Kelsi and Trey dive into Mickey 17, Bong Joon-ho’s most ambitious but messiest film yet—a sci-fi satire packed with class commentary, genre chaos, and existential dread, but also plagued by tonal inconsistency, underdeveloped themes, and what maybe feels like studio interference. We break down the good (Robert Pattinson’s delightfully weird dual performance, the darkly hilarious death montage, and some great satire on labor exploitation), the bad (a scattered third act, underbaked supporting characters like Naomi Ackie’s Nasha and Steven Yeun’s Timo, and an underwhelming visual style), and the frustrating (a possible scrapped twist about Mark Ruffalo’s character, weird pacing issues, and the sense that Warner Bros. meddled with the final cut). Plus, we discuss why the Hunger Games-style YA dystopian vibe isn’t necessarily a bad thing, and how ironic it is that people are mad a movie about corporate exploitation lost a corporate giant millions of dollars.

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Kelsi and Trey dive deep into the biggest moments of the 2025 Oscars—starting with Anora’s massive night, where Sean Baker dominated with his four wins. We break down why No Other Land’s Best Documentary Feature win was one of the most politically powerful moments of the night along with I’m Still Here. We also discuss the Mikey Madison vs. Demi Moore and Fernanda Torres debate—a win that highlights the Academy’s gendered bias. As well as the other race, the Timothée Chalamet loss and the Adrien Brody speech (!?).

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Happy 50 Patreon episodes! Kelsi and Trey explore Ryan Coogler's Creed as both a continuation and reclamation of the Rocky franchise, centering Michael B. Jordan’s Adonis Creed in a narrative that reclaims Philly, the Creed name, and boxing from the Rocky IP. We discuss Coogler's masterful balancing act of making an exciting sports drama, while also interrogating/honoring the Rocky mythos. We also talk Coogler and MBJ's careers as filmmakers, and what their newest film Sinners could look like!

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Kelsi and Trey finish their Steven Soderbergh and Julia Roberts series off with one of the great heist/comedies of the 21st century in Ocean's Eleven. We discuss Soderbergh's incredibly style, the ensemble, recasting ideas for a future sequel/reboot, and the three leads in George Clooney, Brad Pitt, and Matt Damon.

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Kelsi and Trey discuss their 30 most anticipated films of 2025! From franchises like Jurassic World: Rebirth, Superman, and The Fantastic Four to auteur-driven projects from Paul Thomas Anderson, Ari Aster, Bong Joon-ho, and Luca Guadagnino, this year has the ultimate crossover of movie fandom.

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Kelsi and Trey break down the careers of Steven Soderbergh and Julia Roberts, ranking their highs, lows, and surprising pivots before diving deep into Erin Brockovich—one of the great human dramas, one of the great investigative stories, and one of the best blockbusters about helping people (hot people help people!).

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Kelsi and Trey discuss the latest updates for the main feed, YouTube, and Patreon. But then, Trey explains his confusion over the Luka Doncic trade--attempting to compare the insanity of this move to something like Timothée Chalamet being replaced in Dune right before Part Three drops...enjoy!

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Kelsi and Trey are joined by special guest James Steck to revisit the haunting world of Robert Eggers. They kick off with a quick conversation about Eggers’ recent retelling of Nosferatu, exploring its somewhat-successful reimagination of the classic vampire tale. We then dive deep into The Lighthouse, unpacking its gripping chamber thriller/horror atmosphere and mythic deconstruction of masculinity-led by two all-time performances from Willem Dafoe and Robert Pattinson.

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Kelsi and Trey explore the career of Barry Jenkins starting with a reaction to Mufasa: The Lion King. We then transition to the masterful career of Jenkins, whose groundbreaking work in Moonlight redefined modern queer cinema. From the intimate, poetic storytelling of Chiron’s life to Jenkins’ profound ability to capture the defense mechanism and prison of masculinity on screen.

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Kelsi and Trey dive deep into Luca Guadagnino’s Queer, starring Daniel Craig and Drew Starkey. This hypnotic, surreal adaptation of William S. Burroughs’ unfinished novel explores longing, loneliness, and identity through bold visual storytelling and complex characters. Set in a dreamlike 1950s Mexico City, the film blends stunning performances, immersive design, and a hallucinatory narrative to examine the tension between desire and self-destruction. Also, Drew Starkey is a babe.

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