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This week we are featuring a conversation from the 2024 Portland Book Festival. The incomparable Richard Powers came to Portland to discuss his new novel, Playground, with Literary Arts Executive Director Andrew Proctor.
Any opportunity to spend time with Richard Powers and his vast, unique, amazing mind is a gift. He discusses how he chose to combine the setting of the ocean with the digital age and AI, and shares the astonishing story of how he became a novelist. He also talks about how his most recent trio of books – Playground, Bewilderment, and The Overstory – act as a kind of concerto, collectively challenging the idea of human exceptionalism, of exposing the falsehood of human independence from the non-human world. Of the book, Percival Everett, author of James, said: “Is there anything Richard Powers cannot write? The world here is complete, seductive, and promising. The writing feels like the ocean. Vast, mysterious, deep, and alive.”
A quick note for clarity: You’ll hear Andrew and Richard reference “next Tuesday” and “next week;” this conversation took place on Saturday, November 2, which was the Saturday before the 2024 presidential election.
Richard Powers is the author of fourteen novels, including The Overstory, Bewilderment, and Orfeo. He is the recipient of a MacArthur Fellowship, the Pulitzer Prize, and the National Book Award. He lives in the foothills of the Great Smoky Mountains. His new novel is Playground.
When Annie Dillard won the Pulitzer Prize in 1975, she was the youngest women ever to do so. She won for a book published the previous year called Pilgrim at Tinker Creek, which is a nonfiction book that meditates on writing, solitude, the natural world, and spirituality. The book had a profound impact at the time of its publication and garnered comparisons to Henry David Thoreau’s Walden.
Dillard has gone on to have genre bending career, publishing over a dozen titles including book-length nonfiction, novels, essays, and criticism, in addition to more than 25-years of teaching at universities in the Pacific Northwest and the east coast. In 2015 she was awarded the National Humanities Medal for her life’s work.
In this talk, her characteristic sense of irony and humor elicits huge laughs from the audience and her generous spirit invites quiet attention when she tells a story. She reads two excerpts — first from Pilgrim at Tinker Creek and then from a book of essays called Teaching a Stone to Talk. Whether she is describing muskrats in Virginia or witnessing an eclipse in the Yakima Valley, she draws profound insights into the nature of existence and what the natural world has to tell us about ourselves.
Annie Dillard is born in Pittsburgh, Pennsylvania in 1945, in a poet and author best known for her prose in both fiction and nonfiction. Dillard has been considered a major voice in American literature since she published Pilgrim at Tinker Creek in 1974 and won a Pulitzer Prize. Influenced by Henry David Thoreau and Walt Whitman, Dillard writes compressed, lyric poetry and prose that engages the balance of daily life within the frame of literature and ideas.
Dillard’s numerous books include the poetry collections Tickets for a Prayer Wheel and Mornings Like This: Found Poems; the nonfiction books Pilgrim at Tinker Creek, An American Childhood, For the Time Being, and The Abundance: Narrative Essays Old and New; and the novels The Living and The Maytrees.
A member of the American Academy of Arts & Sciences and a Fellow of the American Academy of Arts and Letters, Dillard also holds honorary doctorates at Boston College, the University of Hartford, and Connecticut College. Additional honors include grants from the National Endowment for the Arts and the John Simon Guggenheim Foundation, a New York Press Club Award for Excellence, an Appalachian Gold Medallion, a Campion Award, and an Academy Award in Literature from the American Academy of Arts and Letters. She received the National Endowment for the Humanities Medal in 2014, awarded to her by President Barack Obama.
Every year, the Multnomah County Library chooses one book they hope the whole city of Portland will read. Between January and April, the Library, and their partner organizations, host events based around the themes of the book, and they distribute thousands of free copies—thanks to the Library Foundation—to readers of all ages from across the county. Here at Literary Arts, our role is to bring the author to town for a talk in the Arlene Schnitzer Concert Hall.
This year, the 2025 Everybody Reads selection is the memoir Solito by Javier Zamora. For information about how to engage with the program, visit the Multnomah County Library’s web site. I am thrilled to say Javier Zamora will be in Portland on Tuesday, March 11 at the Arlene Schnitzer Concert Hall for the culminating event of the 2025 Everybody Reads Program.
For now, let’s return to the 2024 Everybody Reads event, featuring Gabrielle Zevin and her novel Tomorrow, and Tomorrow and Tomorrow.
Gabrielle Zevin has been steadily publishing fiction for almost two decades and has also written occasional criticism as well as award-winning screenplays. But it was Tomorrow, and Tomorrow and Tomorrow that catapulted her to the stratosphere of literary stardom. It was a #1 New York Times bestseller and spent over 50 weeks on the fiction bestseller list.
To be sure, Tomorrow, and Tomorrow and Tomorrow is about video games, and makes a convincing argument for the power and potential of narrative storytelling in video games. But really, it is about making art, and questions about originality, appropriation, and ambition that come with that pursuit. And perhaps more so, it is a love story, about friends and creative partners, and the excitement, joy, tragedy, and betrayal that come with any long relationship. It’s about something, I’d wager, we’ve all been thinking about the past few years: connection.
Tickets for Everybody Reads 2025 with Javier Zamora are on sale now! Find your tickets here.
Gabrielle Zevin is a New York Times best-selling novelist whose books have been translated into forty languages.
Her tenth novel, Tomorrow, and Tomorrow, and Tomorrow, was a New York Times Best Seller, a Sunday Times Best Seller, and a selection of the Tonight Show’s Fallon Book Club. Tomorrow was Amazon.com’s #1 Book of the Year, Time Magazine’s #1 Book of the Year, a New York Times Notable Book, and the winner of both the Goodreads Choice Award for Fiction and the Book of the Month Club’s Book of the Year. Following a twenty-five-bidder auction, the feature film rights to Tomorrow were acquired by Temple Hill and Paramount Studios.
The Storied Life of A.J. Fikry also spent many months on the New York Times bestseller list. A.J. Fikry was honored with the Southern California Independent Booksellers Award for Fiction, the Japan Booksellers’ Prize, among other honors. A.J. Fikry is now a feature film with a screenplay by Zevin. She has also written children’s books, including the award-winning Elsewhere.
She is the screenwriter of Conversations with Other Women (Helena Bonham Carter) for which she received an Independent Spirit Award Nomination for Best First Screenplay. She has occasionally written criticism for the New York Times Book Review and NPR’s All Things Considered, and she began her writing career, at age fourteen, as a music critic for the Fort Lauderdale Sun-Sentinel. Zevin is a graduate of Harvard University. She lives in Los Angeles.
It’s Valentine’s Day weekend, and love is in the air on The Archive Project. We are featuring two conversations from the 2024 Portland Book Festival with bestselling contemporary romance writers.
In the last few decades, writing romance has become big business. From the Fabio-adorned mass market paperbacks of the 90s to self-published ebooks like Fifty Shades of Gray in the early 2000s, to now, when we are amidst an explosion of the genre with more than 39 million print copies of romance novels sold in 2023 alone. Even local libraries in Portland have said they’ve seen the number of romance novels checked out double since 2018.
Readers are officially hot and bothered by this genre, and today we have conversations with some of the best contemporary romance writers. Later in the episode we’ll hear from Red, White & Royal Blue megastar author Casey McQuiston, discussing their latest book, The Pairing, with Kristen Arnett, author of With Teeth.
But first up, OPB’s own Crystal Ligori, host of All Things Considered, is in conversation with Lily Chu, author of The Takedown and Katelyn Doyle, author of Just Some Stupid Love Story.
Lily Chu loves ordering the second-cheapest wine, wearing perfume all the time, and staying up far too late reading a good book. She writes uplit fiction set in Toronto with strong Asian characters. Her latest novel is titled The Takedown.
Katelyn Doyle is a writer based in Los Angeles. Just Some Stupid Love Story is her debut rom-com. She also writes as the USA Today bestselling historical romance novelist Scarlett Peckham.
Casey McQuiston is a #1 New York Times bestselling author of romantic comedies, including One Last Stop, I Kissed Shara Wheeler, and Red, White & Royal Blue, whose writing has appeared in The New York Times, The Washington Post, and Bon Appetit. Born and raised in southern Louisiana, Casey now lives in New York City with a poodle mix named Pepper. Their latest novel is The Pairing.
A life-long Northwesterner, Egan has spent much of his career exploring his home region. One might even say he is the quintessential Pacific Northwest writer. He served as the first Pacific Northwest correspondent for the New York Times and he also wrote one of the definitive books about our region in 1990, The Good Rain.
During his eighteen-year tenure at the New York Times, Egan covered everything from the Exxon Valdez disaster to the OJ Simpson trial. In 2001, he and a team of reporters received a Pulitzer Prize for the series, How Race is Lived in America. Somehow, between reporting trips, he also found time to write multiple award-winning, best-selling books. He won the National Book Award in 2006 for The Worst Hard Time: The Untold Story of Those who Survived the Great American Dustbowl, which was a New York Times bestseller and led to a Ken Burns documentary.
Egan joined us to talk about his most recent book is A Fever in the Heartland: The Klu Klux’s Plot to Take Over American, and the Woman who Stopped Them. Once again, Egan turns his attention to an American disaster—this time, a social and political disaster of monstrous moral proportions, tracing the swift rise and eventual collapse of the Klu Klux Klan in 1920’s Indiana. A place and time, he notes, “where one in three white males swore on a Bible to uphold white supremacy.”
A Fever in the Heartland is rigorously researched, and deeply — overwhelmingly — troubling. As a reader, it is not hard to draw parallels between these events that occurred a century ago, and all that is happening now. Egan himself said, in a recent interview, “I’m a big believer in the line that history doesn’t repeat itself but it rhymes.” But, to explore such a dark chapter in our history requires a firm belief in our potential as a country and as a species. The only way to rise to that potential is to see ourselves clearly and learn from our past.
Timothy Egan is an American journalist and author of ten books. The most recent, A Fever in the Heartland: The Ku Klux Klan’s Plot to Take Over America, and the Woman Who Stopped Them, was an immediate New York Times bestseller. Egan worked for The New York Times for 18 years, first as the Pacific Northwest correspondent, and then as a national enterprise reporter. As part of a team of reporters Egan won the Pulitzer Prize for National Reporting in 2001 for writing a series called How Race is Lived in America. Egan lives in Seattle with his family.
In this episode, we feature Ta-Nehisi Coates in conversation with Omar El Akkad from the Arlene Schnitzer Concert Hall in October 2024.
Coates’ versatility and virtuosity as a writer makes him one of the most singular and important writers at work today. He first rose to national recognition as a staff writer at The Atlantic Magazine, and in particular for an article he wrote in 2014 titled The Case for Reparations. A year later, Coates published his second book, a long essay called Between the World and Me which became an international bestseller. Coates went on to write a novel called The Water Dancer, for Marvel’s Black Panther comic book series, and a published collection of essays titled We Were Eight Years in Power: An American Tragedy. For his work he has won a National Magazine Award, a MacArthur fellowship and the National Book Award, among many other prizes.
He joined us in fall 2024 to talk about The Message, a new book of essays set in Senegal, South Carolina and Palestine about how our stories – personal or political – can both hide and reveal the truth.
Coates is in conversation with Omar El Akkad, who is a journalist and author of the novels American War, What Strange Paradise and most recently One Day, Everyone Will Have Always Been Against This, his debut book of nonfiction which publishes in February 2025.
Ta-Nehisi Coates is an award-winning author and journalist. His books include Between The World and Me and The Water Dancer. He is currently a writer-in-residence at Howard University.
Omar El Akkad is an author and journalist. He was born in Egypt, grew up in Qatar, moved to Canada as a teenager and now lives in the United States. He is a two-time winner of both the Pacific Northwest Booksellers’ Award and the Oregon Book Award. His books have been translated into 13 languages. His debut novel, American War, was named by the BBC as one of 100 novels that shaped our world.
This week’s episode features one of the most highly anticipated conversations from the 2024 Portland Book Festival. Author Rachel Kushner joined the festival with her most recent novel, the Booker Prize finalist Creation Lake, her take on a noir spy thriller. We paired her with Danzy Senna, whose new novel is Colored Television, the story of a struggling novelist attempting to break into Hollywood. We invited Oregon-based writer Mat Johnson, whose most recent book is the fantastic Invisible Things, to moderate their conversation.
This conversation was titled “Deceit and Dark Humor.” Both novels featuring protagonists who are knowingly lying to the people around them: Kushner’s narrator is a spy tasked with infiltrating an anarchist cooperative in France and is actively deceiving everyone she encounters, while Senna’s protagonist, Jane, spirals into more and more lies as she tries to create a television show with a big-shot Hollywood producer.
We have a special treat at the end of the episode. Another feature of Portland Book Festival is the annual launch of our Writers in the Schools anthology, featuring creative writing from Portland-area public high school students. We’ll hear from two students:
William Nobles, Franklin HS, short story Ceiling Man
Ari Romero, junior at Lincoln HS, piece called Missing the Mark
Rachel Kushner is the author of Creation Lake, her latest novel, The Hard Crowd, her acclaimed essay collection, and the internationally bestselling novels The Mars Room, The Flamethrowers, and Telex from Cuba, as well as a book of short stories, The Strange Case of Rachel K. She has won the Prix Médicis and been a finalist for the Booker Prize, the National Book Critics Circle Award, the Folio Prize, and was twice a finalist for the National Book Award in Fiction. She is a Guggenheim Foundation Fellow and the recipient of the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters. Her books are translated into twenty-seven languages.
Danzy Senna is the author of four previous works of fiction, including the bestselling Caucasia and, most recently, Colored Television, as well as a memoir. The recipient of numerous awards and honors, she teaches writing at the University of Southern California.
Mat Johnson is a Philip H. Knight Chair of the Humanities at the University of Oregon. His publications include the novels Invisible Things, Loving Day, and Pym, the nonfiction novella The Great Negro Plot, and the graphic novel Incognegro. Johnson is the recipient of the American Book Award, the United States Artists James Baldwin Fellowship, The Hurston/Wright Legacy Award, and the John Dos Passos Prize for Literature.
This week we have a conversation between one of the ultimate literary power couples: Paul Auster and Siri Hustvedt.
Paul Auster passed away in April of 2024. The New York Times obituary called him the “patron saint of literary Brooklyn.” He wrote screenplays, poetry, and nonfiction, but is probably best known as a novelist, and as an novelist his best known work is the New York Trilogy—City of Glass, Ghosts, and The Locked Room, all published in the mid-1980s–which he discusses in this conversation, along with his early career as a translator of poems from the French.
Siri Hustvedt is a novelist and essayist; her essays include the collections A Pleas for Eros and the memoir The Shaking Woman or A History of My Nerves. Her novels include The Summer Without Men and The Blazing World. In this conversation she talks about the book she was writing at the time, The Sorrows of an American.
Auster and Hustvedt were married in 1982. They came to Portland in January of 2006 and interviewed each other. At times it feels as if you are eavesdropping on an especially intelligent dinner table conversation. Their respect for each other’s work is delightful to hear – and several of the questions they remark they’ve never asked the other! It’s a rare opportunity to listen in on two great minds in conversation.
Paul Auster was the bestselling author of 4 3 2 1, Bloodbath Nation, Baumgartner, The Book of Illusions, and The New York Trilogy, among many other works. In 2006 he was awarded the Prince of Asturias Prize for Literature. Among his other honors are the Prix Médicis Étranger for Leviathan, the Independent Spirit Award for the screenplay of Smoke, and the Premio Napoli for Sunset Park. In 2012, he was the first recipient of the NYC Literary Honors in the category of fiction. He was also a finalist for the International IMPAC Dublin Literary Award (The Book of Illusions), the PEN/Faulkner Award (The Music of Chance), the Edgar Award (City of Glass), and the Man Booker Prize (4 3 2 1). Auster was a member of the American Academy of Arts and Letters and a Commandeur de l’Ordre des Arts et des Lettres. His work has been translated into more than forty languages. He died at age seventy-seven in 2024.
Siri Hustvedt is the author of a book of poetry, three collections of essays, a work of non-fiction, and six novels, including the international bestsellers What I Loved and The Summer Without Men. Her most recent novel The Blazing World was long-listed for the Man Booker Prize and won The Los Angeles Book Prize for fiction. In 2012 she was awarded the International Gabarron Prize for Thought and Humanities. She has a PhD in English from Columbia University and is a lecturer in psychiatry at Weil Cornell Medical College in New York. Her work has been translated into over thirty languages.
In this episode, we feature the bestselling writer and physician, Abraham Verghese. This was his second appearance at Portland Arts and Lectures. He first joined us in 2012 to talk about his first novel, Cutting for Stone, which spent more than two years on the New York Times bestseller list. He came back twelve years later to discuss his second novel, also a bestseller, the Covenant of Water – a sprawling, intergenerational family story that spans most of the 20th century and takes place in Karala, India.
While Verghese was made famous by these two novels, his writing career actually began with two works of nonfiction, both memoirs that center his life as a doctor – My Own Country and The Tennis Partner.
In this talk Verghese pulls together all the strands of his life; his parents move from India to Ethiopia, his escape as a young person from a brutal regime to America, his training as a doctor in India, and his medical career in America. Verghese talks about how books initially lead him to medicine and how medicine lead him back to writing books. We come to understand how these two vocations are connected and deepen the other in his life. It’s a fascinating tour of the unique career of a brilliant artist and scientist.
Abraham Verghese is a graduate of the Iowa Writers’ Workshop and the author of the NBCC Award finalist My Own Country and the New York Times Notable Book The Tennis Partner. His most recent book, Cutting for Stone, spent 107 weeks on the New York Times bestseller list and sold more than two million copies worldwide. It was translated into more than twenty languages and is being adapted for film by Anonymous Content. Verghese was awarded the National Humanities Medal by President Obama, has received six honorary degrees, and is an elected member of the National Academy of Medicine and the American Academy of Arts and Sciences. He lives and practices medicine in Stanford, California where he is the Linda R. Meier and Joan F. Lane Provostial Professor in the Stanford University School of Medicine. A decade in the making, The Covenant of Water is his first book since Cutting for Stone.
This week’s episode features the trailblazing, legendary journalist: Connie Chung, in conversation about her new memoir, CONNIE. In her book, Chung shares the story of her decades-long career as an Asian woman in the white-male-dominated world of broadcast journalism, when she relentlessly pursued stories and fought hard for scoops. Her hard work – her schedule for many years was truly unbelievable, with six days of work on multiple programs at her own request — Her hard work, which she connects to her Chinese family tradition, catapulted her onto the co-anchor chair on the CBS Evening News and made her a household name.
Chung relates her battles and her victories with wit and humor and doesn’t hold back from calling out the sexism and racism she endured throughout her career. The book is also a portrait of an era in broadcast news where the lines between serious investigative journalism and tabloid fodder became blurred, a line Chung was often forced to walk against her will.
Journalist Lisa Ling, of CBS News, said, “For generations of Asian Americans, Connie Chung will always be our superhero. Someone who looked like us who, on a national stage, held our most important political leaders accountable. She was bold, aggressive, and unafraid. So many of us pursued broadcast journalism because she singularly showed us it was possible. I didn’t think I could respect her any more than I already do, but this most candid account of her journey reminds us that Connie Chung is nothing short of a true American icon.”
Connie Chung was interviewed by Literary Arts executive director Andrew Proctor, in front of a live audience in September 2024.
Connie Chung, pioneer news anchor and reporter was the first woman to co-anchor the CBS Evening News, the flagship news broadcast on CBS. Connie was only the second woman to anchor any network evening broadcast in television history.
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