This week Rob sits down with one of the organizers of the Robin Hood Improv Festival in Nottingham, Lloydie, to discuss competition, inclusion, and finding community in the face of rejection.

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This week Rob and Adam debate the merits of Game of the Scene, pulling premise, and how to create meaningful patterns that bolster your longform show.

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This week Rob and Adam discuss connection, rapport, relationships onstage and offstage. Also, is it possible to have a meaningful connection with a stranger onstage?

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This week Rob and Adam discuss improv forms!  What makes a good improv form? When does your improv format get in the way of your scenes? Also, the beloved format “Darwin’s Christmas Tree” returns to the podcast!

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This week, Rob and Adam dive into where improv ideas come from, how to wrestle with creative blocks, and why the supposedly “whimsical” act of creating can be surprisingly… boring.

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There’s nothing more unfair when an audience picks their collective favourite onstage.  How important is it to be likable onstage? What can you do to stay on the good side of a discerning crowd?  And most importantly, is there any path back towards the audience’s good graces?

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This week Rob and Adam discuss personal growth, improvement, and developing yourself throughout your improv career.

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This week Rob and Adam discuss one of the foundational rules of improv, “Always make the active choice.”  In the age of modern improv, what does an active choice look like? How does an “active choice” interact wtih Game of the Scene? What’s the difference between “action” and an “active choice?”

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We’re told that Yes And is the building block of every improv scene, but are there are drawbacks when using this tool? This week Rob and Adam discuss the origins of Yes And, how to agree effectively, and how to use emotion to hold the story in place.

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