 

Claudia reviews Season 3 with Shubhangi Srivastava and Anmol Chowdhury, currently PhD Candidates in the ERC funded project titled Urban Ecologies. Together they talk about some of the gaps in the season, primarily discussions about methods, and they delve into some of the overlapping themes in the season including management, entanglement, power, and aesthetics.  

 

Date recorded: 25 August 2021

 

Shubhangi Srivastava is currently a doctoral research scholar with the ERC Grant project, Urban Ecologies, at the National Institute of Advanced Studies (NIAS), Bangalore. Her doctoral research is centred around studying the ecological, political and socio-economic dimensions related to human-dog relationship in the context of urban India. Shubhangi has been working towards combined methods of ethnography and ethology to study nonhuman animal living in the urban. Central to her work are the ideas of beastly places and the politics around the urban animals in India. She developed an interest in human-animal relations during the course of her M.Phil. in Anthropology from University of Delhi, where she worked on the human-macaque conflicts in Northern India, looking at the cultural and religious aspects of the relationship. She can be reached on her email [email protected] or on twitter @Shubhangi1057. 

 

Anmol Chowdhury is currently working in the Urban Ecologies Project (funded by ERC) at the National Institute of Advanced Studies, Bangalore, India looking at lives of macaques in urban India. Through their work, they are attempting a conversation between ethnographic and ethological perspectives of thinking about animals. Their other interests include gender and queer theory, geopolitics of  Kashmir, folk music and traditional foods. (@kashqueeri) and email address ([email protected]).

 

Claudia (Towne) Hirtenfelder is the founder and host of The Animal Turn. She is a PhD Candidate in Geography and Planning at Queen’s University and is currently undertaking her own research project looking at the geographical and historical relationships between animals (specifically cows) and cities. Contact Claudia via email ([email protected]) or follow her on Twitter (@ClaudiaFTowne).

 

Featured: 

Inside of a Dog: What Dogs See, Smell and Know by Alexandra Horowitz; The more-than-human cityby Adrian Franklin.

 

The Animal Turn is part of the  iROAR, an Animals Podcasting Network and can also be found on A.P.P.L.E, Twitter, and Instagram

A.P.P.L.E
Animals in Politics, Law, and Ethics researches how we live in interspecies societies and polities.

iROAR Network
iROAR brings together podcasts that aim is to make the world a better place for animals.

Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Support the show

The Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of the  iROAR Network. Learn more on our website. 

Claudia speaks to Michelle Westerlaken about the concept of Re-Design and how design can be used to generate multispecies worlds and opportunities. They discuss Michelle’s background in design with and for animals, how she finds theory incredibly important for design processes, and the ways in which trying to create positive urban design might generate new multispecies opportunities. 

 

Date recorded: 26 April 2021

 

Michelle Westerlaken is a Research Associate on the Smart Forests project in the Department of Sociology at the University of Cambridge. She has a PhD in Interaction Design from Malmö University in Sweden where she did her dissertation on “Imagining Multispecies Worlds” in which presented 10 protagonist species and stories in a Multispecies Bestiary to illustrate a repertoire of world-making practices. As a designer, Michelle works with participatory methods that examine possibilities for humans and other species to propose interaction modalities for multispecies ways of living on this planet. So far, these projects have involved design negotiations together with cats, dogs, ants, and penguins, and various interactive technologies. Central to her work are the ways in which theory and participatory research practices continuously inform and inspire each other. Connect with Michelle on Twitter (@colombinary) or via email and find out more about the smart forests project at www.smartforests.net

 

Featured: 

 It Matters What Designs Design Designs: Speculations on Multispecies Worlds (Video); Imagining Multispecies Worlds by Michelle Westerlaken; Designs for the Pluriverseby Arturo Escobar; When Species Meet by Donna Haraway; The Mushroom at the End of the World by Anna Tsing; The Carrier Bag of Theory of Fiction by Ursula K. Le Guin; What would animals say if we asked the right questions by Vinciane Despret

A.P.P.L.E
Animals in Politics, Law, and Ethics researches how we live in interspecies societies and polities.

iROAR Network
iROAR brings together podcasts that aim is to make the world a better place for animals.

Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Support the show

The Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of the  iROAR Network. Learn more on our website. 

In this episode Claudia speaks to Philip Howell about urban animal history. Together they discuss the significance of geography in prying apart the many histories of animals, how attention to animal stories gives one a better appreciation for ‘the urban’ and challenges humanist ideas of history. They also touch on the stimulating experience of searching for, finding, and trying to understand animals in the archives.  

 

Date recorded: 20 April 2021

 

Philip Howell is a lecturer in the Department of Geography at the University of Cambridge, UK. He is an historical and cultural geographer, and has written about the regulation of sexuality in Victorian Britain, and on the relations between literature and geography. But for 20 years he has been researching “animal geography,” focusing on the place of the dog in Victorian society, but also taking in the politics of animals in contemporary society. Find out more about Philip here and you can reach him via email ([email protected])

 

Featured: 

Flush and the Banditti: Dog-stealing in Victorian London; At Home and Astray; Animal History in the Modern Cityby Philip Howell; The curious case of the Croydon cat-killer: producing predators in the multi-species metropolis; Black Protest and the Man on Horseback: Race, Animality, and Equestrian Counter-Conduct by Philip Howell and Ilanah Taves; Animal Spaces, Beastly Places: New Geographies of Human-animal Relations edited by Chris Philo and Chris Wilbert; The Urbanization of the Eastern Grey Squirrel in the United States by Etienne Benson; About LookingJohn Berger; Foucault and Animals by Dinesh Wadiwel and Matthew Chrulew; La Vie Des Hommes Infämes by Michael Foucault. 

 

The Animal Turn is part of the  iROAR, an Animals Podcasting Network and can also be found on A.P.P.L.E, Twitter, and Instagram

A.P.P.L.E
Animals in Politics, Law, and Ethics researches how we live in interspecies societies and polities.

iROAR Network
iROAR brings together podcasts that aim is to make the world a better place for animals.

Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Support the show

The Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of the  iROAR Network. Learn more on our website.