We're pleased to present our very first haunted episode! Returning guest Leigh Phillips joins your humble hosts Yavar and David for a discussion of the Thriller episode "Mr. George," which tells the story of a young girl's mysterious spectral guardian, and features a Goldsmith score built around an exquisitely tender main theme. Leigh has a good deal of unique insight into this one, having reconstructed and re-recorded selections from this score for the first volume of Tadlow's wonderful Thriller series. Additionally, using our groundbreaking new P.E.P. (Paranormal Editing Process) System, David is able to weave commentary from Ghost Clark (who is much like Regular Clark, but a ghost) throughout the episode. Click the "apparate" button on your listening device of choice and enjoy!

NOTE: early on, we mishear the name of an instrument called a "mark tree" due to Leigh's charming accent. Therefore, throughout most of the episode we refer to this chimes-like instrument as a "mock tree" — our apologies! Learn more about the mark tree here.

Here is your Goldsmith Odyssey - Thriller: Mr. George Track List

Please send your correspondence to [email protected].

Our latest Soundtrack Spotlight is (an examination of Intrada's new presentation of Jerry Goldsmith's gritty, propulsive score for) Extreme (Prejudice)! Your humble hosts Jens and David are joined by Douglass Fake of Intrada Records and liner notes writer John Takis. Among the topics of discussion: the surprising complexity of Goldsmith's thematic work, the messy history of the score's creation, memories of working with Jerry on the original album release, what sets this new release apart from previous editions, the importance of this score in the history of Intrada Records, and more! Naturally, you'll be treated to plenty of samples from the album along the way. We may be excessively biased, but we think you’ll enjoy it.

Here is your handy Extreme Prejudice Soundtrack Spotlight Track List!

Please send your correspondence to [email protected].

The Goldsmith releases keep pouring in, which means we've got yet another Soundtrack Spotlight for you! This time, we're examining a particularly thrilling Goldsmith premiere: Intrada's new release of the rejected score for the 1992 film The Public Eye. Your humble hosts Yavar and David are joined by the album's liner notes writer Frank DeWald, who analyzes the score from a purely musical perspective, and Intrada's Douglass Fake, who provides some thoughts on how the music might have worked in relation to the film for which it was written. Among the other topics of discussion: the contrasts between Goldsmith's music and Mark Isham's replacement score, the distinctive instrumental choices (eliminating brass, while employing double bass, triangle, and light electronic touches) Goldsmith made on this score, Frank's approach to writing liner notes, the other Goldsmith efforts this score's main theme has appeared in, what we know about why the score was rejected, and more. As usual, you'll hear plenty of illustrative excerpts from the new album along the way. This is music that will be brand-new to most Goldsmith fans, so don't miss this revealing snapshot of an important new release!

Here is your Soundtrack Spotlight on The Public Eye Track List!

Please send your correspondence to [email protected].

Soundtrack Spotlight ho! With only a few days left to order the latest physical CD edition, Douglass Fake of Intrada Records talks to Jens and Yavar about Jerry Goldsmith's wonderful London Symphony Orchestra re-recording of the vibrant western score Rio Conchos. Over the course of nearly 90 minutes, Doug discusses the motivation behind offering a new digital version of this album, the audio tweaks between it and the previous two issues, the story of pairing Jerry with the LSO for the first time, the decision to add Jerry's masterful The Artist Who Did Not Want to Paint to the album, sitting next to Jerry's father Morris at the connected LSO live concert, the challenges of financing ambitious projects like this one,  the benefits of having Jerry's frequent collaborator Bruce Botnick onboard, the differences between these performances and the original film performances, and much more! This one is full of wonderful memories and illuminating stories, so don't miss it!

• 0:00:00 - Rio Conchos (re-recording, 2021 release, unless otherwise noted) - Bandits Ho!
• 0:00:52 - The Artist Who Did Not Want to Paint (Prologue to The Agony and the Ecstasy)
• 0:05:52 - Lonely Are the Brave - On the Run
• 0:06:36 - Lonely Are the Brave - 3M96
• 0:09:58 - Rio Conchos - Bandits Ho!
• 0:14:43 - Rio Conchos - Bandits Ho!
• 0:15:05 - Rio Conchos - The Corral
• 0:21:50 - Rio Conchos - Rio Conchos (Main Title)
• 0:26:11 - Poltergeist II: The Other Side - The Power
• 0:29:31 - The Artist Who Did Not Want to Paint
• 0:39:31 - Rio Conchos - River Crossing
• 0:41:27 - Frontiers (Varese re-recording) - Damnation Alley  - End Title
• 0:42:28 - Patton (Varese re-recording) - Main Title
• 0:43:16 - Patton (film recording) - Main Title
• 0:43:51 - Patton (original album recording) - Main Title
• 0:44:46 - Patton (Varese re-recording) - Main Title
• 0:45:04 - Rio Conchos (1989 release) - Aftermath 
• 0:47:18 - The Artist Who Did Not Want to Paint (1989 release)
• 0:47:39 - The Artist Who Did Not Want to Paint (1989 release)
• 0:54:50 - Rio Conchos - Wall of Fire (alternate original take)
• 0:55:26 - Rio Conchos - Wall of Fire
• 0:58:22 - Rio Conchos - Wall of Fire
• 1:00:07 - The Artist Who Did Not Want to Paint (film recording)
• 1:00:33 - The Artist Who Did Not Want to Paint
• 1:01:08 - The Artist Who Did Not Want to Paint
• 1:01:36 - The Artist Who Did Not Want to Paint (film recording)
• 1:04:45 - The Artist Who Did Not Want to Paint
• 1:07:18 - The Blue Max - Main Title
• 1:07:48 - The Artist Who Did Not Want to Paint
• 1:08:09 - The Artist Who Did Not Want to Paint  (1989 LSO live concert performance)
• 1:12:44 - Rio Conchos - The River
• 1:14:21 - Rio Conchos - Rio Conchos (Main Title)
• 1:14:57 - Rio Conchos - Special Delivery
• 1:15:15 - Rio Conchos - Free Men / The Intruder
• 1:16:03 - Rio Conchos - Special Delivery
• 1:17:40 - Rio Conchos - End Cast
• 1:18:13 - Night Crossing - Into the West (alternate)
• 1:19:57 - Rio Conchos - Special Delivery
• 1:21:47 - Rio Conchos - Where's the Water?
• 1:27:44 - Rio Conchos - End Cast

Edited by Wes Deckers.

Please send your correspondence to [email protected].

It's Goldsmith-pickin' season, and we've got another fresh, juicy Soundtrack Spotlight for you! Your humble hosts David and Yavar are joined by film music journalist Tim Greiving to discuss Varese Sarabande's new Deluxe Edition of Jerry’s rich, thrilling score for Franklin J. Schaffner's Lionheart. The guys discuss the challenges of doing research on this project, Tim's approach to writing the liner notes, the score's key themes, the film's struggles to achieve its ambitions, the other Goldsmith scores this one resembles, the process of sorting through the film's frustrating music edits, and much more. So don your armor(-plated headphones), and join our noble quest to place the spotlight on another worthy Goldsmith release!

Find your handy Lionheart Odyssey Soundtrack Spotlight track list here!

Please send your correspondence to [email protected].

The good folks at La-La Land Records have released the third volume of their excellent Goldsmith at 20th series, and we're pleased to be able to place this one under the Soundtrack Spotlight! This release pairs Goldsmith's alternately jazzy and tender music for the 1963 drama The Stripper with his quirky, entertaining effort for the 1974 comedy S*P*Y*S. Your humble hosts Yavar, David, Clark, and Jens are joined by Goldsmith expert Jeff Bond (who wrote the liner notes for this album) for a discussion of both scores. In addition, you'll hear thoughts on La-La Land's re-release of The Blue Max (featured on the first Goldsmith at 20th installment), Goldsmith's approach to comedy scoring, the single cue Goldsmith wrote for the 1960 western Flaming Star (included as a bonus track on this release), and more! Whether you're attempting to start a new life after being abandoned by your sleazy manager or engaging in international espionage while evading clumsy assassins, take a break for an hour or so and enjoy this conversation!

• 00:00 - S*P*Y*S - Get Rid of the Dog (Goldsmith)
• 02:38 - The Blue Max - First Blood (Goldsmith)
• 07:48 - Studs Lonigan - The Crises (Goldsmith)
• 08:19 - The Blue Max - Main Title (Goldsmith)
• 08:48 - Flaming Star - Pacer's Farewell (Goldsmith)
• 10:15 - Flaming Star - Flaming Star (Elvis Presley)
• 12:01 - Cape Fear - Max (Bernard Herrmann)
• 13:07 - Flaming Star - Pacer's Farewell (Goldsmith)
• 16:26 - The Stripper - Lila and Helen (Goldsmith)
• 18:36 - Studs Lonigan - Out of Work (Goldsmith)
• 19:40 - Picnic - Hal's Theme (George Duning)
• 20:35 - Playhouse 90 - "A Marriage of Strangers" - A New Home (Goldsmith)
• 22:32 - The Stripper - Main Title (Goldsmith)
• 24:07 - The Stripper - Empty Room (Goldsmith)
• 26:33 - The Stripper - The New Job (Goldsmith)
• 30:12 - The Stripper - Party Boy (Goldsmith)
• 32:08 - S*P*Y*S - Get Rid of the Dog (Goldsmith)
• 32:20 - S*P*Y*S - Dog-Gone Paris (Goldsmith)
• 33:02 - S*P*Y*S - Triple Cross (Goldsmith)
• 33:30 - S*P*Y*S - Anybody Got a Key? (Goldsmith)
• 36:12 - Do Not Fold, Spindle, or Mutilate - Main Title (Goldsmith)
• 37:08 - S*P*Y*S - Main Title (Goldsmith)
• 39:06 - The Trouble with Angels - L.S.M.F.T. (Goldsmith)
• 41:09 - Mr. Baseball - Winning Streak (Goldsmith)
• 43:01 - Romeo and Juliet - Love Theme (Pyotr Ilyich Tchaikovsky)
• 43:15 - S*P*Y*S - New Friends (Goldsmith)
• 45:16 - S*P*Y*S - Who's Paying? (Goldsmith)
• 47:21 - S*P*Y*S - The Siberian Blues (Goldsmith)
• 47:43 - S*P*Y*S - A Welcome Guest (Goldsmith)
• 48:51 - S*P*Y*S - Woops (Goldsmith)
• 50:17 - S*P*Y*S - A Welcome Guest (Goldsmith)
• 50:49 - S*P*Y*S - Table Talk (Goldsmith)
• 55:40 - The Stripper - End Title (Goldsmith)

Please send your correspondence to [email protected].

Our chefs are hard at work in the kitchen, experimenting with various aural seasonings and editing techniques as they prepare to serve our next regular episode. In the meantime, however, please enjoy this delicious apertif: a brief, entertaining interview with film score reconstructionist (and friend of the show) Leigh Phillips, who fills us in on the status of a potential Thriller: Volume 3 Kickstarter, reveals which Thriller scores would likely be included on that album, talks about his work reconstructing Jerry Goldsmith's score for Damnation Alley, reveals his favorite recent Goldsmith album releases, and more! Plus, be sure to stay tuned for that regular episode, in which Leigh will give us his expert analysis of Goldsmith's score for the Thriller installment Mr. George. Enjoy!

• 00:00 - Thriller - "Mr. George" - The Garden (Goldsmith)
• 02:19 - Thriller - "Pigeons from Hell" (Morton)
• 04:44 - Thriller - "What Beckoning Ghost" - Waking Up (Goldsmith)
• 05:38 - Thriller - "The Dark Legacy" - Book, Dog & Fireplace (Goldsmith)
• 06:16 - Thriller - "Guillotine" - Guillotine Test (Goldsmith)
• 06:36 - Thriller - "The Cheaters" - Miriam's Excursion (Goldsmith)
• 07:26 - Thriller - "The Storm" (Morton)
• 07:57 - Thriller - "The Devil’s Ticket" (Morton)
• 16:34 - Damnation Alley - Refueling Stop (Film Audio) (Goldsmith)
• 18:31 - Damnation Alley - Refueling Stop (Intrada Album) (Goldsmith)
• 23:36 - The Salamander - Car Bomb (Goldsmith)
• 23:48 - Thriller - The Grim Reaper - Prologue (Goldsmith)
• 26:08 - Damnation Alley - The Desert (Film Audio) (Goldsmith)
• 27:20 - Star Trek: The Motion Picture - Synth for Main Theme (Goldsmith)
• 28:18 - Damnation Alley - The Desert ARP OD (Stem) (Goldsmith)
• 29:02 - Damnation Alley - The Desert (Recording Session) (Goldsmith)
• 29:29 - Damnation Alley - The Desert ARP OD (Mix) (Goldsmith)
• 30:15 - Damnation Alley - The Desert (Intrada Album) (Goldsmith)
• 31:35 - Tron Legacy - The Son of Flynn (Daft Punk)
• 32:31 - Air Force One - Firing on Air Force One (McNeely)
• 36:00 - US Marshals - Funeral Ambush (Goldsmith)
• 39:04 - Damnation Alley - Valley of Death (Intrada Album) (Goldsmith)

Please send your correspondence to [email protected].

A substantial Goldsmith expansion receives the Soundtrack Spotlight treatment! This time, your humble hosts David and Clark sit down on their tuffet for a conversation with legendary recording engineer and album producer Bruce Botnick, who produced Varese Sarabande's new complete presentation of Jerry Goldsmith's score for the 2001 thriller Along Came a Spider. Over the course of this chat, Bruce tells us about the approach he takes when re-examining a score he worked on years earlier, the distinctive musical soundscape Goldsmith created for this project, why this score works best when it can be heard in full, and much more! Naturally, you'll be treated to plenty of compelling excerpts from the new album along the way. Plus: a bit of breaking news that will be of particular interest to Disney soundtrack fans. So grab a bowl of curds and whey, sit down beside us, and enjoy!

Here is your detailed Goldsmith Odyssey Soundtrack Spotlight - Along Came a Spider Track List!

Please send your correspondence to [email protected].

Way back in Episode 8 (our Fifties Roundup show), we talked about Jerry Goldsmith's memorable theme for the western TV series Black Saddle and also noted a couple fun cover versions of the theme we had found. Since then, we've uncovered a host of additional cover versions and thought it might be fun to produce a Gold Nugget featuring them. Over time, this nugget evolved into something considerably more grandiose: a massive affair with two special guests (Bill Humphrey of the ‘60s surf band The Revelairs and John Gilbert, whose father Herschel Burke Gilbert was the music director for Black Saddle), several exclusive interviews with musicians who have covered the theme, analysis of the music featured on the TV show itself, and a generous collection of Black Saddle covers. A grand achievement or an excessive work of madness? Take a day off, click play, and decide for yourself!

Besides our two regular guests John Gilbert and Bill Humphrey, the show also includes additional side interviews with:

• Tom Bittel of The Aquatudes
• Noé Socha, Josh Davis, and Quinn Murphy of The New York Gremmies
• Lorenzo Friday of 13 Tikis
• Donny Allen, Tim Allen, and Doug Mellenthine of the Ghost Riders Drum and Bugle Corps; during the interview Doug makes reference to this list of Black Saddle performances on the Drum Corps Xperience.

Click here for your Black Saddle: History of a Theme full track list and links to corresponding untruncated YouTube video performances.
Older quoted interviews in full: Jerry Goldsmith (May 8th, 2002) and Herschel Burke Gilbert (April 30th, 2001) interviewed by Jon Burlingame for the Archive of American Television.

Please send your correspondence to [email protected].

Wanted: 49 minutes of your time! Hot on the heels of The Don Is Dead and Take Her, She's Mine, the good folks at Intrada Records have served up yet another exciting Goldsmith premiere: the 1959 western Face of a Fugitive (previously covered way back in Episode 3 of The Goldsmith Odyssey). As such, it's time for another Soundtrack Spotlight, with Douglass Fake and Roger Feigelson of Intrada joining your humble hosts Yavar and Clark for a conversation about this compelling and important early Goldsmith score. This informative chat offers conversation about discovering music that was previously believed to be missing, how this score offers the first real taste of Goldsmith's signature action writing, thoughts on the score's key thematic ideas, and whether or not there's any possibility of getting Goldsmith's Black Patch on album at some point in the future. Plus, you'll be treated to a variety of clips that give you a good taste of what the full album has to offer. Check out the Spotlight, then check out the album – we think you'll enjoy both.

And here's your track list for the Face of a Fugitive Odyssey Soundtrack Spotlight!

Please send your correspondence to [email protected].