The Backline

This week, Adam confesses to Rob about a regret he has from their last show. An option was seen onstage, but not acted upon. We all know what the textbook says you should do onstage, but what do you do, when your gut tells you something different? How do you know what’s the right choice and what might be harmful to the set? What’s based on instinct and what choices are entirely ego-driven? All this and more on this week’s Backline with Rob and Adam.

Brought to you By: The Sonar Network

This week, Rob and Adam explore the prolific, abundant, and (surprisingly) impolite vocabulary of Canadian improv. Whether you started with Keith Johnstone or David Shepherd and the Canadian Improv Games, you’ll find something that sounds like home. Finish that dart, leave your winter boots at the door, and let’s chat improv.

Brought to you By: The Sonar Network

How do you prepare for a show without overpreparing? Rob and Adam talk about Game Plans, what’s worth thinking about before you hit the stage, and how to streamline your approach so you can spend less time worrying about the show and more time actually doing it.

Brought to you By: The Sonar Network

This week on The Backline, Rob and Adam talk Meat and Potatoes. Who gets the focus? Who has the power? And if you realize halfway through a scene that your choice isn’t serving the show, are you allowed to change it? They get into strong choices, generosity, focus, and the tricky business of knowing when to stick to your guns—and when to get out of your own way.

Brought to you By: The Sonar Network

This week on The Backline, Adam and Rob answer listener questions. First up: how do you better portray emotions onstage? What does it actually mean to play an emotion, and how can improvisers make those feelings read to an audience?Then they offer some tips and tricks if your troupe is using D&D as a sub-genre of improv. And finally: Johnny No-Bones.

Brought to you By: The Sonar Network

This week on The Backline, Rob and Adam talk about what it’s like to leave the comedy scene you know and start over somewhere new. How do you find your people? How do you get involved in a new improv community? How do you balance making connections with actually doing the work? Also, tips how to make networking feel less painful.

Brought to you By: The Sonar Network

This week on The Backline, Rob and Adam talk about one of the trickiest parts of being on an improv team: giving and receiving notes. How do you give someone useful feedback without turning the notes into a list of things they did wrong? How do you take notes, learn from a bad show, and then walk onto the stage next time without bringing the last show with you?

Brought to you By: The Sonar Network

This week on The Backline, Rob and Adam talk about stage fright, nerves, anxiety, and all the things that can make stepping onstage feel terrifying. Is stage fright just a silly emotional response, or is there something more serious going on? Why do some performers get nervous before every show while others seem completely unfazed? And if you’re experiencing stage fright now, does it ever go away—or can it actually get worse?

Brought to you By: The Sonar Network

This week on The Backline, Rob and Adam talk about one of the trickiest parts of being on an improv team: giving and receiving notes. How do you give someone useful feedback without turning the notes into a list of things they did wrong? How do you take notes, learn from a bad show, and then walk onto the stage next time without bringing the last show with you?

Brought to you By: The Sonar Network

This week, Rob and Adam tackle one of the most dreaded words in improv: jokes.

What actually makes something a joke? Are jokes bad for improv? And if we’re not trying to make jokes, how are we supposed to get laughs? Rob and Adam dig into the difference between earning laughs and trying to be funny—and what improvisers can focus on instead.

Brought to you By: The Sonar Network