The Conversation

Anoushka Shankar on sitar and Kasiva Mutua on drums...two celebrated female musicians talk to Kim Chakanetsa about their paths to mastering instruments more traditionally played by men.

Anoushka Shankar's father, the legendary Indian sitar player Ravi Shankar taught her to play the instrument from the age of 9. She first performed in public with her father at 13 and got a recording contract as soon as she finished school. She says growing up surrounded by music actually meant she had a complicated relationship with it, involving both love and fear. Despite that she decided to embrace the sitar on her own terms and is now heralded as probably the best female player in the world, making nine solo albums and receiving six Grammy nominations for her work. Anoushka says she's now experimenting with her music in ways she wished she had done 20 years ago.

Kasiva Mutua is a Kenyan percussionist who discovered her love for drums at a young age, finding rhythms in her grandmother's stories and in the everyday sounds around her. She pursued drumming in secret throughout her teenage years before deciding to make a career of it - much to the dismay of her family and the wider community; female drumming in Kenya is considered taboo. Determined to follow her passion Kasiva is now an internationally touring drummer and part of the African music initiative The Nile Project. She says she had to fight to play - but it's all been worth it.

(L) Image: Kasiva Mutua on drums at the Miami Dade NP Concert in 2015 US Tour. Credit: Jim Virga

Forget the wicked witch or the pretty princess - a new generation of women in animation are doing away with cartoon cliches. Kim Chakanetsa talks to two women doing their bit to ensure that female characters are accurately drawn from life, rather than stereotypes.

Niki Yang grew up in South Korea visiting comic book rooms and watching Japanese anime on TV - which helped her realise her passion for drawing and storytelling. Niki established her own career in animation when she moved to Los Angeles more than a decade ago. She's since worked on a number of well-known cartoons including Family Guy and Adventure Time. She says the birth of her son has introduced a new humour to her life and work.

Aliki Theofilopoulos is a Greek-American television writer and animator, who's currently working at DreamWorks. As a child she loved watching slapstick cartoons like Bugs Bunny and Looney Tunes, but it was Disney's Dumbo that truly inspired her to work in animation. In a career spanning more than 20 years, Aliki has worked on household hits like Mulan and Hercules. She's also worked on popular TV series Phineas and Ferb which sees two step-brothers invent wonderful and wacky machines.

Image: Niki Yang (l) and Aliki Theofilopoulos (r)

Calculator tricks and baking cakes - how two female mathematicians help people have fun with maths.

Sara Santos engages the unsuspecting public in maths through a kind of street performance. Originally from Portugal, Sara now runs a company called Maths Busking in the UK, and tours festivals, schools and corporate events wearing a yellow top hat and doing maths for people's amusement. Her 'tricks' include tying people up with ropes and guessing their birthdays. Sara says the idea that only very clever people are good at maths is rubbish; anyone can do it.

(L) Image and credit: Eugenia Cheng

Growing up with a name that has resonance around the world - and a father with a towering reputation. That's been the experience of Samia Nkrumah and Noo Saro-Wiwa. We'll hear about the pride and burdens they carry with them, and how their fathers' untimely deaths have shaped their lives.

Samia Nkrumah is the daughter of Ghana's first president, Kwame Nkrumah - the man who led his country to independence in 1957, and became an international symbol of freedom as the leader of the first African country to shake off the chains of colonial rule. Samia was just 11 at the time of her father's death, and hadn't seen him for six years, after the family were separated following his overthrow. Still, Samia decided to follow her father into politics and currently chairs the Convention People's Party, a political party in Ghana founded by her father.

Noo Saro-Wiwa is the daughter of Ken Saro-Wiwa, the Nigerian writer and environmental activist who was killed in 1995 after leading peaceful protests against the oil industry in his home region of Ogoniland. Noo was a 19-year-old student at the time of his death. She went on to become a journalist and author based in the UK - she has written an account of her own journey around Nigeria called 'Looking for Transwonderland'.

Image: Samia Nkrumah (credit: Samia Nkrumah) (l) and NooSaro-Wiwa (credit: Michael Wharley) (r)

What draws women to motorbikes, whether it's weaving them through traffic or seeing the world from one? Kim Chakanetsa asks two women from Poland and Kenya who spend their lives in the saddle.

Aleksandra 'Ola' Trzaskowska's love of motorbikes is not about the machine itself - it's about the thrill of seeing new places from the best vantage point. She used to be a lawyer in Warsaw but gave it up to do what she loves. Ola now runs tours on two wheels to Asia, North Africa and both American continents. On her own trips she always aims to steer off the beaten track - preferring to explore countries like Afghanistan alone. Even breaking her leg in a road accident in Cuba hasn't put her off - as soon as it's mended she'll be straight back on her bike.

Naomi Irungu took up bikes two years ago when she met her motorcycle-mad husband. She had always wanted to try but was warned off by her family after her uncle died in a motorbike accident. Naomi says it can be exhilarating and scary riding through rush-hour traffic in Nairobi, dodging the matatus and the taxi-bikes that jostle for road space. She loves to get out of the city on longer rides and for her recent wedding she was picked up by a 15 strong motorcade of biker friends.

L-Image and credit: Ola Trzaskowska

The power of art to change lives. Two women talk to Kim Chakanetsa about how they use art to enable refugees, asylum seekers and young women to find their creative voice.

Isha Fofana is a Gambian artist who set up an art centre in her country to encourage young women to pursue their artistic talents. Although she showed an interest in art at a young age, she was not fully able to explore it until she was much older. Her canvasses are often large and extremely colourful, capturing the joy and power she sees in the women around her.

Zeina Iaali is a Lebanese-Australian artist who volunteers at the Refugee Art Project in Sydney, which supports refugees and asylum seekers to tell their stories through art. Her own artwork revolves around her experiences as a Muslim woman in Australia. She says art has the power to bring people together, and that's where magic happens.

Photo: (L) Zeina Iaali. Credit: Refugee Art Project. (R) Isha Fofana. Credit: Mama Africa)

Prayers and preparation for the apocalypse - two women share with Kim Chakanetsa their experiences of life in strict religious communities they would call cults.

Natacha Tormey was born into an international evangelical group and led a highly regimented life in communes in Thailand, Indonesia and France. She says physical discipline and sexual abuse were common, and as children they were separated from their parents. As a teenager she began to question the ideas of the leaders, and at 18 she left the cult and her family behind. Natacha has now settled in the UK and is the author of 'Cults - A Bloodstained History'.

Claire Ashman grew up in a strict religious community in Australia. She left at 18 to get married, but a few years later her husband joined them up to what she now calls a doomsday cult. Claire and her eight children spent their life behind barbed wire fences and there was limited contact with the outside world. Much time was spent preparing for an impending apocalypse. A decade ago, Claire and her family left. She now calls herself an anti-cult activist.

Photo and credit: (L) Claire Ashman

What's life like when women are in charge? Kim Chakanetsa talks to two women who've formed close ties with matriarchal communities in China and India, and who've gone onto document their experiences.

Choo Waihong is a former high-flying lawyer from Singapore who quit her job to move to a remote part of China to live with the Mosuo tribe. This is one of the last matrilineal and matriarchal societies on earth. That means that the family descends from the female bloodline, and that women also hold the ultimate power in the community. Waihong ended up building a house among the Mosuo, and has written a book about her experiences called 'Kingdom of Women.'

Karolin Klüppel is a German photographer who travelled to the remote north-east of India to get to know the Khasi people, who live in families where women inherit property, and children take the mother's name. Karolin was struck by the self-confidence of the young girls, and she set about making portraits of the children, which form part of her photo series, 'Mädchenland' or 'Kingdom of Girls.'

Image and credit

'I will ride cancer; cancer will not ride me'. An Indian dancer and a Jamaican athlete who were diagnosed with breast cancer at the peak of their physical condition tell Kim Chakanetsa how they got through their treatment by focussing on their passions.

Novlene Williams-Mills is an exceptional Jamaican sprinter who has competed - and won medals - in four Olympic Games. In 2012, just before the London Olympics, she found out she had breast cancer. Despite the diagnosis, she decided to compete, and helped Jamaica bring home a bronze medal in the 400 metre relay. Four surgeries later, she is cancer-free. Throughout her treatment Novlene continued to run because when she's on the track, she says all her problems disappear.

Ananda Shankar Jayant is an award-winning Indian dancer and choreographer, known for her talent in two classical dance forms Bharatanatyam and Kuchipudi. She says as soon as she was diagnosed with breast cancer in 2008, she made a decision that she would not succumb to the 'bogeyman' of cancer, and would keep dancing, even through chemotherapy. By focussing on her what she loves to do, she says she was able to stay positive. Now also all-clear, Ananda continues to teach and perform dance, and recently launched a dance app called Natyarambha.

L-Image: Novlene Williams-Mills. Credit: Matthew Lewis/Getty Images

Female interpreters discuss being voices for vulnerable people. Kim Chakanetsa brings together two women, one who interprets for medical patients, and one who helps refugees apply for asylum. They talk about the pressures and the joys of what they say is an under-valued job.

Teodora Manea Hauskeller is a Romanian who works as a medical interpreter in the UK, easing understanding between doctors and patients who don't speak English. She is present in the room when potentially scary diagnoses are being given, and says the responsibility and emotion of this kind of work can be quite tough, but it can also be very rewarding.

Mariam Massarat is an Iranian-American interpreter, who specialises in translating for Farsi-speaking asylum seekers and refugees in the US. She gets to know her clients and puts them at their ease before they go into the asylum interview, and then she acts as their voice for up to six hours. If the interview is successful, and they are granted asylum, she loves to hear what they go on to do in their new lives.

Image: Mariam Massarat (L) and Teodora Manea Hauskeller (R)