The Brainy Ballerina Podcast

From a young dancer who cried through her first ballet recital to spending eight years in the corps de ballet at New York City Ballet, Gabriella Domini’s journey is a beautiful reminder of how much we can grow through the art of dance.

Gabriella shares how her younger sister inspired her to pursue ballet, the difficult decisions she and her family made as she began training away from home, and the teachers who helped shape her career.

We talk about her transition from student at the School of American Ballet to professional dancer with NYCB, including the unforgettable experience of performing in Swan Lake for the first time.

Gabriella also reflects on how her relationship with ballet has evolved over the years, why humor has become one of her greatest assets, and how she stays motivated through the demands of a professional dance career. Her perspective is a great reminder to take the work seriously but not ourselves.

Key "Pointes" in this Episode:

• Leaving home to attend the School of American Ballet year-round (after making the decision to turn down an offer the year before)
• The teachers and mentors who made a lasting impact on her development as a dancer
• How Gabriella learned she had earned a contract with New York City Ballet
• The biggest adjustments she faced when transitioning from ballet student to professional dancer
• Her first performance with NYCB in Swan Lake and the beauty of being one piece of a much bigger puzzle
• How her relationship with ballet has changed throughout her eight years with the company
• Why humor, perspective, and not taking yourself too seriously are important in a demanding career
• How to stay motivated when work gets busy and reconnect with the world beyond yourself

Connect with Gabriella:

Follow on Instagram: https://www.instagram.com/gabriella.domini/

Links and Resources:

ETOILE: https://www.etoilecomp.com/brainy (save 10% with code BRAINY10)

ORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)

Let’s connect!

MY WEBSITE: thebrainyballerina.com

INSTAGRAM: instagram.com/thebrainyballerina

Schedule your complimentary career consultation: https://www.thebrainyballerina.com/career-mentoring

Questions/comments? Email me at [email protected]

There is no one right way to build a career as a professional dancer, and Ella Titus is a perfect example of that.

After spending a decade with Miami City Ballet, Ella made the leap to New York City to pursue a freelance career, where she has since danced with Tom Gold Dance, BalletCollective, the New York Philharmonic, and more.

We talk about her journey from becoming an apprentice with Miami City Ballet at just 16 and eventually joining the corps de ballet, as well as what inspired her to leave the company and start freelancing in NYC.

Ella shares an honest look at the inconsistency of freelance life, how she structures her weeks, balancing ballet with teaching Pilates, marketing and influencer work, and how she landed a New York Fashion Week modeling opportunity simply by shooting her shot.

We also have an important conversation about dancer health, chronic illness, trusting your intuition when something feels wrong, and why dancers need to stop convincing themselves that they are invincible.

Key "Pointes" in this Episode:

• Ella's decade-long career with Miami City Ballet and her favorite memories from the company
• The impact of Teen Vogue's Strictly Ballet YouTube series on Ella's career and social media following
• Getting started in the NYC freelance dance world without having a plan
• How Ella's public relations degree has helped her build opportunities outside of dance
• Why dancers often ignore warning signs and convince themselves they are invincible
• Learning to trust your gut when something doesn't feel right with your health
• The different paths available to dancers who want both a professional career and a college education

Connect with Ella:

Follow Ella on Instagram: https://www.instagram.com/ellatitus/

Follow Ella on TikTok: https://www.tiktok.com/@ellatitus

Links and Resources:

Schedule a complimentary career consultation: https://www.thebrainyballerina.com/career-mentoring

ETOILE: https://www.etoilecomp.com/brainy (save 10% with code BRAINY10)

ORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)

Let’s connect!

MY WEBSITE: thebrainyballerina.com

INSTAGRAM: instagram.com/thebrainyballerina

Schedule your complimentary career consultation: https://www.thebrainyballerina.com/career-mentoring

Questions/comments? Email me at [email protected]

What does it really look like to build a career with New York City Ballet?

In this episode of The Brainy Ballerina Podcast, I’m joined by Laine Habony, a dancer in the corps de ballet at New York City Ballet, to talk about her journey from studying at the School of American Ballet to performing on one of the most prestigious stages in the ballet world.

Laine shares what it was like to move to New York at just 13 and takes us behind the scenes of her transition from student to professional dancer, including how she received her apprenticeship with NYCB and navigated the demands of company life.

We also discuss Laine’s experiences exploring choreography and serving as an apprentice repertory director, what she has learned from working on the other side of the rehearsal room, and how her relationship with ballet has evolved throughout her career.

Key “Pointes” in this episode:

• Growing up studying multiple dance styles and how tap and musical theater influenced her approach to Balanchine
• Moving to New York at 13 to train full-time at the School of American Ballet
• The pivotal lessons she learned from her teachers at SAB
• How Laine found out she had been offered an apprenticeship with New York City Ballet
• The biggest adjustments she faced when transitioning from student to professional dancer
• Her favorite ballets to perform, dream roles, and the joy of finding new ways to approach familiar choreography
• Exploring choreography and creating work for fellow dancers
• What she learned from serving as an apprentice repertory director
• Developing a healthy relationship with ballet and cultivating interests outside the studio

Connect with Laine

INSTAGRAM: https://www.instagram.com/lainehabony/

Links & Resources

Schedule a complimentary career consultation: https://www.thebrainyballerina.com/career-mentoring

ETOILE: https://www.etoilecomp.com/brainy (save 10% with code BRAINY10)

ORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)

Let’s connect!

My WEBSITE: thebrainyballerina.com

INSTAGRAM: instagram.com/thebrainyballerina

Questions/comments? Email me at [email protected]

What if the path to a professional ballet career doesn't look the way you think it "should"?

In this solo episode, I’m sharing the unconventional choices I made as a pre-professional dancer that ultimately still led me to a career in ballet (and helped me stay in love with dance along the way).

From staying at my home studio through high school to skipping summer intensives, scaling back my dance training during my senior year, choosing college over immediately pursuing a company contract, and even joining a college dance team, my path looked different from the traditional trajectory many young dancers are told they need to follow.

But those choices gave me something I desperately needed: balance, perspective, and the ability to build a sustainable career without burning out.

Key “pointes” in this episode:

• Why I chose to stay at my home studio through high school instead of moving away to train
• Choosing to spend my last two summers of high school working and being a "regular kid" instead of attending summer intensives
• Recognizing burnout and scaling back my training during my senior year
• Why taking a step back actually helped me become a stronger dancer
• Choosing to major in dance in college instead of immediately pursuing a professional ballet company
• What joining my college dance team taught me about performing outside of my comfort zone
• How experiences outside of classical ballet gave me skills that later helped my professional career
• Why there is no single "right" path to a professional dance career
• Giving yourself permission to make choices based on what you need, not what you think you're supposed to do

You don't need to follow someone else's path to have a successful dance career. Your career is going to be uniquely yours, and staying open to unexpected opportunities can lead you places you never imagined.

Links & Resources:

Schedule a complimentary career consultation: https://www.thebrainyballerina.com/career-mentoring

ETOILE: https://www.etoilecomp.com/brainy (save 10% with code BRAINY10)

ORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)

Let’s connect!

My WEBSITE: thebrainyballerina.com

INSTAGRAM: instagram.com/thebrainyballerina

Questions/comments? Email me at [email protected]

Khi’Shawn Robinson began dancing at 14 and initially set his sights on a career in classical ballet. After studying ballet at the University of North Carolina School of the Arts, he unexpectedly took a professional job with Royal Caribbean, which opened the door to a completely different side of the dance industry.

Today, Khi’Shawn is a performer and dance captain with the national tour of The Wiz. In this episode, he shares his journey to The Wiz (including auditioning multiple times before finally booking the show), proving that sometimes “no” really does mean “not right now.”

We also learn what a dance captain does, what a typical day on tour looks like for Khi’Shawn, and get some insight into the history of The Wiz!

• Starting dance at 14 and discovering a passion for ballet
• What Khi’Shawn learned from earning his degree in Classical Ballet from the University of North Carolina School of the Arts
• Why he decided to make the leap from classical ballet into musical theater
• His first professional job with Royal Caribbean’s Hairspray
• The differences between performing on a cruise ship and touring with a national production
• Auditioning for The Wiz multiple times before finally joining the cast
• What The Wiz means as a celebration of African American culture and experience
• What a typical day on tour looks like for Khi’Shawn
• What it means to be a dance captain and how being a dance captain has changed the way he approaches his own dancing

Connect with Khi’Shawn:

INSTAGRAM: https://www.instagram.com/khishawnrobinson

Links & Resources:

See The Wiz at the Overture Center in Madison, WI: https://www.overture.org/tickets-events/2026-27-season/the-wiz

(head to The Brainy Ballerina IG to enter to win two free tickets!)

REGISTER FOR SEE AND BE SEEN: https://eisenhowerdance.org/beseen

ORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)

Let’s connect!

My WEBSITE: thebrainyballerina.com

INSTAGRAM: instagram.com/thebrainyballerina

Questions/comments? Email me at [email protected]

In dance, feedback can shape much more than how you perform. It can influence how you see yourself, what you believe you’re capable of, and even the choices you make in the studio and beyond.

In this episode of The Brainy Ballerina Podcast, I’m joined by Kristin Deiss and Michelle Loucadoux, co-founders of Danscend, to talk about how feedback can affect a dancer’s confidence, identity, and sense of self-worth.

We discuss why dancers can be particularly vulnerable to internalizing what teachers say, how our own insecurities can change the way we receive feedback, and how to separate “I need to work on this” from “I’m not good enough.”

We also talk about processing conflicting corrections, deciding what feedback is actually useful, and giving yourself permission to let go of what doesn’t serve you.

For teachers, we dig into the other side of the equation: how to give feedback more intentionally, why dancers don’t need every correction we notice, and how observation, trust, and giving dancers more agency can create a healthier learning environment.

Key “Pointes” in this Episode

• Why dancers can be especially vulnerable to internalizing feedback
• How your own insecurities affect the way you receive feedback
• Separating feedback from your identity
• Practical strategies for processing difficult corrections
• What to do when different teachers give conflicting feedback
• Learning what feedback to keep and what to let go
• Building self-worth beyond your abilities as a dancer

Connect with Danscend

WEBSITE: https://danscend.com/

INSTAGRAM: instagram.com/danscendofficial

DANSCEND APP (IOS): https://apps.apple.com/us/app/danscend/id6759905827

DANSCEND APP (Android): https://play.google.com/store/apps/details?id=com.danscend.school&hl=en_US

Links & Resources:

REGISTER FOR SEE AND BE SEEN: https://eisenhowerdance.org/beseen

ORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)

Let’s connect!

My WEBSITE: thebrainyballerina.com

INSTAGRAM: instagram.com/thebrainyballerina

Questions/comments? Email me at [email protected]

Choosing a ballet variation can feel overwhelming. With so many options, and so much pressure to choose the “right” one, it can be easy to focus only on what looks impressive or what might earn the highest score.

In this episode, I’m joined by Carrie Euker, founder of Étoile Dance Competition, to talk about how dancers, teachers, and parents can approach variation selection (and the entire competition dance landscape) more thoughtfully.

Key “pointes” in this episode:

• Why age-appropriateness should be one of the first considerations when choosing a variation
• How the character and personality of a variation can help guide the decision
• How teachers can adapt variations to meet a dancer where they are technically
• How to balance a dancer's strengths, challenges, artistry, and personality
• Why choosing a variation shouldn't be about finding the one that will simply get the highest score
• The importance of giving young dancers opportunities to develop as artists and performers, rather than rushing them into mature roles
• Why competitions can be an opportunity for education and development, not just placement
• Looking beyond the most prestigious opportunities and considering what is actually the right fit for an individual dancer
• Why dancers need experience with corps de ballet work, not just solos
• Why the process of learning and rehearsing is just as important as the final performance

Carrie also shares great perspective on the pressure young dancers face today and the value in letting dancers develop at their own pace.

Ultimately, the goal isn't to find the variation that makes a dancer look the most impressive. It's to find something that allows them to grow, learn, and actually be themselves onstage.

Connect with Étoile Dance Competition

WEBSITE: https://www.etoilecomp.com/brainy

INSTAGRAM: instagram.com/etoiledancecomp

Links & Resources:

REGISTER FOR SEE AND BE SEEN: https://eisenhowerdance.org/beseen

ORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)

Let’s connect!

My WEBSITE: thebrainyballerina.com

INSTAGRAM: instagram.com/thebrainyballerina

Questions/comments? Email me at [email protected]

In this week’s episode of The  Brainy Ballerina Podcast, I’m joined by New York City Ballet Soloist Sara Adams.

In this episode, Sara shares her journey from taking her first ballet class on Cape Cod to training at the School of American Ballet and ultimately joining New York City Ballet. We talk about the transition from student to professional, finding confidence, dealing with comparison, and what she's learned from nearly two decades in the company.

We also talk about pursuing a college degree while dancing professionally, finding interests outside of ballet, and why Sara believes dancers should have more fun and trust their own timeline.

• What it was really like to move to New York at 13 to attend the School of American Ballet
• The unexpected role that became a turning point in Sara's path toward becoming a soloist at NYCB
• How Sara managed college while dancing full-time
• The fulfillment she finds serving as a mentor for the next generation of dancers entering New York City Ballet
• What 18 years in one company has taught her about comparison, confidence, and becoming comfortable with who you are
• Why Sara still feels like she “needs” to dance after nearly two decades as a professional

Connect with Sara

INSTAGRAM: instagram.com/sara_jane_adams

Links & Resources:

REGISTER FOR SEE AND BE SEEN: https://eisenhowerdance.org/beseen

ORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)

Let’s connect!

My WEBSITE: thebrainyballerina.com

INSTAGRAM: instagram.com/thebrainyballerina

Questions/comments? Email me at [email protected]

Audition season can feel overwhelming, but it doesn’t have to.

In this solo episode of The Brainy Ballerina Podcast, I’m walking you through my recommended timeline for preparing for professional dance auditions, starting in September and continuing through the end of audition season.

Instead of waiting until January to start thinking about auditions, you’ll learn how to use the fall months to get your materials, finances, company research, and audition strategy in place, so you can head into the new year feeling prepared and confident.

Audition Resources:

FREE DOWNLOAD // Audition Roadmap: https://lp.constantcontactpages.com/sl/3oZ0IJD/auditionroadmap

1-1 Career Mentoring: https://www.thebrainyballerina.com/career-mentoring

The Intentional Career Handbook:

https://www.thebrainyballerina.com/intentional-career-handbook

The Ultimate Audition Guide: https://www.thebrainyballerina.com/theultimateauditionguide

The Dance Company Database: https://www.thebrainyballerina.com/digital-resources/p/dance-company-database

Dance Audition Materials Audit:

https://www.thebrainyballerina.com/digital-resources/p/dance-audition-materials-audit

Links & Resources:

REGISTER FOR SEE AND BE SEEN: https://eisenhowerdance.org/beseen

ORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)

Let’s connect!

My WEBSITE: thebrainyballerina.com

INSTAGRAM: instagram.com/thebrainyballerina

Questions/comments? Email me at [email protected]

In this week’s episode of The Brainy Ballerina Podcast, I sat down with Garrett Anderson, Artistic Director of Ballet Idaho, to talk about his journey from professional dancer to arts leader and what it really takes to build a lasting career in dance.

Garrett spent 20 years performing with companies including San Francisco Ballet, The Royal Ballet of Flanders, Trey McIntyre Project, and Hubbard Street Dance Chicago before stepping into his current role. We talk about how he got his start in ballet, the mentors who shaped him along the way, and the pivotal moments that took him across the country and overseas in pursuit of new artistic challenges.

This conversation is packed with insight for anyone curious about the discipline and curiosity it takes to sustain a career in the arts.

Key "Pointes" from this Episode:

• How Garrett got into ballet and the role his mom played in his early training
• The transition from student to professional dancer, including meeting his wife along the way
• Moving between companies with distinct styles, and how curiosity fueled those transitions
• What allowed Garrett to sustain a 20-year professional dance career
• His unplanned transition from performer to Artistic Director
• How his perspective on the dance industry has shifted since becoming a director
• Rethinking risk-taking in ballet and what contemporary dance techniques could bring to the art form

Connect with Garrett:

Visit Ballet Idaho’s Website: https://balletidaho.org/

Follow Ballet Idaho on Instagram: https://www.instagram.com/balletidaho

Follow Ballet Idaho on Facebook: https://www.facebook.com/balletidaho

Links and Resources:

SHOP MSeam Apparel: https://mseamapparel.com/ (use code BRAINY25 at checkout for 25% off all items)

Register for the “See & Be Seen” College Recruitment Event: https://eisenhowerdance.org/beseen

Let’s connect!

MY WEBSITE: thebrainyballerina.com

INSTAGRAM: instagram.com/thebrainyballerina

Schedule your complimentary career consultation: https://www.thebrainyballerina.com/career-mentoring

Questions/comments? Email me at [email protected]