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Hanna Harris is Helsinki’s chief design officer and the second person in the job since the role was created in 2016. But why does a city need a chief design officer? And, what can design do to boost wellbeing? Erika Benke joins Hanna as she searches for new pioneering opportunities that have the potential to change people’s lives. They visit a vast decommissioned power plant, inviting local people to share their views on how to give an industrial facility that has served its purpose, a new lease of life. They also go to an old playground that is about to be transformed into a new themed playground where children can learn about computing, algorithms and AI. As Hanna travels a cross the city, we hear her plotting, planning and exploring ideas and infecting others with her passion for design.
After a lull in activities, in 2024 the Islamic State Group claimed to be behind several major attacks, showing the world they have not gone away. Among them was the storming by gunmen of a Moscow concert hall. Ten years after the Islamist extremists declared the establishment of a caliphate, our Jihadist Media Monitoring Team considers the current capabilities and ambitions of the group that once ruled over a large territory in Iraq and Syria.
Producer: Kriszta Satori
Writer Alvin Hall returns to Wakulla County, Florida, the world he grew up in, to shed light on the political present and share a haunting portrait of a disappearing way of life. It has long been deeply rural, a place of unspoilt wilderness and incredible natural beauty. But it has also been a place with a violent history of racial segregation and oppression. But change is coming. Since Alvin’s last visit almost 10 years ago, unprecedented development has swept the county and it seems as if decades of racial division might really be starting to wear away. Is this really the beginning of the end?
10 years ago, IS proclaimed the creation of an Islamic State or Caliphate in Iraq and Syria. They went on to dominate headlines for years, committing terrible attacks and atrocities in the Middle East and beyond. Despite losing territory in 2019, the group still exists and is active in many countries around the world. Jihadist media specialist Mina Al-Lami analyses IS' most recent activities and the threats posed by them and other militant groups.
Produced by Caroline Ferguson and Alice Gioia.
(Photo: Faranak Amidi. Credit: Tricia Yourkevich)
The war in Ukraine has contributed to a heightened awareness of security in parts of Europe, and in some countries, the reintroduction of different forms of national service has become a debate once again. In the UK, the ruling Conservative party has promised a system of national service if re-elected. In Italy too, deputy prime minister Matteo Salvini has introduced a controversial bill to bring back mandatory military service. In Germany, the defence minister has presented a proposal for selective military service focused on volunteers to boost its depleted armed forces. Our conversations in this edition bring people together who have completed national service in some form.
This special programme is dedicated to the team of scientists and support staff isolated at British research stations in the Antarctic midwinter. For the staff living at three British Antarctic Survey research stations (Rothera, Bird Island and South Georgia), and at other national bases across the frozen continent, midwinter is a special time. With no sunlight, Antarctica is at its coldest and those stationed on the frozen continent face months of total isolation. Midwinter celebrations at the British research stations include a feast, exchange of presents, watching the 1982 horror film The Thing (where an alien monster terrorises an Antarctic base) and listening - on short wave - to the BBC’s Midwinter Broadcast. Presenter Cerys Matthews features messages from family and friends at home, as well as music requests from Antarctica.
Over 800 ethnically-Korean refugees fled Ukraine for Koryo Village in South Korea’s Gwangju province following Russia’s invasion. Many Koryoin are women and children who escaped Ukraine when male family members were drafted. Some have secured legal status and jobs, while others await document processing. They are descendants of Koreans who fled to the Soviet Union during the Japanese occupation of Korea. Journalist So Jeong Lee visits the village, observing new arrivals and a school where children learn Korean. But recent elections have led to new government policies which will impact the Koryoin.
Fighters from dissident armed groups in Colombia are using TikTok to glorify their lives as guerrillas and recruit youngsters. These armed groups did not like the terms of a peace treaty negotiated between the Revolutionary Armed Forces of Colombia (FARC) and the government in 2016, and they kept fighting against the Colombian government. Videos glorifying life inside the guerrilla: money, cars, guns, women, community and purpose, have struck a chord with teens, particularly in rural areas like the Cauca region in west Colombia. So how popular are these TikToks and what does it mean for Colombia?
Is Russia Europe’s last empire? Is its invasion of Ukraine a “colonial war”? Is “decolonising” the country the only way of ensuring it stops being a threat to its neighbours and world peace?
Since last year, “decolonising Russia” has become a buzz-phrase in Ukraine and other former members of the soviet union, among many Western strategists and politicians, Russian studies experts – and Russia’s own liberal opposition and ethnic minorities.
And that’s triggered a vigorous debate about whether the term “decolonisation” is really relevant to Russia – and what it means. Is it about challenging the “imperial mindset” of its rulers – and perhaps of every ordinary Russian? Or perhaps it means dismembering the country itself?
In “Assignment: Decolonising Russia” Tim Whewell dissects a new and vital controversy with the help of historians, policy makers and activists in the former Soviet Union, the West and the Global South.
For artist Nazanin Moradi, who was brought up in Iran where women are “second-class citizens in every sense,” reversing the “unfair” gender roles is paramount. In her new project, the multidisciplinary artist challenges male domination and toxic masculinity, within a fragmented historical context where fantasy meets rebellion. She does this by changing the narrative of ancient Mesopotamian mythology, fixating on the legendary battle where the supremely powerful dragon goddess of oceans Tiamat, was killed by the storm god Marduk. Sahar Zand spends time with Nazanin as she embarks on the ambitious project.
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