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Building on our last episode about widescreen formats in the 1950s, we’re taking you inside a virtual restoration room for a hands-on look at how we determined the correct aspect ratio for The Country Girl (1954). You'll see clips of the film in multiple aspect ratios so you can decide for yourself—was it meant to be seen in 1.66:1 or 1.85:1? If you’ve ever wanted to be a film restorationist for a day, this is your chance to experience what the job is really like. Join us as we compare the film side by side, break down the visual and historical evidence, and reveal how the final decision was made—no lab coat required!
Contact Us At:
www.perfdamage.com
Email : [email protected]
Twitter (X) : @perfdamage
Instagram : @perf_damage
Letterboxd : Perf Damage
Check Out our Youtube Channel:
https://www.youtube.com/@PerfDamagePodcast
4.9
1111 ratings
Building on our last episode about widescreen formats in the 1950s, we’re taking you inside a virtual restoration room for a hands-on look at how we determined the correct aspect ratio for The Country Girl (1954). You'll see clips of the film in multiple aspect ratios so you can decide for yourself—was it meant to be seen in 1.66:1 or 1.85:1? If you’ve ever wanted to be a film restorationist for a day, this is your chance to experience what the job is really like. Join us as we compare the film side by side, break down the visual and historical evidence, and reveal how the final decision was made—no lab coat required!
Contact Us At:
www.perfdamage.com
Email : [email protected]
Twitter (X) : @perfdamage
Instagram : @perf_damage
Letterboxd : Perf Damage
Check Out our Youtube Channel:
https://www.youtube.com/@PerfDamagePodcast
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