According to former lorry driver turned Pulitzer Prize-winning art critic, Jerry Saltz, art represents "the greatest operating system our species has ever devised to explore consciousness." That is, of course, until they invented the podcast.

On this episode, Ryan and Lydia Porter had the distinct pleasure of talking all things visual with America's most famous, and in some corners of the internet, infamous, art critic.

In his new book, "Art Is Life", Saltz draws on two decades of work to offer a real-time survey of contemporary art as a barometer of our times. Chronicling a period punctuated by dramatic turning points - from the cultural reset of 9/11 to the rolling social crises of today - Saltz traces how visionary artists have both documented and challenged the culture.

Art Is Life offers Saltz's eye-opening appraisals of trailblazers like Kara Walker, Hilma af Klint and Jasper Johns; provocateurs like Jeff Koons, Richard Prince and Marina Abramovic; and visionaries like Jackson Pollock and Willem de Kooning. With his signature blend of candour and conviction, Jerry Saltz argues in Art Is Life for the importance of the fearless artist. The result is an openhearted and irresistibly readable appraisal by one of our most important cultural observers.

Jerry spoke to us about everything from Tracey Emin to Dolly Parton, to the bankrupt FTX billionaire currently making headlines. We debated the merits of the art market, to whether or not we British are capable of transcending our literary roots to paint what he calls, "the bullsh*t American sublime."

While rarely succinct, he is never boring, and full of tremendous curiosity, intelligence, and an enthusiasm for art and artists that cannot be ignored.

The Hatchards Podcast has always been about hard graft.

In this episode, resident workaholics Ryan Edgington and Matt Hennessey discuss the life & times of two other (arguably less celebrated) grafters, Charles Dickens and Prince, alongside our special guest, the bestselling novelist and screenwriter, Nick Hornby.

Hornby’s excellent new book – Dickens & Prince: A Particular Kind of Genius – uses the example of these two giants to explore the nature of creativity and asks what drove them both to such extremes of productivity. How, exactly, did they get so much done? Is this drive innate or manufactured by experience? Is it better to be perfect or prolific? And is there ever such a thing as ‘wasted talent’?

We also asked Nick about his own creative process; the importance of pop culture (especially music) in his work; whether there is a modern equivalent of “the pram in the hall” distracting artists from their toil; and the likelihood of there ever being a Fever Pitch 2.

In this episode we spoke to Melissa Newman – daughter of Paul Newman and Joanne Woodward – about her father’s posthumous memoir, 'Paul Newman: The Extraordinary Life of an Ordinary Man.'

Created from transcripts of recordings originally made by Paul in the 1980s, these candid, reflective and deeply personal reminiscences are interspersed with excerpts of interviews from friends, family and colleagues – among them directors John Huston, Robert Altman and Elia Kazan; fellow actors Tom Cruise, Eva Marie Saint and Robert Wagner; and of course, Joanne Woodward herself – who was married to Newman from 1958 until his death in 2008. The result is a unique insight into one of the most iconic film actors of the twentieth century.

In our conversation, Melissa spoke about her father’s complex personality; the sometimes painful, sometimes funny experience of excavating her parents’ past; the knottier truth hidden beneath the ostensibly perfect family exterior; Ethan Hawke’s recent documentary about her parents, The Last Movie Stars; as well as Paul’s insecurities as an actor and his conflicted relationship with fame.

She was as open, charming, frank and funny as her father, rightly emphasising his many virtues while also unafraid to acknowledge his flaws.

On the latest episode of The Hatchards Podcast, Ryan and Matt make their (triumphant?) return to interview the illustrious music journalist David Hepworth on the occasion of the release of his new book, "Abbey Road: The Inside Story of the World's Most Famous Recording Studio."

Many people will recognise the famous zebra crossing. Some visitors may have graffitied their name on its hallowed outer walls. Others might even have managed to penetrate the iron gates. But what draws in these thousands of fans here, year after year? What is it that really happens behind the doors of the most celebrated recording studio in the world? It may have begun life as an affluent suburban house, but it soon became a creative hub renowned around the world as a place where great music, ground-breaking sounds and unforgettable tunes were forged - nothing less than a witness to, and a key participant in, the history of popular music itself. What has been going on there for over ninety years has called for skills that are musical, creative, technical, mechanical, interpersonal, logistical, managerial, chemical and, romantics might be tempted to add, close to magic.

David spoke to us about The Beatles' creative relationship with the studio, how its engineers defined the sound of pop music for a generation, and why Ryan is wrong about the legacy of David Bowie.

On this special episode, male-identifying hosts Matt Hennessey and Ryan Edgington have been excommunicated from the programme in favour of guest hosts Lydia Porter and Alessia Arcuri who spoke to Katy Hessel about her new book, "The Story of Art Without Men."

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway?

Discover the glittering Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century USA, and the artist who really invented the Readymade. Explore the Dutch Golden Age, the astonishing work of post-War artists in Latin America, and the women artists defining art in the 2020s. Have your sense of art history overturned, and your eyes opened to many art forms often overlooked or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan this is the history of art as it's never been told before.

...And lest you had previously considered this show to be too male-dominated, this quasi-tokenistic act of self-immolation on the part of Matt and Ryan now permits us to never again address any future criticisms you may have about this fine programme. Especially if they are warranted.

As always, we will continue to accept flattery and well wishes, as well as the occasional pint.

This is The Hatchards Podcast... without men.

The latest installment of the Hatchards Podcast is a global affair, recorded variously in Los Angeles, Paris, and North London and featuring our guest Tess Gunty, author of the phenomenal debut novel, The Rabbit Hutch.

Set over three sweltering July days in the fictional town of Vacca Vale in the American rust belt, the novel revolves around the residents of ‘The Rabbit Hutch’, a dilapidated housing complex that is home to a motley mix of the Midwest's forgotten and forlorn: damaged teens struggling to deal with the legacy of foster home abuse; an elderly couple besieged by falling rodents; a lonely online obituary editor; and Blandine Watkins, the heroine of the story and its unforgettable central character, upon whom a shocking act of violence is both the beginning and the culmination of this novel.

We spoke to Tess about the inspiration for the spellbinding Blandine; the influence of the German mystic, Hildegard of Bingen; the plight of real-life midwestern towns abandoned by the political class; and her own background in the Vacca Vale-esque South Bend, Indiana. Ryan also squeezed in the obligatory film reference in the form of a question about Harmony Korine.

In this episode, we spoke to the inimitable Geoff Dyer, author of books including Out of Sheer Rage, Zona, But Beautiful, The Ongoing Moment, and Broadsword Calling Danny Boy.

His new book, The Last Days of Roger Federer and Other Endings, was published by Canongate earlier this month. Ingeniously structured – separated into three sections of sixty chapters, with its 86,400 words representing each second in a day – it is both witty and wise, and examines the late careers of artists as varied as J. M. W. Turner, Nietzsche, D. H. Lawrence, Bob Dylan and the eponymous Federer on its way to asking the question: "Could it be that our deepest desire is for it all to be over?"

Less elaborately structured, our freestyle conversation with Geoff is one we reluctantly ended with a reference to a shampoo scam. Before that? The difficulty of retaining what you read; Geoff’s capacity for building atomic weaponry; the case for reading Middlemarch; artist James Turrell's pharaonic Roden Crater project in the Arizona desert; and the genius of Larry McMurtry – all in a mere 2,844 seconds.

For initiates and the uninitiated alike, our conversation is a perfect window into the boundlessly curious and original mind of one of Britain's greatest wits.

Dear listener, we strongly recommend that you pour yourself a tall glass of Bordeaux before you listen to the latest episode of The Hatchards Podcast, lest you want to feel like the only sober person in the room.

As 'Waiter in Paris' memoirist Edward Chisholm is a trained expert in what he describes as the holy trinity of French cuisine - bread, cheese, and wine - Matt and Ryan considered it the perfect opportunity (nay, excuse) to try and impress their guest with an elaborate display of expensive wines and pungent cheeses. Unsurprisingly, their lively conversation is often punctuated with the popping of corks, pouring of glasses, and the breaking of bread. Mercifully, Matt left his accordion at home.

'A Waiter in Paris,' our Hatchards Book of the Month, is an insightful journey into the underbelly of the City of Light, revealing what it really takes to work as a waiter in Paris, navigating everything from raging chefs and pompous management to disdainful customers and cut-throat colleagues, all in the name of putting food on your table.

Mr. Chisholm spoke to us about his experiences in Paris as a young British ex-pat, where his vain hopes of finding gainful employment in the arts or humanities rapidly emptied his bank account. As a consequence, he sought a role as a waiter in an archetypal French Bistrot where any romantic notions he may have held about this profession were quickly shattered within minutes of beginning his first shift.

If you think you've got party stories, wait until you hear from Edward Chisholm.

In this episode, 'This is Shakespeare' author Emma Smith joins us to discuss her latest book, 'Portable Magic,' an iconoclastic new story of the book in human hands, exploring when, why, and how it acquired its particular hold over us. Gathering together a millennium's worth of pivotal encounters with volumes big and small, Smith reveals that, as much as their contents, it is books' physical form - their 'bookhood' - that lends them their distinctive and sometimes dangerous magic.

Emma spoke to us about why she feels it is important not to overly romanticise the book form, as historically books have been at the center of powerful authoritarian movements such as Hitler's 'Mein Kampf' or Mao's 'Red Book.'

While that description may lead you to think that our conversation has a contrarian streak, in reality, you have never heard three people speak more enthusiastically, or indeed more exhaustively, about books. Trust us when we say we have left no page unturned.

This is truly The Hatchards Podcast at its most unabridged. For book lovers, is there anything better?

In this episode, we spoke to debut novelist Ben Hinshaw about his new book, "Exactly What You Mean," a series of 11 interconnected short stories revolving around the island of Guernsey.

Characters appear and reappear throughout the book, ricocheting through each other's lives in ways that can be either funny or tragic and altogether unexpected. In this way, Hinshaw reminds us of the ways that we are all connected, and the impact we make on those around us, for better or worse.

Hinshaw spoke to us about his memories coming-of-age on the island throughout the 80s and 90s, his years spent as a London bookseller, his later years in America, and his unique journey towards becoming a novelist.

With echoes of Raymond Carver, Alice Munro, and the ensemble films of Paul Thomas Anderson, Hinshaw's book marks the arrival of a major new literary voice.