This week Rob and Adam discuss the transitioning your skills from the classroom to the stage. Why is it so hard to do what works in an exercise, onstage in front of an audience?

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Rob and Adam talk about navigating your improv career, dealing with self-doubt, and having honest conversations with yourself about what’s possible and what is probable.

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This week, Rob and Adam dsicuss the time-honoured tradition of playing to the “Top of their Intelligence” by having a very dumb discussion about characters, point of view, and what amount of “smart” are you required to bring with you onstage.

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Improv is not historically known for being offensive, but sometimes improvisers cross the line.  Why is comedy so frequently associated with offense?  Does comedy need to be provocative to be funny? What do you do if you offend your audience? All this and more.

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This week Rob and Adam chat about framing scenes prior, during, or after the action. Do scenes always need to start in the middle? What’s the best way to execute a tag-in? If you mention an event, does it always have to happen onstage?

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This week Rob and Adam, discuss platforms and tilts for improv scenes, how sketch influences scenes, and how to create action without blindsiding their scene partner.

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The improv world is full of technique.  What techniques help individual improvisers? What techniques benefit the theatre you play at? Are there techniques you should embrace? Or some that you should avoid?

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his week Rob and Adam discuss tethering: the act of linking your emotional state to what your partner is doing.  Also, some great questions about tethering from our friend Martin in Estonia.

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The truth is out! After a tumultuous three weeks apart, Rob and Adam return to the podcast to air thier grievances, resolve differences, and answer your questions about improv.

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This week Rob sits down with one of the organizers of the Robin Hood Improv Festival in Nottingham, Lloydie, to discuss competition, inclusion, and finding community in the face of rejection.

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