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Hugh Sykes has reported for the BBC since the 1970s and has travelled far and wide to witness some of the most significant events of our age. Here, in conversation with Owen Bennett-Jones, he discusses what some of those stories mean to him, and explains the journalistic values he applied to them. From the historic British coal miners’ strike of 1984-5 to the insurgency in Iraq, Sykes has faced down danger, surviving respectively an attack by angry strikers who threatened to throw him into a canal, and a roadside bomb. Yet he has always insisted on keeping his own feelings out of the story, in order to let his subjects communicate directly to listeners. Meanwhile, we hear too about his love of Iran, formed by years spent there as a child, about his preference for the medium of radio over television – and about how high spirits in the studio once nearly landed him in trouble with BBC bosses.
Producer: Michael Gallagher
(Image: Hugh Sykes files a report on location – watched by a donkey. Credit: Hugh Sykes’ collection)
There is a secret map passed down from hobo to hobo. You can’t buy it in stores or download it online but if you’re lucky enough to get a copy you can travel anywhere in America by freight train. They call it The Crew Change Guide and it is a sacred document for those who still ride in boxcars like the hobos looking for work in the great depression. This state by state guide has grown from one man’s obsession into a network of everything you need to get from Aliceville, Alabama to Wendover, Wyoming - all for “low or no dollars”.
President Trump has dramatically reduced the numbers of refugees arriving in the United States, vowing to protect native-born Americans’ interests. But there’s a catch - some of the nation’s reddest communities may not survive without them. Katy Long telsl the story of one small, poor, conservative town — Cactus, Texas — where hundreds of refugees have settled, drawn by the well-paid jobs in meatpacking, shifting the demographics of the community, shaping the refugees’ perspective and saving the town from disaster. Cactus is a town which would have died altogether, taking the meatpacking plant and the jobs there with it, had it not been for these refugees. And so this story begs the question: if you drastically reduce immigration and stop refugee resettlement – as the Governor of Texas has recently announce – what happens to these towns, to the meatpacking industry, and to the idea of beef-and-oil-Texas?
Thousands of people across the globe are experiencing a worrying cycle of Covid-19 symptoms months after recovering from the disease. Four of the so-called 'Covid long-haulers’ - from South Africa, Canada, Bangladesh and New Zealand - share their persistent symptoms, from dizziness to brain fog, with Nuala McGovern. Education is also a long-term concern and US parents discuss the different paths they’ve chosen for returning their children to school during a pandemic. For one teacher in Arizona, however, it resulted in a difficult decision to resign rather than return to the classroom.
North Korea and Tibet are two of the most tightly-controlled societies on earth, and as a consequence their peoples are often misunderstood by the world’s media, caricatured respectively as aggressive communists and spiritual hermits. But Barbara Demick, former Los Angeles Times correspondent in Seoul and Beijing, confesses that she likes a challenge, and so set out to build a more nuanced picture of individuals’ real lives in both places. Moreover, she did this with minimal location reporting; indeed in the case of North Korea, she never visited the city she wrote about at all. Using an almost forensic level of investigation, Demick conducted lengthy and highly detailed interviews with people who had left both places, cross-referencing testimonies and drawing on additional research to corroborate their accounts. She then used the resulting material to inform a vivid, factual storytelling style that she calls narrative non-fiction. As she explains in conversation with Owen Bennett-Jones, it is a difficult process, but one that yields fascinating insight into places whose repressive leaders would rather we knew far less about.
Producer: Michael Gallagher
(Image: Soldiers at a military parade in North Korea. Credit: EPA/How Hwee Young)
In Japan, if you want to disappear from your life, you can just pick up the phone and a ‘night moving company’ will turn you into one of the country’s ‘johatsu,’ or literally ‘evaporated people.’ You can cease to exist. Meet the people who choose to disappear and the people who are left behind.
Sandra Kanthal looks at what strategies are being put in place to transport a vaccine to countries around the world, who will be the first in those countries to get the vaccine, and, once it is available, how to convince people to take it.
Nuala McGovern considers alcohol and drug addiction relapse during the pandemic. We hear from two men, in Kenya and the United States, about how they have fought their addictions while under lockdown. Nuala also talks about the importance of family in these times and hears how one man travelled more than 2,000 km across the US to play his trombone for his brother, who was recovering in a rehab centre after a fall. She also talks about how hobbies are helping us and joins a wrestler, a dancer and a musician in conversation about social distancing.
The women of Gee’s Bend have held on to their creative traditions, passed down from mother to daughter: spine-tingling gospel singing, and a unique style of bold, improvised quilting. Made from old clothes out of necessity for generations, used for insulation and burned to keep off mosquitoes, the quilts brought Gee’s Bend fame after they were “discovered” by an art collector in the 1990s and shown in major museums in Houston and New York. Maria Margaronis hears the voices of this small community.
As a child of Soweto, apartheid South Africa’s most notorious black township, Milton Nkosi could easily have become an embittered adult; in June 1976 he witnessed the Soweto uprising in which white police brutally suppressed protests by black schoolchildren, leading to many deaths. Yet, as apartheid began to collapse in the early 1990s, Milton found himself drawn into TV journalism; enabling him to question his former tormentors and helping viewers around the world to see the moral case for change. So began a career that took him from translator and fixer to producer and eventually, the head of bureau for the BBC’s news operation in South Africa, where he then sought to diversify coverage of a fast-changing continent. As Milton explains in this conversation with Owen Bennett-Jones, his humble beginnings turned out to be an asset: Among his childhood neighbours in Soweto were anti-apartheid activists including Nelson Mandela’s wife and children, many of whom would become valuable contacts. However, after the transition to democracy in 1994, Milton also had to ask uncomfortable questions of some of them, as claims of corruption emerged within the ANC government. Moral dilemmas such as this defined his working life: Is it even possible to be an impartial reporter when your subject might be a close associate? For Milton, the issues need to be seen in context. As he points out: “Nobody can ever justify apartheid based on the mistakes of the post-apartheid leaders”.
Produced by Michael Gallagher
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