The Conversation

It is estimated that one in four pregnancies will end in a miscarriage. But despite being a common occurrence, this topic is still shrouded in secrecy, stigma and shame. Kim Chakanetsa meets two women who are using their first-hand experience to help other people heal.

Produced by Alice Gioia

(Image: (L) Paula Ávila-Guillen, credit Pablo Salgado. (R) Wanjiru Kihusa, courtesy Wanjiru Kihusa)

Dry stone walling is an ancient craft that goes back thousands of years and remains an important means of enclosing fields in rural areas of Europe, and of constructing terraces for agriculture in more mountainous regions. But it’s a craft, along with other countryside skills, that’s practiced by fewer people these days. Kim Chakanetsa speaks to two women from the US and Italy about their passion for building beautiful walls.

Serena Cattaneo is from Genoa Northern Italy where the walls helped establish terraces for olive and vine groves in the mountains. She started dry stone walling five years ago and now, as well as working restoring walls, she also teaches the skill at workshops. She’s passionate about the trade and keen to develop a women’s network as she’s yet to meet another female waller in Italy.

Whitney Brown was 26 years old when she met a dry stone waller at a festival in Washington, within weeks she was out on the hill with him in Wales wielding a hammer and learning everything she could about the craft. She’s since taken her skills back to the United States where she teaches others, but returns as often as she can to work in the UK.

Produced by Jane Thurlow

(Image: (L) Serena Cattaneo, credit Serena Cattaneo. (R) Whitney Brown, courtesy Whitney Brown. Background: wall in Sori, credit Serena Cattaneo.)

Mountain rescue volunteers are a rare breed: they’re on call 24/7, ready to risk their lives to save hikers and skiers who get stuck on the mountains. Kim Chakanetsa meets two women who lead perilous rescue missions in Canada and in the UK.

Kirsty Pallas is a mountaineering and climbing instructor based in Scotland. In 2014 she joined the Oban Mountain Rescue Team, where she’s a callout manager and a training officer. She’s also the founder of Our Shared Outdoors, an organisation set up to tackle and change the lack of diversity in the outdoors and promote underrepresented groups.

Kayla Brolly is an emergency room nurse and a crew member with North Shore Rescue, the busiest volunteer search and rescue organisation in Canada. She’s been involved in countless rescue operations in the popular hiking and skiing mountains north of Vancouver. In December 2017, whilst taking part in a delicate rescue mission on a steep slope, she suffered a severe head injury.

Produced by Alice Gioia for BBC World Service.

Men run most of world's cultural institutions, but in recent years more women have been given top jobs at leading galleries and museums. Kim Chakanetsa speaks to two women from Australia and Germany about the importance of getting a woman's view on what's worth displaying and history worth preserving.

Margot Neale Ngawagurrawa is an Aboriginal Australian curator and one of the world's leading experts on Aboriginal history and culture. She's Head Indigenous Curator at the National Museum Australia and has spent seven years bringing together historical and cultural stories of the Aboriginal peoples which till now have only existed in oral form. The resulting exhibition, Songlines: Tracking the Seven Sisters is now on a global tour – and in Plymouth, UK till the end of February 2022.

Dr Stephanie Rosenthal has been director of Gropius Bau in Berlin, Germany since 2018. She studied art history and her work since then has focused on contemporary art and performance. The Gropius Bau has recently tackled the subjects of humanity’s relationship to nature, exploitative extraction processes and ‘how plants practice politics’.

Produced by Jane Thurlow

(Image: (L) Stephanie Rosenthal, credit Mathias Voelzke. (R) Margot Neale Ngawagurrawa, courtesy Margot Neale Ngawagurrawa. Background: Maruku Arts by Niningka Lewis.)

Sound is everywhere around us: from blockbuster Hollywood films to live music events, from broadcasting the news to speaking with astronauts in space. For every broadcast, big or small, there are engineers and sound designers working behind the scenes to make sure you get the highest audio quality possible. Kim Chakanetsa explores the world of audio production with two of the best in this field.

Produced by Alice Gioia. Sound editing by Sue Maillot.

(Image: (L) Alexandria Perryman, credit Norah Moran/NASA. (R) Nina Hartstone, credit Getty Images. The background image is the waveform of the opening six seconds of an episode of The Conversation.)

Kim Chakanetsa speaks to two women who are making chocolate production both more sustainable and equitable.

Produced by Emily Naylor and Alice Gioia

(Image: (L) Vicki Bain. (R) Treena Tecson, courtesy of Treena Tecson.)

Very few people in the world are blessed with exceptional musical talent that is apparent from an early age. What is childhood like in the spotlight, especially as a young woman? To find out, Kim Chakanetsa meets two musicians whose careers began when they were children.

Produced by Emily Naylor and Jane Thurlow

(Image: (L) Tosin Jegede, credit Tosin Jegede. (R) Sujari Britt, credit Jamie Jung.)

Singing is said to improve your mood, relieve stress, help you sleep better and produce pain-relieving endorphins - as well as improving posture and boost immunity and lung function! Kim Chakanetsa finds out more about the benefits of singing together, and the strange world of choir competitions.

Adwoa Dickson is from Jamaica. She is Choir Director for The Amies Freedom Choir, in the UK, which supports women who've survived trafficking. Singing in the choir helps the women relax and regain confidence as they explore songs and musical styles from each others' cultures and languages.

Finnish choir director, Marjukka Riihimäki established the women’s choir, Philomela in 1984 and has taken their distinctive sound around the world, working with a composer and choreographer to give them a unique stage presence. Philomela won the Female Chamber Choir competition at the World Choir Games in Riga in 2014. Since retiring as a music teacher Marjukka also works with people in sheltered housing who have dementia.

Produced by Jane Thurlow

(Image: (L) Marjukka Riihimäki, credit Maarit Kytöharju. (R) Adwoa Dickson, courtesy Adwoa Dickson.)

It is not easy to be a woman on public transport. Across the world, you will hear reports of women being harassed, groped and even sexually assaulted. This has an enormous impact on women being able to take up employment and education opportunities, as well as accessing healthcare. Kim Chakanetsa talks to two women who are trying to change this.

Joanie Fredericks is an activist and entrepreneur from South Africa who recently set up Ladies Own Transport - an initiative providing safe transport options for women in Cape Flats, a crime hotspot in Cape Town. Joanie, a survivor of violence herself, had previously set up a women-only driving school. Thanks to her, nearly a 100 women have managed to get their drivers’ licences.

Produced by Alice Gioia

(Image: (L) Angie Palacios, credit Angie Palacios. (R) Joanie Fredericks, credit Joanie Fredericks.)

The first female known to have played rugby was Emily Valentine, an Irish schoolgirl, who played alongside her brothers in 1884. It took another 80 years for a women's team to be formed, and the first Women's Rugby Union World Cup was held in 1991. Kim Chakanetsa speaks to two women from Uganda and Spain about the game's increasing popularity and how it's changed them.

Patricia Garcia is a profession rugby player who’s competed for Spain in World Cups, Olympics and Test series, as well as appearing in 198 games over multiple 7s tournaments for her country. She now plays in the UK for Exeter Chiefs. She's also passionate about using the sport as positive force and has set up her own charity, PGR NGO, to promote social education and values through rugby.

Winnie Atyang plays rugby in Uganda and uses the sport to support and inspire young women. Winnie became a single mother to twins when she was just 17 years old, and had to drop out of school. She says the rugby community is hugely encouraging: helping her go back to school and then find work to support her family. She also believes playing the sport gives her focus, confidence and ambition.

Produced by Jane Thurlow

(Image: (L) Winnie Atyang, credit Denise Namale. (R) Patricia Garcia, credit FER (Spanish Rugby Union))