Luiselli is TOO GOOD. This readable, complex, multi-faceted text proves yet again that she's a voice we need to hear. Listen in for a better appreciation of the structure, the polyphonic nature, its autofiction elements and the crucial use of echo. Plus what I think is REALLY GOING ON HERE.

NEVER have I been so riveted by a controversy. When's the last time LITERATURE caused this kind of stir??

Listen in to explore: what Cusk is actually up to; where I think sympathy lies; how looking closely at the title, the cover, the opening, and THE TEXT gives us the best way to understand the whole knotty, complex, fascinating thing!

If you loved this book this summer (or didn't quite think it lived up to NORTH WOODS), go back to school with me (and Miles and Kate and their kids) to study why the novel works well in so many ways--and falls a little short in others. Plus! A look at how Mason's humor is really firing on all cylinders in this one!

Interview referred to in podcast:

https://podcasts.apple.com/us/podcast/poured-over/id1567969228?i=1000775778354

The average moviegoer can't answer that because, honestly--who's plowed through the 592-page epic poem recently? With today's lecture, no one needs to, but you might end up WANTING TO.

We discuss what THE ODYSSEY actually is, when it was sung, when it was written, whether it was actually Homer who did the writing and so much more.

Then we dive into the difficulty of translating this behemoth, with some gorgeous (and hilarious) comparisons of lines from the years 1611, 1967, 1996 and 2018.

Lastly we dive into my impressions of the movie, which I saw AT A DRIVE-IN.

In a mere hour you could feel a lot smarter about one of the foundational texts of all of Western Literature. Listen in now!

Besson might have lured us in with Marcel P., but we stayed for the STORY. Listen in to find out how the prose, the plotting and the TURN (??) in this novel function so well.

Who ISN'T talking about the release of LIFE OF M on August 25??

(This is a REPOST of an earlier lecture.)

Yes. I'm going to read and analyze something I MYSELF WROTE.

I promise it won't be boring.

Also, it's short.

See the three question marks in the title above? Listen in to find out who would hate each one of them. We all have an impression of Stein, but Levy offers up (and problematizes) so much more.

With all its inventive, kooky, paramilitary (!) elements, Lost Lambs is delightful and wholly original. Except when it seems like a DIRECT descendent of Thomas Pynchon.

Listen in to fully appreciate the narrative stance, the postmodern elements (don't worry, I'll provide a definition), the structure, and the ways this frothy novel is crucially subversive.

And the gnats! Dive in to hear my theory for wtf is up with all the GNATs!

I picked up THE GIRLS WHO GREW BIG in the bookstore but ended up reading NIGHTCRAWLING. Wow is Mottley a talent to be watched.

Based on a true story, the novel digs deeply into police corruption, the failures of the education and employment systems, misogyny, corruption, life as a young Black woman in Oakland...to say nothing of the realities of sex work.

We explore a strong, recurring motif, figurative language, ingenious plotting (and some that doesn't work quite as well).

I get myself into pretzels to avoid any spoilers until the end, though this book is so good you would want to read it even if you knew exactly what was coming. Give this novel the attention it deserves now!