“Our only job as an improviser is to affect others, and be affected.” We all know it to be true, yet over and over again, we get stuck in scenes where we’re explaining our premises to our partner. This episode Rob and Adam discuss the need for real time, visceral connection in scenes and the value of dynamic.

Brought to you By: The Sonar Network

After an afternoon on set, Adam wonders about the future of improv on television. What changes when you record an improv show? Why isn’t more improv on TV? If television networks don’t want more improvised content, then is improv forever relagated to damp basements with sticky floors?

Brought to you By: The Sonar Network

After an afternoon on set, Adam wonders about the future of improv on television.  What changes when you record an improv show?  Why isn't more improv on TV? If television networks don't want more improvised content, then is improv forever relagated to damp basements with sticky floors?

When you spend tons of time with the same people over and over again, you’re bound to get frustrated with some of them. Where does all that frustration go? What if you hate your classmate, teammate, or even your coach? This week Rob and Adam delve deep into blame, exclusion, and keeping it all together.

Brought to you By: The Sonar Network

When you spend tons of time with the same people over and over again, you're bound to get frustrated with some of them.  Where does all that frustration go?  What if you hate your classmate, teammate, or even your coach?  This week Rob and Adam delve deep into blame, exclusion, and keeping it all together.

This week Rob and Adam discuss what's it like to "play yourself" onstage.  From grounded scenes to nuanced heightening to characters who talk just like you!

This week Rob and Adam discuss what’s it like to “play yourself” onstage. From grounded scenes to nuanced heightening to characters who talk just like you!

Brought to you By: The Sonar Network

This week Adam and Rob discuss our relationship with the audience, how to follow Blue acts, and what to do when our expectations don't match what the audience wants. Also oil lamps.

This week Adam and Rob discuss our relationship with the audience, how to follow Blue acts, and what to do when our expectations don’t match what the audience wants. Also oil lamps.

Brought to you By: The Sonar Network

In this episode, Rob and Adam discuss casting and what does the "perfect" Harold team look like! If you'd like to play at home, pick 8 archetypes from the list below:

1) Initiator - This player starts scenes.  Always the first person out.

 2) Listener - This person is always 2nd out.  Very good at supporting their partner's offers.

3) Glue Player - Directs the show from within.  Very good at editing the show and being mindful of variety.

4) Game Player - Master of Game of the Scene.  Excellent at heightening patterns.

5) Actor - Very charming onstage.  Able to ground even the weirdest of premises.

6) Tagger - Excellent at 2nd beats.  Great at tagging into scenes.  Always has a great 2nd beat ready.

7) Clown - Someone very funny.  Able to bring down the lights. Falls down a lot.

8) Veteran - Someone with loads of experience. Able to take the suggestion and instil a strong work ethic in the team.

9) Instigator - This is person likes to cause mischief in scenes.  Always pushing boundaries.

10) Connector - Able to find the theme and bring everything together in 3rd beats.

11) Organic Player - Master of Group Games and openers.  Able to execute complex transitions. 

12) Justifier - Able to set-up the who, what, where.  Provide context to scenes.

13) Singer - Someone who is excellent at musical improv.

14) Character Player - Someone who is able to bring a series of big, rich characters to scenes. 

15) Deadpanner - Someone who's dry wit is able to bring BIG cerebral laughs to the stage. Also excellent at satire and premises.

16) Yes Ander - Someone very excited to be there and support other player's ideas.

17) Storyteller - Able to tell a compelling narrative and create mind-blowing action sequences.