The Filmmakers Podcast

By Giles AldersonTV & Film Film Interviews Film History

The Filmmakers Podcast episodes

October 03From 'One Day' to Feature Debut: Molly Manners & Producer Sarah Brocklehurst on Adapting Short Stories, Sundance and Making 'Extra Geography'
Get tickets for SESSIONS Festival Screening at LIFF this Friday 9th Oct at Genesis Cinema in London here: https://genesiscinema.co.uk/event/114469
Filmmakers, welcome back to the podcast! Today we have an absolute treat for you, especially if you love fiercely authentic, character-driven British cinema.
We are sitting down with BAFTA-winning director Molly Manners and powerhouse producer Sarah Brocklehurst to talk about their brilliant new coming-of-age film, Extra Geography, which is out in UK cinemas right now via Vertigo Releasing.
Now, you will definitely know Molly’s work from directing the massive Netflix global hit One Day, as well as the BAFTA-winning series In My Skin. Extra Geography marks her feature film directorial debut, and what a debut it is. Alongside her, we are thrilled to welcome back to the pod the founder of Brock Media, Sarah Brocklehurst—the producer behind phenomenal indies like Animals, Black Pond and the multi-BIFA-nominated The Outrun.
Extra Geography premiered to sold-out crowds at Sundance earlier this year and has been sitting comfortably at 100% on Rotten Tomatoes. Written by Miriam Battye and adapted from a short story by Rose Tremain, the film follows two teenage best friends at an English girls' boarding school who launch a summer project to fall in love with the very next person they see.
In today's chat, Molly and Sarah break down the transition from high-end television to indie features, the art of expanding a short story into a ninety-minute script and how they discovered incredible newcomers Marni Duggan and Galaxie Clear to anchor the film.
Also, remember that you can watch the full video version of this interview over on our TFP YouTube Channel—so make sure you head over there and hit subscribe! Let’s dive straight in. Enjoy the episode!"
Title: Directing Extra Geography: Molly Manners & Sarah Brocklehurst on Sundance, Teenage Obsession & Feature Debuts
On this week's episode, we are joined by BAFTA-winning director Molly Manners (One Day, In My Skin) and acclaimed producer Sarah Brocklehurst (The Outrun, Animals) to break down their critically acclaimed new coming-of-age drama, Extra Geography.
Fresh off a sold-out run at the Sundance Film Festival and a 100% Rotten Tomatoes score, Molly and Sarah take us behind the scenes of bringing Miriam Battye’s sharp, funny and deeply relatable screenplay to the big screen.
🎬 IN THIS EPISODE WE DISCUSS:
The TV to Feature Leap: Molly discusses stepping onto the set of her debut feature film after directing massive television hits like Netflix's One Day.

Adapting Short Fiction: How Sarah and screenwriter Miriam Battye took Rose Tremain’s original short story and expanded the world into a full feature arc without losing its intimacy.

Finding the Leads: The casting process behind discovering newcomers Marni Duggan and Galaxie Clear, and how to build raw, unbreakable teenage chemistry alongside Alice Englert.

Producing Authentic British Indies: Sarah shares insights into packaging, financing and championing distinct female-led stories in today’s independent market.

Capturing the Boarding School Bubble: How the production design, cinematography and pacing worked together to capture the claustrophobic, intoxicating intensity of teenage friendships.
Extra Geography is out in UK cinemas now via Vertigo Releasing.
🎧 CATCH UP ON RECENT EPISODES:
Directing the Silence: George MacKay on Sense and Sensibility, Ripped Trousers & Trusting the Director.

Adapting Austen: Georgia Oakley & Fiona Shaw on 35mm Film, Subverting Costumes & Sense and Sensibility.

Bad Apples: Jonatan Etzler on 17 Shorts, Character Arcs & Directing Saoirse Ronan.

The Business of Film Special: The Hidden UK Indie Boom, Sales Agents & Surviving the Box Office Market.
ALL AT thefilmmakerspodcast.com
📲 SUPPORT THE PODCAST & CALL TO ACTION:
🎥 Watch on YouTube: Head over to the TFP YouTube Channel to watch the full video interview with Molly and Sarah, and don't forget to subscribe!

🎧 Subscribe & Review: If you got value from today’s episode, please leave us a rating and review on Apple Podcasts or Spotify. It helps us reach more filmmakers and send the elevator back down.

👕 Merch & Courses: Grab your on-set podcast gear, check out our Post Production Demystified course and explore our full archive at TheFilmmakersPodcast.com.
📝 Episode Description (Show Notes)

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51 min
September 27 George MacKay on Sense and Sensibility, Wardrobe Malfunctions & an Acting Masterclass | TFP Mini-Ep
On this special bonus mini-episode, we sit down with the incredible George MacKay (1917, Femme, Captain Fantastic) to talk about his latest role as Edward Ferrars in Georgia Oakley’s stunning adaptation of Sense and Sensibility.
George gives us a rapid-fire masterclass in acting, collaboration, and how to survive the intense, high-pressure environment of a major period drama set.
🎬 IN THIS EPISODE WE DISCUSS:
The Trouser Incident: George hilariously recounts the moment his period costume ripped during a pivotal romantic scene, and how the resulting laughter actually helped cement his chemistry with Daisy Edgar-Jones.
Building Chemistry: The specific, character-driven techniques he uses to build rapport with his co-stars before the cameras even roll.
The Power of Silence: George discusses how the best directors understand that holding space and not giving notes can be the most effective way to help an actor find the emotional truth of a scene.
Trusting the Vision: Why a director’s clear, unwavering vision—even in the unsaid details—is crucial for making the cast feel safe enough to take big creative risks.

Sense and Sensibility is in cinemas now. Watch the full video interview on the TFP YouTube Channel.

🔔 Subscribe to the TFP YouTube Channel for full video interviews every week!
🎧 Listen to the audio version on Apple Podcasts & Spotify.
👕 Get your official TFP on-set gear: TheFilmmakersPodcast.com

George MacKay, George MacKay interview, Sense and Sensibility 2026, Sense and Sensibility movie, Daisy Edgar-Jones, Georgia Oakley, 1917 movie, George MacKay 1917, Femme movie, directing actors, film directing tips, how to direct actors, filmmaking masterclass, The Filmmakers Podcast, Giles Alderson, indie film, period drama, acting advice, British cinema

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20 min
September 23Directing Sense and Sensibility: Georgia Oakley & Fiona Shaw on the BIG 2nd Feature, the Reality of Period Filmmaking & Cinematic Rigour
Filmmakers, welcome back to the podcast! Today we are tackling a literary masterpiece, but we are looking at it through a completely fresh, vibrant, and fiercely cinematic lens.
We are joined by the phenomenally talented director Georgia Oakley and the absolute acting titan, Fiona Shaw.
Georgia is fresh off the massive success of her BAFTA-nominated debut feature, Blue Jean, which won the Venice People's Choice Award. She cut her teeth making brilliant short films like Little Bird and coming up through the BFI Flare mentorship, and now she has stepped up to direct a stunning new adaptation of Jane Austen’s Sense and Sensibility.
And what can you even say about Fiona Shaw? She is a true legend of the craft and a CBE. From winning multiple Olivier Awards on stage to dominating our screens in Killing Eve, Andor, Harry Potter, My Left Foot, and True Detective, she brings an incredible weight and mischievous joy to every single role she takes on.
In this episode, Fiona praises Georgia for putting a gauntlet down to a new generation—keeping the absolute integrity of Austen's original book while completely transforming it into a powerful filmic metaphor. Georgia breaks down the massive artistic and practical challenges of the shoot, including the terrifying moment they lost a day and a half of footage to a digital transfer error. We discuss her specific influences from European cinema, why casting an ensemble is exactly like building a football team, and her unique process of using iPhone test shoots with extras so her main cast has the absolute freedom to move naturally on the day.
A quick housekeeping note: This is part one of our Sense and Sensibility double-bill! This Friday, we are dropping an exclusive episode with George MacKay, who plays Edward Ferrars in the film. You absolutely do not want to miss his hilarious anecdote about a badly-timed trouser rip during a highly emotional scene.
Also, full video versions of both today's interview with Georgia and Fiona, and Friday's episode with George, will be available over on our TFP YouTube channel—so make sure you head over there and subscribe.
Let’s get straight into it. Enjoy the episode!
IN THIS EPISODE WE DISCUSS:
The Directorial Vision: Fiona explains how Georgia managed to keep the integrity of Austen's book while completely transforming it into a cinematic metaphor.
A Nightmare on Set: Georgia shares the terrifying reality of losing a day and a half of film footage due to a transfer error.
Rehearsals & Freedom: How Georgia uses an iPhone to block out scenes with extras beforehand, giving her main cast total physical freedom to explore the space on the day
Casting the Ensemble: Why putting together a cast is exactly like building a football team, and how to navigate chemistry reads.
Cinematic Influences: Georgia discusses the European filmmakers and naturalistic framing that influenced the visual language of the film.
🚨 DOUBLE-BILL ALERT:
Make sure you tune in this Friday for Part Two of our Sense and Sensibility coverage, featuring George MacKay! Plus, watch the full video interviews for both episodes over on the https://www.youtube.com/@filmmakerspod

🎧 CATCH UP ON RECENT EPISODES:
Bad Apples: Jonatan Etzler on Nailing the Pitch, Transitioning to Features, 17 Shorts, Character Arcs & His English-Language Debut starring Saoirse Ronan.

The Business of Film Special: The Hidden UK Indie Boom, Sales Agents & Surviving the Distribution & Box Office Market.
Directing PRACTICAL MAGIC 2: Susanne Bier on Magic, Studio Sequels & A-List Casts + Giles Announces his latest project.
From the Vault: Dexter Fletcher on Indie Debuts to Studio Blockbusters: Rocketman, Ghosted & Directing Action.
SUPPORT THE PODCAST & CALL TO ACTION:
🎥 Watch on YouTube: We are rolling out full video episodes! Head over to the TFP YouTube Channel to watch today's interview with Georgia and Fiona, plus Friday's upcoming special with George MacKay. Hit that subscribe button!

🎧 Subscribe & Review: If you enjoyed today’s deep dive, please leave us a rating and review on Apple Podcasts or Spotify. It is the absolute best way to support independent podcasting and send the elevator back down for other filmmakers.

👕 Merch & More: Grab your on-set podcast gear, check out our filmmaking courses, and access hundreds of archived masterclasses at TheFilmmakersPodcast.com.

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52 min
September 18Bad Apples: Jonatan Etzler on Nailing the Pitch, Transitioning to Features, 17 Shorts, Character Arcs & His English-Language Debut starring Saoirse Ronan
Filmmakers, welcome back to the podcast! Today Giles Alderson is sitting down with director Jonatan Etzler to talk about his brand new feature, Bad Apples. Now, if you want a masterclass in putting in the reps, Jonatan is your guy. He directed 17 short films that played at various festivals, including Intercourse, which screened at South by Southwest, and Swimmer, which won Best Comedy at Clermont-Ferrand. His graduation film from film school in Sweden even led to a Student Academy Award win and helped him secure a UK agent!
We talk all about the massive transition from directing shorts—which he brilliantly describes as focusing on one specific situation or idea—to building full, complex character development across a feature film.
His new film, Bad Apples, is an awkward, intoxicating ride. Jonatan breaks down his entire process, from writing a five-page English synopsis based on a book by Rasmus Lindgren to teaming up with producer Oskar Pimlott at Pulse Films and hiring screenwriter Jess O'Kane.
🎬 IN THIS EPISODE WE DISCUSS:
The Power of Short Films: Jonatan discusses the difference between the two mediums, noting that while a short film can survive on one core idea, a feature absolutely requires character development through twists and turns.

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24 min
September 08The Business of Film Special: The Hidden UK Indie Boom, Sales Agents & Surviving the Distribution & Box Office Market
Filmmakers, welcome back to the pod! Today we are stripping away the craft and diving headfirst into the absolute engine room of our industry: The Business of Film.
Giles Alderson is joined by a massive powerhouse panel to dissect the current state of the market, the realities of raising cash, and how to actually get your indie film seen and sold. We have data guru Stephen Follows, brilliant producers Lucinda Rhodes Thakrar and Dom Lenoir and fantastic indie directors Hilary Shakespeare and Conor Boru.
Grab your notepads, because we are laying out the hard truths and actionable tactics you need to survive in this shifting landscape.
The Data Paradox & The UK Indie Market
Total UK spend across film and high-end TV plummeted by £2.7 billion in the first half of 2026.

However, independent film sector spend has actually surged by 20%.

Inward investment makes up about 90% of UK spend, meaning a massive amount of IP and value leaves the UK post-production.

Budget pressures are fierce, with producers squeezed to keep indie budgets under £1-1.5 million to stand a real chance of recoupment.

Sales agents warn that budgets higher than this rarely break even unless the film becomes an unexpected, massive hit.

There is a serious contraction in the labour market, causing mid-to-high level crew to take lower-tier jobs or leave the industry completely.
Distribution & Sales Strategies
Only 10.8% of released fiction feature films on IMDb actually secure a professional sales agent.

Including a reputable sales agent in your pitch deck is vital to make a project appear "safe" to equity investors.

Pre-sales (Minimum Guarantees) are smaller nowadays but remain a crucial tool to secure investor confidence.

Audiences are exhausted by algorithm-driven "soulless content" and are actively rewarding original, authentic cinema.
Theatrical Release Tactics
Cinemas frequently dump indie films into terrible time slots, like Tuesday afternoons, until the film proves it can pull an audience.

If an indie film succeeds in those early slots, it can trigger better programming and longer runs.

Major cinema chains often hit filmmakers with hidden costs, charging extra to place lobby posters or feature the film in their digital newsletters.

Preview screenings are incredibly valuable because their ticket figures feed directly into the official opening weekend box office numbers.

Targeting specific local cinemas relevant to the film's setting can generate much more profitable, sustained runs.
Box Office Reality Check
Spider-Man: Brand New Day is dominating the North American box office with a massive $900 million.

Original indie films are absolutely breaking through, with Obsession taking 7th place at $263 million and Backrooms sitting in 9th place at $197 million.
🎧 Subscribe, Listen & Review: Help us out by subscribing and leaving a review on Apple Podcasts or Spotify—and tell your pals about this show!

👕 ⁠PODCAST MERCH⁠: Get your very own tees, hoodies, on-set gear and Hilary's Shakespeare Sisters merch ⁠HERE⁠.

📚 ⁠COURSES⁠: Want to learn how to finish your film? Take our POST PRODUCTION COURSE ⁠POST PRODUCTION DEMYSTIFIED⁠.

🌐 ARCHIVE: Check out our full episode archive on how to make films at ⁠TheFilmmakersPodcast.com⁠.
🎬 IN THIS EPISODE WE DISCUSS:📲 Support, Merch & Courses

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1 hr 26 min
September 03Directing PRACTICAL MAGIC 2: Susanne Bier on Magic, Studio Sequels & A-List Casts + Giles Announces his latest project
Filmmakers, we have an absolutely magical episode for you this week!
While Giles Alderson has been out in Bulgaria producing his latest feature film, the brilliant Conor Boru steps into the host chair to sit down with the phenomenal director Susanne Bier to discuss her massive new release, PRACTICAL MAGIC 2.
Nearly three decades after the original spellbound audiences, Susanne takes us behind the scenes of bringing the Owens sisters back to the big screen. She dives deep into the realities of directing a massive studio sequel, working with Hollywood royalty like Sandra Bullock and Nicole Kidman, balancing practical on-set effects with visual spectacles, and why the beating heart of this film is the authentic sisterhood on screen.
🚨 EXCLUSIVE ANNOUNCEMENT:
Before the interview, Giles is back with a massive exclusive update! He officially announces his latest producing project, The Joy of Sex, starring Academy Award winners Colin Firth and Julianne Moore!
💡 TOPIC OF THE WEEK:
Giles breaks down "The Myth of A-List Intimidation." How do you transition from micro-budget indie sets to working with literal Oscar-winning legends without losing your nerve? Listen in for the hard truths on why the job of filmmaking never changes, no matter who is on the call sheet.
🎬 IN THIS EPISODE WE DISCUSS:
Tackling a Legacy: The immense pressure and excitement of directing a sequel to a beloved 90s classic.

Directing A-Listers: Susanne’s approach to collaborating with Sandra Bullock, Nicole Kidman, and an incredible ensemble cast.

Practical vs. VFX: How to ground supernatural elements with practical on-set choices (and unexpected beetles!).

Stepping Out of Your Comfort Zone: Why filmmakers must continuously embrace challenges that terrify them.

The Producer's Mindset: Giles' lessons from the trenches of producing The Joy of Sex in Bulgaria.
🍿 ABOUT PRACTICAL MAGIC 2:
Starring Sandra Bullock and Nicole Kidman, Practical Magic 2 returns to a world steeped in moonlit mischief and powerful ancestral magic. The Owens sisters must confront a dark curse threatening to unravel their family. Joining the cast are Joey King, Lee Pace, Maisie Williams, Xolo Maridueña, Solly McLeod, Dianne Wiest, and Stockard Channing. Directed by Susanne Bier, from a screenplay by Akiva Goldsman, Georgia Pritchett, and Kelly Marcel.
Distributed worldwide by Warner Bros. Pictures. In cinemas across North America on September 10, 2026, and internationally beginning September 9, 2026.
📲 SUPPORT THE PODCAST:
🎧 Subscribe & Review: Help us out by leaving a review on Apple Podcasts or Spotify. Send the elevator back down and share this with a fellow filmmaker!

👕 PODCAST MERCH: Grab your on-set gear HERE.

📚 COURSES: Finish your film with our Post-Production Course HERE.

🌐 ARCHIVE: Access hundreds of filmmaking masterclasses at TheFilmmakersPodcast.com.

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38 min
August 19Dexter Fletcher on Indie Debuts to Studio Blockbusters: Rocketman, Ghosted & Directing Action [From the Vault]
[From the Vault] Directing Blockbusters: Dexter Fletcher on Rocketman, Ghosted & Surviving Studio Pressure
While we prep our upcoming Business of Film Special, we are unlocking the vault to revisit one of our most popular masterclasses with the brilliant actor-turned-director Dexter Fletcher!
Having transitioned from his indie debut Wild Bill to directing massive studio hits like Eddie the Eagle, Rocketman, Bohemian Rhapsody, and the action-packed Ghosted, Dexter knows exactly what it takes to navigate every level of the filmmaking industry. In this archived special, Giles Alderson and Dom Lenoir sit down with Dexter to break down his incredible journey.
🎬 IN THIS EPISODE WE DISCUSS:
The Pitching Process: How to clearly communicate your vision to secure the job.

Indie vs. Studio: The practical differences between directing your first indie film and helming a massive studio movie.

Directing Action & Stunts: Dexter's approach to storyboarding and executing massive set pieces.

The Importance of Rehearsals: Why making time to rehearse with your actors is non-negotiable.

Navigating Pressure & Notes: How to handle intense studio feedback and why directing can often be an incredibly lonely job.
Ghosted (2023)

Rocketman (2019)

Bohemian Rhapsody (2018 - Uncredited co-director)

Eddie the Eagle (2015)

Sunshine on Leith (2013)

Wild Bill (2011)
🎧 Subscribe, Listen & Review: Help us out by subscribing and leaving a review on Apple Podcasts, Spotify, or wherever you get your podcasts—but more importantly, tell your pals about this show. Thank you!

👕 ⁠PODCAST MERCH⁠: Get your very own tees, hoodies, on-set water bottles, mugs, and more ⁠HERE⁠.

📚 ⁠COURSES⁠: Want to learn how to finish your film? Take our POST PRODUCTION COURSE ⁠POST PRODUCTION DEMYSTIFIED⁠.

🌐 ARCHIVE: Check out our full episode archive on how to make films at ⁠TheFilmmakersPodcast.com⁠.
🎬 Dexter Fletcher Feature Directing Credits📲 Support, Merch & Courses

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54 min
August 13Writing, Producing & Directing Bella Ramsey & Neil Patrick Harris: George Jaques on Sunny Dancer & The Second Feature Film Hustle
Leveling Up the Second Feature: George Jaques on Directing, writing and producing Sunny Dancer, Bella Ramsey & Neil Patrick Harris
How do you transition from a £500k indie debut to a massive ensemble feature starring some of the biggest names in television and film? This week on The Filmmakers Podcast, Giles Alderson sits down with returning guest, writer-director George Jaques (Black Dog), to discuss his stunning second feature, Sunny Dancer.
Set against the backdrop of a summer camp for young cancer survivors, Sunny Dancer is a funny, warm, and deeply moving coming-of-age story that actively rejects hospital drama clichés. George breaks down his entire process, from pitching the script to Bella Ramsey and casting Neil Patrick Harris over Zoom, to creating an authentic, bond-filled atmosphere for his young cast on set in Scotland.
🎬 IN THIS EPISODE WE DISCUSS:
Subverting the 'Sick Teen' Genre: How George wrote a script where illness takes a back seat to teenage angst, party culture, awkward romance, and joy.

The Power of 'Feral Takes': George's unique directing technique for unlocking spontaneous, hilarious, and uninhibited performances from his actors.

Directing an All-Star Ensemble: What it was like working with Bella Ramsey, Ruby Stokes, Jessica Gunning, James Norton, and Neil Patrick Harris—and how he tailored his notes for each actor.

Creating On-Set Rapport: Why George insists on week-long rehearsals, shared transport, and summer camp bonding activities to make his cast look like lifelong friends on screen.

The Second Feature Jump: The harsh financial realities of closing indie film equity, managing producer stress, and looking after your mental health in the edit suite.
Sunny Dancer (2026) — Director, Writer, Producer
Cast: Bella Ramsey (The Last of Us), Ruby Stokes (Bridgerton), Conrad Khan (Peaky Blinders), Earl Cave (The End of the F*ing World), Jasmine Elcock, Jessica Gunning (Baby Reindeer), James Norton (Happy Valley), Neil Patrick Harris (Uncoupled), and James Blunt.

Black Dog (2023) — Director, Writer, Producer
Cast: Jamie Flatters (Avatar: The Way of Water), Keenan Munn-Tyson, Ruby Stokes.
🌱 FOOD FOR THOUGHT⁠ documentary out NOW | Watch it FREE ⁠HERE⁠
A feature documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. If you enjoyed the film, please take a moment to share and rate it on your favourite platforms. Every review and every comment helps us share the film’s important message with more people. Your support makes a massive difference!
🎧 Subscribe, Listen & Review: Help us out by subscribing and leaving a review on Apple Podcasts, Spotify, or wherever you get your podcasts—but more importantly, tell your pals about this show. Thank you!

👕 ⁠PODCAST MERCH⁠: Get your very own tees, hoodies, on-set water bottles, mugs, and more ⁠HERE⁠.

📚 ⁠COURSES⁠: Want to learn how to finish your film? Take our POST PRODUCTION COURSE ⁠POST PRODUCTION DEMYSTIFIED⁠.

🌐 ARCHIVE: Check out our full episode archive on how to make films at ⁠TheFilmmakersPodcast.com⁠.
Big thank you to:
Serena Gardner

Mark Hammett

Lee Hutchings

Marli J Monroe

Karen Newman
Want your name in the show notes or some great bonus material on filmmaking? ⁠*Join our Patreon*⁠ for bonus episodes, industry survival guides, and direct feedback on your film projects!
Written, Edited & Produced by: Giles Alderson ⁠@gilesalderson⁠

Logo & Banner Art by: ⁠Lois Creative⁠

Theme Music by: ⁠John J. Harvey⁠
🎬 George Jaques Feature Filmography & Credits🎥 Watch Food For Thought📲 Support, Merch & Courses🧡 Our Brilliant Patreon Supporters🎬 Credits

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1 hr 4 min
August 07Directing Nimrods: Indie Filmmaking Realities with director and writer Lee Kirk on his Punk Rock Road Trip movie
The Green Day Road Movie: Lee Kirk on Directing Nimrods & Indie Hustle
This week on The Filmmakers Podcast, guest host Conor Boru (When the Screaming Starts) sits down with writer and director Lee Kirk to dive deep into the making of his latest feature, Nimrods.
Born from an idea pitched by Green Day frontman Billie Joe Armstrong, Nimrods is a nostalgic, 90s-infused road trip comedy following three young punks driving across the country to reach a New Year's Eve Green Day concert. Lee shares the entire journey of getting the film off the ground, from drawing inspiration from classics like The Goonies and Risky Business to the practical realities of shooting along Route 66.
🎬 IN THIS EPISODE WE DISCUSS:
The Green Day Connection: How a conversation with Billie Joe Armstrong evolved into a fully fledged feature film.

Fictional Bands & Real Music: The process of sourcing the film's soundtrack and how Billie Joe's sons wrote an entire album for the film's hilariously chaotic in-world band, Cannibal Death March.

Crafting 90s Nostalgia: Blending modern camera work with vintage camcorder footage to authentically capture the era.

Shooting on Location: The logistical hurdles and aesthetic benefits of filming a road movie in Oklahoma City.

The Editing Suite: Why a film is truly made in the edit and the absolute necessity of being ruthless with your own script.

Stop Waiting for Permission: Lee’s ultimate advice for aspiring directors on why you must take the initiative and just start creating.
🔗 Links Mentioned in This Episode:
Keep an eye out for Nimrods on the festival circuit and upcoming release schedules.
🌱 FOOD FOR THOUGHT⁠ documentary out NOW | Watch it FREE ⁠HERE⁠
A feature documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. If you enjoyed the film, please take a moment to share and rate it on your favourite platforms. Every review and comment helps us share the film’s important message with more people. Your support makes a massive difference!
🎧 Subscribe, Listen & Review: Help us out by subscribing and leaving a review on Apple Podcasts, Spotify, or wherever you get your podcasts—but more importantly, tell your pals about this show. Thank you!

👕 ⁠PODCAST MERCH⁠: Get your very own tees, hoodies, on-set water bottles, mugs, and more ⁠HERE⁠.

📚 ⁠COURSES⁠: Want to learn how to finish your film? Take our POST PRODUCTION COURSE ⁠POST PRODUCTION DEMYSTIFIED⁠.

🌐 ARCHIVE: Check out our full episode archive on how to make films at ⁠TheFilmmakersPodcast.com⁠.
Big thank you to:
Serena Gardner

Mark Hammett

Lee Hutchings

Marli J Monroe

Karen Newman
Want your name in the show notes or some great bonus material on filmmaking? ⁠*Join our Patreon*⁠ for bonus episodes, industry survival guides, and direct feedback on your film projects!
Written, Edited & Produced by: Giles Alderson ⁠@gilesalderson⁠

Guest Host: Conor Boru

Logo & Banner Art by: ⁠Lois Creative⁠

Theme Music by: ⁠John J. Harvey⁠
🎥 Watch Food For Thought📲 Support, Merch & Courses🧡 Our Brilliant Patreon Supporters🎬 Credits

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50 min
July 29From Sitcoms to Feature Films: Screenwriting Secrets with Sean Clements & Directing Tips with Josh Greenbaum as they discuss new comedy 'The Dink'
In this week’s episode of the Filmmaker’s Podcast, host Dom Lenoir takes the reins while Giles Alderson is away in Bulgaria. We are thrilled to welcome back director Josh Greenbaum for an esteemed "hat trick" third appearance on the show, along with actor and screenwriter Sean Clements.
We dive into their new film, The Dink, a pickleball sports comedy that captures the nostalgic magic of late 90s and 2000s filmmaking. While the film brings the laughs, it also tackles universal and relatable themes like parental pressure, coaching aspirations, identity, ego, and pursuing second chances in your 40s.
Josh and Sean share their filmmaking process, discussing how to successfully direct non-actors and improvisers, the art of trimming "precious" scenes for the greater good of the movie, and what it was like collaborating with producer Ben Stiller.
What We Discuss in This Episode:
The Return of Josh Greenbaum: Celebrating Josh's third appearance on the podcast and why he was drawn to The Dink as his next project.

The World of Pickleball: Exploring the absurdity, accessibility, and real-life tennis community controversy surrounding the fastest-growing racket sport.

Nostalgic Comedy & Themes: Harking back to classic 90s/2000s comedies like Happy Gilmore, Best in Show, Dodgeball, and The Wedding Singer, while exploring universal themes of identity, ego, and parental pressure.

Screenwriting Origins: Sean Clements shares his personal journey as a former junior tennis player, his initial resistance to pickleball, and how finding an unlikely community of older players inspired the script.

Collaborating with Ben Stiller: How Ben Stiller came on board to produce, his script notes, and how he helped bring former pro tennis player Andy Roddick into the cast.

Directing Improvisers & Non-Actors: Josh’s philosophy on creating a safe set where actors aren't afraid to fail, letting comedic talents like Aaron Chen ad-lib, and guiding dramatic actors like Ed Harris and non-actors like Andy Roddick to play their roles straight for maximum comedic effect.

Kill Your Darlings (What's Good for the Movie): Sean talks about the transition from sitcom writing to feature films and a pivotal note from Josh on shortening a dramatic scene to serve the overall pacing of the film.

The Power of Music: Using needle drops (from country music to Britney Spears' "Work Bitch") and score by Dara Taylor to drive character and emotional tone.

Summer Filmmaking Advice: Dom’s closing thoughts on how filmmakers can balance taking a summer break while prepping development and location scouting for the September autumn rush.
Host: Dom Lenoir
Guests: Josh Greenbaum & Sean Clements
The DINK is our now on APPLE TV

#TheDink #JoshGreenbaum #SeanClements #Pickleball #SportsComedy #Filmmaking #Screenwriting #Directing #BenStiller #AppleTV #TheFilmmakersPodcast #IndieFilm #Podcast

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47 min

About The Filmmakers Podcast

From the publisher's feed

A podcast about how to make film and TV by filmmakers who actually make them. Interviewing guests from the film-making world from Indie film to Hollywood and everything in between. Hosts Giles…