
Sign up to save your podcasts
Or


After watching an early copy of the forthcoming documentary Bathtubs Over Broadway, Alec became fascinated by the film's quietly hilarious hero, Steve Young. As part of his job as a writer for the David Letterman Show, Steve had to scour secondhand stores for kooky music Dave would play on-air. That's how he first came across recordings of industrial musicals, a genre of theater largely unknown to anyone who didn't attend a sales conference in the 60s or 70s. An "industrial" was a fully staged production commissioned by a large company and performed solely for its salesmen, executives, or distributors. Some starred top-flight Broadway talent and were written by legendary teams like Chicago's Kander and Ebb (Go Fly a Kite for GE, 1966) or Fiddler on the Roof's Jerry Bock and Sheldon Harnick (Ford-i-fy Your Future, 1959). But many performers and composers made their living primarily doing industrials. Steve Young has dedicated his post-Letterman life to preserving what recordings remain, and to shining light and love on the artists behind these ephemeral creations. Alec and Steve dive into songs like "My Bathroom," and into the psychology of someone who would dedicate his life to saving them from obscurity. Plus they talk Letterman, and Young's own path from blue-collar New England, to Harvard, to the top of the comedy-writing heap.
Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
See omnystudio.com/listener for privacy information.
By iHeartPodcasts4.3
79707,970 ratings
After watching an early copy of the forthcoming documentary Bathtubs Over Broadway, Alec became fascinated by the film's quietly hilarious hero, Steve Young. As part of his job as a writer for the David Letterman Show, Steve had to scour secondhand stores for kooky music Dave would play on-air. That's how he first came across recordings of industrial musicals, a genre of theater largely unknown to anyone who didn't attend a sales conference in the 60s or 70s. An "industrial" was a fully staged production commissioned by a large company and performed solely for its salesmen, executives, or distributors. Some starred top-flight Broadway talent and were written by legendary teams like Chicago's Kander and Ebb (Go Fly a Kite for GE, 1966) or Fiddler on the Roof's Jerry Bock and Sheldon Harnick (Ford-i-fy Your Future, 1959). But many performers and composers made their living primarily doing industrials. Steve Young has dedicated his post-Letterman life to preserving what recordings remain, and to shining light and love on the artists behind these ephemeral creations. Alec and Steve dive into songs like "My Bathroom," and into the psychology of someone who would dedicate his life to saving them from obscurity. Plus they talk Letterman, and Young's own path from blue-collar New England, to Harvard, to the top of the comedy-writing heap.
Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
See omnystudio.com/listener for privacy information.

38,484 Listeners

6,795 Listeners

29,040 Listeners

4,880 Listeners

4,640 Listeners

4,304 Listeners

244 Listeners

3,742 Listeners

59,543 Listeners

8,568 Listeners

8 Listeners

8 Listeners

350 Listeners

64 Listeners

12,611 Listeners

250 Listeners

58,032 Listeners

141 Listeners

237 Listeners

1,549 Listeners

839 Listeners

10,717 Listeners

63 Listeners

12,786 Listeners

276 Listeners

159 Listeners

1,030 Listeners

18 Listeners

192 Listeners

11,420 Listeners

61 Listeners

552 Listeners

3,569 Listeners

32 Listeners

32 Listeners