Kelsi and Trey are joined by special guest James Steck to revisit the haunting world of Robert Eggers. They kick off with a quick conversation about Eggers’ recent retelling of Nosferatu, exploring its somewhat-successful reimagination of the classic vampire tale. We then dive deep into The Lighthouse, unpacking its gripping chamber thriller/horror atmosphere and mythic deconstruction of masculinity-led by two all-time performances from Willem Dafoe and Robert Pattinson.

⁠⁠Follow James on Letterboxd here⁠

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Kelsi and Trey explore the career of Barry Jenkins starting with a reaction to Mufasa: The Lion King. We then transition to the masterful career of Jenkins, whose groundbreaking work in Moonlight redefined modern queer cinema. From the intimate, poetic storytelling of Chiron’s life to Jenkins’ profound ability to capture the defense mechanism and prison of masculinity on screen.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Kelsi and Trey dive deep into Luca Guadagnino’s Queer, starring Daniel Craig and Drew Starkey. This hypnotic, surreal adaptation of William S. Burroughs’ unfinished novel explores longing, loneliness, and identity through bold visual storytelling and complex characters. Set in a dreamlike 1950s Mexico City, the film blends stunning performances, immersive design, and a hallucinatory narrative to examine the tension between desire and self-destruction. Also, Drew Starkey is a babe.

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⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Send requests, questions, and thoughts to our email: [email protected]

Kelsi and Trey dive into Brady Corbet’s The Brutalist, a sprawling, visually stunning epic that explores the intersection of art, legacy, and the immigrant experience. We unpack its breathtaking opening sequence, the haunting score by Daniel Blumberg, and its ambitious narrative following László Tóth (Adrien Brody), a Holocaust survivor and architect navigating postwar America under the oppressive control of a manipulative patron (Guy Pearce). While we admire Corbet’s big filmmaking choices and meticulous design, we critique the film’s reliance on archetypes, tired tropes, blunt symbolism, and its reluctance to fully trust its audience. Is The Brutalist a modern cinematic masterpiece or a monument that struggles to stand out among giants?

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⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Send requests, questions, and thoughts to our email: [email protected]

Kelsi and Trey react to the Golden Globes awards show, the speeches, the production, and how outside of a few authetnic speeches (Demi Moore, Sebastian Stan, etc.) it really felt like more of a fun-awkward celebrity hangout. Then we discuss Luca Guadagnino's newest feature 'Queer' starring Daniel Craig and Drew Starkey (which may be Trey's favorite movie of the year). And, of course, today is a Patreon deep dive, so we'll be talking a lot about Guadagnino's and Timothée Chalamet's career with a light ranking conversation! Big Episode!

⁠⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Send requests, questions, and thoughts to our email: [email protected]

Kelsi and Trey dive into the coming of age world of Little Women, comparing Gillian Armstrong’s beloved 1994 adaptation with Greta Gerwig’s 2019 reimagining. We unpack how each version interprets Louisa May Alcott’s classic novel, from Armstrong’s heartfelt, linear approach that leans into nostalgia and emotional honesty to Gerwig’s two-timeline structure, which reframes the story as a reflection on memory, ambition, and the relationship between commerce and art. We also explore the performances—Winona Ryder’s fiery Jo versus Saoirse Ronan’s restless, modern take—and debate Laurie’s evolution, Amy’s redemption arc, and how both films portray love, art, and community.

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⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Send requests, questions, and thoughts to our email: [email protected]

Kelsi and Trey dive deep into the recent rise of Timothée Chalamet, examining his recent work in 2024, including his transformative performance in A Complete Unknown. Chalamet completely immerses himself into his version of Bob Dylan, but the direction of James Mangold holds him back from ever fully capturing the political anger of this enigmatic artist. While we really enjoyed ourselves, we wanted something a bit more...radical! YouTube review on its way.

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⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Send requests, questions, and thoughts to our email: [email protected]

Kelsi and Trey dive deep into Robert Eggers' highly anticipated Nosferatu remake. While Eggers' signature atmospheric style is on full display, we explore whether the film’s haunting visuals and slow-burn tension are enough to overcome its often uninteresting narrative. We debate whether its a brilliant reimagining of a classic, or if the film leaves viewers wanting more absurdity and textual depth.

The Extra Credits YouTube Channel⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Send requests, questions, and thoughts to our email: [email protected]

Kelsi and Trey dive into the chaotic world of Training Day, the 2001 crime thriller that earned Denzel Washington his only Best Actor Academy Award. They explore Washington's portrayal of Detective Alonzo Harris, a cartoonish villain elevated by Washington's charisma and command. We also explore Washington's career, highlighting his versatility across his very-different eras, examining how Training Day fits into his filmography. While Training Day is a propulsive movie, and Washington is undeniably compelling, we also touch on why this film has a complicated legacy for a variety of reasons.

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Kelsi and Trey explore the world of one of our favorite romantic comedies Notting Hill. This 1999 rom-com gem pairs the awkward charm of Hugh Grant with one-and-only Julia Roberts. We discuss their careers, the rom-com king Richard Curtis, and the meta commentary that Trey thinks makes Notting Hill one of the most interesting Hollywood cultural artifacts ever made.

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