Kelsi and Trey finish their Steven Soderbergh and Julia Roberts series off with one of the great heist/comedies of the 21st century in Ocean's Eleven. We discuss Soderbergh's incredibly style, the ensemble, recasting ideas for a future sequel/reboot, and the three leads in George Clooney, Brad Pitt, and Matt Damon.

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Kelsi and Trey discuss their 30 most anticipated films of 2025! From franchises like Jurassic World: Rebirth, Superman, and The Fantastic Four to auteur-driven projects from Paul Thomas Anderson, Ari Aster, Bong Joon-ho, and Luca Guadagnino, this year has the ultimate crossover of movie fandom.

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Kelsi and Trey break down the careers of Steven Soderbergh and Julia Roberts, ranking their highs, lows, and surprising pivots before diving deep into Erin Brockovich—one of the great human dramas, one of the great investigative stories, and one of the best blockbusters about helping people (hot people help people!).

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Kelsi and Trey discuss the latest updates for the main feed, YouTube, and Patreon. But then, Trey explains his confusion over the Luka Doncic trade--attempting to compare the insanity of this move to something like Timothée Chalamet being replaced in Dune right before Part Three drops...enjoy!

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Kelsi and Trey are joined by special guest James Steck to revisit the haunting world of Robert Eggers. They kick off with a quick conversation about Eggers’ recent retelling of Nosferatu, exploring its somewhat-successful reimagination of the classic vampire tale. We then dive deep into The Lighthouse, unpacking its gripping chamber thriller/horror atmosphere and mythic deconstruction of masculinity-led by two all-time performances from Willem Dafoe and Robert Pattinson.

⁠⁠Follow James on Letterboxd here⁠

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Kelsi and Trey explore the career of Barry Jenkins starting with a reaction to Mufasa: The Lion King. We then transition to the masterful career of Jenkins, whose groundbreaking work in Moonlight redefined modern queer cinema. From the intimate, poetic storytelling of Chiron’s life to Jenkins’ profound ability to capture the defense mechanism and prison of masculinity on screen.

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Kelsi and Trey dive deep into Luca Guadagnino’s Queer, starring Daniel Craig and Drew Starkey. This hypnotic, surreal adaptation of William S. Burroughs’ unfinished novel explores longing, loneliness, and identity through bold visual storytelling and complex characters. Set in a dreamlike 1950s Mexico City, the film blends stunning performances, immersive design, and a hallucinatory narrative to examine the tension between desire and self-destruction. Also, Drew Starkey is a babe.

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Kelsi and Trey dive into Brady Corbet’s The Brutalist, a sprawling, visually stunning epic that explores the intersection of art, legacy, and the immigrant experience. We unpack its breathtaking opening sequence, the haunting score by Daniel Blumberg, and its ambitious narrative following László Tóth (Adrien Brody), a Holocaust survivor and architect navigating postwar America under the oppressive control of a manipulative patron (Guy Pearce). While we admire Corbet’s big filmmaking choices and meticulous design, we critique the film’s reliance on archetypes, tired tropes, blunt symbolism, and its reluctance to fully trust its audience. Is The Brutalist a modern cinematic masterpiece or a monument that struggles to stand out among giants?

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Kelsi and Trey react to the Golden Globes awards show, the speeches, the production, and how outside of a few authetnic speeches (Demi Moore, Sebastian Stan, etc.) it really felt like more of a fun-awkward celebrity hangout. Then we discuss Luca Guadagnino's newest feature 'Queer' starring Daniel Craig and Drew Starkey (which may be Trey's favorite movie of the year). And, of course, today is a Patreon deep dive, so we'll be talking a lot about Guadagnino's and Timothée Chalamet's career with a light ranking conversation! Big Episode!

⁠⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Kelsi and Trey dive into the coming of age world of Little Women, comparing Gillian Armstrong’s beloved 1994 adaptation with Greta Gerwig’s 2019 reimagining. We unpack how each version interprets Louisa May Alcott’s classic novel, from Armstrong’s heartfelt, linear approach that leans into nostalgia and emotional honesty to Gerwig’s two-timeline structure, which reframes the story as a reflection on memory, ambition, and the relationship between commerce and art. We also explore the performances—Winona Ryder’s fiery Jo versus Saoirse Ronan’s restless, modern take—and debate Laurie’s evolution, Amy’s redemption arc, and how both films portray love, art, and community.

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⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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