The Archive Project

Every once in a while, a writer arrives in a historic moment who can explain it, even while it is still actually occurring. M. Gessen is one of these writers. They are a part of the lineage of other incredible writers of their moments, like George Orwell, and Hannah Arendt. 

Gessen is the author of eleven books and has been a staff writer at the New Yorker since 2014, and is a columnist for the New York Times. They won the National Book award in 2017 for The Future is History: How Totalitarianism Reclaimed Russia, and became a household name with their bestselling book Surviving Autocracy, which was published in 2020 and written as both a warning and a call to action in the aftermath of Trump’s 2016 election. 

Gessen’s talk is a rare glimpse into their childhood and early professional life – growing up in the Soviet Union and emigrating at the age of 14; their early experience in Boston and how it shaped their life personally and professionally; their return to Moscow as a journalist and a rare and strange meeting with Vladimir Putin, and how their grandmothers’ life stories shaped their work.  

Gessen is one of the rare contemporary commentators on authoritarianism who has lived under such a regime, and in a democracy – and they have an urgent warning for us all. 

“I’ve always thought that I was very lucky to know when I had to leave (Russia) because one of the hardest decisions that somebody has to make…is figuring out when your home is no longer your home. It was kind of a great favor that Putin did to me.”

M. Gessen is a Russian American author, translator, and journalist. They’ve written 11 books, including Surviving Autocracy, The Future is History: How Totalitarianism Reclaimed Russia (winner of the 2017 National Book Award for Nonfiction), and an award-winning account of the Boston Marathon bombers titled The Brothers: The Road to an American Tragedy. They spent years covering Putin’s regime in Russia and was famously dismissed as the editor of the Russian popular science magazine Vokrug sveta for refusing to cover a Putin event they felt was propaganda. Gessen received a Guggenheim Fellowship, an Andrew Carnegie Fellowship, a Nieman Fellowship, the Hitchens Prize, an Overseas Press Club Award for Best Commentary, and the Hannah Arendt Prize for Political Thought. They’ve written for many US publications including The New York Times, The Washington Post, The Los Angeles Times, and The New Yorker. Gessen is a distinguished professor at the Craig Newmark Graduate School of Journalism at CUNY and a distinguished visiting writer at Bard College. They live in New York with their wife and children.  

This week we have a conversation from the 2024 Portland Book Festival on first-generation American food: cooking that combines tradition and lineage with evolution and personal stories. The conversation features a cookbook author and home chef, restaurant co-owners, and a writer and food editor.  

We’ll hear from Kristina Cho, author of the cookbook Chinese Enough, which blends the flavors of traditional Cantonese cooking with California ingredients, reflecting her current home, and a midwestern sensibility drawn from her upbringing in Ohio. Kristina is joined by Jolyn Chen and Louis Lin, co-owners of the Portland restaurant Xiao Ye, which bills itself as “first-generation American food.” Jolyn is the general manager of Xiao Ye, and Louis is the chef – they’re both business and life partners. They grew up in California, and each worked in hospitality for years before embarking on their own restaurant, where Jolyn designed the space and Louis designed the menu. Our moderator is novelist Rachel Khong, author of Real Americans, who was the editor of the esteemed food magazine Lucky Peach, and also grew up in California.  

Kristina, Jolyn, Louis, and Rachel discuss the intersections between their Asian-ness, their American-ness, and their Asian-American-ness, and how that all plays out in their relationships to food. They also talk about how where they grew up shapes their understanding of both food and family, and how the cooking and food they were drawn to comes from what was accessible or not to them early on. This relates to a conversation about the idea of authenticity, which is often misunderstood as being about tradition, but Louis eloquently describes as being true to oneself and where you are – Kristina gives an example of one of the women in her family using Bisquick in her steamed cupcakes.  

One thing I loved about this conversation is how clear it is that making food, and, crucially, feeding people – which is the ultimate goal, after all, of both home cooks and restauranteurs – is about nourishment but also about making art, and art that is reflective of both where you came from and where you are now.   

Let’s get into the conversation about what it means to make first-generation American food. Here are Jolyn Chen, Louis Lin, and Kristina Cho in conversation with moderator Rachel Khong. 

Kristina Cho is an award-winning cookbook author, recipe developer, home cook, baker, food stylist, and photographer. Her groundbreaking debut cookbook, Mooncakes and Milk Bread, won two James Beard awards and was described as an instant classic by The New York Times. Her latest cookbook is titled Chinese Enough. 

Jolyn Chen has worn many hats and lived many lives; born and raised in a small suburb of Los Angeles, she attended Cal Poly Pomona’s renowned Collins College and received her Bachelor’s in Hospitality Management. She spent her early years in the industry working in Washington, DC, soaking up all that the burgeoning food scene had to offer. Most notably was her time at Rose’s Luxury, where she really began to foster her own sense of hospitality. In true Jolyn fashion, while working two part-time jobs, she took a third at El Camino Travel, a start-up boutique travel company specializing in small, curated trips to emerging destinations. It was through that experience that she discovered her passion for design. 

Jolyn would move back to LA to pursue a career in Interior Design, completing the UCLA Extension program for Interior Architecture while working at Croft House & Ginny Macdonald Design. A few years later, she and Louis would begin their chapter in Portland, where she worked as a designer at Jessica Helgerson Interior Design before embarking on their own personal project, Xiao Ye.  

Louis Lin is a child of Taiwanese immigrants and was born and raised in that same suburb outside of LA. Unlike Jolyn, Louis always knew where his path would take him. After getting his degree in Business Economics and Accounting at UC Santa Barbara, he enrolled at the Culinary Institute of America at Greystone. From there, his career in kitchens began; Louis spent his externship working behind Nancy Silverton at her fine dining Osteria Mozza. Upon graduating from culinary school, at the behest of his best friend, Louis moved to Washington, DC to work for James Beard winner Aaron Silverman at his first restaurant, Rose’s Luxury. Rose’s would go on to receive numerous accolades- Bon Appetit’s best new restaurant in 2014 and a Michelin Star, amongst others. When Silverman opened his second venture, Pineapple and Pearls, Louis would follow him as an opening line cook and help the tasting-menu restaurant earn 2 Michelin Stars in its inaugural year. 

In 2017, Louis moved back to Los Angeles and began working at Evan Funke’s Felix Trattoria. It was there that he found his footing; working his way up from line cook to Chef de Cuisine, running day to day operations and overseeing the restaurant that has become the standard bearer for handmade pasta in the country. 

Rachel Khong is the author of Goodbye, Vitamin, winner of the California Book Award for First Fiction, and named a Best Book of the Year by NPR; O, The Oprah Magazine; Vogue; and Esquire. Her work has appeared in The New York Times Book Review, The Cut, The Guardian, The Paris Review, and Tin House. In 2018, she founded The Ruby, a work and event space for women and nonbinary writers and artists in San Francisco’s Mission District. She lives in California, and her latest novel is titled Real Americans. 

Emily Wilson was cast as Athena in a stage production of The Odyssey at the age of eight.  It turned out to be a defining moment in her life, that ultimately set her on a course of decades of passionate and devoted study. 

Her 2018 translation of The Odyssey garnered overwhelming critical acclaim, became a bestseller, and is defining how a generation reads Homer, and by extension understands the relevance of classical literature in general. She followed up, in 2023, with her translation of The Iliad.    

Her genius has been to render these ancient stories in swift, unpretentious, contemporary language, allowing us to see that despite the rise and fall of empires, despite dramatic cultural shifts and technological progress, there are some essential truths about human nature—we are creatures of hubris and humility, of conflict and collaboration, of profound selfishness and of profound sacrifice.   

It is not hard to see in Homer’s Greece a startling similarity to our present-day world. Wilson assures us this is embedded in the text, writing in her introduction to The Iliad, “For a twenty-first-century reader, there is nothing unfamiliar about a partisan society riven by constant striving for celebrity dominance and attention.”   

“Tell me about a complicated man,” begins The Odyssey.  From this first line, Wilson establishes herself as one of the most astute translators working in the English language, a translator both of Ancient Greek and of human complexity.   

“A translation, just like an original work of art, needs to have its own vision. And you need to have the humility to know that you can’t do everything. You have to commit to your own vision.”

Emily Wilson is a classicist, translator, professor of classical studies at the University of Pennsylvania, and the author of the bestselling translations of Homer’s The Odyssey and The Iliad (winner of the 2024 Audie Award for Best Literary Fiction and Classics). In addition to Wilson’s Odyssey and Iliad, she has also published several other translated works, including translations of four tragedies of Euripides published in The Greek Plays: Bacchae, Helen, Electra, and Trojan Women, and translations of Six Tragedies by Seneca. Her other books include The Greatest Empire: A Life of Seneca, The Death of Socrates: Hero, Villain, Chatterbox, Saint, and Mocked with Death: Tragic Overliving from Sophocles to Milton. Wilson was named a fellow of the American Academy in Rome in Renaissance & Early Modern scholarship, a MacArthur Fellow, and a Guggenheim Fellow. Wilson is a Professor of classical studies and chair of the program in comparative literature and literary theory at the University of Pennsylvania. Wilson lives in Philadelphia with her family and pets.  

This week we have a 2024 Portland Book Fest conversation about Planet Earth, and remarkable people who are working to understand it and protect its wonders. Our moderator is Zoë Carpenter, a writer and editor who has reported all over the United States and South America for Rolling Stone, The Nation, Guernica, and other publications. She currently teaches for the Writers in the Schools program with Literary Arts.  

Zoë led a conversation with two Portland-based writers. Ferris Jabr is the author of Becoming Earth: How Our Planet Came to Life, which shifts our perception of the planet from an inanimate place on which life evolved, but instead a planet that came to life and is itself alive. Jabr reveals a new vision of Earth as a vast interconnected living system – and humans are one of the most radical impacts on those systems. Jabr introduces readers to different people who are working to protect Earth’s ecology and find a way to stabilize the planet in the face of the climate crisis.   

Amy Stewart is known for both the Kopp Sisters detective series along with popular works about the natural world such as The Drunken Botanist and Wicked Plants. Her latest book, which she wrote AND illustrated, is The Tree Collectors: Tales of Arboreal Obsession. Stewart profiles fifty remarkable people whose lives have been transformed by their obsessive passion for… trees. This passion comes from a deeper commitment to being in community and radical vision for the future.  

Both books explore both the human relationship to the planet and the things that make it alive, and make it livable. It’s a wondrous conversation.   

Ferris Jabr is a contributing writer for The New York Times Magazine. He has also written for The New Yorker, Harper’s, The Atlantic, National Geographic, and Scientific American. He is the recipient of a Whiting Foundation Creative Nonfiction Grant and fellowships from UC Berkeley and MIT. His work has been anthologized in several editions of Best American Science and Nature Writing. Ferris Jabr lives in Portland, Oregon, with his husband, Ryan, their dog, Jack, and more plants than they can count. His book is titled Becoming Earth: How Our Planet Came to Life. 

Amy Stewart is the New York Times bestselling author of The Drunken Botanist, Wicked Plants, and several other popular nonfiction titles about the natural world. She’s also written seven novels in her beloved Kopp Sisters series, based on the true story of one of America’s first female deputy sheriffs. She lives in Portland, Oregon. Her most recent book is titled The Tree Collectors: Tales of Arboreal Obsession. 

Zoë Carpenter is a journalist and fiction writer from Oregon. Her writing has been published in Rolling Stone, The Nation, Guernica, Narratively, and elsewhere. A recipient of the James Aronson Award for Social Justice Journalism, she has also received grants and fellowships from the Pulitzer Center, the Catwalk Art Institute, Fishtrap, and PLAYA. She has an MFA from the University of Michigan, where she was a postgraduate Zell Fellow. Prior that she was an editor at The Nation, where she worked on reported features, investigations, and opinion pieces for print and online. 

Each year, Portland area youth spend months writing and competing in poetry slam competitions on high school campuses across the city. And each April, 20 finalists compete for the title of city-wide Portland slam champ at Verselandia! in front of an audience of nearly 1,000.  

We’re excited to share that the 2025 Verselandia! competition returns to the Arlene Schnitzer Concert Hall on Thursday, April 24 at 7 pm. For more information visit our website literary-arts.org.   

This episode, the theme is looking forward and looking back. We’ll look back to the 2024 Verselandia!, hear some of the best poems of the night, and talk to the winner of last year’s competition about what it was like to win and how she’s preparing for this year’s event. We’ll also hear some poems from students competing in this year’s Verselandia. 

We’ll also talk to student poets and educators about how they’re getting ready for this year’s Verselandia and what writing and performing poetry does for the participants.  

A quick note to listeners: Portions of this episode contain mature themes that may not be suitable for all audiences.  

Every year, the Multnomah County Library chooses one book they hope the whole city will read. Between January and April, the Library, and their partner organizations, host events based around the themes of the book, and they distribute thousands of free copies—thanks to the Library Foundation—to readers of all ages from across the county.  Here at Literary Arts, our role is to bring the author to town for a talk in the Arlene Schnitzer Concert Hall. The 2025 Everybody Reads book was the memoir Solito by Javier Zamora.   

Written from the perspective of his nine-year-old self, Solito is a gripping and beautiful account of Zamora’s three-thousand-mile journey from a small village in El Salvador to his new home in United States. Epic in scope and intimate in detail, it’s a book about the family one comes from, the family one longs for, and the family one makes. Zamora conjures all the wonder, fear and imaginative capacity of his young self; clear-eyed in his depictions of cruelty and danger, insistent on recognizing kindness. He also renders his journey with vivid detail with breathtaking lyricism, paying close attention to the power of language – this comes as no surprise, given that Zamora is also an award-winning poet.   The writer Sandra Cisneros said, “I have waited decades for a memoir like Solito.”   

Solito isn’t simply a story of a migrant’s harrowing journey, it’s the story of a writer becoming a writer. It is also one of the most important American stories of our time.  

“Poetry and history were the first tools I had to begin to explain my life so far away from the land that watched me be born and grow up for the first nine years of my life.”

Javier Zamora was born in La Herradura, El Salvador in 1990. When he was a year old, his father fled El Salvador due to the US-funded Salvadoran Civil War (1980-1992). His mother followed her husband’s footsteps in 1995 when Javier was about to turn five. Zamora was left at the care of his grandparents who helped raise him until he migrated to the US when he was nine. His first poetry collection, Unaccompanied, explores some of these themes.   

In his debut New York Times bestselling memoir, SOLITO, Javier retells his nine-week odyssey across Guatemala, Mexico, and eventually through the Sonoran Desert. He travelled unaccompanied by boat, bus, and foot. After a coyote abandoned his group in Oaxaca, Javier managed to make it to Arizona with the aid of other migrants.  

Zamora is the winner of a 2024 Whiting Fellowship and the 2022 LA Times-Christopher Isherwood Prize. He holds fellowships from CantoMundo, Colgate University (Olive B. O’Connor), MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation (Ruth Lilly), Stanford University (Stegner), and Yaddo. He is the recipient of a 2018-2019 Radcliffe Fellowship at Harvard University, a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize, the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign. Javier lives in Tucson, AZ, where he volunteers with Salvavision, The Kino Border Initiative, and The Florence Project.  

This week features a conversation from the 2024 Portland Book Festival, featuring best-selling author Ijeoma Oluo, who is a self-described “writer, speaker, and internet yeller.” She discusses her latest book, Be a Revolution: How Everyday People are Fighting and Changing the World — and How You Can, Too with Portland’s Hanif Fazal, author of An Other World and co-founder of the Center for Equity and Inclusion.

They engage in a very honest conversation about the impact that “being loud” about race and racism has had on Oluo’s personal life and mental well-being. She shares that thought she wouldn’t write another book because of that strain, but that through centering loving action that she found a new way of doing her writing work with this project. They also discuss the general writing life and process, and the importance, in the often difficult and consuming work of fighting for systemic change, of centering joy as an outcome of activism.

Oluo’s book, Be a Revolution, highlights the way people all over the country are working to create real positive change for intersectional racial equity; as Fazal points out, giving new perspectives on big ideas through the stories of real, actual people. Their stories and Oluo’s work are intended to inspire action and change, and this conversation

Ijeoma Oluo (ee-joh-mah oh-loo-oh) is a Seattle-based Writer, Speaker and Internet Yeller. Her work on social issues such as race and gender has been published in The Guardian, Esquire, Washington Post, ELLE Magazine, New York Times, NBC News and more. She has been featured on The Daily Show, All Things Considered, BBC News, and more. Her #1 NYT bestselling first book, So You Want To Talk About Race, was released January 2018 with Seal Press. Her second book, MEDIOCRE: The Dangerous Legacy of White Male America, was published December 2020 with Seal Press and her upcoming book, Be A Revolution: How Everyday People Are Fighting Oppression and Changing the World – and How You Can Too, was January 2024 with Harper One. Oluo was named one of the Most Influential People in Seattle by Seattle Magazine, one of the 50 Most Influential Women in Seattle by Seattle Met, one of The Root’s 100 Most Influential African Americans in 2017 & 2018, and is the recipient of the Feminist Humanist Award 2018 by the American Humanist Association, the Harvard Humanist of the year 2020, the Media Justice Award by the Gender Justice League, and the 2018 Aubrey Davis Visionary Leadership Award by the Equal Opportunity Institute.

Hanif Fazal, author of An Other World, has developed and delivered innovative equity and inclusion programs across education, philanthropic, public, and non-profit sectors for over twenty years. He is currently the co-founder of the Center for Equity and Inclusion and is also an author, who writes about the fight for freedom, joy, and belonging in Black and Brown communities. His first book, An Other World, offers a hopeful path forward by nurturing identity and centering community. It’s a path where joy is the norm rather than struggle, where home and work are inclusive rather than exclusionary, and where Brown and Black relationships lead to a unique experience of freedom. Along with local and national news and podcast appearances, Hanif has spoken at South by Southwest, National Equity Summit, a two-time presenter at the CCAR summit on race, and many other equity and education-focused events. He is a National Pew Civic Change award winner, Multnomah County Hilltop award winner, and was awarded the Taste of Portland’s Changemaker award for his prolonged impact on equity and inclusion throughout Portland. Most recently, An Other World was awarded a silver medal at the 36th annual IBPA Benjamin Franklin Awards.

In this episode, we feature the celebrated novelist and screenwriter Alice Hoffman. She’s in conversation with the former Director of the Multnomah County Library, Vailey Oehlke, at the Portland Book Festival in 2016.

Hoffman has published over 40 books, including the 2024 novel about Anne Frank’s life, When We Flew Away. Most of her books have been novels, but shas also published short story collections, and books for young adults and children. Her work almost always contains a magical element, something she attributes to her childhood, in which she was a veracious reader of fairytales. Hoffman was at the Festival to discuss her book Faithful, which had just been published.

She is perhaps best known for her novel The Dovekeepers, which Toni Morrison called quote “a major contribution to 21st century literature.” It is considered by many to be Hoffman’s masterpiece.

“A book you love makes you feel like you are known.”

Alice Hoffman is the New York Times bestselling author of Practical Magic, Here on Earth, and The Dovekeepers, which was praised by Toni Morrison as, “beautiful, harrowing, a major contribution to twenty-first century literature.” Hoffman has published over thirty novels, three books of short fiction, and eight books for children and young adults. Her work has been published in more than twenty translations and more than one hundred foreign editions. Hoffman’s novels have received mention as notable books of the year by The New York Times, Entertainment Weekly, The Los Angeles Times, Library Journal, and People Magazine. Her short fiction and non-fiction have appeared in The New York Times, The Boston Globe Magazine, Kenyon Review, The Los Angeles Times, Architectural Digest, Harvard Review, Ploughshares, and other magazines. Hoffman’s latest installment of the Once Upon a Time Bookshop Stories series titled The Bookstore Keepers is released February 2025.

In this recording, Michael Ondaatje shares his fourth novel, Anil’s Ghost. He begins by giving an overview of the plot, which is set in a civil war-torn Sri Lanka at the end of the twentieth century. The story follows Anil Tissera, a young woman born in Sri Lanka, and educated in England and America, who returns to her homeland as a forensic anthropologist to investigate human rights violations. Anil, along with archaeologist Sarath Diyasena, discovers the skeleton of a recently murdered man in an ancient burial ground, and becomes determined to identify the man and bring about justice to the countless nameless victims of the war. Ondaatje then shares selected readings from the novel, which paint the novel as a deeply powerful story of love, family, identity, and the attempt to unlock the hidden past.   

On Anil’s choosing of her own name: “Later, when she recalled her childhood, it was the hunger of not having that name, and the joy of getting it, that she remembered most. Everything about the name pleased her. Its slim, stripped down quality, its feminine air, even though it was considered a male name.” 

“Gamini rarely saw himself from the point of view of a stranger. Though most people knew who he was, he felt he was invisible to those around him.”

Michael Ondaatje is a Sri Lankan-born Canadian poet, novelist, editor and filmmaker. Ondaatje’s literary career began with his poetry in 1967, publishing the books The Dainty Monsters, and then in 1970 the critically acclaimed The Collected Works of Billy the Kid. He is widely recognized for his nationally and internationally successful novel The English Patient (1992), which was adapted into a film in 1996. He is the recipient of multiple literary awards such as the Governor General’s Award, the Giller Prize, the Booker Prize, and the Prix Médicis étranger. Ondaatje is also an Officer of the Order of Canada, recognizing him as one of Canada’s most renowned living authors. 

This week we are taking you back to Portland Book Festival 2024, with a conversation on the theme of “reconciliation” featuring Renée Watson, discussing her latest book, Skin & Bones, and Joe Wilkins, author of The Entire Sky, plus one of my absolute favorite moderators, Pulitzer Prize winning journalist and author Mitchell S. Jackson.

Renée’s novel, Skin & Bones, is about a plus-size Black woman building a life in Portland, Oregon, and navigating motherhood, daughterhood, friendship, and romance. Joe Wilkins’ The Entire Sky is set in rural Montana, and the cast includes a grieving, aging rancher, his daughter, and a runaway teen boy as they search for home.

Despite the surface differences, the stories have a lot in common and the authors definitely had a lot to talk about. Moderator Mitchell S. Jackson does a wonderful job leading this conversation, covering common threads such as forgiveness, how fiction can be “the lie that tells the truth,” place and home. Every kind of reader will find something in this generous and wide-ranging conversation.

Renée Watson is a #1 New York Times bestselling author. Over the past decade she has authored twenty books for young readers, which have collectively sold more than a million copies. She received a Coretta Scott King Award and a Newbery Honor for her novel Piecing Me Together and high praise for 1619 Project: Born on the Water, co-written with Nikole Hannah-Jones. Her debut adult novel, Skin & Bones, was published May 7th, 2024. Watson is on the Council of Writers for the National Writing Project and is a member of the Academy of American Poets’ Education Advisory Council. She splits her time between Portland, Oregon and New York City. She is also the writer of Black Girl You Are Atlas, and Cicely Tyson.

Joe Wilkins is the author of the debut novel, Fall Back Down When I Die, praised as “remarkable and unforgettable” in a starred review at Booklist. A finalist for the First Novel Prize from the Center for Fiction and the Pacific Northwest Book Award, Fall Back Down When I Die won the High Plains Book Award and has been translated into French, Spanish, Italian, and German. Wilkins is also the author of a memoir, The Mountain and the Fathers, and four collections of poetry, including Thieve and When We Were Birds, winner of the Oregon Book Award. Wilkins lives with his family in western Oregon, where he directs the creative writing program at Linfield University. His latest novel is The Entire Sky.

Mitchell S. Jackson is the winner of the 2021 Pulitzer Prize in Feature Writing and the 2021 National Magazine Award in Feature Writing. Jackson’s debut novel, The Residue Years, won a Whiting Award and the Ernest J. Gaines Award for Literary Excellence. His essay collection Survival Math was named a best book of 2019 by fifteen publications. Jackson’s other honors include fellowships, grants, and awards from the John Simon Guggenheim Memorial Foundation, Creative Capital, the Cullman Center of the New York Public Library, the Lannan Foundation, PEN America, and TED. His writing has been featured on the cover of the New York Times Magazine, the New York Times Book Review, Time, and Esquire, as well as in The New Yorker, Harper’s Magazine, the Paris Review, the Guardian, and elsewhere. Jackson is a contributing writer for the New York Times Magazine and a columnist for Esquire. He holds the John O. Whiteman Dean’s Distinguished Professorship in the Department of English at Arizona State University. Jackson’s latest book is Fly: The Big Book of Basketball Fashion.