They're both Democrats

No one is afraid, we're just sick of it all.

Not sure which side some of these people are really on.

There's money in panic, but there's really nothing to be concerned about...yet.

In this episode of the Derek Hunter Podcast, guest host Dean Karayanis, New York Sun columnist and former Rush Limbaugh staffer, delivers a sharp-witted and historical analysis of the escalating conflict with Iran. Following the death of the previous Ayatollah, Dean mocks the appointment of his son, Mojtaba Khamenei, by the "Council of Experts" — a puppet organization designed to maintain a hereditary dictatorship under the guise of an Islamic “Republic.” He targets Western media, like the New York Times, for "romanticizing" the new leader as a "man of mystery" rather than a standard fanatic.

The IRIS Dena vs. The Belgrano Strategy: A significant portion of the show is dedicated to Dean’s recent column for the New York Sun, where he compares the recent sinking of the Iranian frigate IRIS Dena to the 1982 sinking of the ARA General Belgrano during the Falklands War. Just as the Argentine junta claimed the Belgrano was "sailing away" and outside an Exclusion Zone, Iran and its supporters are framing the destruction of the Dena as a war crime because it was in international waters.

The Reality: Karayanis cites historical evidence—including a 1982 BBC interview with Margaret Thatcher and later admissions by the Belgrano’s captain—to argue that "international waters" do not grant immunity to enemy combatants executing tactical maneuvers. In truth, the Dena was warned twice by the U.S. and offered safe harbor by India, but the captain chose to proceed, making the ship a legal military target.

The Culture of Mockery and Free Speech: A broader critique of "useful idiots" in the West and the decline of creative freedom. Dean creative diversity, critiquing the "X-Men Reboot" social media account, arguing that modern writers have turned characters into political avatars for themsevles. He uses Nightcrawler and Magneto as examples of how true diversity includes diversity of belief and internal conflict.

British "Tools of Hate": Dean mocks the U.K. labor government’s labeling of the Union Jack and St. George’s Cross as “symbols of hate,” exposed in a leaked report, a stance that outraged liberal (but not leftist) John Cleese. “The Germans” episode of Cleese’s landmark series, “Fawlty Towers, illustrates that comedy is being stifled by people who refuse to analyze the "butt of the joke," which is often the person being unreasonable, not the victims of history.

Dean concludes with a message of resilience, urging listeners to support the "flying machines" and the brave individuals fighting to dismantle the Iranian regime, while maintaining a sense of humor in the face of global tension.

There is little doubt she earned the invitation to leave.

Which is the bigger mess?

Now the fun begins.

Iran and principles...

In this high-energy, provocative episode, the guest host (filling in for Derek Hunter) delivers a raw, uncompromising breakdown of the reported deaths of the Iranian Ayatollah, Mahmoud Ahmadinejad, and dozens of high-ranking regime leaders. Drawing on his years working for Rush Limbaugh, the host argues that the "mystery" of how to handle tyrants has finally been solved through a return to the "Sunday Punch" philosophy of Theodore Roosevelt and Ronald Reagan.

The episode dismantles common foreign policy "myths," specifically the idea that "you can’t kill an idea." With a blend of dark humor and historical grit, the host posits that ideas live in heads—and when those heads are removed, the idea dies with them. He contrasts the current administration’s forceful military action against decades of "mealy-mouthed" diplomacy, specifically calling out the failures of the Carter and Biden eras.

Infused with pop-culture references—from Animal House and Pulp Fiction to Shaka Zulu—this episode is a victory lap for American strength, arguing that the only way to ensure peace is to make the price of "Death to America" slogans too high to pay.